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PAIR OF GLENMORANGIE 10YO A brace of Glenmorangie goodness, in the form of two bottles of Glenmorangie 10 Year Old Single Malt Whisky in different packaging. Bottle one: Standard 1990's tube and Bottle 2: Stills tin. Both 70cl. 40% abv. Both Level mid-neck. Small dent on tin. Otherwise excellent condition. 2 bottles.
GLENBURGIE 1962 SAMAROLI AGED 37 YEARSActive. Forres, Moray. Distilled 1962, bottled for Silvano S. Samaroli at Rutherglen in Glasgow in 1999 under his personal supervision. Bottle no. 140 of 180. 70cl, 45% volume. CONDITION REPORT: Slight wear and discolouring to label and capusle. Otherwise very good condition, excellent fill level.
A quantity of white metal road signs and figures. George Doswell produced reproduction Spot-On 1930’s-1950’s British road signs. Including a painted set of 11 with Hospital, Signals Ahead, Hill 1 In 12, Bus Stop etc, boxed. Plus 8 packeted Belisha Beacons, also painted. Together with a number of examples ‘in the white’ including Halt Major Road Ahead, Level Crossing, Hump Bridge, Bus Stops, Road Junction etc. Also painted items - a boxed set of 13 O gauge Railway Staff & Passengers, plus 2 lamps. A set of 4 The Monkees. Singer and Accompanist including electric piano. 5x Brian Jones of the Rolling Stones. 3x Motorcycle Ace Geoff Duke. Also a Dinky Toys London Taxi (284) a Brumm Porsche 356, both boxed and a Corgi Hawker Hunter- canopy missing. And a quantity of packets railway layout landscape grass, foliage, imitation rocks etc. VGC
Veuve Clicquot Champagne [1929], label illegible, Ponsardin visible on neck label and Clicquot stamped on metal cap to cork, foil now missing, level just above neck label (7.5 cm from cork and 1.7cm when inverted), colour of wine still quite pale for age, with current owner since 1960's when vintage was apparent.
Hornby 1970's 00 Gauge Clockwork Train Set, comprising green 0-4-0 7821Tank Engine, three integral flat trucks, Shell Tanker and uncommon plain grey Container with both doors, circle of black plastic track and yellow platform with signal and orange level crossing with gates, these set were often issued by mail order G, together with Whitman Henry the Green Engine wooden Jigsaw, complete in original box, F
Sammy Morfitt 9ct. gold & enamel Northern Rugby Football Union Yorkshire Second Competition medal 1898-99,the reverse inscribed HULL KINGSTON ROVERS, S. MORFITT; sold together with a Sammy Morfitt's Yorkshire County Rugby Union blazer, inscribed in ink to the neck label MORFITT, navy blue wool with white trim, silkwork Yorkshire county white rose crest to breast pocket (2)Sammy Morfitt (1869-1954) was born in Kingston-Upon-Hull. His rugby career coincided with the birth of professionalism. As a Union player he played an international level for England at at club level for Hartlepool and Hull Kingston Rovers, and then as a League footballer for Hull K.R. when they switched codes
Early item of Duncan Edwards memorabilia: an English Schools' F.A. 'Schools Internationals' certificate for The Victory Shield Competition in May 1951, completed in beautiful manuscript calligraphy, named to D. EDWARDS and certifying that he was selected LEFT HALF FOR ENGLAND v N IRELAND, BELFAST, 11th MAY 1951, signed by the Chairman and Secretary of the English Schools F.A., the crests of the four home nations schools' F.A.'s decorate each corner, 20 by 33cm. Duncan Edwards is the only England schoolboy international to have played over the course of three years, 1950, 1951 & 1952 at U-15 level. His debut for England Boys was v. N. Ireland at Oldham 6 May 1950, at the age of 13. He made four further appearances in 1951, four appearances in 1952, and his ninth and final match was on 1st September 1952, precisely a calendar month before his 16th birthday.
AIMÉ-JULES DALOU (1838 - 1902)La Brodeuse (The Embroiderer)Bronze, 29cm high, dark brown PatinaSigned and numbered 12/12; stamped with foundry mark'CIRE/C.VALSUANI/PERDUE'Aimé-Jules Dalou was a French sculptor working in the mid-19th century amidst the country’s revolutionary politics and a rising realist style in art. In hindsight there is a tendency to overly equate the art of this period with the contemporary political climate. However, Dalou readily eschewed the recognition of the academy by repeatedly refusing the Prix de Rome - a highly sought after accolade for artists at the time - despite the fact that it guaranteed commissions. Like most nineteenth-century French artists he began his training in the École des Beaux-Arts, where he studied for three years. His earliest works reveal the mastery of craft and design with highly detailed anatomy that would go on to characterize his entire oeuvre. La Brodeuse was made a year before he was exiled from Paris. Similar to many other artists and avant-gardes, Dalou was affected by the fall of the Second French Empire in 1871. He relocated to London, returning to Paris in 1879 following the end of a long period of political unrest within the Third Republic. Dalou’s career continued to grow during his exile, spending his time as a portrait sculptor, unlike other contemporary artists such as Courbet whose reputation was destroyed following his association with revolutionary politics. Completed in 1870 La Brodeuse was the sculptor’s first public success and lauded by critics when exhibited at the Salon in the same year. This present example is an interesting insight into the work - stylistic and thematically - that Dalou would go on to produce for the following decade. The smaller sculptural works such as the La Brodeuse express an increasing interest in the simple tasks of modern life. The main focus of the work centres on the woman’s hands, a sense of tension which seems to imply a taught thread. Dalou’s modelling of the seated seamstress with her head bent forward reflects an almost silent reverie at her task. Dalou’s representation of working class society always contains an element of dignity captured with beautifully observed detail. Dalou was a consummate draughtsman preparing preliminary sketches for his sculptural works, with this work cast after one of these large groups of esquisses. The bronze medium cast in the lost wax process requires an incredibly high-level of skill and craftsmanship. It is also immensely labour intensive requiring multiple individuals to create an exact replica of the original plaster cast made by the sculptor. This work was produced by the Valsuani Foundry as indicated by their mark on the base. The company was established in 1899 by brothers Claude and Attilio Valsuani who had learned their trade while employed at the Hebard foundry. The workshop was located in the southwestern suburbs of Paris in commune of Chatillon, casting mostly small works for various artists primarily using the lost wax technique of casting, ‘cire perdue ’. In 1905 they relocated to a more central location on the Rue des Plantes . They cast works for artists including Renoir, Paul Troubetzkoy, Matisse, and Gaugin. Claude Valsuani died in 1923 in his native Italy but his son, Marcele took over the running of the foundry and continued to produce extremely fine detailed bronzes until the 1970's.
Extraordinary Russian 19th Century Palace Size Renaissance style Carved Oak Armoire/Wardrobe. Elaborately carved on four sides with an exceptional level of detail featuring Corinthian columns, arches, winged putti, turrets, urns, a hidden writing desk and secret compartments. Important symbolic devices include both the Russian Imperial Eagle as well as the Papal Insignia. Unsigned. Very good restored condition. Measures 136" H, 89" W, 35 D. Provenance: (reputed) specially created for the Winter Palace, St. Petersburg, Russia residence of Tsar Nicholas II. In 1935 the armoire appeared in Ghent, Belgium as part of the cargo of a freight ship. During World War II the armoire was on display in Ghent. The armoire was purchased in 2003 by the current owner from M. S. Rau Antiques, New Orleans. Purchase price $284,580.00. Shipping: Third party (estimate $80000-$120000)
FOLK - Lovely selection of 25 x LPs with some great private rarities! Artists/titles include Interlude - Dunskey Castle (SP 350 w/insert), Tecwyn Ifan (x3) - Y Dref Wen (with inserts), Edrych I'r Gorwel and Goleuni Yn Yr Hwyr, Instant Sunshine! - Live At Tiddy Dols, Pyewackett - S/T, Bert Jansch - S/T (TRA125), ELF, Patrick Sky (x3), George Guzman (HA 8384), The Islanders, Brian Short (TRA 245), Saraband and High Level. Condition is generally VG to Ex.
70s/80s POP/ALT - Cracking collection of around 80 x mainly LPs. Artists/titles include Roxy Music (x9) including UK 'pink rim' pressings of Stranded (ILPS 9252), For Your Pleasure (ILPS 9232), S/T (ILPS 9200) and Country Life (ILPS 9303), Iggy Pop, Elvis Costello (x6) inc. Blood & Chocolate, Punch The Clock and Out Of Our Idiot, Depeche Mode, Madonna (x3) inc. Music (LP 9362-47865-1), The Tourists, Human League, Deep Forest, Eurythmics, The Housemartins, Madness, Level 42, Duran Duran, Bronski Beat and Yazoo. Condition is generally VG+ to Ex+.
1 bottle Hennessy Fine Champagne Cognac Vintage 1830 "This unique bottle has been bottled in the early 1940's probably under the direction of The German Third Reich as a part of its need to raise capital. The 1830 Vintage at Hennessy has been only used generally as part of blends and very rarely indeed as a single vintage. It is likely that Hennessy, against their own wish, has been directed by the Third Reich to bottle old Vintage Reserve cognacs as single Vintage. We include some of the detail of provenance provided by the Vendor" “This is the oldest Hennessy vintage cognac known - there is no second bottle and no older vintage. Of course, Hennessy has also older vintages still on stock bottled in glass "dame-jeannes", but these will only be used for "assemblages". This bottle of 1830 Fine Champagne can also be classified historically in a very accurate way. It came from a collector who bought it about the year 1998 from a descendant of a Swiss pharmacist and wine & spirit merchant along with several other old vintage cognacs. Hennessy Cognac have been asked concerning this bottle and answered that, although the bottle itself could not be evaluated, a time frame for the production of this type of bottle could be set The bottle is the Traditional Cognac bottle that all Brands were using until 1947. From the middle of the 19th century, Cognac was mainly shipped in bottles rather that barrels (exception being UK). The bottles were shipped in wooden crates of 12 bottles. The shape of the bottle was the same for all brands, only the labels were different. The time range "second world war" makes perfect sense for our bottle: This time fits, and the "Third Reich" needed foreign currency, which for example was procured by the trade in wine, champagne and cognac from France. Cognac production and trade in this time was under control of Germany (by Gustav Klaebisch - see "Cognac" by Paczensky). So it is understandable that Hennessy - actually specialized in "assemblages" and bottled a quite valuable pure vintage cognac for export to Switzerland. Hennessy would not have done this on its own responsibility, and economically this would have made no sense using old stock in this way. Since from 1945 to 1947 export was very small, the bottle is highly likely to be dated between 1940 and 1944, which fits well to the almost perfect filling level and the state of the cork as well as to the oxidized metal foil. After about 70 years of perfect storage, a loss of about two to three centimetres is reasonable. There are new photos of Hennessys "Paradis"(Vintage Reserve stock) Cognacs (thanks to E. Thielisch / Moet Hennessy Germany) clearly showing the year of distillation of the “dame-jeannes” and even the name of the domain that provided the cognac: both, 1830 Petite Champagne and Grande Champagne 1830 are still stored today in Hennessys stock. There is a very high probability that exactly these stocks were used.”
2 German tinplate toys. A 1920’s child’s typewriter by GSN (Gebruder Schmidt Nurnberg). A Junior Model 3 with two level disc typeface, fitted with two lever control and sliding lever for two level adjustment. Finished in black overall. An example without its additional tinplate base and tinplate cover. Carriage length of 21cm with a base of 13.5cm x 18cm. GC for age, some wear overall. Together with an early 1900’s Lehmann Zeppelin style clockwork toy. 19cm in length with litho detailing, simple key, 2 gondolas and 2 bladed propeller and small hanging loop. QGC worn overall. Plate 2 (2)
2 CAMPBELTOWN LOCH BLENDS A pair of Blended Scotch Whiskies from Campbeltown. CAMPBELTOWN LOCH Finest Old Blended Scotch Whisky. 70cl. 40% abv. An older style bottling from the 1990's. Level low neck. Good condition. CAMPBELTOWN LOCH 30 YEAR OLD. 70cl. 40% abv. Premium Blend from Springbank. In original case. Level mid-neck. Excellent condition. 2 bottles.
ABSENTA F.E. VOLART CIRCA 1950'S An ultra rare bottle of Red/ Rose Absinthe from F.E. Volart, Barcelona from circa 1950. The distinctive colour is achieved through the addition of Hibiscus to the botanicals. 95cl. 58% abv. Some discolouration to label. Level low neck. Very good condition. 1 bottle.
SEAGRAM'S KING ARTHUR LONDON DRY GIN CIRCA. 1940 A very rare bottle of Seagram's King Arthur Distilled London Dry Gin from the late 1930's/ early 1940's. 1 Pint (US). 90 proof. Described as "Soft-Stilled". Label has a couple of areas of damage and discolouration. Level mid-top shoulder. 1 bottle.
2 CAMPBELTOWN LOCH BLENDS A pair of Blended Scotch Whiskies from Campbeltown. CAMPBELTOWN LOCH Finest Old Blended Scotch Whisky. 70cl. 40% abv. An older style bottling from the 1990's. Level low neck. Good condition. CAMPBELTOWN LOCH 30 YEAR OLD. 70cl. 40% abv. Premium Blend from Springbank. In original case. Level mid-neck. Excellent condition. 2 bottles.
FLEISCHMANN'S WHITE TAVERN DISTILLED DRY GIN CA. 1940'S A fantastic old bottle of Fleischmann's White Tavern Gin (a brand that still exists today), I would love to have a tasting of the new and the old versions... 1 Quart. 90 Proof. Level bottom neck. Some damage to label, with sections missing to left hand edge. Otherwise Very good condition. Screw cap closure. 1 bottle.
WINE & MADEIRA A pair of bottles, comprising: one bottle of BLANDY'S "S" VERY DRY MADEIRA circa 1960's. 75cl. No strength stated. Level mid-low neck. Some wear/ staining to label otherwise good condition. Together with one bottle CHATEAU LA ROSE FIGEAC VINTAGE 1971, Pomerol. No strength or capacity statements. Approx. 3cm from base of cork. Marking to label otherwise very good condition. 2 bottles.

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2373 item(s)/page