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Lot 3088
Five 19th century Brussels and French lace fans - all with mother of pearl sticks and guards, three fan boxes including one Duvelleroy CONDITION REPORT Cream fan with cream reverse- very good.Fan with black lining- very good condition except repair to guard stick (see photo).Cream muslin has broken guard stick (see photo).Cream fan with darker cream mother of pearl sticks- very good.Fan with grey mother of pearl- good, some brown spots and white marks on reverse. Guard stick unstuck.
Lot 3249
Gold (9ct) stylised leaf brooch set with three pink stones, gold (9ct) tie pin, two stick pins, two studs and a locket pendant on chain, within tooled red leather box CONDITION REPORT Gold (9ct) brooch and tie pin weigh 8.4 grams. Green stone tie pin stamped 14k weighs 3.7 grams. One stud marked 15ct - 1.1 grams. Other stud marked 9ct - 1.1 grams
Lot 472
Quantity of Assorted Spare Parts for Swords, including 3 military scabbards (one brass for a piquet weight blade), another incomplete, a kaskara blade, 2 sword stick blades, 4 assorted sidearm scabbards, and a selection of mostly 19th century hilt parts. Average quite good condition, some damages.
Lot 537
The Playscript Archive of Nora LeverNora Lever, who died in 1996, was active in Dublin theatre for almost 50 years. In 1951 she founded the 37 Theatre Club with Barry Cassin to produce experimental work. When that venue had to close, she continued as a freelance producer and actor. She taught speech and drama at Alexandra College and at the Royal Irish Academy of Music, and was a life-long campaigner for animal welfare. The present archive includes a lifetime's collection of original playscripts, mostly typescript or cyclostyled, some with amendments and additions, many by young writers who went on to make their mark. It is particularly strong in work by women writers (it appears that about 1986 she appealed publicly for new work by women writers). It includes many production copies, extensively marked up and amended for production. For some revue or pageant-type productions, these scripts may be the only extant record.There are more than 50 playscripts by some 40 writers, including four works by Teresa Deevy, Wife to James Whelan (with production plan on notepaper of Mme Bannard-Cogley's Studio Theatre Club), Beyond Alma's Glory, In the Cellar of my Friend, Dignity; four by Maurice Meldon (Aisling, One Brave Day, Song of the Parakeet, House Under Green Shadows); three early sketches by Bernard Farrell, Holiday Break, The Interview and The Line of Duty [with production markings]; Nora Lever's own work The Lost Book (manuscript), also Jane Eyre (adapted from Bronte, orig. ms.); Paul Vincent Carroll, Coggerers (5 copies for a Dublin Theatre Group production); Mary Rose Callaghan (A House for Fools); Rita Kelly (Mrs. Waters, wife of Eoghan Ó Tuairisc), Wedding at Wittenberg [play about Luther], with extensive amendments and production markings; Anne Tait, So Great a Sweetness, compiled from the letters of W.B. Yeats, Maud Gonne, Katharine Tynan and Lady Gregory, Dublin Theatre Festival production at Castletown House 1975, production copy, extensively amended, also with a clean copy of the script; Elizabeth Brennan, Compassion, with production notes; also J.B.Y., featuring John Butler Yeats, Mrs. Yeats, Katharine Tynan, Maud Gonne, Willie Yeats, production copy, much amended; four plays by Maurice Davin Power, two by Ralph Kennedy, Eoin Neeson's My Brother's Keeper; Joyce Ray (Galway), Maendeleo Ya Wanawake (Women's Progress), play [in English] set in Kenya, with ALS mentioning a call for women playwrights; Tom Mac Intyre, The Walking-Stick (mime sequence); Victor Jackson, Within These Walls, a play dramatizing the history of St. Patrick's Cathedral; M. Cogley (Thanks to A.G.); and about 25 others. An impressive collection, showing the range and vitality of Irish drama outside the main theatres. Sold as an archive, w.a.f. Provenance: Collection of the theatre producer Nora Lever.
Lot 2351
Matched set of eight George III fruitwood country chairs, the stick backs above panel seats and square cut chamfered supports CONDITION REPORT All chairs have slight differences in parts, bowed or flat seat, small details to back rests, but essentially all the same style in the back design.
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