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Walking sticks - five walking sticks to include one with carved wooden handle in a form of boot with white metal detailing, marked round the collar Donald Horne, Somerville, West Yorkshire, a wooden cane with carved wooden hand, inscribed Made In Pitcairn Island, two brass handled walking sticks in the form of animals and a highly carved walking stick with horn handle, carved Swaziland.
Lucian Ercolani - Ercol - 391 - All Purpose Chair - A set of four mid 20th century retro vintage beech and elm stick back side / dining chairs having a saddle seat and stick back backrest attached to the top rail and leg spindle stretcher. All being raised on spindle legs. The chairs being finished in the blonde colourway with blue label still present.
An Ercol beech framed and green painted stick back love seat on turned splayed supports united by stretchers CONDITION REPORTS The bench has some light surface scratches, some scuffs to the lower part of the legs. General wear and tear commensurate with age and use. See photos for more details.
An Ercol beech framed and orange painted stick back love seat on turned splayed supports united by stretchers CONDITION REPORTS Some light surface scratches, some knocks and scuffs to the wood mainly to the lower half of the legs and a couple of areas at the top of the back rest. Item has general wear and tear commensurate with age and use. See photos for more details.
A pair of Bow figures of Harlequin and Columbine on scroll foot bases, bearing paper labels to underside "F.N.L.50" CONDITION REPORTS The Harlequin figure has two fingers missing on one of the hands and the little finger missing on the other. Areas of loss to the flower petals and some of the leaves. Two old repairs to the stick he is holding and an area of loss to the end of the stick. Some surface scratches, accretions and some wear to the gilt. The Columbine figure has numerous losses to both the petals and leaves, a repair to one of the stems, surface scratches and accretions, wear to areas of the gilt. There is loss to the end of the stick that the figure is holding. Both figures have wear and tear commensurate with age and use. See photos for more details.
A square piano by Mott, London, circa 1825The mahogany case with rounded front corners, raised on six turned and reeded legs. The curved rosewood veneered nameboard with inlaid foliate patterns and contrasting pierced panels flanking a green painted and foliate decorated plaque bearing the inscription: Improved. I:H:R: MOTT, 92 Pall Mall London. MAKER to his MAJESTY. The six octave keyboard FF-f4 with ivory naturals and ebony accidentals. Double action with mop-stick over-dampers controlled by the original pedal. Stamped on the wrestplank: 1464 IMPROVED PATENT GRAND SQUARES, I.H.R.MOTT , PALL MALL, LONDON. The divided bridge triple pinned.Serial number 1464Width 173cm, depth 71cm, case height including lid and leg blocks 28cm.Literature:The Colt Clavier Collection Golden Jubilee 1944-1981, p. 27, (77) S356M.
A collection of table silver including: a George V silver condiment set, ovoid shaped pepper pot on trefoil stand with attached salt and mustard pot, by Charles Wilkes, Birmingham, 1912; a Danish silver and gold coloured enamel cruet set including pepper pot, salt and spoon , stamped by Volmer Bahner & Co. (Copenhagen) and an Asprey & Co silver miniature champagne bottle with retractable swizzle stick, Birmingham, 2000 stamped Asprey & Garrard London on base total weight: 138.2 grams
Jacob: An Early 18th Century Ivory Fan, the vellum leaf mounted à l'anglaise. The biblical story of Jacob leaving the lands of Leban, with his two wives, Leban's daughters. The gorge sticks are completely plain, the guards are in contrast well carved, with figures, shells and perhaps thistles. Bulbous head. The verso is plain, wavy lines being painted on the ribs. Guard length 10.5 inches or 26.5cm. break/repair to lower guard. Upper guard has the first stick in stuck to it. The leaf is a little crumpled, with some rubbing and discoloration to the folds.
Celluloid Hand Fans, by Cynthia Fendell 2001. Together with Three Small Celluloid Brisé Fans for Young Girls, early 20th century, one in cream painted with flowers, another in a mottled shade emulating mother-of-pearl, painted with flowers, and the third a dull shade of pale green with cream mottling. All fans with loops. A Further Tiny Brisé Fan in pressed plastic, just three sticks, is pierced, painted with flowers and bears the words ''Forget not'' (5). Book in good condition. Fans slightly warped with age, the tiny fan has a split stick and defective ribbon.
The Soldier's Dream: A WWI Fan of ballon form, the monture synthetic, the guards in dark purple and the gorge sticks in yellow. Barrel head. The double silk leaf, painted by Van Garden, signature to the far right, shows two members of the French artillery dosing by their canon, dreaming of the legion d'honneur, shining in the sky amidst the stars, the flags from the distant battlefield fluttering amongst the front line shown in the distance. The verso is plain. The leaf is mounted à l'anglaise with E. Kees marked clearly on one stick. Guard length 6.75 inches or 17cm, overall height when closed 9.5 inches or 24cm. Very good, clean, clear signature
A Scarce Example of a Riding Fan, 1875, the guards mounted in carved and incised silver in bold patterns and hallmarked London 1875, Henry William Dee. The sticks are of black leather and continue from the head to the top of the leaf, and are then interspaced with royal blue silk panels. The silver loop has the addition of two chains of differing lengths, one finished with a ring, the other with a square, presumably for attachment to either the riding habit or the horse. Guard length 8 inches or 20.5cm. In good order, some slight staining to the silk panels and on a central stick the leather has worn slightly so pale wood can be seen through. This is a very small area of wear.
An Early 19th Century Horn Brisé Fan painted in pastels with flowers, the eighteen inner sticks and two guards with pointed tips, barrel head. Framed and glazed. Together with A Framed and Glazed Folding Fan with wooden monture painted a dull gold, and deep cream gauze leaf, painted with dragonflies in flight above reeds, the insects with gold highlights and adorned with tiny gold sequins (2). Both fans are well framed and generally in good condition, the horn brisé with one damaged stick tip.
A Late 19th Century Tortoiseshell Brisé Fan, plain save for the initials AM in coral, mounted on both guards. Seventeen inner sticks with rounded tips, and two guards. Tortoiseshell loop. Guard Length 9 inches or 23cm . In generally good order. One stick tip has a 2mm nick, barely noticeable.
A Rare Early 19th Century Ivory Brisé Fan, with hair contained in compartments on each guard. The fan presents many unusual features. Each guard is carved in honeycomb fashion in the top section and the sides are piqué. Each compartment containing hair, is bordered in a bronze metal. The twenty-two inner sticks are all pierced in both overall patterns and into ovals of differing sizes. The upper tips are scalloped, and the design in the tips is of large leaves. Some light colour has been applied so that some of the designs appear as light ginger against the cream ivory. Guard length 7 inches or 18cm. there is very slight loss to one stick very near the centre.
A Small and Vibrant Sequin Fan, early 20th century, the monture of pink mother-of-pearl, the gauze leaf painted in gold, and embroidered with a large moth or butterfly in gold sequins. The reserves are further embroidered with sequins and spangles in shades of purple through to pink, circles or possibly flower heads of varying sizes. The verso is plain. Contained in a cream card fan box, the inner lid labelled for Bellini Ltd, 189 Regent St. W, Artists in fans, mounters and repairers. Guard length 7.5 inches or 19cm. some restoration to the rib/gorge stick joints as seen from the verso. The lower edge of the leaf is slightly frayed.
An Elegant Tortoiseshell and Horn Fan, circa 1900, the monture clouté with steel, the guards of attractively mottled tortoiseshell and the gorge sticks of horn. The dark cream silk leaf, mounted à L'anglaise is backed with pale cream net, then embroidered with bands and swags of tiny silver sequins and larger spangles of oval or floral shape. Together with a brown card fan box, lined and padded in cream silk, bearing the gold printed label of E. Kees 9 Boulevard des Capucines, Paris. Guard length 7.5 inches or 19cm. the silk is still sound, the fan is slightly warped when seen closed, one rib is broken so the stick is loose and another rib is detached.
A Late 19th/Early 20th Century Pink Mother-of-Pearl Fan, the monture with light silvered decoration to include a butterfly on the tip of the upper guard. The yellow organdie leaf is overlaid with olive green silk, cut away in regular sections to reveal the organdie, these sections bordered with gold sequins. Elsewhere the silk is embroidered with star shaped gold sequins with the addition of silver sequin swags, other silver spangles in larger and more interesting shapes within the upper panels. Together with a card fan box covered and lined in cream silk, god initials to the exterior, probably M G, and marked inside the lid, in gold, for Ate Buissot, Fabrique D'Eventails, rue de Clery 25 (Paris). Guard length 9 inches or 24cm Purchased at Christie's SK on December 5th 1978 for £22.00. The fan is in very good order save for one rib being detached from the MOP gorge stick. All parts present. Some damage to the silk on the fan box.
A Circa 1900 Mother-of-Pearl Fan, of an unusual taupe shade, the gorge sticks gently shaped at the shoulder but otherwise plain. Note the additional guard stick on top of the leaf to the left. The fontange leaf, of strong gold lamé, is embroidered with both gold silk thread and sequins, with additional ribbon work, all giving different shading to the sunflowers which feature across the top border. The stems and leaves beneath also incorporate gold metal thread. The verso is plain. Overall height 11 inches or 28cm. given the thickness of the fabric and the amount of added decoration, this fan is quite hard to hold open. The upper guard has a bread just above the shoulder.
Dame Margot Fonteyn: A Late 19th Century White Mother-of-Pearl Fan, the sticks plain, with metal loop. Mounted with a Brussels needle lace leaf, a central panel with border containing flowers and large leaves, almost of the vine, the latter with intricate fillings. The sides and top borders of the leaf are designed with sprays of flowers and leaves in a smaller scale. The ribs are of white mother-of-pearl. Contained in a card fan box covered in cream moiré silk satin, lined in cream silk and marked inside for Duvelleroy, 167 regent street. Guard length 11 inches or 28cm Provenance: Purchased at Christie's SK on December 12th 2000, lot 47 in the sale of the Dame Margot Fonteyn Collection. generally good, a repair to the shoulder of one stick, holding well. One or two pinholes in the lace. The box is exceptionally clean and bright.
A Small and Delicate Chinese Carved Ivory Brisé Fan, Qing Dynasty, circa 1820's, the twenty one inner sticks and two guards very finely carved, the guards with tiny flowers, the main body of the fan featuring three carved vignettes, the central one larger and carved with initials, the others with pagodas and trees, the reserves carved in formal borders of linking floral designs. The verso is flat. Guard length 6 and 3/8 inches or 16cm. generally very good. Ribbon sound. Some tiny slivers missing from approx. 3 sticks, the stick between the central vignette and the one to the right being the most noticeable.
A Mid-19th Century Chinese Carved Ivory Brisé Fan, Qing Dynasty, the seventeen inner sticks carved in low relief with figures, foliage buildings and boats, the two guards deeply carved with pagodas, figures and trees. Together with A Chinese Carved Ivory Mandarin fan, Qing Dynasty, the guards very deeply and intricately carved with pagodas, figures and trees, the gorge sticks carved in a similar fashion in low relief. The double leaf, with many figures dressed in robes of silk, their faces of applied ivory, features several figures wearing yellow robes. Brisé: guard length 8 inches or 20.5cm Mandarin: guard length 11 inches or 28cm (2). the brisé fan has the remains of one further stick present. Ribbon defective. Requires cleaning. The Mandarin fan has a badly damaged and split leaf, all does appear present. The monture is in good order albeit dusty.
A Good Chinese Carved Ivory Fan, Qing Dynasty, the guards deeply carved, mounted with painted white feathers and tipped with marabou, in a fitted black lacquer box, this being lined with blue silk, the inside lid divided into three panels with figures wearing silk robes, having applied ivory faces, several holding fans, bordered with vibrant flowers. The painting on the leaf is fresh and colourful, depicting four large long-tailed birds, their plumage yellow and brown, their tails white, noting the arrival of a smaller colourful bird with blue tipped wings and tail, wishing to join those already present at each side. The birds have found a grassy bank with low branches and surrounded by vibrant blossoms, berries and leaves, in strong pinks, lilac, and blue. The verso is painted with peacocks, one with tail feathers on full display, perched on a branch amid vibrant flowers and accompanied by butterflies. The fan is completed with a silk tassel in three colours, and a carved ivory oval toggle. Guard length 11 inches or 28cm plus marabouGenerally good, clean, strong colour. The marabou is not only on the tips but also applied to the lower leaf border on both sides. The guard tips have lost their marabou. There is a period repair to the lower guard, at which point a stick may be lacking. The box albeit fitted is not the correct fitted shape at the lower guard.

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133746 item(s)/page