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Original vintage travel advertising poster issued by DB Deutsche Bundesbahn railway featuring a colourful and fun illustration of a red-haired lady dancing with a gentleman in a tuxedo with a bottle of wine and sausages below them all twirling in the smoke from a German railway train set over yellow and white background. Formed in 1949 with the establishment of the Federal Republic of Germany the German Federal Railway provided railway services until 1993 when it merged with the East German railways to form Deutsche Bahn AG. Good condition, creasing, staining. Country of issue: Germany, designer: Unknown, size (cm): 84x59, year of printing: 1950s.
Original vintage advertising poster for Yago Spanish fine table wines Claret, Rose and White by Rioja Santiago, S.A. Haro Spain, featuring an illustration of a matador bullfighter holding the red muleta cape, and a bottle of Yago wine with a glass of white wine, slogan above the image - !Ole! ... Toast with the best...! Good condition, creasing, tears, staining, foxing. Country of issue: Spain, designer: Unknown, size (cm): 49x33, year of printing: 1950s.
An intriguing set of three Chinese-style vessels, each showcasing distinctive craftsmanship and cultural influences. Hand-Painted Enamel Vessel is a striking, hand-painted enamel over clay vessel featuring an intricate floral and scroll motif in shades of gold, blue, and yellow. The deep red base is adorned with delicate decorative elements, and the vessel's distinctive form, with extended curved spouts and gilded accents, resembles the Jue wine cups used in traditional Chinese rituals. Supported by three ornate feet, this vessel is an eye-catching and unique collectible. Carved Soapstone Warrior Teapot is a fascinating teapot sculpted from soapstone, featuring a seated warrior design. The round-bodied vessel is intricately carved with traditional Chinese patterns, while the warrior's head serves as a removable lid. The rich reddish-brown hues and natural veining of the soapstone add to its character, making it both a functional and decorative piece. Yixing Clay Saddle-Form Teapot ā A distinctive Yixing Zisha clay teapot shaped like a saddle, with a textured surface and contrasting black and tan accents that resemble stitched leather. Yixing teapots are highly regarded in Chinese tea culture for their porous clay, which absorbs the flavors of tea over time, enhancing the brewing experience. This particular design reflects both artistic and utilitarian influences in traditional Chinese pottery. Vessels range in size from 3"H to 7.25"H.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
FIVE BOXES AND LOOSE, GLASSWARE AND FLATWARE, to include two graduated brass jam pans, a flame orange enamelled casserole pot, a red enamelled Danish Dansk design pitcher with a woven plastic handle, a set of silver plated fish knives and forks, a boxed Dartington Glass 'Ripple' salad bowl, stainless steel tea set, photo frames an Elkington 'Monarch Plate' half pint tankard engraved to Bill Xmas 1944, a Tamworth Sailing Club car mascot, Old Hall cruet set, cut glass wine glasses, champagne coups, etc. (s.d/a.f) (5 boxes + loose)
New Kingdom, Reign of Akhenaton, Ca.1352 - 1336 BC.A neck of a wine jar from the period of Pharaoh Akhenaton; the neck is painted to a high standard with rings of colourful blue, red, and black pigment displaying petal and lotus decoration. For similar see: The Brooklyn Museum, Accession Number: 16.140.Size: 140mm x 130mm; Weight: 260gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.
New Kingdom, Reign of Akhenaton, Ca. 1352 - 1336 BC.A reddish-buff pottery neck fragment of a jar with face of Hathor and papyrus columns. Elaborately decorated neck in red, black, and blue. The pastel pigment was made from ground-up blue frit, a mixture of cobalt and alum. Originally, potters relied on blue paint to accentuate small details, such as the grape cluster hanging from a vine on the wine jar in this case. Over time, artists began to use blue paint for more complex designs and figures.Size: 120mm x 140mm; Weight: 425gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.
Ca. AD 500 - 600.A stunning gold and garnet ring with a slim, flat band adorned with two external ridges. The bezel holds four polygonal garnets, which were among the most popular stones of this era. These garnets exhibit a deep red colour that can appear almost black in dim light, but sparkle with a wine-red hue when illuminated. Surrounding a central square garnet.For similar see: The Victoria and Albert Museum, Accession Number 625-1871; The British Museum, Museum number 1923,0716.15. Size: D:19.15mm / US: 9 1/4 / UK: S; Weight: 7g.Provenance: Private UK collection, acquired on the Dutch art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by an authentication statement by Sami Fortune, ancient jewellery specialist.
17th / 18th century Chinese blue and white wine cup of egg cup shape, likely from a Shipwreck Cargo as there is evidence of coral on the base, 5.5cm high and an early Chinese blue an white porcelain box with cover, rectangular and painted with a bee and twigs, the interior with remnants of a red pigment, 8cm long, (2) Provenance: The Maisels Collection of British Ceramics
Large collection of mixed glass featuring boxed Gleneagles crystal champagne flutes, vertical cut cylinder vase, pair of French Luminarc red and clear vases, two square decanters, large green glass footed centre bowl, abstract centre bowl, coloured glass bud vases, ink well, jug, boxed Ianthe silver plated rose bowl, boxed Edinburgh Crystal wine glasses and a cranberry fruit bowl, etc
A collection of cranberry glass comprising, a pair of cranberry glass crystal coupes (h-12cm), two cranberry tealight holders, two small cranberry glass pitchers with clear glass handles (h-10cm), two cranberry bowls, and cranberry shot glass, a cranberry glass vase with etched floral decoration, a nibbles dish with a clear glass handle and a small red glass wine glass with gilt decoration. (a/f) (12)
GROUP OF VINTAGE WINE & PORT comprising 1952 Porto Colheita, 1983 Taylor's LBV Port, 1986 Niepoort LBV Porto, 1989 Wine Press LBV Port, 1956 Château Ducru-Beaucaillou, 1988 Château Du Glana, 1997 Chassagne-Montrachet red Burgundy, 1991 Montagny 1er Cru, 1994 Chassagne-Montrachet white Burgundy, 1997 de Ladoucette Pouilly-Fumé, 1998 Montagny 1er Cru (11)Provenance: private collection WorcestershireComments: dust, label loss, liquid levels upper shoulder / lower neck, appear sealed, viewing recommended
Symonds (John Addington) [Collected works], 17 vol., comprising The Escorial. A Prize Poem, Oxford, 1860; Sketches in Italy and Greece, half-title, scattered spotting, 1874; Renaissance in Italy. The Age of Despots, 2 vol., half-titles, some spotting, 1875; Many Moods. A Volume of Verse, 1878; Sketches and Studies in Italy, half-title, frontispiece, 1879; Animi Figura, half-title, 1882; Italian Byways, half-title with ink inscription to head, 1883; Vagabunduli Libellus, 1884; Wine, Women, and Song, half-title, 1884; Webster & Tournier, frontispiece, 1888; Essays Speculative and Suggestive, 2 vol., half-titles, 1890; Blank Verso, half-title, title in red and black, 1895; A Problem in Modern Ethics, half-title, 1896; Studies of the Greek Poets, 2 vol., third edition, half-title, 1902, first editions unless where mentioned, handsome brown crushed half morocco, gilt, spines gilt in compartments with floral and foliate devices, 8vo.
A Salor torba, West Turkestan, first half 19th Century, with 'lac' dyed silk details, the wine red field of Kejebe design with a single Kejebe medallion flanked by minor rhomboidal Kejebe motifs and framed by a Kochanak pattern border flanked by S guard stripes, one end with a Chamtos type end stripe, plain madder outer borders to three sides and an archaic plant elem, 122cm x 55cm A private Welsh estate Salor torbas with similar motifs to the present example predominantly exhibit a stepped or T-shaped field, (see Uwe Jourdan, Oriental Rugs: Volume 5, Turkoman, Augsburg, 1989, p. 67, no. 4). However, examples similar to the present lot without the more common stepped border are known, notably an example in The Textile Museum, Washington D.C., Accession number 1980.13.9 (see: Louise W. Mackie and Jon Thompson, Turkmen: Tribal Carpets and Traditions, The Textile Museum, Washington, D.C., 1980, p. 74, pl. 9). see linkThe torba exhibits the classic spacious graphic design of Salor weavings. There is ingenuity to the negative space of the plain field and the Kejebe architectural field, creating a 'Seljuk' type star motif in the centre. Top kilim edge sewn over. left side with striped kilim back segment sewn under. lower left corner with tear, lower left side pulled out damaging plain outer guard and selvedge with exposed foundation, lower selvedge to that side double and possibly renewed. Remaining selvedge single and appears original. Upper left side pulled out and small hole exposing foundation. Loss to lower right corner and side. Some wear to field throughout with corrosion to the lac dyed sections with lower pileāthe back with some discolouration in parts.
A small collection of collectable silver, to include a pierced dressing table jar with red glass liner (marks rubbed), 9cm. high.; silver wine coaster of typical circular form with pierced gallery by Carr's of Sheffield Ltd, 1996; silver perpetual desk calendar, Charles S Green & Co Ltd. (3)
Two Regency red lacquer wine coasters, early 19th century, each with banded decoration, one example with looped handles, 13cm diameter5cm high (2)Provenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportBoth with losses; the example with looped handles with a split to one side and losses underneath. Slightly stained to the interior. The other with a hole to the base and losses to one of the exterior sides, and losses to the rim. See additional images for details.

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17055 item(s)/page