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Click here to subscribeJake & Dinos Chapman b. 1966 & 1962 TINKERBELLEND painted resin synthetic hair and glass dome height of sculpture: 17.5cm.; 6.875in. height of dome: 28cm.; 11in. Executed in 2002 and published by Counter Editions this work is number 43 from an edition of 60. This work is accompanied by a certificate of authenticity signed by the artists.
Evans (Sir Arthur John) The Mycenaean Tree and Pillar Cult and its Mediterranean Relations... chromolithographed plate 1901 § Dussaud (René) Les Civilisations Préhelléniques dans le bassin de la Mer Égée folding plates and maps mounted on linen modern cloth original upper wrapper bound in (soiled) spine faded Paris 1914 § Perry (W.C.) Greek and Roman Sculpture 1882 § Mylonas (George E.) Mycenae and the Mycenaean Age Princeton N.J. 1966 § Karageorghis (V.) Excavations at Kition I: The Tombs (Text) Nicosia 1974 maps plates and illustrations some folding all but the second original cloth the last two with frayed dust-jackets most a little rubbed; and 14 others Greek archaeology including 4 vol. on Greek Papyri by the Egypt Exploration Fund Graeco-Roman Branch 4to & 8vo (19)
Various Properties Ronald William Fordham Searle, b. 1920 Lemon hart (sculpture) Signed; titled on a label attached to the backboard Pen, ink, watercolour and gouache over pencil with collage 31x39.5cm.; 12.25x15.5in. (13) To be sold together with twelve other watercolours by the same hand, some executed over a printed base, each advertising Lemon Hart rum. Literature Published as an advert in Punch, 17th May 1961
Clive Barker, b.1940 Agent 007 Stamped with signature, dated 1999 and Numbered 8/9 Polished aluminium Length: 14.5cm.; 5.75in. (2) To be sold together with Box Camera, stamped with signature, titled and dated 1990, polished aluminium, by the same hand. Literature An Jo Ferman and Marco Livingston, Clive Barker: Sculpture Catalogue Raisonne 1958-2000, Milan 2002, no.359, illustrated p.165
Clive Barker, b.1940 Small violin Stamped with signature, titled and dated 1987 Polished aluminium Height: 78cm.; 30.75in. Executed in 1987, the present work is unique. Literature An Jo Ferman and Marco Livingston, Clive Barker: Sculpture Catalogue Raisonne 1958 - 2000, Milan 2002, no.219, illustrated p.131.
Philippe Hiquily (1925-) (French): Moving Bronze Sculpture, signed "Hiquily 1/1", 58cm high, 86cm long *Hiquily was born in 1925 in Paris. He enlisted in the army in 1944 and was posted to Indo-China between 1945 and 1947, where he was inspired by the temple of Angkor and the mobile bamboo fountains of the Lao mountains. In 1948 he began at Beaux-Arts de Paris. He was interested in primitive arts and frequented the Musee de L'Homme in the Louvre. He graduated from the Beaux-Arts in 1953 with prize for sculpture for a piece in iron entitled "Neptune".
Felibien (Andre, Sieure des Avaux, 1619-95). Entretiens sur les Vies et sur les Ouvrages des plus Excellens Peintres Anciens et Modernes, 4 vols., Amsterdam, Estienne Roger, 1706, together with Felibien (Jean-Francois, 1658(?)-1733), Recueil Historique de la Vie et des Ouvrages des plus Celepres Architectes, 1706, bound with Les Plans et les Descriptions de Deux des plue Belles Maisons de Campagne de Pline le Consul. Avec des Remarques sur tous ses batimens, et une Dissertation touchant l'Architecture Antique & l'Architecture Gothique, 1706, and Felibien (Andre), Conferences de l'Academie Royale de Peinture et de Sculpture, 1706, together 6 vols., two eng. frontispieces, titles printed in red and black, large folding eng. plan, several eng. plts., uniform contemp. vellum, spines neatly titled and numbered in an early hand, with gilt crest of the Foljambe family to foot of spines, small 8vo An attractive set by father and son; Jean-Francois, the son, succeeded his father to the offices of 'Secretary To The Academy of Architecture and Keeper of the Royal Cabinet of Antiquities and Intendent of the Royal Edifices and of Arts and Manufactures'. (6)
Rod Judkins, b.1956- 'Statues'; black and coloured crayon, signed, titled and dated 84, 77x102cm. Provenance: with The Thumb Gallery, London, according to label attached to the reverse: Lynda Flower, late 20th century- 'Getting Dressed'; mixed technique on paper, signed and dated 80: together with one other work on paper by the same hand titled 'Sublimation', signed and dated 81 and one other work on paper by Ashton titled 'Family Sculpture', signed and dated 1980, (4)
ROBERT SUMMERS (American b. 1940)End of the Day 1970Oil on masonite20in. x 30in.Signed and dated lower rightA contemporary Texas artist Robert Summers is known for his representational sculptures and paintings of genre and landscape scenes. He has been commissioned for many public art projects including the world's largest bronze sculpture group for Pioneer Plaza at the Dallas Convention Center which depicts a historic cattle drive with forty longhorns and three cowboys on horseback. In 1976 he was named official Texas Bicentennial Artist. Depicting a couple of cowboys in a vast Texas canyon End of the Day is a superb example of Summers' realistic painting style.Provenance: Mr. and Mrs. Mike Smith Houston TXDavid Dike Dallas TXacquired from the above by the present owner
BRITISH COMMEMORATIVE MEDALS, Historical Medals By Subject, Dr Ludwig Mond (1839-1909), FRS, Chemist, Industrialist and Art Collector, 70th Birthday, large hollow (but filled) Bronze Tribute Medal, 1908/9, by Edouard Lanteri, bust left in large profile, wearing suit, rev a list of his academic appointments and society memberships, 114mm, in green velvet-lined octagonal leather case of issue (BHM 3974, R3; Eimer 1911). Virtually as made, extremely rare. The Mond Nickel Company, to which he gave his name, merged with INCO [The International Nickel Company of Canada], in 1928. Edouard Lanteri (1848-1917), for many years Professor of Sculpture at the Royal College of Art. The medal is made in two halves united at the rim, but it is not clear whether the impressions for each side are cast bronze or electrotypes. It is a handsome and rare tribute medal to Mond who died in December 1909, 9 months after his 70th birthday.
BRITISH COMMEMORATIVE MEDALS, Historical Medals, The Franco-British Exhibition, London, Gilt-bronze Medal, 1908, by F Bowcher, seated figures of Britannia and Marianne, standing Fame behind, rev a Fame by exhibition buildings, a tablet (and space below) engraved, “G Thillaye Agent Général de la Caisse d’Epargne et de Prévoyance de Paris – Diplome d’Honneur”, 64mm (BHM 3960, listed only as 51mm or 32mm), extremely fine; with a French medal for the French and City of London Commercial Associations, by L Coudray, 1903, Britannia and Marianne by Channel, rev legend and (un-named) tablet, 54mm, about very fine; National Federation of Fruit and Potato Trades, bronze medal, by G Rayner Hoff, 1921, awarded 1947 (Toye & Co), 57mm, very fine and with a strong obverse design. (3) G Rayner Hoff, ARCA, played an important role in the development of Australian sculpture and, in 1927, was only the fourth sculptor to win the Wynne Prize (Art Gallery of New South Wales, Australia). He was commissioned to sculpt the George V memorial at Canberra, but died in 1937 before it was completed (in fact the second sculptor John E Moorfield also died before it was completed and the War gave rise to further delays. It was finally unveiled in 1953).
Peter Nicholas Statue and stand Peter William Nicholas R.B.S. (1934 - ) Abstract nude study signed and dated '90 portland stone height 89cm.; 35 in. * Studied at Cardiff College of Art then at the Royal College of Art 1958-61. Nicholas was a founder-member of the Welsh Sculpture Trust was elected a fellow of RBS in 1993 and was sculptor-director of Sculpture at Margam. Group shows include 56 Group Royal National Eisteddfod and Welsh Arts Council Sculptors' Drawings at Sladmore and Pangolin Galleries both 1994 and Wales Art Fair Cardiff 1994 and 1995. He was represented by Compton Cassey Galleries Withington and internationally by Poole Fine Art.
Physick John. Designs for English Sculpture 1680-1860 first edition Her Majesty’s Stationary Office London 1969. Boards dustjacket illustrations throughout quarto; Kramrisch Stella. The Art of India Through the Ages first edition The Phaidon Press London 1954. Grey cloth dustjacket tipped-in colour plate and black and white illustrations quarto; and assorted other works of sculpture interest
Smith (William Stevenson) A History of Egyptian Sculpture and Painting in the Old Kingdom, 2nd ed., pub. Museum of Fine Arts, Boston, 1949, col. frontis., num. b & w illusts. from photos., b & w illusts. to text, orig. cloth in frayed and torn d.j. (fore-edges of both covers a little damp-stained), large 4to, together with Lange (Kurt and Harmer, Max), Agypten. Architektur, Plastik, Malerei in drei Jahrtausenden, Munich, 1967, num. col. and b & w illusts., orig. cloth with slipcase, 4to, with other Egyptology and related (3 shelves)
Levi (Peter) Atlas of the Greek World, 1980, num. col. illusts. from photos., map e.p.s., orig. cloth in slightly frayed d.j., 4to, together with Encyclopaedia of Archaeological Excavations in the Holy Land, vols. 3 & 4 only, OUP, 1977 & 1978, num. col. and b & w illusts., orig. cloth in d.j., 4to, plus Segy (Ladislas), African Sculpture Speaks, 3rd imp., New York, 1961, num. b & w illusts. from photos., orig. cloth in slightly frayed and soiled d.j., and others related (3 shelves)
Homer. Homer His Iliads Translated, Adorn'd with Sculpture, and Illustrated with Annotations, by John Ogilby, printed by Thomas Roycroft, 1660, eng. port. and eng. frontis. (port. detached & frayed to edges, both trimmed & laid-down), title printed in red & black, fifty eng. plts., dec. initials and headpieces, one plt. repaired to margins, dampstaining to inner margins of initial leaves, long closed tear to p.187/188, some slight dust soiling, few holes to fore-edge margins of some leaves at rear of volume, contemp. calf, red morocco title label, upper board detached, extrems. worn, folio Wing H2548. (1)
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