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Click here to subscribeVintage Tandem Bicycle By RaleighMake: Contact AuctioneerModel: Contact AuctioneerYear: 0Mileage: 0VIN: Contact AuctioneerConfiguration: Right Hand DriveRegistration: Contact AucitoneerTransmission: Contact AuctioneerVintage Tandem Bicycle By Raleigh The buyers premium for automobilia items, including registration numbers is 15% plus VAT (18% in total)
Vintage Tandem Bicycle By VavyMake: Contact AuctioneerModel: Contact AuctioneerYear: 0Mileage: 0VIN: Contact AuctioneerConfiguration: Right Hand DriveRegistration: Contact AucitoneerTransmission: Contact AuctioneerVintage Tandem Bicycle By Vavy The buyers premium for automobilia items, including registration numbers is 15% plus VAT (18% in total)
Vintage Tandem Bicycle By H Rensch Cycles Of LondonMake: Contact AuctioneerModel: Contact AuctioneerYear: 0Mileage: 0VIN: Contact AuctioneerConfiguration: Right Hand DriveRegistration: Contact AucitoneerTransmission: Contact AuctioneerVintage Tandem Bicycle By H Rensch Cycles Of London The buyers premium for automobilia items, including registration numbers is 15% plus VAT (18% in total)
Vintage Three Seater Tandem Bike BicycleMake: Contact AuctioneerModel: Contact AuctioneerYear: 0Mileage: 0VIN: Contact AuctioneerConfiguration: Right Hand DriveRegistration: Contact AucitoneerTransmission: Contact AuctioneerVintage Three Seater Tandem Bicycle The buyers premium for automobilia items, including registration numbers is 15% plus VAT (18% in total)
A very rare early 18th century pewter and brass-inlaid Italian table clock with six-hour dialFrancesco Papillion, FirenzeThe break-fronted case surmounted by an elaborate cast handle over a stepped caddy top with moulded edges over the architrave with an inset silk-backed blind sound fret, the sides with long glazed panels, on a moulded base and bun feet, the 5 inch silvered dial marked I to VI framed by a minute ring marked in tens for each hour, with single blued steel hand, mounted on an engraved gilt brass dial plate signed in an engraved cartouche within a pattern of strapwork, scrolls and flowers on a matted ground, the small rectangular movement plates united by four baluster pillars pinned through the backplate, with single 'tandem barrel' driving both wheel trains, the going train with verge escapement (the 'scape wheel mounted at an angle) to a short verge bob pendulum mounted on silk within cycloidal cheeks, the strike train sounding on a vertical bell. Ticking and striking, together with a winding key. 49cms (1ft 7ins) high.Footnotes:There is little information about Francesco Papillion. There are only a few signed clocks by him which include a night clock in the Getty Museum and an alarm watch in the British Museum. Archival records in Florence show that Papillion entered the clockmaker's guild in 1705.The six hour clock was used in Italy, especially in the Papal States, until the end of the 18th century, when Napoleon replaced it with the 12 hour system. The six hour, or 'Roman time' started just after sunset with the evening prayers, and worked around the Canonical hours.For further information on this lot please visit Bonhams.com
A fine and rare third quarter of the 17th century brass-mounted ebony 'Pendule Religieuse'Balthazar Martinot, ParisThe rectangular case with twin suspension loops to the rear, the pierced cresting obscuring the bell behind, over a moulded cornice, shaped glazed side panels and a moulded plinth raised on turned feet, the front door with applied pierced cast border, the rear door veneered to the inside with walnut in an ebony crossbanded border, the rectangular dial hinged on the left hand side and mounted to each corner with a foliate cast 'spandrel' framing the elaborate hinged signature plaque (with pendulum slot behind) and the 7 inch chapter ring with each minute hand engraved to the periphery enclosing the Roman hours, star-shaped half-hour markers and inner quarter hour track, with good pierced fancy hands, all mounted on dark velvet, the small rectangular movement united by four ring-turned pillars pinned to the rear, both wheel trains wound via a single 'tandem winding' barrel, the going with verge escapement and short bob pendulum suspended within cylcoidal cheeks set on an elaborate cock, the verge arbor set on another separate cock, the strike train with solid outside countwheel with each hour numbered, signed along the lower edge of the plates. Ticking and striking. 43cms (17ins) highFootnotes:Balthazar Martinot (1636–1714) was born in Rouen into a family of clockmakers, and was working in Paris by 1660. He was highly regarded, becoming Valet de Chambre-Horloger Ordinaire de la Reine Anne of Austria in 1665, and clockmaker to the King Louis XIV. His clocks had beautiful cases, notably those made by Jean-Michel Ziegler and André-Charles Boulle, and were sold to royalty. He retired to Saint-Germain-en-Laye in 1710, where he died a few years later.For further information on this lot please visit Bonhams.com
A Collection of 19th and 20th Century Prints, to include 13 vanity fair framed prints of various sizes, after H Alken, Drawing the Cover, hunting print from The County Gentleman April 1801, after James Gillray, satirical print Buonaparte leaving Egypt and A Welsh Tandem, a pair of political prints showing Disraeli and Gladstone's maiden speech, plus two loose hunting prints (20)
An exhibition museum quality model of an inline tandem condensing Corliss valve compound factory mill engine, the compound inline cylinders 1 1/2 inch and 2 1/4 inch bores by 3 1/2 inch stroke, associated pipe work, drain cocks and fitted brass oiler cups, fitted displacement oilers for both high pressure and low pressure inlets, full Corliss valve gear with worm and quadrant low pressure inlet valve adjustment, open crank, barrelled connecting rod with wedged and bolted big and little ends, waisted crank, trunk type crosshead guide, banjo and wick oil pots, rope and gear driven Proel design speed governor with adjustable linkage, spoked flywheel wheel with seven rope grooves and fitted hand rails to protect workers from flywheel. The engine finished in deep Indian red, and black with polished bright-work and mounted on wooden plinth base with steam inlet, cylinder drain transfer, exhaust and water pipes. Length 123cm. Width 38cm. Provenance: Christies. London. Lot 215. 7th of June 2001.
A well engineered 2 inch scale model of an Aveling and Porter live steam tandem roller, built by Mr Edwin White of Lincolnshire to the John Hanning design and drawings. The silver soldered copper boiler having fittings including steam pressure gauge, water sight glass, lever operated quadrant direction control, regulator, disc flywheel, open crank with eccentric driven water pump, brake gear, worm, chain and roller steering. The single cylinder having trunk guide with brass oiler pot, ratchet oiler system fitted and steam safety valve. The model finished in grey and black paintwork with polished bright-work, Aveling & Porter-Rochester brass builders plaque to cylinder block, fitted road lamps and detailed rivet work to side tanks. Length 86cm. Width 25cm. The model is sold together with a water cart having spoked wheels, hand operated water pump and lifter, wooden operators platform and hitch for attachment too roller. Water cart Length 43cm. Width 30cm. Boiler History: No boiler history available.
1966 Austin Mini Cooper Mk. I (998cc) Transmission: manualMileage:6179These fabulous and popular little cars were designed in 1959 and were heralded as a new concept in car design. Little did they know or envisage what would become of these great models. With a monocoque shell, transversely mounted engine and front wheel drive, the new 'Mini' soon became popular across the world and to all types of individual well healed or not! The potential for competition use was soon seen by John Cooper; he eventually persuaded BMC and the two worked together culminating in the birth of the Austin Mini Cooper and the Morris Mini Cooper in 1961. Victories in the 1964, 1965 and 1967 Monte Carlo Rallies set the Mini on the road to fame but probably the greatest publicity was gained from the, somewhat unfair, disqualification for lighting irregularities in the 1966 event after coming in 1st, 2nd and 3rd. A more powerful Mini Cooper, dubbed the 'S', was developed in tandem and released in 1963.This lovely example of this British classic is presented in Island Blue with an Old English White roof and was recently the subject to some extensive works to the body by Old School Mini. The very nice interior is finished in period correct Cumulous Grey with Gold Brocade and the wheels have just been refurbished with new tyres fitted all round. Its 998cc engine was modified in 2018 using a 1100 crankshaft and it is supplied with its Heritage Certificate confirming the colour, engine and chassis numbers. This is an extremely desirable little Mini Cooper offered in good condition throughout.Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.
A mixed group of boxed and loose model cars and vehicles including Auto Art 1:18 scale Jaguar C Type, Syma military tandem rotor cargo-transport helicopter, Corgi AEC tanker and Thornycroft Beer Truck and further similar.Additional InformationSome boxed, some loose, boxes worn where applicable, some of the plastic windows broken. Some of the models have become loose to the interior of the boxes. There may be some components or accessories damaged or at fault. Too many items to individualise, please refer to illustrations for specifics of condition.
Punk Book - No Future: Sex, Seditionaries and the Sex Pistols (2004). Long out of print and in demand book. Between 1975 and 1979, the searingly truthful music of the Sex Pistols encouraged a generation to confront boredom and reinvent life through music. In tandem with the fetish and bondage clothes designed by Malcolm McLaren and Vivienne Westwood; the inflammatory graphic design by Jamie Reid; and the subversive media-manipulation of Malcolm McLaren, their collaborative project overturned the worlds of music, fashion and graphic design. Their work has now achieved iconic status.Published on the occasion of the exhibition PUNK, September 2004 - January 2005 at The Hospital, 'No Future' examines the nature of this achievement by unlocking the specific meanings of the visual images and attitudes that were at its heart. It includes essays by Michael Bracewell and Andrew Wilson, analysing the iconography, aspirations, success and failure of punk, and features archive clothing from SEX (later renamed Seditionaries), the boutique run by McLaren and Westwood that defined the look of the punk movement
Kenneth Noland (1924-2010)Return 1970 signed, titled and dated 1970 on the reverseacrylic on canvas102 by 244 cm. 40 3/16 by 96 1/16 in. Footnotes:ProvenanceKasmin Limited, London (no. 3749)Knoedler Gallery, London (no. 03359)The Earl of Pembroke, UKStephen Haller Gallery, New York Nancy and John Poyner Collection, USASale: Christie's New York, Post-War & Contemporary Morning Session, 13 November 2013, Lot 146Private Collection, Turkey Acquired directly from the above by the present ownerExhibitedLondon, Kasmin Limited, Kenneth Noland: New Paintings, 1970Birmingham, Birmingham Museum of Art, 1992 - 2013, work on loan to the museumLiteratureLondon, Kasmin Limited and Waddington Galleries, Kenneth Noland: New Paintings, 1970, n.p., illustrated in colour Monumental and serene, the aqueous expanse of Kenneth Noland's 1970 painting Return belies the richness and subtle beauty of its surface, whose sharp minimalism is held in equilibrium by the artist's masterful command over his colours and technique. A museum-quality painting by one of the most significant and celebrated painters of the late Modernist period, it is in the present work that we see Noland's mature style at its best; a visual symphony of unrepeatable simplicity, and one of the most accomplished 'stripe' paintings that Noland began to produce at the end of the 1960s. Noland's practice stands at the inflexion point between Modern and Postmodern painting. One of the last true pioneers of colour field painting that was ascendant in the New York School in the 1950s, his paintings expanded the colour theories of Josef Albers and the systems of the Bauhaus School, assimilating the automatic and expressive relationship to picture-making that had been championed by Noland's friend and patron, Clement Greenberg; what culminated is a body of work whose legacy endures as the quintessence of American Minimalism. In tandem with his abundant ties to the New York avant-garde of the mid-century, Noland developed his style out of much more worldly soil, consistently nodding to the likes of Paul Klee and Piet Mondrian as his touchstones; European artists who engaged deeply with the spirituality of abstraction over the significance of the picture plane. Mondrian's words offer a lens through which to read Noland's Return: 'what captivated us at first does not hold us afterwards. If one has loved the surface of things for a long time, one will finally look for something more. This 'more,' however, is already present in the surface one wants to go beyond [...] it is as we regard the surface that the inward image takes shape in our souls. This is the image we are to represent' (Piet Mondrian cited in: Diane Waldman, 'Kenneth Noland' in Kenneth Noland: A Retrospective, New York 1977, p. 11).His father, a pilot, engineer and painter, nurtured Noland's interest in the arts from an early age, once recalling the impact of scrutinising Monet's paintings during a visit to the National Gallery of Art in Washington D.C. when he was a teenager. From his formative years to those after his tours of duty, serving in the United States Air Force during World War II, Noland was immersed in a dialogue with contemporary painting. His studying at Black Mountain College under the pupillage of Josef Albers and Ilya Bolotowsky after the war, was followed in 1948 by travels to Paris on the G.I. Bill alongside Ellsworth Kelly, Sam Francis, Jules Olitski and Paul Jenkins, attending classes at the Académie de la Grande Chaumière taught by Ossip Zadkine. By the time of his moving to New York in 1963, after the death of his close friend and collaborator Morris Louis, Noland had absorbed, refined, and constructed a completely novel approach to painting. He was showing regularly with André Emmerich Gallery in New York, and his reputation as a master colourist at the forefront of painterly discourse was in no doubt. As he moved through the 1960s, developing his visual lexicon from 'targets,' to 'chevrons,' to shaped canvases, Noland's dexterity with acrylic – then named Liquitex, a new paint formula of water-soluble plastic – enabled him to modulate his application of colours across the raw cotton canvas with virtuosic skill. What emerged was the apex of the artists minimalist system, confining the narrow clusters of stripes to the top and bottom of the composition. Commenting on these most accomplished of his 'stripe' paintings, Diane Waldman noted that Noland 'appeared to be emptying the centers [sic] of his paintings [...] Colour here is intense but subdued, and Noland counters the effect of its unimpeded lateral sweep by investing the field with texture [...] these paintings represent Noland at his best' (Diane Waldman, Kenneth Noland: A Retrospective, New York 1977, p. 34).Return is one of the most sensitive and breath-taking of these rare 'stripes' to come to market. A painting that is teeming with almost imperceptible details and nuances over a limited palette of brilliantly organic colours, it is testament to the affective force of truly great painting that Noland spent his career devoted to. His influence as the grand master of painterly Minimalism endures in art, design, and architecture, and it is hard to view the works of Andreas Gursky, Rosemarie Trockel, or Steven Parrino, for example, without seeing the profound impact Noland had on the gravity of the surface, colour, and composition in contemporary picture-making. Residing in the collections of international public museums including the Centre Pompidou, Paris, the Los Angeles County Museum of Art, the National Gallery of Art, Washington, D.C., the Tate Gallery, London, and the Tochigi Prefectural Museum of Fine Arts, Japan, Noland's career stands as one of the foremost contributions to art history of the last hundred years. Not only is Return one of the most elegant paintings executed by the artist over the course of his life, but it is one of the finest examples of Noland's 'stripe' paintings from a unique and highly acclaimed passage in his oeuvre. Its sale represents an opportunity to acquire one of the finest, museum-quality examples by a hugely significant and collectible blue-chip artist.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Corgi Toys Agricultural Gift Set No.5 containing Massey-Ferguson 165 Tractor with shovel and skip and churns attachment with two churns, Tandem disc harrow, farm tipper trailer with raves, Land Rover, Dodge Kew Fargo truck with four cattle and four pigs, farm worker and dog, eleven large sacks and Click here to view further images, condition reports, sale times & delivery costs for this lot.
A collection of prints to include 'North East View of New General Post Office' after James Pollard, and another 'Grand Entrance to Hyde Park', two aquatints by Pyle and Rosenburg respectively, the first 46.5 by 62.5cms visible paper; two tandem prints after Henry Alken, and four Pollard hunting prints (8) Condition Report: All have suffered from sunlight and age- faded and browned- scattered spotting throughout and frames generally tired. Alken/tandem prints look to be later strikes Condition Report Disclaimer
RICHARD BENNO ADAM 1873 München - 1937 ebenda Eleganter Zweispänner Öl auf Leinwand. 84 x 130 cm (R. 96 x 140 cm). Signiert und datiert unten rechts 'Richard B. Adam Tälermühle bei Röda 1923'. Verso: Auf Originaletikett auf Keilrahmen handschr. bez. 'Richard B. Adam 30 J. München Prinzenstrasse 30 'Tandem des Herrn Müller Albert in Neustadt Aisch' (Ölgemälde)' sowie handschr. bez. 'No. 30'. Min. verschmutzt, part. besch., min. rest. Rahmen. RICHARD BENNO ADAM 1873 Munich - 1937 Ibid. Elegant curricle Oil on canvas. 84 x 130 cm (F. 96 x 140 cm). Signed and dated lower right 'Richard B. Adam Tälermühle bei Röda 1923'. Verso: on original label on stretcher handwritten indicated 'Richard B. Adam 30 J. München Prinzenstrasse 30 'Tandem des Herrn Müller Albert in Neustadt Aisch' (Ölgemälde)' as well as handwritten inscribed 'No. 30'. Min. soiled, part. damaged, min. rest. Frame.
Clock Picture Automaton. Circa 1830 Attrib. CL Hoffmeister (1790-1843) Austria A painted on Sheet metal/tin ,A typical Austrian vista showing a stone domed building with working clock , working windmill to distance , figures fishing , goats resting , cattle being driven on a road , horses in tandem pulling a sack laden cart , working watermill ( with water wheel ) various buildings to distance etc Image 14 5/8 x 21 3/4? ( 37.1 x 55.2 cm) the whole 17 1/2 x 24 1/2 x 2 1/2? deep ( 44.4 x 62.2 x 6.2 cm) Retains the original shaped bronze mechanism mounts to rear within the boxed frame, the working parts connected by pulleys etc.
Early Cycling and Bicycles - a good album of 20 period photographs of various individuals or groups with their cycles, including an Ordinary or Penny Farthing, also a booklet titled 'Fifty Years of the Bicycle in Worcestershire 1880-1930, also an Edwardian die-cut embossed card illustration of a couple on a tandem.
CENTRAL AGRICULTRAL ASSOCIATION OF AYRSHIRE MEDAL 1910, won by John Kennedy, the obverse with agricultural landscape scene in relief, the reverse inscribed 'For Tandem Team Second Prize, Won by John Kennedy Esq. 1910', within wreath in relief, outer border inscribed 'Central Agricultural Association of Ayrshire Inst. MDCCCXXXV', maker JM, 46mm diameter, along with three other agricultural medals including a Beith Farmers Society Medal 1890, awarded for the 'Best Animal of the Horse Kind', and two Highland and Agricultural Society of Scotland Medals comprising an Ayrshire Cow medal and a Ploughing medal, dated 1872 and 1893 respectively (4)
A Victorian stained pine dresser base, having a raised superstructure over three graduated drawers and single cupboard door, width 125cmCondition report: On squat turned feet, all present.Drawers slide well but both horizontal drawer front supports are loose and move in tandem with the top two drawers.No signs of woodworm or major damage.With one key for the cupboard door.
Six Corgi 1:50 scale diecast models, including Hauliers of Renown and Modern Trucks, comprising CC12823 AS Taylor Transport Scania T Topline Curtainside with Moffett Mounty, CC12925 Baggeridge Brick Scania Topline Sided Crane Trailer with Brick Load, CC13822 H Wragg Mercedes Actros Eco-Curtainside, CC15306 LLoyds of Ludlow Scania 111 Tandem Axle Tilt Trailer, 75501 Parcelforce Leyland-DAF Box Trailer and 75502 Royal Mail Leyland-DAF Box Trailer, all boxed. (6)
2004, Silver Proof 5oz commemorative coin. Struck to commemorate to handover of Cunard Line's flagship from RMS Queen Elizabeth II to RMS Queen Mary II in 2004. Obv: Britannia seated, holding trident, 2004 below. Rev: Queen Elizabeth II and QUeen Mary II sailing in tandem. Proof FDC. Encapsulated in Westminster presentation case with certificate of authenticity signed by Commodore Ronald W. Warwick.
A c1899 Marriot & Cooper 'Olympia' Tandem Tricycle. Promoted as 'easy to steer and propel in luxurious ease', these tandems were very popular in the late Victorian period. This example has been stove-enamel black with nickel-plated flat handlebars and a rim brake and contracting back pedalling brake are fitted to rear wheel. Other features include non-matching leather saddles, rear rack and lamp bracket.
Jennie Jewitt-Harris (British, b.1962). '9 of Hearts', acrylic and oil on canvas, signed. Image size 41.5 x 29cm. Jennie Jewitt-Harris gained her PhD in Fine Art from Brighton University/UCA and her Medical degree at King’s College, London. Jennie had two artworks selected for the 250th Royal Academy Summer Exhibition 2018, completed a residency at Watts Artists Village, and her works are in private collections nationwide. Her solo exhibitions include In Residence at Watts Contemporary Gallery, Fideles Oculi at C&C Gallery, London; Time and Vision at One Paved Court, London and Anything But the Eyes at James Hockey Gallery, Farnham (this exhibition moves to The Mirror Gallery at South Hill Park in February 2021). She has exhibited in many group exhibitions, including at the London Art Fair and Affordable Art Fair, at the Cultural Olympiad in 2012, and as a duo with Aimee Jewitt-Harris at Blah Blah and Tandem at the Poly Gallery Falmouth. Jennie uses her knowledge of psychology and medicine to inform her practice which considers our relationship with time, connection with others and what makes us who we are, using a variety of media mainly collage and painting. She has appeared with her artworks on Great British Railway Journeys and has permanent photographic works on display at Guys Hospital and The Royal Free Hospital. Her artworks have been published by the British Medical Journal, The Psychologist and The Ophthalmologist magazines. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.Jennie combines her art practice with her role as Founder and CEO of Transplant Links. www.jenniejh.co.uk.
Jennie Jewitt-Harris (British, b.1962). '6 of Clubs'. Paint and collage on board. Signed. Image size 57.5 x 42cm. Jennie Jewitt-Harris gained her PhD in Fine Art from Brighton University/UCA and her Medical degree at King’s College, London. Jennie had two artworks selected for the 250th Royal Academy Summer Exhibition 2018, completed a residency at Watts Artists Village, and her works are in private collections nationwide. Her solo exhibitions include In Residence at Watts Contemporary Gallery, Fideles Oculi at C&C Gallery, London; Time and Vision at One Paved Court, London and Anything But the Eyes at James Hockey Gallery, Farnham (this exhibition moves to The Mirror Gallery at South Hill Park in February 2021). She has exhibited in many group exhibitions, including at the London Art Fair and Affordable Art Fair, at the Cultural Olympiad in 2012, and as a duo with Aimee Jewitt-Harris at Blah Blah and Tandem at the Poly Gallery Falmouth. Jennie uses her knowledge of psychology and medicine to inform her practice which considers our relationship with time, connection with others and what makes us who we are, using a variety of media mainly collage and painting. She has appeared with her artworks on Great British Railway Journeys and has permanent photographic works on display at Guys Hospital and The Royal Free Hospital. Her artworks have been published by the British Medical Journal, The Psychologist and The Ophthalmologist magazines. Jennie combines her art practice with her role as Founder and CEO of Transplant Links. www.jenniejh.co.uk. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.
Cyclists, Morestone Tandem and Sidecar with cyclists (Condition Fair-Poor), Dorset Civilian, Military, Sherlock Holmes, Dr Watson and Policeman Cyclists in two original boxes, WWI Pigeon Handler with bicycle, other bicycles, and eighteen plastic Racing Cyclists including timing officials and bottle offerers (Condition Excellent-Fair, two handlebars broken) (39)
Large Quantity Of Dinky Corgi Toys Farm Tractor and Implements, including: Corgi Toys 2 x 50 Massey-Ferguson 65 Tractors (one repainted) 60 Fordson “Power Major” Tractor, 2 x 66 Massey Ferguson 165 Tractors, 67 Ford 5000 Super Major Tractor,2 x 61 Four Furrow Ploughs, 71 Wheeled Controlled Tandem Disc Harrow, 72 Ford 5000 Super Major Tractor With Trenching Bucket, 73 Massey Ferguson 165 Tractor With Saw Attachment, 1111 Massey-Ferguson “780” Combine Harvester, 69 Massey Ferguson 165 Tractor, Corgi 53 Massey Ferguson Tractor, 57 Massey FergusonTractor with fork, 54 Fordson Power Major with Roadless Half Tracks, Dinky Toys 27C Motocart, 27n Field Marshall, (repainted) 3 x 27a Massey Ferguson tractors (one repainted) 325 David Brown tractor, 5 x 27b Halesowen Trailers (four repainted) 3 x 27c Massey Harris manure spreaders, 27k Hay rake, 27j Triple gang mower, plus others all in unboxed poor to good condition.(43 items)
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