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Lot 280015
Standuhr Chippendale Mahogany Long-Case Clock by Thomas Wisswall of London, um 1900, wurde am 21.3.1976 als Chippendale Mahogany Long-Case Clock verkauft, Mahagonigehäuse mit Messingapplikationen, Platinenwerk aus Messing, Pendel mit zwei Gewichten, Schlag auf Glocke, mit Halbstunden- u. Stundenschlag, Zifferblattschild aus floral durchbrochen gearbeitetem Messing, partiell vergoldet, rundes versilbertes Zifferblatt mit arab. u. röm. Zahlen, kleiner Sekunde u. separater Datumsanzeige, oberhalb Zeiger zum An- u. Ausschalten d. Glocke, H 2,40 m, Gehäusemaß 48 x 24 cm, Originalrechnung der London Galerie 1976, Werner Isensee KG, von 14.000 DM liegt bei, nur Selbstabholung oder Spedition. 3050-001
Lot 85
A large and imposing George III mahogany commode attributed to a St. Martin's Lane of London cabinet maker1770-1785, probably the forerunner to a design by Thomas ShearerThe large inverted breakfront central bank of drawers of serpentine form, the overhanging half-veneered top with an ogee moulded edge, above four long graduated oak-lined drawers flanked by two smaller banks totalling eight drawers, each bank comprising four short graduated oak-lined drawers, over a reverse ogee moulded plinth base, on shaped ogee bracket feet, the Rococo handles are 18th century, 164cm wide x 67cm deep x 106cm high, (64 1/2in wide x 26in deep x 41 1/2in high)Footnotes:The present lot appears to be closely comparable to a design by Thomas Shearer from his 1788 publication, 'Cabinet-Makers' London Book of Prices', which is illustrated in R. Fastnedge, Shearer Furniture Designs, 1962, London, pl. 17, fig. 1 & p.22. This same drawing also appears replicated in the Pictorial Dictionary of British 18th Century Furniture Design, compiled by E. White, 2000, Woodbridge, pl. 20 fig. 1, p.185. The offered commode has certain characteristics which have traditionally been solely associated with the documented output of Thomas Chippendale's workshop, especially during the third quarter of the 18th century. Two examples of these elements which are evident on the present chest are the use of red wash to the secondary timbers in parts, as well as the incorporation of 'stacked' or 'laminated blocking' to the bracket feet.However, following research undertaken in more recent years, it appears to have been the case that a number of cabinet makers operating in England during the second half of the 18th century employed many of the same or similar constructional features as Thomas Chippendale. At that time the vast majority of such firms, which were producing fashionable furniture to an extremely high standard largely but not exclusively for a wealthy and/or noble clientele, were located on St. Martin's Lane in London (or at least within its immediate environs). Aside from Chippendale, it is recorded that cabinet makers and 'upholsterers' as prominent and historically important as William Hallett, John Channon, William and John Linnell, William Vile and John Cobb, Benjamin Goodison and James Paine had their businesses located in this historically renowned area of the city. Another aspect of this striking commode is the exceptional quality of its densely grained mahogany timber which is particularly notable with regard to the half veneered top. Whilst the top itself, with its strikingly overhanging rear ends, elegant shaping overall and lovely moulded edge, is certainly reminiscent of some of Chippendale's finest output of the 1760s and 1770s.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 88
A George III mahogany tripod table of 'English Rococo' designThe hexagonal tilt-top with a flowerhead-and-ribbon moulded edge, on a part-cluster column and part-acanthus and bellflower wrapped baluster, each alternating column of the upper part with flowerhead-and-ribbon carving, with three adjoining addorsed twin C-scroll form downswept legs, each leg carved with foliate sprays and bead-and-reel, terminating in scroll feet and brass castors, the top and base possibly associated, 79cm wide x 78cm deep x 69cm high, (31in wide x 30 1/2in deep x 27in high)Footnotes:A mahogany tripod table with a comparable addorsed C-scroll base to the offered lot is illustrated in R. Edwards, The Dictionary of English Furniture, Vol III, 2000, New York, fig. 14, p. 206 and also appears in C.C. Stevens and S. Whittington, 18th Century English Furniture, The Norman Adams Collection, 1989, Woodbridge, p. 302. Edwards dates the table circa 1750 whereas Stevens and Whittington refer to it as circa 1765. Another variant with this distinctive type of base features in L. Synge, Mallett's Great English Furniture,1991, London, fig. 123, p. 111. A tripod table with a twin-scrolled base and carved column similar to those elements on the present model sold Christie's, New York, 16 April 2002, Important English Furniture, lot 329. Further notable related examples include the following tripod tables sold: Sotheby's, New York, 16-17 April 1998, lot 901; Christie's, London, 6 July 2000, lot 104; Sotheby's, London, 26 November 2003, Important English Furniture, lot 49 and Sotheby's, London, 3 December 2013, A Gentleman's Collection, lot 346.Designs for 'English Rococo' candle stands with comparable C-scrolled terminations include various drawings by Thomas Chippendale, The Gentleman and Cabinet-Maker's Director (1763), third edition, pl.'s CXX, CXXII & CXLIV and Genteel Household Furniture in the Present Taste, a Society of Upholsterers (1765), second edition, pl. 72 from Part III. Whilst further designs for candle stands, tripods (then referred to as 'claw tables') and even fire screens with related bases also feature among drawings produced by William Ince and John Mayhew, The Universal System of Household Furniture, 1762, pl.'s XIII and LXVII and Genteel Household Furniture in the Present Taste, (1765), second edition, pl. 38 from Part II & pl. 91 from Part III.LiteratureR. Edwards, The Dictionary of English Furniture, Vol III, 2000, New York.C.C. Stevens and S. Whittington, 18th Century English Furniture, The Norman Adams Collection, 1989, Woodbridge.L. Synge, Mallett's Great English Furniture,1991, London.The Pictorial Dictionary of British 18th Century Furniture Design, compiled by E. White, 2000, Woodbridge, pp.'s 287, 303-306 & 318.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
![A mahogany torchere, 19th c, based on a design by Thomas Chippendale [Director, 1754, plt CXX], the hexagonal top on tri](https://cdn.globalauctionplatform.com/74f9d23e-9838-49c7-b11e-aec40117cb44/cd8c9b2f-6274-4ee0-85d9-aec4012007a9/468x382.jpg)
Lot 472
A GEORGE III MAHOGANY WARDROBE IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770The moulded panel doors opening to a hanging rail 205cm high, 129cm wide, 61cm deep overallCondition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.There is some colour differentiation from sun fading with the front, the right hand side paler than the sides and cornice.There are losses and restorations including the doors which have cracks along the sectional construction joints, with some colour variations suggesting some restoration, there are some tears to the veneers where there is underlying movement; some bowing to the top right panel of the right door; some cracks to the door panels along the grain of the timber or along the construction lines. Some of the carved mouldings are lacking small sections, one moulding is detached from the door.The escutcheons are later, one is lose.The lock is later and there is a later key that operates the lock.The interior is lined with fabric to all sides, there are some stains and marks. The brass rail has five brass hooks and there are four brass hooks to the back of the interior. There are some later magnet fittings to the top of the doors/carcass.The back is of panelled construction.The feet are scuffed. Some later blocks and timber supporting the feet.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 474
A GEORGE III MAHOGANY WRITING AND DRESSING CHEST OF DRAWERSCIRCA 1780The top drawer with a baize inset sliding surface enclosing stationery and dressing fittings to include a hinged strut mirror, a vide poche type tray, two cylindrical boxes with paper labels 'Fine Lip Salve', slatted divisions, two pen trays and lidded compartments92cm high, 98cm wide, 54cm deepSee Christopher Gilbert, The Life and Work of Thomas Chippendale, page 230, plates 419 and 420, for related drawer fittings of a Gentleman's dressing table supplied to Nostell Priory in 1769, the drawer shows the narrow slatted divisions are for razors and is described as a 'buroe dressing table with conveniences for shaving. An inventory of 1805 records the dressing drawer as having a mirror, razors, bottles, brushes, tooth powder boxes, essence bottles... and a writing slide over the whole.See also Victoria and Albert Museum, English Furniture Designs of the 18th Century, plate 166, showing a 1760 engraving of a 'Toilet Table' with related fittings 'Genteel Furniture in the Present Taste by a Society of Upholsterers, Cabinet-Makers, etc'.Details that make these fittings exceptional include the rare presence of the rectangular vide poche type small tray, the 'Fine Lip Salve' cylindrical boxes and the lift-out lidded boxes curved to fit the bowfront of the drawer. Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses to timber, veneer, ebonised mouldings, and cock beadingThe majority of the fittings to the top drawer are present, the right hand side (as viewed) appears to have most elements, the left side has more losses, there is also a tray with some additional loose timber elements which may be required to affect a full restoration of the fittings. The pulls have been repaired and replaced, there are dry glue deposits visible - some are still short and may require further workThe handles appear to be original throughout, as do the locks, there are no keys present but all elements are unlocked at time of reportThe baize is probably replacedThe top drawer is mahogany lined, the remainder are oakPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 511
A GEORGE III MAHOGANY WARDROBEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1780201cm high, 156cm wide, 67.5cm deepProvenance: Ston Easton Park, near Bath, SomersetCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old splits, chips and losses (see images). Some minor fading to timber. Hinges have been replaced and there are sections of later inset timber in the areas adjacent to them. Escutcheons and lock are replacements. A key is present and operates the lock. The lock catch to the other door is lacking. Later magnetic catches have been added to the doors. Interior fitted with a later hanging rail. Later fabric lining to interior. This is untidy with various marks, dicolourations, tears and screw holes from previous fixtures. Some old but later screws securing back panels. One front foot with carved front element detached but present. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 208
A MIXED COLLECTION OF APPROXIMATELY SEVENTY-FIVE BOOKSOn English Furniture, silver and English domestic metal wares, most books with dust jacket etc including:Ian Pickford, Silver Flatware: English, Irish and Scottish 1660-1980John Culme, The Directory of Gold and Silversmiths, Jewellers and Allied Traders, 1838-1914, Vols, I and IIJackson's Silver & Gold Marks, ed. Ian PickfordRalph Edwards, The Shorter Dictionary of English FurnitureGraham Child, World MirrorsPercy MacQuoid, A History of English FurnitureChristopher Gilbert, Furniture at Temple Newson and Lotherton Hall, Vols. I & IIThe Dictionary of English Furniture, Revised Edition by Ralph Edwards, Vols. I, II, III.Chippendale, The Gentleman & Cabinet-Maker's Directory (published by Dover)Christopher Gilbert, Thomas Chippendale (qty)For further information on this lot please visit Bonhams.com
Lot 271
A GEORGE II STYLE CARVED GILTWOOD TRIPLE OVERMANTEL MIRRORIn the style of Thomas Chippendale The split rectangular plate surmounted by a Pagoda flanked by ho ho birds, 149cm wide (59in wide)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 350
Art Nouveau mahogany display cabinet in the manner of Thomas Chippendale, the geometric frieze above an astragal glazed door flanked by a glazed panel decorated with stylised flowerheads enclosing a shelved interior, on cabriole supports and ball and claw feet, 171cm high, 134cm wide and 42cm deep.
Lot 941
An exceptionally fine 18th Century Irish gilt and gesso two compartment Overmantel Mirror, in the manner of Thomas Chippendale, the kidney shaped upper panel crested with a Ho Ho Bird issuing scrolls and floral bouquets, the frame in the form of 'C' scrolls and leaves with floral sprays, flanked either side with further Ho Ho Birds, terminating in leaf scrolled spandrels, approx. 100" high x 62" wide (253cms x 158cms). (1) Provenance: Cahir Park House, Cahir, Co. Tipperary.
Lot 148
A GEORGE II MAHOGANY 'BREAKFASTE' PEMBROKE TABLE IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 177072cm high, 101cm wide (with leaves up), 61cm deepThe design of this table closely relates to Thomas Chippendale's design for a 'Breakfaste Table'. See The Gentleman and Cabinet Maker's Director (1762) plate LX. For similar examples see the Christie's catalogue prepared for the contents of Dumfries House, 12th July 2007, page 169, and an example by Samuel Smith, page 191.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The handles appears to be the original, the locks also, there is no key for the drawer but there is to the cupboard doors below, this is operating at time of report - the drawer is unlockedOverall solid and stableOverall with a dark colour - the catalogue and online images are a fair reflection of the appearanceThe interior of the cupboard has been silk lined previously, there are old tack marks where this has been affixedThe roller castors appear to be originalThere is some signs of old woodworm Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 152
A GEORGE III MAHOGANY CABINET ON CHESTIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770The doors opening to two adjustable shelves211cm high, 105cm wide, 56cm deep Condition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.There are losses and restorations including some later blocks and ebonization to the top making it difficult to distinguish if there are later elements (see photos); the gilt finial is probably later; the panelled doors have cracks; there are some later blocks; splits to the sides.The handles are not original to this pieces but are of age.There is one key that operates the lock to the doors. There is no key for the drawers, the locks are open.The drawer linings split.There is evidence of worm.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 162
A GEORGE III MAHOGANY SIDE TABLEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 178071cm high, 80cm wide, 50cm deepCondition Report: Marks, scratches and abrasions old splits and chips commensurate with age and useThe handles are original and good quality. Very good colour and depth of patina overall. Some fading. The front left leg has previously been cracked through towards the upper joint and neatly glued/ repaired. Some other very old closed cracks to legs that are only visible on very close inspection. No splicing to legs Please refer to the additional images for visual reference to condition Condition Report Disclaimer
Lot 166
A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770each 96cm high, 59cm wide, 58cm deep overallProvenance: Private Collection, SurreyPurchased by the current vendor from Witney Antiques, 10th April 2001 (£26,000). A photocopy of the original receipt is available with this lot. Condition Report: There are some marks, scratches, knocks, chips, cracks and abrasions consistent with age and use.There are some cracks and small restorations to the crests and pierced splats including splits along the grain of the timber; some legs with some repairs; some crests probably refixed; some later corner blocks and seat rails; the front stretcher to one chair (with one piece of loose webbing) is later, others possibly including to one chair that has more small repairs than the other chairs with some later stretchers, filler to the back of the seat rail and cracks to the splat.There is evidence of worm including to the seat rails, visible to the interior and to the back rail of the exterior of the chair.The upholstery is damask of some age, the filling including horsehair - it is in a clean unworn condition. We are unable to inspect areas covered in upholstery and so cannot comment on the condition and originality of these areas we are unable to see.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 231
A GEORGE III MAHOGANY TRAYIN THE MANNER OF THOMAS CHIPPENDALE, LATE 18TH CENTURY73cm long, 49cm wideCondition Report: Overall there are knocks, scuffs and abrasions consistent with age and use. The rectangular central panel has bowed so that it does not sit flat. There is a small rectangular patch to this panel and some areas of filler.The border has some chips including to three shaped scroll carved corners; the border with a small pale patch of timber; the mitred joints with some cracks. The reverse with visible fixings, some with later red filler.Please see the additional images for a visual reference of condition.Condition Report Disclaimer
Lot 26
A PAIR OF CARVED GILTWOOD AND GESSO WALL MIRRORSIN GEORGE III STYLE, LATE 19TH/EARLY 20TH CENTURY each 130cm high, 63cm wideProvenance: The collection of Standish Robert Vereker, 7th Viscount Gort (1888- 1975) at Hamsterley Hall, Co. DurhamInherited by The Hon. Catherine Mary 'Kate' Wass, OBE (1942-2021) upon the death of her great-uncle, the 7th Viscount Gort, in 1975This pair of giltwood mirrors with distinctive palm fronds is in the 18th century style promoted by John Vardy (1718-65) whose magnificent Palm Room and furnishings en suite at Spencer House, London, serve as the culmination of the craftsman's oeuvre. A design for a pier glass, entwined with palm leaves, for a pair of pier glasses for Charles Powlett, 5th Duke of Bolton (1718-65) at Hackwood Park, Hampshire, is discussed in A. Coleridge, 'John Vardy and the Hackwood Suite', The Connoisseur, January 1962, pp. 12-17. The presence of Ho-Ho birds, rocaille and columnar carving are further 18th century rococo motifs found in designs from the mid-1750s to early 1760s by Matthias Lock (1710-65), Thomas Johnson (1714-after 1778) and Thomas Chippendale (1718-79) (see P. Ward-Jackson, English Furniture Designs of the Eighteenth Century, London, 1984, figs. 65; 52 for Lock examples).Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use, Various old wear to gilding. One plate a modern replacement, the other likely also but with simulated ageing/depletion throughout. Some old breaks and repairs to frames. Some old losses. Both lacking rear panels. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 264
A GEORGE III MAHOGANY TRIPOD OCCASIONAL TABLEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1760The shaped top with 'pie crust' moulded edge, above a stop-fluted column with acanthus vase, above the out-scrolled legs 71cm high, the top 53cm diameterCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The lock mechanism is a replacement, there is a shadow where the original one has sat previously. The current mechanism holds securely at time of report, there catch to the block is later there is some inset timber here to secure. The gallery has various old breaks and splits and repairs to the pie-crust edgeThere is metal bracing to the underside of the tripod base, there is also further bracing to secure and old break to one of the legs - this appears to be holding securely at time of report The block connecting the stem to the top has an old break to one corner, this has been repaired with glue and screws - these appear to be holding firm at time of reportPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 161
◆ PAIR OF GEORGE III SATINWOOD AND MARQUETRY DEMILUNE CONSOLE TABLES, ATTRIBUTED TO THOMAS the semi-elliptical tops inlaid with fan medallions and wide bands of leaves and anthemion, enclosed by narrow borders of anthemion and leaves separated by inlaid dot banding, the edges in Greek key, above friezes inlaid with conjoined floral paterae between carved leaf tip moulding and Vitruvian scroll inlay, raised on slender square tapering legs headed by carved elliptical paterae and inlaid with pendant husk trails ending in crisp laurel leaf carved square toupie feet(115cm wide, 91cm high, 48cm high)Provenance: Purchased Arthur S. Vernay, Inc., New York, 1920s The Collection of Mrs. John Rovensky, sold Sotheby's New York, 26 January 1957, lot 632 Sotheby's London, 3 June 1977, lot 137, where purchased by the vendor's family and thence by descentNote: This pair of demilune console tables with their fine inlay and marquetry details demonstrate the Neoclassical influence gaining in popularity in the second half of the 18th century. While deceptively simple in appearance, they are of exceptional quality and workmanship. Utilising a design vocabulary based on Greek and Roman antiquity, they eschew the extravagant excesses of the Rococo. Gone are the curvilinear outlines and scrolling embellishments, replaced with ordered repetition and symmetry. The tables bear design similarities to the famed library table by Thomas Chippendale, made for Harewood House, and commissioned by Edwin Lascelles, 1st Baron Harewood, and now in the collection at Temple Newsam. What is most directly related is the marquetry design of the frieze, with its repeat pattern of linked paterae, interspersed with further elliptical carved paterae. In the Parke-Bernet Rovensky sale catalogue of 1957, the tables are listed as ‘parcel-gilded’, however there is no mention of gilding when they re-emerge for sale at Sotheby’s, London, thirty years later. An examination of the black and white image from the 1957 catalogue shows what appears to be gilding on the carved feet and the carved paterae heading the legs. When the tables appeared at Sotheby’s in 1977, they were then attributed to Chippendale, an attribution that remains today. The New York socialite and heiress Mrs. Mae Manwaring Plant Hayward Rovensky [née Caldwell] was married four times, and was one of the richest women in the United States, with homes in New York City; Newport, Rhode Island; Palm Beach, Florida; Hartford, Connecticut; and Groton, New York. A woman of considerable charm, wit, and beauty, she famously persuaded her second husband Morton F. Plant, to negotiate the sale of their lavish Italian Renaissance Revival mansion on East 52nd Street and Fifth Avenue with Pierre Cartier for a rare double strand of one hundred and twenty-eight natural pearls. Maisie, as she was called, and Morton moved to their new, larger Italian Renaissance Revival mansion on East 89th Street and Fifth Avenue, and Cartier turned the 52nd Street mansion into the Cartier New York headquarters and showroom, which it remains to this day. As well as a lover of fine jewels, Mrs. Rovensky was a collector of the fine and decorative arts, and would have been well-known to all the top New York dealers. When she died in 1956, Parke-Bernet conducted the sale of her estate over two weeks in January 1957, with specialist catalogues dedicated to paintings, jewellery, silver, furniture, porcelain, and works of art. The news of her death, and the auction of her estate, was covered in Time magazine, in a story entitled "At The End Of An Avenue". The present pair of tables were offered in Part Two of the sale, which included the contents of Clarendon Court, Newport, and the final portion of the collection from 1051 Fifth Avenue, New York. Sold as lot 632, they are listed in the sale catalogue as a pair of ‘Hepplewhite’ demilune consoles, having been purchased from Arthur S. Vernay, Inc. New York. Based on the order of the sale and catalogue notes, it is believed the tables came from the Fifth Avenue mansion. Arthur Stannard Vernay (1877-1960) was one of the most successful and influential dealers in English antiques in the United States in the first decades of the 20th century. An Englishman, Vernay was born Arthur Avant but changed his name and came to America as a young man in 1904. By 1906 he had opened his first shop in New York City, called Arthur S. Vernay, Inc. on East 45th Street, near Madison Avenue. From the 1920s he had moved premises to East 54th Street, as well as having a shop in London at 217 Piccadilly, and a summer shop in Newport, Rhode Island. Catering to an elite clientele of New York clients, his roster of customers reads like a who’s who of early 20th century society with names like Vanderbilt, Guggenheim, and Morgan among others. Vernay retired from his eponymous antiques business in 1942, but it continued to operate, undergoing a name change in 1978 to Vernay & Jussel, and continued until 1994, when it ceased trading. Vernay’s extensive sales archives are in the Winterthur library. Literature: Gilbert, Christopher The Life and Work of Thomas Chippendale, pp. 201-2, 215 Mauchline, Mary Harewood House, One of the Treasure Houses of Britain, pp. 86-103 Vernay, Arthur Stannard Decorations and English Interiors, 1927
Lot 164
GEORGE III 'CHINESE CHIPPENDALE' MAHOGANY ARMCHAIR, IN THE MANNER OF THOMAS CHIPPENDALE MID 18TH the square back above a wide square seat flanked by fret carved arms, raised on square fret carved fore legs with pierced corner brackets, and squared slightly splayed rear legs, the blue patterned faille upholstery with close nail trim(69cm wide, 93cm high, 46cm deep)Note: The open fretwork of these chairs is typical of the 'Chinese manner' popularised by Thomas Chippendale and derive from Plates XXIII, XXIV and XXV of the First Edition of his Gentleman and Cabinet-maker's Director (1754). The fret-carving of the present chair relates to a design seen in Plate XXV. Chippendale's designs included open lattice-work backs, here though, the chair back has been fully upholstered. A pair of identical chairs to the present lot, sold Parke-Bernet Galleries, New York, The Walter P. Chrysler Collection, Part One, 29 and 30 April, 1960, previously the Collection of Mrs. John E. Rovensky, Parke-Bernet Galleries, 1957
Lot 599
A set of eight (6 + 2) Victorian mahogany dining chairs, in the manner of Thomas Chippendale, the foliate carved top rails above openwork vase splats with floret bosses, the drop-in seats raised on leaf-capped cabriole front supports terminating in claw-and-ball feet, the carvers with leaf-capped scroll arms, 56cm wide x 55cm deep x 98cm high, seat height 49cm. (8)
Lot 269
Various books relating to English and American Furniture, to include Strange (Thomas Arthur) English Furniture, American Furniture The Federal Period 1788-1825, Price Guide to Antique Furniture, Little Books About Old Furniture; The Sheraton Period, The Period of Chippendale Tudor to Stewart, Andrews (John) Starting To Collect Series Antique Furniture, etc. (a quantity)
Lot 1682
A remarkably heavy Mahogany circular Snap Top Table having a most uncommon design cylindrical pillar support with three subsidiary supports of smaller dimensions and raised on three swept legs of pirouette design terminating with hoof-like bases and small castors, 35" diameter x 29 3/4" high approx. Provenance: By descent from Miss. E. Ramsay, Green Chair Lodge, Milton Ferry, Peterborough. Miss. Ramsay was the cook at Milton Hall, Peterborough, the seat of the Fitzwilliam family (her uncle and aunt Thomas & Hilda Needs were, respectively, the Head Butler & Housekeeper there), she appreciated fine things and this table formed part of her lifetime's collection. She purchased the table on the 16th May 1975 from John Bell of Aberdeen Ltd, member of the B.A.D.A. Invoice No. 1529 refers: "A fine antique Chippendale Mahogany circular tip-up Table with unusual shaped Tripod. Period circa 1770", (£325). A black & white photograph of the table has a typed label verso: "F.1196. A fine example of an Antique Chippendale Mahogany Tip Up Table with very unusual central cluster column stem. This terminates in a tripod with shaped toes and brass castors. This useful Table has considerable merit, being very unusual in style and of extremely useful size. The top has a diameter of 35 inches and the Table is 30 inches high. Period circa 1770.
Lot 103
A SET OF SIX GEORGE II MAHOGANY DINING-CHAIRS Mid-18th century, after a design by Thomas Chippendale, each with serpentine toprail above a pierced interlaced 'Gothic' splat, above a padded drop-in seat covered in cream silk damask, on leaf-carved cabriole legs, on claw-and-ball feet, two chairs with original corner blocks, 100 cm high
Lot 70
A GEORGE II ENGRAVED BRASS-MOUNTED WALNUT STRONG BOX Second quarter 18th century, in the manner of Abraham Roentgen. of architectural form, the hinged cover with an arched carrying-handle, engraved as a foliate swag, the top encased on all sides with a brass band engraved with echinus and dentil moulding, each corner with Ionic pilasters on each face against a stonework background, with foliate swags connecting the pilasters, the lower edge of the front face centred with the figure of fortune, with two locks, the interior with a hinged panel in the cover, and a well with two divisions (possibly for tea caddies and a mixing bowl), 18 cm. high; 40 cm. wide; 20 cm. deepFurniture with engraved brass mounts was a distinctive feature of certain mid-18th century London makers including Abraham Roentgen, originally from Mulheim am Rhein, but worked in London from 1733-38 and again in 1766. Roentgen's co-religionist in the London chapter of the Moravian Brotherhood and fellow furniture maker, Frederick Hintz, also made furniture with engraved brass plaques. Furniture by the Exeter maker John Channon is also characterised by engraved brass, fuelling speculation that Roentgen, Hintz and Channon may have worked together (see Roentgen, Abraham (1711–1793) BIFMO (history.ac.uk)) Thomas Chippendale, in his Director, (3rd ed. 1762) recommended that for tea chests ‘the Ornaments should be of Brass or Silver’. Several London makers made engraved-brass mounted boxes for various uses, such as tea chests or dressing-boxes, some with exotic timbers. The only maker known to have made such boxes was Landall & Gordon, whose trade card featured a bombé tea chest (British Museum D,2.1273); a tea chest of the same design as that on their trade card is in the Victoria & Albert Museum (W.11:1 to 2-1965), and another in mahogany with brass inlay is signed T. LANDALL. See C. Gilbert & T. Murdoch, John Channon and brass-inlaid furniture 1730-1760, 1993, p. 20-21, pl. 13 & pp. 121-126. A similar tea chest was sold at Sotheby’s London, 26 October 2016, lot 1034.
Lot 841
A set of twelve George III revival mahogany chairs (2x carvers + 10x chairs), in a Thomas Chippendale manner, serpentine top rail interlaced splats, rectangular reupholstered seat, raised on fluted supports, united by stretchers. (12)Provenance:The content of Wartnaby Castle in Melton Mowbray, Leicestershire, the property is mentioned Nicholas Pevsner's The Building of England and noted as a substantial house in the Little Belvoir Estate built in 1839 and enlarged in the mid 19th century.
Lot 576
A MAHOGANY SERVING TABLE OR SIDE TABLE IN GEORGE III STYLE, IN THE MANNER OF THOMAS CHIPPENDALE, 19TH CENTURY With blind fretwork frieze83.5cm high, 127cm wide, 58cm deep Provenance: Private collection removed from 9, Royal Crescent, BathCondition Report: Marks, knocks, scratches and abrasions consistent with age and use. The top with significant splits and cracks. The side mouldings with various screw repairs and later brackets to underside.Condition Report Disclaimer
Lot 304
A pair of George III carved wood and gilt gesso armchairs, in the manner of Thomas Chippendale, c1770. The cartouch shaped backs with applied honeysuckle cresting and a pair of shaped arms with crisp acanthus terminals above a serpentine seat with arcaded seat rail Supported on turned and fluted rear and fore supports. 96 cm high x 56 cm deep x 62 cm wideLot 264, Sotheby’s 2 November 2011, LondonFootnote: The design of the present pair of chairs closely relates to two sets of chairs supplied by the St. Martin`s Lane cabinet-maker and upholder, Thomas Chippendale, (d.1779) for the Adam designed drawing rooms of Saltram, Devon and Harewood House, Yorkshire, illus. Christopher Gilbert, The Life and Work of Thomas Chippendale, London. 2 vols, Vol.II, p.110 and p.167. For further comparison, see Christie`s London, Dealing in Excellence, A Celebration of Hotspur & Jeremy, 20th November 2008, lot 62.Condition report: Some flaking of the gildingSigns of extensive restoration to the seat frame due to historical woodwormThe chairs are re-giltThe seat frames are capped see imagesthe seat rails show some unexplained auger bit holes on their inner faces see the images for clarification.
Lot 144
A RARE GEORGE III MAHOGANY TRAY TOPPED SIDE TABLECIRCA 177078.5cm high, 116cm wide, 38.5cm deepThe design and style of this table shares similarities with the restrained furnishings at Dumfries House, Ayrshire. Dumfries contains documented furnishings by Chippendale as well as undocumented pieces that may have come from the same workshops or from the workshops of Alexander Peter or William Mathie. (see Dumfries House: A Chippendale Commission, vol. I, Christie's London, 12 July 2007 and R.Bird, 'Who was the Dumfries House Cabinet Maker?, vol II introduction). For a near identical table, see Christie's, London, 13th November 2014, The English Collector, lot 222 (£35,000). The Christie's table had provenance to Thomas Osborne, 4th Duke of Leeds (d.1789) and was supplied for Kiveton Park, and subsequently moved to Hornsby Castle, Yorkshire.
Lot 147
A GEORGE III MAHOGANY SERPENTINE COMMODE IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770 The top drawer fitted with a tooled leather inset slide84cm high, 113cm wide, 56cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips and splits. Various old veneer repairs - see images Two old patch repairs to rear corners of the top. The top also with some additional splits - see images. Old glued cracks to mouldings at sides of top. Spurious Gillow stamp to top drawer. Tooled leather inset surface to the slide of the top drawer is a replacement. Handles and locks appear original. Escutcheons are old replacements. No keys are present but all locks are open. Evidence of old worm to backboards and underside. Three of the feet with later blocks to the backs. One front foot with later screws to the laminated supporting blocks. Sections of replacement timber to one front foot. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 157
A GEORGE II MAHOGANY SIDE TABLEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 174572.5cm high, 96cm wide, 59.5cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips (see images). Some later blocks to the interior of the carcass. Some blocks applied to the underside of the top to help secure splits. Evidence of old worm to the interior of the carcass and rear frieze. Handles and escutcheons appear original. Locks are later 18th century replacements. A key is present and operates all locks. Remnants of blue paper lining to the central drawer. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 158
AN EARLY GEORGE III MAHOGANY SERPENTINE COMMODEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 176085cm high, 93cm wide, 58cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Some fading to topAll metalware appears original. No key present but all locks are open. Section of moulding to one front corner of the top is detached but present. Some tacks/small nails used to secure mouldings at sides of top. Three sections of replacement veneer to the front adjacent to drawers. Some small old repairs to beading of drawer fronts. Very minor evidence of old worm to underside. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 177
A MAHOGANY 'COCKPEN' ARMCHAIRIN THE MANNER OF THOMAS CHIPPENDALE, 19TH CENTURY100cm high, 69cm wide, 65cm deepFor a comparable pair of chairs with the same pattern of pierced panels see, Christie's, New York, 1-2nd April 2015, Lot 678 ($4,000).For Chippendale chairs of related form see Gilbert, Christopher; The Life and Work of Thomas Chippendale, volume two, plates 167 and 168.Condition Report: There are some marks, scratches, chips, splits, abrasions consistent with age and use, some to the extremities and edges.Lacking the pierced corner brackets to either side of the front legs with the seat rail - there are notches and some shadow marks to the legs and seat rails where they would have been.There is calico under-upholstery to the front of the back and the seat. Hessian and webbing visible to the back of the chair back and the underside.Please note we have not inspected the frame beneath the upholstery and can't comment on the condition and originality of this area.The seat frames have holes from previous upholstery tacks.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
Lot 185
A GEORGE III CARVED GILTWOOD SIDE CHAIR IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1775 Upholstered in pink damask, with v-shaped notched and slots to the seat rails92cm high, 57cm wide, 47cm deep overallFor examples of Chippendale giltwood chairs with closely related features see Christopher Gilbert, The Life & Work of Thomas Chippendale, p.109, pl.187 for related front legs; pp. 112, 113, pl. 192-196 for related back strut, front legs and underside of chair. Note the distinctive V-shaped notches to take glue cramps when the members were being assembled, and the slots in the seat rail between the back legs; this was an alternative method favoured by Chippendale of securing a purchase for cramps.Condition Report: There are some marks, scratches, chips, splits, abrasions consistent with age and use, some to the extremities and edges.Later gilt with a dull, matt and slightly granulated finish.Some sections of replacement including to some sections of gesso moulding, some gesso cracked and chipped other areas with indistinct detail due to later paint/gesso. The end section of one back leg is a later replacement.There is evidence of old worm including to the legs and seat rails.The underside with some later white paint and gilt paint around the leg/seat rail joints. Some joints with traces of glue.The later upholstery is aged, stained and marked, with some circular rust marks.Please note we have not inspected the frame beneath the upholstery and can't comment on the condition and originality of this area.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
Lot 197
A GEORGE III FIGURED MAHOGANY SERPENTINE DRESSING COMMODEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770The top drawer fitted with a baize inset slide above a fitted drawer containing a central ratchet adjustable mirror flanked on each side by lidded divisions and compartments89cm high, 116cm wide, 58.3cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Some old veneer and moulding repairs - see images. The baize surfaces to the interior of the fitter drawer are later replacements. They bear the expected wear, marks and some fading. All of the handles to the compartments of the fitted drawer are lacking their hoops.Handles and locks appear original. No key is present but all locks are open. Escutcheons are old replacements. They vary from one another and there are small amounts of filler used around them. Old repairs to feet - see images. Some evidence of old worm to backs of feet and underside. The three regular drawers with stuck down marbled paper (probably 19th century). This has the expected discolourations and some tears. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 231
A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1750each 99cm high, 57cm wide, 61cm deep overall Condition Report: Both chairs with the marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. As illustrated the chairs are not upholstered. Various old glued repairs to splats and tops rails - see images. The bases of the splats do no not fit snugly into shoe pieces, this appear to be from shrinkage. Old worm to seat rails - see images. Later supporting corner blocks to undersides. Both chairs with plaques to undersides of rear rails for 'S & H. JEWELL, 132, HIGH HOLBORN, LONDON,. W. C.'. One chair with two later pegs securing join between one rear leg and seat rails. Some old glued splits to 'shoe' elements at bases of splats. Both chairs structurally solid. Various old tack holes to rails from previous upholstery. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 251
A GEORGE II MAHOGANY WRITING OR ARTIST'S CHESTIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1760The top with an edge moulding to all four sides, the top drawer and inverted breakfront legs pulling out as a writing surface with green covered cloth, hinged and sliding to enclose compartments with hidden drawers and a distinctive quadrant hinged side drawer88cm high, 91.5cm wide, 52.5cm deepSee Thomas Chippendale, The Gentleman and Cabinet-Maker's Director, 1762, Plate No LXXIII for a Writing Table drawer with related drawer interior divisions and quadrant drawer.See also Christopher Gilbert, The Life & Work of Thomas Chippendale, 1978, Plate 397 for a related design in pen, ink and grey wash, circa 1760 of an Artist's table by Thomas Chippendale.Condition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.The top has flame figuring, there are some deep scratches, some filler including to some pits and possible fixings. The back edge moulded as the three other sides.There are losses and restorations including to the banding beside the hinged interior writing slope; the oak hinged slat to hold the writing slope needs re-fixing; there is a crack across the interior base; lacking a section to the side of the left hand pilaster base.The drawer out section is retained by a section of wood which is slightly loose. The baize is of the woven wool style. There is a possibility that the handles might be later as there is some shadowing the the interior and some splitting suggesting that slightly larger screws, however, there are no alternative holes from the handles and the indentations from the front of the handles looks to be only in one place.The locks are later, there is no key, and the locks are open.There is no key, the locks are open.The oak drawer linings are thicker than usual, and have some splits, some with fillets.The backboards of panelled unveneered form, with some horizontal splits along the grain of the timber.The feet have concealed casters.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 254
A GEORGE III MAHOGANY 'BREAKFASTE' TABLEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 178074cm high, 71cm deep, the top 56cm wide, 105cm wide when extendedThe design of this table closely related to Thomas Chippendale's design for a "Breakfaste Table" . The Gentleman and Cabinet Maker's Director (1762) plate LX For similar examples see the Christie's catalogue prepared for the contents of Dumfries House (Thursday 12th July 2007) p.169, and an example by Samuel Smith p.191 Provenance: Private Collection of the Bagshawe family, formerly of Ford Hall and Snitterton Hall, Derbyshire, see page 97.Condition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.The top has two central cracks; a later fixing to three of the four corners of the central section all filled or covered.There are losses and restorations including to the hinge area of the concave doors; there is some movement and shrinkage to the concave doors so that the doors have a gap between them and do not sit quite flush; some replacement and refixed sections of beading; later metal braces to the underside of the stretcher; the door frames slightly lighter in colour than the top and the legs; the base of the caged area with splits and one section of tape to the underside.The handles are later. The lock is later and a little loose. There are two keys one which does not turn the lock to the top drawer (the lock is open), the other which locks the concave door.The drawer linings are oak and have some splits; the drawer divisions have been re-glued.There is evidence of worm including to the loper sections to the sides under the drop leaves.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 256
A PAIR OF GILTWOOD MIRRORSIN THE MANNER OF CHIPPENDALE, 19TH CENTURY163cm high, 93cm wideSee Thomas Chippendale, The Gentleman and Cabinet-maker's Director, Third Edition (1762), Plate No. CIXXVII for a related design of a 'Gerandole' by Matthias Darly.Condition Report: Please note a condition report is available upon request.Condition Report Disclaimer
Lot 76
A GEORGE II MAHOGANY 'CHAMBER' TABLEPOSSIBLY IRISH, CIRCA 1760The dished top with re-entrant corners, a candle slide beneath each side edge, the frieze and top finished on all sides75cm deep, 76cm wide, 45.5cm deepThis table closely relates to several small mahogany chamber tables with moulded tops and re-entrant corners, supplied to Sir Robert Walpole (d.1745) at Houghton Hall, Norfolk, circa 1725. They were probably used as dressing tables in the bedchambers on both the ground and second floors. They seem to correspond in number to the dressing tables listed in 1792, and are what Thomas Chippendale would later describe as a 'Chamber table'. One of the Houghton tables is illustrated in situ, in the Hunting Hall at Houghton in A, Moore (ed.) Houghton Hall, The Prime Minister, The Empress and the Heritage, London, 1996, pp. 90 and 92, no. 8. A very similar table was sold, Christie's London. 15th April 1999, Lot 159 (£16,100). Condition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.The top, front and side friezes are slightly darker in colour than the legs. The back of the table is veneered, now faded and with splits to the frieze veneers.There are two candle slides to the sides in a high position (in the gap above the frieze drawer). The right hand candle slide is stiff and does not currently operate.The handles are later. The lock is later and there is a key but it does not engage with the lock. The lock is open.The drawer linings are oak, there are two small rectangular patches to the back of the drawer lining.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 139
A GEORGE II MAHOGANY LIBRARY ARMCHAIR ATTRIBUTED TO PAUL SAUNDERS, C.1755-60 the padded arched back, serpentine seat and armrests covered in damask fabric, with outscrolling arms carved with acanthus leaves, with a cabled edge and with shell terminals, the frieze with a lattice ground carved with Rococo 'C' scrolls, shells and leaves, on shell capped cabriole front legs terminating in scrolled toes, on later brass castors 101.8cm high, 70.5cm wide, 67.2cm deep Provenance Dreweatt Neate, 22nd March 1995, lot 87. From the collection of the late Dr. Gordon Pack. Catalogue Note This chair is conceived in the fashionable French style of the mid-18th century which was popularised by Thomas Chippendale in 'The Gentleman and Cabinet-Maker's Director' published in 1754. The present lot bears similarities to a suite of furniture previously in the collection of Sir John Ward of Dudley House attributed to William Bradshaw or his partner Paul Saunders. Paul Saunders was one of the most important suppliers of upholstered furniture of the 1750s and 1760s. He was based around Carlisle House, Soho Square and 59 Greek Street and established a large workshop. He worked for many high profile clients, including 1st Earl of Leicester and the Earl and Countess of Egremont. See Christie's New York, 11th June 2010, lot 428 for a similar pair of armchairs.
Lot 158
A GEORGE III MAHOGANY SILVER TABLE IN THE MANNER OF THOMAS CHIPPENDALE, C.1760-70 the serpentine top with a pierced gallery, above a plain frieze, on leaf and fishscale carved legs united by a pierced stretcher, stamped to one rail 'crown R' 73.7cm high, 74cm wide, 49.5cm deep Provenance Private Collection, Berkshire. Dreweatts, Fine Furniture, 10th December 2020, lot 580.
Lot 449
λ AN ANGLO-CHINESE HUANGHUALI AND PADOUK GAMES TABLE EARLY 19TH CENTURY inlaid with stringing and banding, the drop-leaf top with a reeded edge, with a sliding reversible centre inlaid with an ebony and boxwood chequer board to the underside, revealing a backgammon board inlaid with ebony and bone, with parquetry squares and lozenges, above a camphorwood double sided frieze drawer with divisions, on square tapering legs and later block feet 76.2cm high, 70.3cm wide, 56.2cm deep Catalogue Note See Carl L. Crossman, The Decorative Arts of the China Trade, pp. 236 and 237, pl.88 and 89, for two comparable examples with similar interiors. According to the author the interiors were based on a gaming box by Thomas Chippendale for Paxton House in 1774. See also Dreweatts, Fine Furniture, 30th June 2021, lot 265 for a similar example which sold for £15,000 (hammer),
Lot 450
A pair of George III painted open armchairsin the manner of Thomas ChippendaleCirca 1775, each with channelled frames, the oval back surmounted by an acanthus carved toprail centred with a sunflower, above foliate S-scroll carved downswept arms, over a serpentine seat frame, on ring turned and fluted tapering front legs, with splayed rear legs, with a back strut and the rails having cramp-cuts, the painted decoration probably 19th century since the chairs were almost certainly originally gilt, each approximately: 62cm wide x 60cm deep x 98cm high, (24in wide x 23 1/2in deep x 38 1/2in high)Footnotes:The offered chairs have cramp-cuts to their seat rails and back struts visible to the reverse, which are characteristics typically associated with the firm of Thomas Chippendale.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 592
A George lll and later mahogany serving table,the front and side friezes with blind fretwork and pierced corner brackets, on square chamfered legs with inside base mouldings, a small white disc with inventory number inside one back leg,157cm long67.5cm deep86cm highProvenance: Bank of England, inventory no. 3268. Purchased by present vendor in 1994. See letter from the Bank confirming this.For the design, see: Thomas Chippendale, 'The Gentleman and Cabinet-Maker's Director', Third Edition, 1762, no. LVl, LVll.Condition report: the top possibly later, timber appears period, however, has signs of alterations, it's possible that this wooden top replaced a marble. Some old scratches and knocks to top, otherwise seems generally to be in good condition. The top a little warped as can be seen with both front corners raising slightly. Please see additional photos.
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