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Click here to subscribeAN INLAID MAHOGANY CASED STICK BAROMETER by Fasana, Bath, c.1800, with silvered registers, inset Fahrenheit thermometer and detachable hydrometer, the case with edge stringing, broken pediment centred by a brass acorn finial, and turned cistern cover, 43" high (Illustrated) (Est. plus 21% premium inc. VAT)
A KINGWOOD STICK BAROMETER by Maritich, London, c.1820, the paper dial with Masonic symbols, the moulded edged case with shell and batwing patera and chequer edge stringing, broken pediment centred by an ivory urn finial, moulded square cistern cover, 38 1/2" high (Est. plus 21% premium inc. VAT)
AN EARLY VICTORIAN SILVER VINAIGRETTE AND AN EARLY 20TH CENTURY RATTLE, the vinaigrette of rectangular outline with inner pierced hinged grille of scrolling design, the outer casing with engine turned decoration, hallmark rubbed, length 42mm, together with a silver handled embossed rattle/whistle and mother of pearl teething stick, hallmarked Chester 1925, length 97mm, total weight 47.9 grams
GOLD FINE CHAIN NECKLACE AND THE TINY CARVED CORAL PENDANT, as the figure of a man carrying a bundle; VICTORIAN UNMARKED GOLD CIRCULAR LAPEL BROOCH, with embossed strap and buckle decoration; VICTORIAN STICK PIN with stag top and a bar brooch and a ROLLED GOLD BAR TIE PIN with terrier centre (4)
Mid-19th century flame mahogany and ivory stick barometer, Spendlove - Thetford, the arched case with glazed panel with bevelled ivory scales marked from Very Dry to Stormy and opposed by 31 to 27 with slide Vernier and visible tube over a further twin scale ivory thermometer with mercury tube and ring turned cistern cover, height 92cms
Late 19th century European carved ivory chamber stick, with urn shaped sconce with flared and fluted rim with acanthus leaf body to a saucer base with further foliate centre and with high relief carved floral and foliate border with an applied thumb piece with cartouche initialled AA (loose) and raised on a plain foot rim, width 12cms, height 6cms
Late 19th/early 20th century mother of pearl, silver and lace fan of 16 stick construction with applied silver floral and foliate detail to an intricate lace pattern with hoop suspension and silk and bullion tassel, length 26cms in a card fitted case with paper label for J Duvelleroy - 167 Regent St, London
POP/60s/70s LPs/7". To include approximately 48 LPs and 42 7" with artists to include The Rutles - Self Titled (HS 3151), Frankie Goes To Hollywood - Welcome To The Pleasuredome, Joe Walsh - Rocky Mountain Way (picture disc), Nilsson - Nilsson Schmilsson, Eagles - Their Greatest Hits, Bryan Ferry - Let's Stick Together, Ultravox - Vienna, U2 - Boy, Eagles - Hotel California, Genesis - No Son Of Mine, Dire Straits - Making Moves, The Christians - Self Titled, Electric Light Orchestra - Discovery, Raymond Froggatt - Why. 7" artists/titles to include Space (7N 25746), Mungo Jerry (DNX.2505), The Marmalade (F.13035), Hawkwind (UP35381), The Beatles (R 6013), Elvis Costello & The Attractions (ADA31), Styx (AMS 7489), Three Dog Night (SS 8052), John Lennon (R 5994), Medicine Head (X2) (2058 436), (2058-389), 10cc (6008 014), The Jam (POSP 400) CAN (VS 153), Bob Dylan (S CBS 6499), Jean Michel Jarre ()2001 721). Condition varied.
DAVID BOWIE UNRELEASED TRACK MASTER TAPE. A boxed reel of 2" Scotch tape, with Trident Studios labels on box indicating that the contents of tape include a 30th July 1971 recording session at Trident, with David Bowie listed as a producer for recordings of Fill Your Heart and Changes. The tape is an incredible listening experience and includes the solo recordings of the instruments and Bowie’s vocals on the 16 audio channels which culminates in 5 takes of Changes and 3 takes of Fill Your Heart With Love.There are 4 instrumental takes of Changes with Bowie stopping recording and speaking to musicians and engineers in between takes. His explanations as to how he would like it played are fascinating and he was obviously in good spirits with quips such as “Good Luck Chaps!” prior to counting down the start. At one point he also loses a little patience being heard saying “Do another one!” followed by swearing at the response of one of the musicians/engineers.When listening to his vocal solos for both Changes and Fill Your Heart he can be heard breathing softly and humming tunes before breaking into the vocals. The sound quality is that good that it almost feels like you are there in the studio with him.Much of this tape contains previously unheard recordings of two significant Bowie tracks making it an incredible opportunity for a Bowie fan and collector to hear this amazing recording.The tape has been professionally transferred to digital and a USB data stick with the recording on will be provided with the lot.A detailed history of the provenance of the tape has been provided courtesy of the vendor. What follows is an abridged account, recounted by the vendor:"In the 1970s Bowie’s management rented a studio in what Brian Eno describes as “palatial Gunter Grove in Chelsea”. Bryan Wharton, internationally renowned photo journalist and award-winning photographer, was a neighbour in an adjacent unit at Gunter Studios and remembers, “They were there for about six years. He remembers that when they vacated the offices in the late 70s that there were skip loads of stuff left behind. Tania had been visiting Bryan at Gunter studios since 1968 when she met him as a 17-year-old actress wannabe. She had a white convertible but only a provisional licence and Bryan was one of the friends she would call on to sit with her when she wanted to go for a drive. Their friendship with the L-plate chaperone endured even after she passed her test and, over a decade later, in 1981, Bryan introduced her to his new neighbour Mike Norris, a photographer who had recently bought the old Church hall, the largest of the studios.Within 18 months, Bryan was the Best Man at Mike and Tania’s wedding in the Boltons. By 1985, the couple also had a weekend cottage in Wiltshire and Tania was spending more and more time there with their young children. One weekend, Mike arrived with a battered carrier bag and handed it to Tania. “Inside was this old box containing a Bowie master tape. I had no idea what to do with it so I put it in an un-used cupboard with my mother’s mink.” “He had found it in Gunter Hall when he moved in, covered in plaster dust and cobwebs at the back of an alcove piled with junk from the previous owner,” said Tania. “He was not somebody in the bit of giving me anything valuable! I didn’t quite know what to do with this strange gift and assumed it was another of his white elephants and had little value.” “But I kept hold of it through various house moves and it’s been under my bed for years now. It was only when I read a recent article in the Guardian about another discovered recording of Bowie’s that I realised I might be sleeping on a gold nugget!” "**Please note that the tape and its contents are being sold as an artefact only. No copyright is included with the sale and any reproduction of the material is strictly forbidden under UK Copyright Law.**
70s ROCK/POP. A collection of approximately 300x 7" with artists to include: Queen (x6) - Crazy Little Thing Called Love, Don't Stop Me Now, Bohemian Rhapsody, Killer Queen, Now I'm Here, Seven Seas Of Rhye, Bowie - Knock On Wood, Black Sabbath - Paranoid, Neil Young - Heart Of Gold, T. Rex - Metal Guru, Deep Purple - Black Night, Faces - Cindy Incidentally, Yes - Wonderous Stories, Mott The Hoople - All The Way From Memphis, The Move - Brontosaurus, The Who - Let's See Action, Ian Dury & The Blockheads - Hit Me With Your Rhythm Stick, Bread (x2) - Diary, The Guitar Man, String Driven Thing - It's A Game, The Creation - Making Time, Dave Edmunds (x4) - Queen Of Hearts, Baby I Love You, Born To Be With You, Down, Down, Down. Condition VG - EX.
A collection of jewellery, to include a gold faceted belcher chain necklace, marked 9c, 6.13g, a gold turquoise and seed pearl Swallow stick pin, 0.28g, two rolled gold lockets, a silver locket with engraved Crane motif, together with a collection of enamel badges and costume brooches, an Art Deco paste stone double clip brooch, two sterling silver hinge bangles, a sterling silver square framed photo frame, and a rolled gold Buren open faced pocket watch with Arabic numerals, and a ladies gold plated Oris mechanical strap watch
A post-war Schuco Rolly clockwork teddy bear, With light brown mohair, brown and black glass eyes, black stitched nose, mouth and claws, swivel head, jointed arms, felt pads, wooden support stick, metal skates, original red felt scarf and keywind mechanism causing the bear to move forward —8½in. (21.5cm.) high
A 1920's Fortin stick barometer and thermometer by Casella of London, No.3152, with silvered cylindrical scale and vernier and mercury thermometer, contained in cylindrical black lacquered casing and cistern, 38ins high contained in mahogany and glazed case. Note: With Certificate of Examination dated 28th June 1928, No. 24-597
An oak refectory table of "17th Century" design with four plank pleated top, on heavy bulbous leaf carved end supports with trestle feet and plain stretcher, 72ins x 31ins x 29ins high, and eight beechwood and elm stick back and wheel back Windsor kitchen chairs (including two armchairs), all with wood seats, on turned legs and stretchers
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