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A rare William De Morgan eight tile panel, for the fireplace mantel, painted with a frieze of a central owl flanked by four eagles to each side, glazed in colours on a blue ground, framed,marks concealed, 20.5cm square (each tile)169.5 x 26cm (frame) ProvenanceHalsey Ricardo, thence by descent. LiteratureJon Catleugh William De Morgan Tiles, Trefoil, page 171 for a watercolour of a child by Edith Brinton, 1912, featuring the tiles above the fireplace in the background.

A William De Morgan ruby lustre Hares tile, probably Wedgwood blank, on scroll ground, unsigned, minor glaze nicks, 15cm. square LiteratureMartin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 124 figure 943 for the original design illustrated.

Sally Tuffin for Dennis China Works - a large charger by Rory McLeod and Vanessa Whitemore, slip lined and glazed decoration of two fish in deep red/burgundy on a cream ground in the manner of William de Morgan, the underside glazed with bands of varying width and depth of colour in burgundy on a cream ground. Printed marks 'Dennis China Works', '2001E' and 'RMc' and painted marks 'S.T.Des after W.De.M. R.D.Gallery' and monogram 'VMW'. By repute a unique example made for sale in the Richard Dennis Gallery, Kensington. Diameter 36.5cm. Height 5.8cm.

ESQUEMELIN (ALEXANDRE OLIVIER)De Americaensche Zee-Roovers. Behelsende een pertinente en waerachtige Beschrijving van alle de voornaemste Roveryen, en onmenschelijcke wreedheden, die de Engelse en Franse Rovers, tegens de Spanjaerden in America, gepleeght hebben, FIRST EDITION, black letter, additional engraved title-page, section titles 'Piratica America', 12 engraved plates (4 double-page), light toning to text leaves and light occasional offsetting from plates, first gathering washed, nineteenth century cerise morocco by Riviere with gilt decoration on covers and spine, marbled endpapers and elaborate gilt dentelles, g.e., light wear mostly to extremities of spine, 3 small scratches on upper cover, custom-made red morocco gilt felt-lined clamshell box [USTC 1814458; Howgego E39; Sabin 23468], 8vo (196 x 150mm.), t'Amsterdam, Jan ten Hoorn, boekverkoper, 1678Footnotes:'PIRATICA AMERICA' - EXTREMELY RARE FIRST EDITION. We have traced no complete copy at auction in the last 130 years. Written by Alexandre Olivier Esquemelin (c.1645-1707, also spelled Exquemelin, Esquemeling, Exquemeling, or Oexmelin) the Americaensche Zee-Roovers is a swashbuckling account of pirate exploits in the Caribbean. Known in English as the Buccaneers of America, the book has twelve engravings that bring the fearsome pirate captains to life, and unflinching descriptions of the violence and plunder that both horrified and fascinated readers.Among the colourful characters populating Esquemelin's eye-witness account, none looms larger than the infamous privateer Henry Morgan (1635-1688). As Morgan's confidant and barber-surgeon, Esquemelin had a front-row seat to some of the most audacious raids in pirate history, including the sack of Maracaibo in 1669 and the daring assault on Panama in 1671 (both depicted in the plates). Esquemelin paints a complex portrait of Morgan – as a brilliant tactician and fearless leader, but also a man capable of great cruelty. Following the publication of the English translation in 1684, which accused Morgan of torture and the use of nuns and monks as a human shield, Morgan took steps to discredit the book and successfully brought a libel suit against the book's English publishers William Crooke and Thomas Malthus.'Perhaps no book in any other language was ever the parent of so many imitations' (cf. Sabin) and it became the cornerstone of pirate literature for centuries to come, Esquemelin's vivid prose and intimate knowledge of buccaneer life captivating readers across Europe. First published in this edition in 1678, it was then translated into German (1679), Spanish (1681), English (1684) and French (1686). The German translation is a faithful translation of the original Dutch while the Spanish translation adds new material quite freely and without acknowledgment, and frequently mistranslates the Dutch. The English translation appears to be a translation of the Spanish edition, including most of its deviations from the Dutch original. Finally, the French translation of 1686 is substantially a new work with many additions, including new pirate biographies (Daniel Montbars and Alexandre Bras-de-Fer) and the complete rearrangement of some sections.First editions such as this are of 'extreme rarity' (Sabin) and we have traced no other complete copies at auction since 1894 (Bangs, 25 April 1894, lot 301), with an earlier record in 1884 (Leavitt & Co., 3 March 1884, 909a). Only six copies have been traced in institutions (cf. USTC 1814458). Plates and maps comprise: Bartholomeus de Portugees (Bartholomew the Portuguese), p.40; Rock, de Brasiliaen Genaemt (Rock Brasiliano), p.42; François Lolonois, p.46; The Cruelty of Lolonois, p.60; Johan Morgan (Henry Morgan), p.74; Morgan Attacks Puerto del Principe, Cuba, p.82; Morgan Attacking the Forts at Chagre, Panama, p.88; Afbeeldingh van de Stadt en t'Landtschap van Marcaibo (A Map of the City and Country of Maracaibo), double-page map, p.94; Captain Morgan Torturing Prisoners After the Battle of Maracaibo, p.98; Morgan Destroys the Spanish Fleet at Lake Maracaibo, Venezuela, double-page view, p.102; Afbeeldingh van de Stadt en t'Landtschap van Panama (A Map of the City and Country of Panama), double-page map, p.130; Reskontre van de Spanijaerden tegens de Roovers voor de Stadt Panama, Nevens het Verbranden en Ruijneren van de selve Stadt (The Battle Between the Spaniards and the Pirates for the City of Panama, and the Burning and Ruining of the Same City), double-page view, p.134.Provenance: Charles George Milnes Gaskell (1842-1919, MP for Morley), bookplate. Gaskell was an English lawyer and Liberal Party politician and also a serious book collector. Other books in his collection included a first edition of Mary Shelley's Frankenstein in its original boards (later in the library of Jerome Kern) and a first issue of Robinson Crusoe.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

A William De Morgan (1839-1917) a Sands End Pottery tile, 1880-1900, painted with a flower in yellow and green on a white ground, impressed marks, 15.5cm squareCondition ReportCrazing throughout. nibbles to the edges.1cm thick. Chips to the corners and edges - photos added

A Moorcroft pottery panel snowdrop pattern, in a silvered frame, 20.5 x 9.5cm. and a Moorcroft William De Morgan tile, framed, both with boxes.

William de Morgan ruby lustre 'BBB' tile, 20.5cm x 20.5cm

William de Morgan ruby lustre 'galleon' charger, with monogram for Halsey Ricardo, Christie's 2003 label verso, 36cm diameterThere is a small crack (approx 4cm long) near the rim at about 8 o'clock. A tiny piece of glaze is missing. It does not stretch any further than this. There is some light crazing. Otherwise in very good condition.

A GROUP OF ARTS AND CRAFTS STYLE TILES AND A WMF PEN TRAY, comprising a WMF pewter pen tray decorated with cyclamen, stamped marks verso and no '168', length 25.5cm, together with a J C Edwards tile painted with a stylised flower, in the manner of William de Morgan, approximately 15.5cm square, a tile decorated in four sections with painted green foliate patterns, a smaller blue and white painted tile measuring approximately 12.5cm square, and a tile decorated with grape vines (5) (Condition Report: generally good condition, pen dish has some scratches, tiles appear ok, with some chips/losses verso, nibbles/tiny chips on the fronts, some cement residue, a little light crazing, scratches and wear)

WILLIAM DE MORGAN (1839-1917): THREE SANDS END POTTERY 'GILLOW' TILES, early Fulham period, tin-glazed earthenware, impressed marks to the undersides, each 15.3cm square (3)

WILLIAM DE MORGAN FOR FULHAM POTTERY:A RUBY LUSTRE POTTERY DISH, the centre decorated with a galleon, surrounded by a broad rim of fish and foliage, the underside with a central coiled serpent surrounded by concentric circles, 22cm diameter (def)

William De Morgan (1839-1917), an Oblique pattern tile, circa 1875, 15 x 15cm; together with another De Morgan tile with blue foliate design, 15.5 x 15.5cm (2)Some all over crazing and the usual very minor fritting to rims in places, but in generally good condition.

After William de Morgan (1839-1917)A set of four Persian Fish Frieze Tiles, mounted and framed, approx. 14cms x 60cms (5 1/2" x 23 1/2) painted frame. (1)

William De Morgan (1839-1917), an Arts and Crafts ruby lustre tile, decorated with scrolling foliate motifs, impressed factory mark and signed 'W. De. Morgan. &. Co. Fulham London',15.5cm squareCondition ReportSmall chips and nibbles to the edges. Some wear, minor scratches and crazing.

* De Morgan (William, 1839-1917). An early Fulham period Persian ovoid pottery vase decorated by Joe Juster, birds and foliage sprays in aubergine, green, turquoise and blue on a white ground, impressed mark, painted 'JJ' to base, 19 cm (7.5 ins) high, light crazing, very small areas of wear to rim QTY: (1)NOTE:Provenance: M. D. E. Clayton-Stamm, thence by family descent.This vase is illustrated in colour in William Gaunt and M. D. E. Stamm, William De Morgan, (London: Studio Vista, 1971), item 72, page 92.

* De Morgan (Evelyn, 1855-1919). Study of the head of a bearded man, coloured chalks and pastel on buff paper, in profile to the left, looking downwards, visible sheet size 25 x 17.2 cm (9 3/4 x 6 3/4 ins), framed and glazed (41 x 31.5 cm)QTY: (1)NOTE:Provenance: English private collection formed circa 1950-1970, thence by descent.This may be a study for the seated bearded man in Evelyn De Morgan's By the Waters of Babylon (1882-83). The figure also bears a passing resemblance to Evelyn's husband William de Morgan (1839-1917).

* Boldini (Giovanni, 1842-1931). Portrait of Lady Charlotte Russell, circa 1870, oil on canvas, signed G. Boldini to centre left, the sitter wears a white chiffon court dress with applied flowers and a train, she stands beside a carved gilt rococo chair in a sumptuously decorated room, numerous notes to frame verso, including: manuscript research note in black ink listing owners and sitter, old auction stencil 'WS300', modern Christie's label with barcodes, typed postcard circa 1968 from Sir Robert Abdy to M. D. E. Clayton-Stamm, canvas stamped to verso GEO. ROWNEY & CO. / 52, Rathbone Place / AND / 29, OXFORD STREET, W / LONDON., canvas size 49 x 33.4 cm (19 1/4 x 13 ins), in a gilt frame with turquoise inlay (56 x 44 cm) QTY: (1)NOTE:Provenance: Russell family collection; Sir Robert Abdy (1896 - 1976) owner of the Ferrer Gallery, London, SW1; where purchased by M. D. E. Clayton-Stamm, art collector and bibliophile (and an authority on the work of William de Morgan and Pre-Raphaelite ceramics); thence by family descent. Accompanied by an old typed postcard circa 1968, to M. D. E. Clayton-Stamm from Sir Robert Abdy "The Boldini nothing like as pretty as yours made £4500 today. Best wishes, Yours sincerely, Sir Robert Abdy" with a manuscript note in pencil "Christies / 6 Dec 68".

WILLAM DE MORGAN (1836-1917) ARTS & CRAFTS RUBY LUSTRE CHARGER, CIRCA 1890 lustre glazed earthenware 31cm diameter Literature: Greenwood M. The Designs of William de Morgan, Richard Dennis 1989, p. 217, pl. 107 illus. for a similar variant.

WILLIAM DE MORGAN (1839-1917) ARTS & CRAFTS 6-INCH TILE, LATE FULHAM PERIOD, CIRCA 1898 glazed ceramic, depicting a galleon, impressed maker's mark 15.4cm square Literature: Catleugh, J. William de Morgan Tiles Richard Dennis 1983 p.130, pl. 185 where this design is illustrated

WILLAM DE MORGAN (1836-1917) 8-INCH 'BEDFORD PARK DAISY' TILE, MERTON ABBEY PERIOD, CIRCA 1885 glazed earthenware, 28cm square; together with a 6-INCH 'BBB' CARNATION TILE, LATE 1890S, glazed ceramic, Poole blank, 15cm square (2)  Literature: Catleugh, J, William De Morgan Tiles, London, 1983, p. 60, pl. VI b. where a similar design is illustrated (Bedford Park Daisy Tile)

WILLAM DE MORGAN (1836-1917) PAIR OF MERTON ABBEY PERIOD TILES, CIRCA 1885 decorated and glazed ceramic, impressed Merton Abbey mark (2) each 15.3cm x 23cm  Provenance: Sotheby's London High Victorian Decorative Arts and Design, 12th and 13th November 1992, Lot 323 Literature: Greenwood M. The Designs of William de Morgan, Richard Dennis 2007, p. 164, pl. 479 for a comparable tile design

WILLIAM DE MORGAN (1839-1917) ARTS & CRAFTS 8" TILE, CIRCA 1890 glazed earthenware, mounted in an oak frame tile 20.5cm square, frame 27cm square Literature: Catleugh J. William de Morgan Tiles Richard Dennis 1983 p. 159, pl. 251 where similar examples are illustrated

FRED PASSENGER FOR WILLIAM DE MORGAN (1839-1917) TWIN-HANDLED IZNIK-STYLE VASE, CIRCA 1890 painted and glazed earthenware, impressed maker's mark, painted artist's initials F.P. 20.8cm high

A collection of Art and Design reference books and catalogues, including; Erte Graphics, Erte Sculpture, Erte at 95 the Complete New Graphics Mary Seton Watts Unsung Heroine of the Art Nouveau, Icart by Michael Schnessel, The Designs of William De Morgan, The Designs of CFA Voysey by Stuart Durrant, Arts and Crafts and Art Deco by Judith Miller, The Best of Clarice Cliff, The Bizarre Affair, Clarice Cliff L'Odeon catalogue, and Erte by Charles Spencer, (a lot) ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd.

WINGBACK ARMCHAIR, early 20th century English Edwardian with William de Morgan style upholstery and square tapering supports, 66cm W.

A William de Morgan ruby lustre vase with fish design, 8 1/2" high (rim extensively restored)

A William de Morgan ‘Galleon ship’ plate, Fulham period (1888-1898), decorated by Charles Passenger, painted in colours with a galleon ship and fish on high seas, the reverse with concentric bands around the inscribed mark ‘WDM FULHAM’ and artist’s monogram ‘CP’, 25cm diameter Natural crackle throughout the glaze, one small rim chip at 2 o'clock otherwise very good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William De Morgan, an Arts and Crafts double lustre charger, circa 1890, the central eagle in iridescent taupe, on a fruiting bush, within a Persian scale and lotus cartouche tulip and rosette border, the reverse in ruby with central serpent within a triangular lapped border, 36cm diameter

William de Morgan, an Arts and Crafts double lustre charger, circa 1890, painted with a peacock in profile in full plumage, on a leafy bough, the feather eyes depicted in taupe, central rosette of radiating lappets and spirals, within a foliate vine border, 36.5cm diameter

William de Morgan, an Arts and Crafts double lustre charger, circa 1890, painted with a peacock in full plumage, on a foliate ground, the feather eyes highlighted in iridescent taupe, the reverse with concentric rings in ruby within a tadpole lappet border, 36cm diameter

A pair of William De Morgan Persian designed tiles, painted with a floral design in turquoise, green and other colours on a white ground. Both with impressed Sands End marks to the reverse, 15cms square. (2). *CR One tile, chips along the right edge of the tile with some glaze loss, general crazing, small chip to the top left corner, mark a little indistinct on the reverse. The other, general crazing, small chip to bottom right corner.

Mary De Morgan - On a Pin Cushion and Other Fairytales, with illustrations by William de Morgan, Seeley, Jackson and Halliday 1877

William de Morgan ruby lustre pottery vase, decorated with foliate patterns, impressed mark and inscribed 'FP' for Fred Passenger, 23.5cm high, together with carved wood baseThere are some nibbles / glaze rubbing around the rim, and what appear to be some firing imperfections around the neck. Otherwise in good condition.

A William De Morgan BBB patterned tile The yellow flower decorated tile on a Poole 'Architectural Pottery' blank as used by De Morgan.15cm squareQty: 1In generally good condition with only minor niggles to the edge and signes of previous attachment to the reverse.

SIDE CHAIR, 1960s Howard Keith style with William de Morgan print upholstery and swept supports, 64cm W.

William De Morgan, Earthenware Tile of Persian Style Flowers. Height: 15cm Width: 15cm Depth: 1cm

William De Morgan, Two Earthenware Tiles. One in the BBB design a/f, the other with Rampant Lion and Lioness with Brown Glaze. Height: 15cm Width: 15cm Depth: 1cm

William De Morgan, red lustre baluster vase of Persian design, decorated with exotic birds and stylised scrolls, impressed marks to base, 27.5cm highCrazing all over the vase, some firing marks as shown in photos, otherwise in good condition. No signs of restoration.

Mary de Morgan - On a Pin Cushion and Other Fairytales, with illustrations by William de Morgan, Seeley, Jackson and Halliday 1878 second edition, together with other early Children's books

After William De Morgan. Limited edition 40 of 40, 21st century ceramic vase depicting white antelopes in a dense forest. Excellent tube-lining. White, blue, green and purple colorations. Dennis Chinaworks stamped. Artist initials. Artist: Sally TuffinIssued: 2000Dimensions: 6.5"W x 14"HEdition Number: 40 of 40Manufacturer: Dennis ChinaworksCountry of Origin: EnglandCondition: Age related wear.

Ceramics.- Atterbury (Paul) & others. The Parian Phenomenon: A Study of Victorian Parian Porcelain Statuary & Busts, Shepton Beauchamp, 1989 § Greenwood (Martin) The Designs of William de Morgan: A Catalogue, Shepton Beauchamp, 1989 § Jokelson (Paul) Sulphides: The Art of Cameo Incrustation, one of 500 copies signed by the author, New York, 1968 § Meteyard (Eliza) The Life of Joseph Wedgwood, 2 vol., facsimile reprint, Ilkley, 1980 § Lewis (J. & G.) Pratt Ware...1780-1840, revised edition, Woodbridge, 1993 § Koch (Robert) Louis C Tiffany, Rebel in Glass, second edition, New York, 1966, illustrations, some colour, the first three with book-label of James Stirling, original cloth or boards, the third & fourth with slip-cases, the rest dust-jackets, a little rubbed; and c.30 others on ceramics & glass, 4to & 8vo (c.35)

Leicestershire. Prior (John), To the Right Honourable Francis Earl of Huntingdon, Baron Hastings, Hungerford, Newmark, Peverel, Botreaux, Molins, Moet and de Homet, by his Lordship's Permission. This Map of Leicestershire from an Actual Survey, Begun in the Year 1775, and Finished in the Year 1777..., [William Dawson, London, J. Gregory, Leicester, 1779 - 1819], large scale map engraved by John Luffman, sectionalised and laid on linen, sparse contemporary outline colouring, inset map of a plan of Leicester, large uncoloured cartouche, stained and dust-soiled, small puncture holes affecting the printed image, trimmed along the lower margin with loss of the publication line, 1115 x 1210 mm, together with Mawson, Swan & Morgan (printers & publishers). Mawson, Swan & Morgan's New County Map of Northumberland, Newcastle-on-Tyne, circa 1900, large-scale colour lithographic map, sectionalised and laid on linen, calligraphic title, inset map of Newcastle-on-Tyne and a table of reference, 1630 x 1200 mm, marbled endpapers, bound in publisher's blue gilt cloth boards, slight wear to extremities, with Furnival (J. & E. Land Surveyors). North Wales, published J. & E. Furnival, Llanymynech near Oswestry, June 1st 1814, engraved map with contemporary outline colouring, sectionalised and laid on linen, inset trigonometrical diagram of North Wales, slight dust soiling, 550 x 615 mm, contained in a contemporary marbled calf slipcase, case worn and rubbed, plus Cook (Robert J & Hammond, publishers). The Right Honourable Lord Tredegar to the Alexandra (Newport & South Wales) Docks & Railway Company, circ 1880, folding lithographic map with contemporary outline colouring, some small near-contemporary red ink annotations, 865 x 1040 mm, bound in publisher's blue cloth gilt boards, size when folded, 340 x 140 mmQTY: (4)

A William de Morgan tile, Merton Abbey period, 1882-1888, painted in two tones of red copper lustre with a doe on tin glaze impressed with wavy tufts, 15.5 x 15.5cm, impressed mark Surface/edge chips as evident from image; intact; no restoration; old adhesive residue on reverse

Two Ruby lustre Tiles, one decorated with a Sunflower by Craven Dunnill & Co, Jackfield, Salop 6" square and the other decorated with a Griffin, no makers marks possibly by William De Morgan, 5 3/4" square.

William De Morgan, two Carnation tiles, circa 1890s, pink flowers and green foliage, impressed Sands End and DM98 marks, 15.5cm diameter (2)

William De Morgan, two Carnation tiles, circa 1898, pink flowers and green foliage, impressed DM98 marks, 15.5cm diameter (2)

William De Morgan for Sands End pottery, a red lustre vase, circa 1890, bulbous form, later silver plated rim, impressed marks, 21cm high

A pair of William De Morgan tiles, Persian inspired design of flowers and foliage, circa 1880, maker's stamp to reverse, 15.2cm square1 tile has a small chip to edge, both have small surface abrasions but general good condition

A pair of William De Morgan tiles, Persian inspired flower and foliage, maker's stamp to reverse, 15.6cm squareBoth tiles have a large chip to side, 1 with chip to corner and crazing to surface, no other breaks or repairs

William De Morgan, a ruby lustre-glazed pottery charger, late 19th century, the well painted with Cupid carrying his flaming torch and holding the mane of a lion, within a broad rim painted with stylised foliage and centred by a pair of angels blowing horns, unmarked (restoration to much of the rim, small chip to underside of rim). Diameter 30cm. 

William De Morgan (1839-1917), a ruby lustre 'BBB' tile, c.1880, with a faint Fulham Pottery mark to the verso, 16cm square, anda Persian-inspired tile, with a gridded foliate pattern in blue, stamped with a Merton End mark to the verso, 16cm square (2)Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportThe ruby lustre example with even crazing. Some wear to the edges. Some minor marks to the centre. The Persian inspired example with a cup to the edge. With crazing throughout.

William De Morgan (1839-1917), a pair of 'Oblique' tiles, designed c.1875, each decorated in green with blue details, impressed to the verso with Sands End marks, 15.5cm square (2)Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportWith some scuffs tot he tops of both. With even crazing. The edges with scuffs from previous mounts.

William De Morgan (1839-1917), a pair of 'BBB' tiles, late 19th century, each decorated with a yellow flower, impressed with Fulham Pottery marks to the verso (D.M 98),16cm square (2)Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportThe marks worn to both. With scuffs to the edges from previous mounting brackets. Even crazing to the surface of both.

William De Morgan (1839-1917), a pair of 'Cavendish' tiles, c.1880, each painted with a blue flower amongst green foliage, stamped to the base with Merton End marks, 15.5cm square (2)Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportOne with chipped corners. The other example with two flat chips. Both with wear to the edges from previous mounts. Each with even crazing.

WILLIAM DE MORGAN (1839-1917); an Arts & Crafts ceramic tile decorated with a Persian carnation, impressed Sands End Pottery mark, 20.5cm x 20.5cm.

WILLIAM DE MORGAN; an Arts & Crafts ceramic tile with floral decoration, impressed marks, 15 x 15.5cm.Condition Report: Glaze crazing, scratches to the glaze, minor chipping to the edges.

WILLIAM DE MORGAN; an Arts & Crafts ceramic tile with floral decoration, impressed marks, 15.5 x 15.5cm.Condition Report: Glaze crazing, light scratches, minor flea bite chips to the edges.

William De Morgan (British, 1839-1917) Study of a female figure holding a candle and a cherub riding a lionink and pencil7 x 12cm

A William De Morgan Sand's End Pottery 6 inch plastic clay tile decorated in the K L Rose pattern, painted in shades of pink, green and brown on blue ground, impressed factory mark.

A large William De Morgan Late Fulham period Pottery 6 inch plastic clay tile, decorated in a carnation inspired design, painted in shades of pink, green and brown on a white ground, impressed factory mark DIP.