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Lot 7114
Five assorted children's & illustrated titles, including Perham W. Nahl (ill.): 'Twenty-Two Goblins. Translated from the Sanskrit by Arthur W. Ryder', London, JM Dent, 1917, 20 colour plates by Perham W. Nahl as called for, original pictorial cloth; J.D. Batten (ill.); E. Dixon (ed.): 'Fairy Tales from the Arabian Nights', London, JM Dent, 1893, striking photogravure frontis + 4 further photogravure plates + 16 b/w ills. in text and decorated initials, head and tail pieces etc. by J.D. Batten as called for, original pictorial cloth gilt by Batten, top edge gilt; Nathaniel Hawthorne: 'Tanglewood Tales', L, Duckworth, 1914, colour frontis + 15 colour & b/w plates by Milo Winter as called for, orig. pictorial cloth gilt; Annie Matheson: 'Snowflakes & Snowdrops', ill. F. Carruthers Gould & Winifred Hartley, L, R. Brimley Johnson, 1900, b/w illustrated title + 35 b/w ills of which many full page as called for, original decorative cloth by Winifred Hartley; George Sheringham (ill.); Max Beerbohm: 'The Happy Hypocrite', L, John Lane, 1914, illustrated title page + 24 tissue guarded colour plates by George Sheringham as called for, 4to, original pictorial cloth gilt (5)
Lot 217
Folio Society fairy tales to include:- Hans Christian Andersen complete tales in 2 vols Lang, Andrew (ed) "The Green Fairy Book", "The Pink Fairy Book", "The Yellow Fairy Book", "The Red Fairy Book", "The Blue Fairy Book" and "The Violet Fairy Book", all within their slip cases Grimms Fairy Tales illustrated by Arthur Rackham A Midsummer Nights Dream illustrated by W Heath Robinson Hans Anderson's Fairy Tales illustrated by W Heath Robinson The Arabian Nights illustrated by Detmold The Adventures of Robin Hood "East of the Sun, West of the Moon", illustrated by K Neilson Perot's Fairy Tales illustrated by Dulac Tanglewood Tales illustrated by Dulac Fables of Aesop illustrated by Edward J Detmold (16)
Lot 35
Rod Massey (American, b. 1949). Oil on panel painting titled "Waiting Construction Equipment" depicting five large construction vehicles in an empty field. Likely depicting a scene in Minneapolis, St. Paul, or one of the Twin Cities' suburbs. Signed, dated, and titled along a label along the verso.Provenance: Groveland Gallery, Minneapolis, Minnesota; Private Minnesota collection.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Sight; height: 20 in x width: 30 in. Framed; height: 22 1/4 in x width: 32 1/4 in.br/>Condition:The colors are deep and bold. There are no visible tears or losses. The surface is stable. There are a few areas of soiling/scuffs throughout, in particular along the upper right quadrant, along the upper edge and along the right edge of the board. Also down the top edge of the upper left quadrant. There is wear to the frame. There are no signs of restoration under UV light.
Lot 36
Rod Massey (American, b. 1949). Oil on panel painting titled "Brian's Fixer-Upper" depicting houses buried in white snow, 2004. Initialed and dated along the lower right corner. Likely depicting a home in St. Paul or Minneapolis. Signed and dated along the verso. With a label from Groveland Gallery in Minneapolis, Minnesota along the verso.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Unframed; height: 48 in x width: 38 in. Framed; height: 50 1/2 in x width: 40 1/2 in.br/>Condition:There are no visible losses, breaks, or restorations. Light wear to the frame.
Lot 514
Dulac (Edmund, illustrator). Rubaiyat of Omar Khayyam, rendered into English verse by Edward Fitzgerald, London: Hodder and Stoughton, [1909], 20 tipped-in colour plates, with captioned tissue guards, including frontispiece, free front endpaper with near-contemporary inscription dated 1909, centre gatherings sprung, original cream cloth gilt, joints slightly rubbed at foot of spine with a small area of loss, 4to, together with two other books illustrated by Edmund Dulac, comprising: Edmund Dulac's Picture Book for the French Red Cross, [1915], and Tanglewood Tales, 1938, andReynolds (Frank, illustrator), The Personal History of David Copperfield by Charles Dickens, London: The Westminster Press Limited, [1911], 20 tipped-in colour plates, with captioned tissue guards, pictorial endpapers, previous ownership inscription to lower free front endpaper, rear free endpaper toned, slight spotting, original cloth gilt, 4to, plus two others from the same edition, including: The Pickwick Papers, circa 1912 and The Old Curiosity Shop, circa 1913, and A Book of Old Ballads illustrated by H.M Brock, 1934, all 4toQTY: (7)
![A Tanglewood left handed electro acoustic guitar, model TFC-E-LH NA, contained in soft case with spare strings. [W]
PLEASE NO](https://cdn.globalauctionplatform.com/6f3d3d47-b3f1-41bf-8ea7-b07600cebbd7/5c226da5-da97-4d96-855c-b0cb010e89f2/468x382.jpg)
Lot 529
Peter Hammill (Van der Graaf Generator) - Stage used Tanglewood Odyssey TMO-10NC electro-acoustic guitar, made in Korea, within hard case *Purchased from Duck Son & Pinker in Bath just before a European tour with Stuart Gordon. Generally used as a backup, although there were some tours where Peter only took this one out as a main guitar
Lot 893
Fender Acoustasonic 100 guitar amplifier; together with a Tanglewood Acoustic Combo guitar amplifier (2) *Please note: Gardiner Houlgate do not guarantee the full working order of any electrical items. Do not assume that this lot or any other electrical item is fully working. Please ask for a condition report before placing any kind of bid
Lot 502
Ray Majors - modified Tanglewood TBS Blue Sound electric resonator guitar; Body: red finish, back modified with an opening covered by an additional resonator plate, minor marks to finish; Neck: maple, mild wear; Fretboard: rosewood; Frets: good; Hardware: ZZ Top logo installed on the head face, additional tuner added to allow for a double course at the upper E string, string retainer removed; Case: fitted hard case; Overall condition: fair
Lot 155
Rare original color serigraph poster for the Boston Symphony Orchestra Summer program in Tanglewood, Mass. Abstract Expressionist sculptor and poster designer John Stritch created a Modernist depiction of a grand piano by simplifying shapes in black and brown, and yellow and blue accents on a white background. Signature on lower right: John Stritch. Housed in a black frame. Sight size: 25.50"L x 35.50"H. Frame size: 26.10"L x 36"H x 0.80"W. Artist: John Stritch (1926-2014)Issued: 1985
Lot 474
JUDD, DONALD1928 Ecelsior Springs, MO/USA - 1994 New YorkTitel: Ohne Titel (from Ten for Leo Castelli). Datierung: 1967. Technik: Edelstahl. Maße: 7 x 61 x 51cm. Bezeichnung: Signiert und nummeriert auf innenliegendem Etikett: Judd 141/200. Herausgeber: Tanglewood Press, New York (Hrsg.). Exemplar: 141/200. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur: - Josephus-Jitta, Mariette/Schellmann, Jörg (Hrsg.): Donald Judd - Prints and Works in Editions. A Catalogue Raisonne, Köln/New York 1993, S. 139, Abb. Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog
Lot 674
Rod Massey (American, b. 1949). Oil on panel painting titled "Untitled #0217" depicting houses buried in fresh white snow, 2002. Likely depicting homes in St. Paul or Minneapolis. Signed and dated along the verso. With a label from Groveland Gallery in Minneapolis, Minnesota along the verso.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Sight; height: 20 1/2 in x width: 26 in. Framed; height: 25 1/4 in x width: 31 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 673
Rod Massey (American, b. 1949). Oil on panel painting titled "Spring Scene East 56th St." depicting homes and melting snow, 2006. A figure in a red jacket stands in the yard inspecting the spring melt. Signed, titled, and dated on a label affixed to the verso. With a label from Groveland Gallery, Minneapolis affixed to the verso.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Sight; height: 27 1/4 in x width: 34 in. Framed; height: 28 1/4 in x width: 35 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 163
A Tanglewood electric guitar, twin Entwistle HV58 pick ups, Bigsby patent bridge, Serial No. "L09102045", 101 cm long, housed in an Ashton hard case CONDITION REPORTS Tanglewood guitar - Whilst basically sound, there are throughout, signs of wear and tear conducive with some age and use. The brass work is in need of a good clean. The pick ups have wear. The lower pick up with the name and number worn and particularly to the higher side, wear down to the metal. The higher pick up with wear bottom right corner. The Phillips screws to the pick ups are variously rusty. The neck appears in good condition. The top screw very rusty. Cable socket with spotting and rusting. Keys with green oxidisation / corosion and dirt and some wear to the ends. Not known if the guitar is in working order at this stage. We hope this will be established on the morning of the sale. There is no visible reason why not as far as we can see. The case is in basically good condition throughout but with signs of wear and tear conducive with some age and use. Whilst the pick ups appear to work, the volume / tone controls appear to be fairly ineffective, not making much difference to the sound and the lower front control is fixed i.e. does not turn at all but when played through an amp, the guitar does appear, on the face of it, work - therefore suggest requires attention.
Lot 555
TWENTY EIGHT BOXED LILLIPUT LANE SCULPTURES FROM THE SOUTH EAST COLLECTION, comprising The Kings Arms, Saxon Cottage, The Gables, Crown Inn, Swan Inn, Tanglewood Lodge, Wealden House, Three Feathers, Kentish Oast-House, Greensted Church, Finchingfields, The Rising Sun, Brock Bank, Old Curiosity Shop (deeds), Wight Cottage, Mrs Pinkertons Post Office (leaflet), Clare Cottage, Bramble Cottage, Pargetters Retreat, Bay View, Ash Nook, Swift Hollow, Strawberry Cottage, Acorn Cottage, Chine Cot, April Cottage, Cherry Cottage and Daisy Cottage (28) (Condition Report: no deeds except for where mentioned, slight rubbing but overall in good condition, boxes slightly worn)
Lot 487
VERSCHIEDENE KÜNSTLER: New York International. Portfolio mit 8 (statt 10) meist farb. Orig.-Graphiken versch. Künstler 1965/66 sowie einer Einführung von Henry Geldzahler. (New York), Tanglewood Press Inc., 1966. Gr.-Fol. Lose (bzw. Plexiglas in Passepartout montiert) in OLwd.-Kassette. Expl. 20/225. Enthält je eine Arbeit von Arman (Boom-Boom, Farbsérigraphie 1966. Otzmeguire/Moreau/Arman 254), Mary Bauermeister (Sketch for Tanglewood Press; Photolitho mit Collage und stellenweisem Farbstiftkolorit 1965), John Goodyear (Two-Sides Movement, Farb-/Sérigraphie auf Vinyl mit separater ausgestanzter Vinylauflage 1965; dazu eine Anleitung zum Hängen), Charles Hinman (Print Collage, Collage aus Farbsérigraphien auf Karton 1965), Allen Jones (Self, Farbsérigraphie 1965. Lloyd 28), Robert Motherwell (Untitled, Lithographie 1966. Belknap 28), Ad Reinhardt (Abstract Print, Sérigraphie auf Plexiglas 1966) und James Rosenquist (Somewhere to Light, Farbsérigraphie 1966. Glenn 16). Im Impressum und sämtlich numeriert (Hinman: Expl. „X“ der mit A-Y bezeichneten 25 Exemplaren für die Künstler, Verleger und Mitarbeiter). Sämtlich signiert (Goodyear auf der Innenseite der gestanzten Auflage) bzw. monogrammiert (Reinhardt), teils mit „65“ datiert (Goodyear, Hinman, Jones) sowie mit dem Drucker-Trockenstempel der Chiron Press (Arman, Jones) bzw. des Irwin Hollander’s Workshop (Motherwell), beides New York. Meist auf kräftigem Vélin. Graphiken in gutem Zustand, nur Collage (Hinman) an den Rändern etwas unfrisch und in einer Ecke geringfügig berieben. Kassette leicht fleckig, am Rücken und Seitenteil leicht beschädigt. [ms]
Lot 3016
Tanglewood semi-acoustic guitar with Fishman preamp, mahogany back and solid cedar top L103cm; and a Rockbag electric guitar soft carrying case (2)Condition Report: Condition is consistent with being used regularly and then stored.Some scratches.Minor losses to purfling and inlay around sound hole.Carrying case in reasonable condition.
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975 item(s)/page