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1981 EUROPEAN CUP FINAL Official 52 page programme issued by Real Madrid for the match in Paris v Liverpool. Very good

MANCHESTER UNITED Autographed 16 x 12 photo of players lining up for a team photo prior to a 3-3 draw with Real Madrid in the 1968 European Cup semi-final second leg at the Bernebeu, signed by Stiles, Dunne, Foulkes, Dunne, Aston, Stepney and Sadler in black marker. Good

Fine Two-Handed Sword, German Late 16th Century by Hans Schleck, broad straight double edge blade widening slightly towards the tip, deeply incised with HANS SCHLECK, a crown, crossed flails and an orb, traces of copper inlay, twin blade catchers, down-turned crosspiece and side rings each with shaped openings and with punched borders, iron pommel with shaped openings, leather-covered grip.  Overall length 183cms, blade 130cms.  Fine condition, leather covering to root of blade missing.  Note: for a crosspiece of similar form with precisely similar openings see a two-handed sword in the Scott Collection, Kelvingrove, Glasgow ‘A two-handed sword made to the Spanish taste, German c.1570’, illustrated in 3 volume catalogue of the Scott Collection, Felix Joubert, Vol. II 1924; see also a closely related rapier hilt, Geneva, Art &History Museum, 2nd 1/2 of the 16th century; and another in the Real Armeria, Madrid, sword No. G55. PLEASE SEE AUCTION INFORMATION IN RELATION TO THE SHIPPING OF SWORDS AND BAYONETS

1960 European Cup Final Programme Real Madrid v. Eintracht. F.A plus League Cup Finals. Cardiff City handbook 1956 - 7 etc.

1957 - 58 York v. Bolton F.A Cup, 55 - 6 Portsmouth v.Luton, 62 - 3 Bradford City v. Newcastle friendly. Real Madrid away's and Crystal Palace, Stoke , other programmes, mainly 1960's, approximately eighty three.

JOSEP MARIA TAMBURINI DALMAU (Barcelona, 1856 - 1932)."Lady with a Flower".Pastel and charcoal on paper.Signed in the lower left corner.Published in the Ilustración Catalana.Size: 60,5 x 45 cm; 80 x 65 cm (frame).In this canvas Josep Maria Tamburini offers us a portrait halfway between the dreamlike and the real, starring a totally physical face, perfectly modelled on the basis of subtle tonal and light gradations, supported by a solid drawing. Around the melancholic face of the lady, the space blurs, as do her clothes, becoming delicate tulles that seem to float around her.A painter and art critic and a leading figure in Catalan modernism, Tamburini began his training at the Escuela de La Lonja in Barcelona, later completing his studies in Paris with L. Bonnat and in Rome. He collaborated as a draughtsman, art critic and poet with the magazine "L'Avenç", one of the most outstanding artistic publications in Catalonia at the turn of the century. He also wrote for "La Vanguardia". As a painter, he began his career in history painting and anecdotal realism, later evolving along the lines of symbolism, strongly influenced by English pre-Raphaelism. He achieved recognition in 1888, when he won a silver medal at the Universal Exhibition in Barcelona. He continued to take part in official exhibitions in Barcelona and Madrid, and was again awarded a prize at the Barcelona Exhibition in 1898, where he won the Queen Regent's Extraordinary Prize. In 1911 he was awarded the Prize of the King and Queen of Spain. As a mature painter, he worked on placidly fantastic, detailed and precious themes, as well as religious subjects and some portraits. He was also a member of the Board of Museums of Barcelona, advisor to the Academy of Fine Arts, teacher at the La Lonja School and co-founder of the Artistic and Literary Society of Catalonia (1911). He is represented in the MACBA, the National Art Museum and Library of Catalonia, the Royal Academy of Sant Jordi, the Casa Lis Museum in Salamanca and the Fine Arts Museums of Valencia and Seville, as well as in numerous private collections.

FOOTBALL, Nottingham Forest, mainly away programmes inc. V Celtic, Mansfield Town, Notts County, Real Madrid, Leicester, MK Dons, Torpedo Mosco etc., G to EX, 30*

FOOTBALL, selection, inc. 2012 Olympics football programmes; menus, 1998 Chelsea v Real Madrid (Super Cup), Gala (Monaco), programme for Presentation of International Caps, EX to MT, 5

CHAMPIONS LEAGUE FINAL 2002 OFFICIAL MATCH POSTER,printed on board, 120cm x 100cmNote: This match was contested against Bayer Leverkusen and Real Madrid, with the latter winning the game 2-1 after a screamer of a goal from Zinedine Zidane in 45th minute was enough to secure Europe's ultimate prize.

Autographed MAN UNITED 16 x 12 photo - Colorized, depicting players posing for a team photo prior to a thrilling 3-3 draw with Real Madrid in the 1968 European Cup semi-final second leg at the Bernebeu, United advanced to the Final 4-3 on aggregate, signed by DUNNE, CRERAND, FOULKES, ASTON, STEPNEY and SADLER in black marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Football Zinedine Zidane signed 12x8 colour photo pictured while playing for Real Madrid. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Football memorabilia; Manchester United programmes for games in European competitions, including Real Madrid 1957, Dukla Prague 1957, Wembley Final v Benfica 1968, European/South American Cup 1968 v Estudiantes, 1991 Cup Winners Cup Final v Barcelona, etc. (11)

Collection of Zippo lighters inc. Marlboro, BMW, Real Madrid, U.S.M.A. West Point, royal air force regiment, HMS Valiant, Subron 14, etc (32)

Football Interest- 1960s manual wind wristwatch presented by Real Madrid F.C with Real Madrid C de F stamped on dial. This wristwatch was given by the club to players, staff and certain match officials. The dial with gilt baton indices on rolled gold expanding bracelet.

Original vintage sport poster for European Cup of Cup Winners Clubs Quarter Finals / Copa de Europa de Clubs Vencedores de Copa Cuartos de Final football game between Internazionale and Real Madrid that took place at Madrid Estadio Bernabeu stadium in Madrid on 16 March 1983, the poster features a dynamic illustration of football players tackling for the ball, with the surnames of the players listed below the image. Lithograph by Ortega S.A. Barco 14 Valencia, Spain. Very good condition, minor creasing, small tears on margins. Country of issue: Spain, designer: Donat Gouri, size (cm): 97x54, year of printing: 1983.

Original vintage sport poster for FC Barcelona versus Real Zaragoza CD football game Partido Final Campeonato de Espana Copa / Final Match Spanish Championship Cup that took place on 26 April 1986 at the Vicente Calderon stadium in Madrid. The poster features a dynamic illustration of a goalkeeper jumping up to catch the ball and other players in front of him, with the surnames of the players listed below the image. Lithograph by Ortega S.A. Barco 14 Valencia, Spain. Very good condition, minor creasing, small tears on margins. Country of issue: Spain, designer: Donat Gouri, size (cm): 97x54, year of printing: 1986.

Signed Real Madrid shirt which includes David Beckham, Zinedine Zidane, Brazilian Ronaldo etc

ÁNGEL FERRANT VÁZQUEZ (Madrid, 1891 - 1961)."Bather", 1945.Carved wood sculpture in natural colour.Work recorded in the exhibition catalogue: Dallas, Meadows Museum, "Modern Spanish Art. 1915-1957. From the Asociación Colección Arte Contemporáneo", 9 October 2016 - 29 January 2017, pp.Attached is a custom-made wooden box.In good condition.Measurements: 26 x 9 x 4 cm.PROVENANCE:María Soledad Lissarrague Collection (widow of the artist), Madrid.José Luis Lissarrague Leis Collection, Madrid.Private collection (until 2017 Contemporary Art Collection).Private collection, Madrid.EXHIBITIONS:Madrid, Biosca Gallery, "III Salón de los Once", 1946.Madrid, Colegio Mayor Antonio de Nebrija, "IV Art Exhibition", 1956.Madrid, Darro Gallery, "From the Exhibition of Iberian Artists to the A.D.N.L", 1960.Madrid, Neblí Gallery, 1961.Madrid, Palacio de Cristal, "Ángel Ferrant", 1983.Schwabenlandhalle Fellbach, Wilhelm Lehmbruck Museum, Duisburg, "5 Triennale Fellbach 1992: Kleinplastik in México, Spanien, Italien, Deutschland", 1992.Madrid, Barcelona and Palma de Mallorca, Fundación "La Caixa"; Las Palmas de Gran Canaria, Centro Atlántico de Arte Moderno, "Ver a Miró: La irradiación de Miró en el arte español", 1993.Madrid, M.N.C.A.R.R.S.; La Coruña, Museo de Arte Contemporáneo Unión Fenosa and Mallorca, Fundación Pilar y Joan Miró, "Before Informalism: Spanish Art 1940-58 in the Contemporary Art Collection", 1996-98.Zaragoza, Museo Pablo Gargallo, "Ángel Ferrant in the Contemporary Art Collection", 1997-98.Madrid, M.N.C.A.R.S. and Barcelona, Museu d'Art Modern, "Ángel Ferrant", 1999.Madrid, Fundación Caja Madrid; Segovia, Museo de Arte Contemporáneo Esteban Vicente and Madrid, Sala de las Alhajas, "Un bosque en Obras: Vanguardias en la escultura española en madera", 2000.Valladolid, Museo Patio Herreriano, "Permanent Collection: Drawing in Space", 2002.Barcelona, Museo Nacional de Arte de Cataluña, "El mon de l'objecte catalá a la llum del surrealisme", 2007.Valladolid, Museo Patio Herreriano, "Objeto/References: Contemporary Art Collection", 2013.Madrid, Real Academia de Bellas Artes de San Fernando, "Experiencias de la Modernidad: Arte en España, 1916-1956", 2013.Dallas, Meadows Museum, "Modern Spanish Art. 1915-1957. From the Asociación Colección Arte Contemporáneo", 9 October 2016 - 29 January 2017.BIBLIOGRAPHY:E.Llorente, "Arriba", 1949, rep.p.3.A.G.Pericás, "Arte Español 1925-1935: Sala Darro", Acento Cultural, 1960, b/w.rep.p.6 and supplement 7-8.R.Gullón, "Ideas abstractas sobre escultura concreta", Madrid, Papeles de Son Armadans, 1961, pp.40-41.A.G.Pericás, "Acento Cultural", vol.II, 1961, p.18 and supplement 27-30.A.G.Pericás, "La estructura de A.Ferrant", Acento Cultural, 1961, rep.b/w.p.18-20 and supplement 27-30.G.Nieto Gallo, Revista Goya, 1983, col.rep.pp.54-56 and 175-176.Ana Vázquez de Parga, "Ángel Ferrant", 1983, p.147.Ana Vázquez de Parga, "Ángel Ferrant", Madrid, Ministry of Culture, 1983, rep.b/w.p.43, 62 and 147.J.Arnaldo, "La escultura de Ángel Ferrant", La balsa de la Medusa, nº.21, 1992, rep.col.p.59.R.Barilli et al., "5 Triennale Fellbach 1992: Kleinplastikin México, Spanien, Italien, Deutschland", Fellbach, Ed.Cantz, 1992, p.138.Juan Manuel Bonet, et al., "Ver a Miró: La irradiación de Miró en el arte español", Barcelona, Fundación La Caixa, 1993, rep.col.p.140-41."Art in Spain", 1995, rep.col.p.121.Valeriano Bozal, "Antes del informalismo: Arte español 1940-1958 en la Colección Arte Contemporáneo", Madrid, M.N.C.A.R.S., 1996, rep.col.p.51 and 54.J. Arnaldo, C. Bernárdez and O. Fernández, "Ángel Ferrant en la Colección Arte Contemporáneo", Zaragoza, Ayuntamiento de Zaragoza, rep.col.p.37.C.Bernárdez, V.Bozal and V.Torrente, "Before Informalism: Spanish Art 1940-1958 in the Contemporary Art Collection, Mallorca, Fundación Pilar i Joan Miró, 1998, rep.col.p.54.

CHAMPIONS LEAGUE FINAL 2002 INTEREST - COLLECTION OF ITEMS RELATING TO THE FINAL,the game contested at Hampden, Real Madrid vs. Bayer Leverkusen, comprising two programmes, instructions to workers, instructions to driver, Results Summary Booklet Quarter & Semi-Finals, visitors' pass, polo top, scarf and tie worn by worker, two pens, video, a miniature pennant and pins, board from the hotel, also a t-shirt, jacket and coat relating to the UEFA Cup final Glasgow 2007Note: These items were collected by one of the drivers who worked the final.

CHAMPIONS LEAGUE FINAL 2002 'OFFICIAL MATCH BALL' PRESENTATION SET,the stand inscribed 'In Apprectiation of Outstanding Contribution UEFA Champions League Final Glasgow 15 May 2002, Limited edition of 10, 10', 27cm high overallNote: This ball was not used during the final. The set was presented to an event official for their outstanding contribution in organising the final held at Hampden in 2002. The match was contested against Bayer Leverkusen and Real Madrid, with the latter winning the game 2-1 after a screamer of a goal from Zinedine Zidane in 45th minute was enough to secure Europe's ultimate prize.

UEFA CHAMPIONS LEAGUE FINAL 2002 COMMEMORATIVE TICKET,of a limited edition and presented as an exclusive souvenir to commemorate the game to one of the event officials, mounted in perspex, 22cm wide overall, presented in box with presentation boxNote: This was presented to an event official for their outstanding contribution in organising the final held at Hampden in 2002. The match was contested against Bayer Leverkusen and Real Madrid, with the latter winning the game 2-1 after a screamer of a goal from Zinedine Zidane in 45th minute was enough to secure Europe's ultimate prize.

CHAMPIONS LEAGUE FINAL 2002 MALT WHISKY PRESENTATION SET,unnamed 12 year old single malt whisky, 70cl, 40% vol., in fitted box with two engraved glassesNote: This set was presented to an event official for their contribution in organising the final held at Hampden in 2002. The match was contested against Bayer Leverkusen and Real Madrid, with the latter winning the game 2-1 after a screamer of a goal from Zinedine Zidane in 45th minute was enough to secure Europe's ultimate prize.

CHAMPIONS LEAGUE FINAL 2002 OFFICIAL MATCH BANNER,120cm x 100cmNote: This match was contested against Bayer Leverkusen and Real Madrid, with the latter winning the game 2-1 after a screamer of a goal from Zinedine Zidane in 45th minute was enough to secure Europe's ultimate prize.

COLLECTION OF FOOTBALL PENNANTS,comprising Real Madrid v. Liverpool European Cup final 1981 (2x), Aton Villa Football League Champions 1980-81, F.C. Barcelona, Real Madrid 5 consecutive Champions of Europe, Juventus, Brazil 1958 Sverige 1962 Chile 1970 Mexico, Inter Milan, NY Cosmos, Real Madrid Europa Cup, Real Madrid circa 80s (with team photos incl. Laurie Cunningham), Barcelona circa (with team photos), AS St. Etienne, Hibernian, Nantes, Aston Villa, also a Rangers scarf circa 1960/70s (17)

MANCHESTER UNITED F.C. INTEREST - THEIR FIRST EUROPEAN CUP VICTORY RUN OF PROGRAMMES,comprising vs. Hibernians F.C., vs. F.K. Sarajevo, vs. Gornik Zabrze, vs. Real Madrid, each home leg, as well as Benfica vs. Juventus semi-final programme (Benfica home leg), the final programme vs. Benfica, and the subsequent European/South American Cup 1968 programme vs. Estudiantes of Argentina (7)

Manchester United Multi Signed 18 x 12 European Cup Edition Coloured Print. Signatures from Nobby Stiles, Pat Crerand, Bill Foulkes, Tony Dunne, John Ashton, Alex Stepney, David Sadler. Print shows the Man United line-up prior to their historic 3-3 draw with Real Madrid in the 1968 European Cup semi-final 2nd leg. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

A collection of vintage 20th century sporting programmes to include Football, Rugby and others to include local, national and club. Programmes include Stroud MCC V Cheltenham MC 1947, Huddersfield v St Helens 1953, Albion News 1983, Rugby Football Gloucestershire vs Yorkshire 1983, Football league review 1988, Swindon Town vs Arsenal 1972, Gloucestershire vs Devon 1977, Gloucestershire vs Middlesex 1978, Arsenal vs Spurs 72-73, Gloucester Gosforth, Wolves vs Arsenal 1975, Western Counties vs Fiji, Western Counties vs New Zealand, All Blacks Programme 1971Gloucestershire vs Japan 1975/1976, England Vs Irleand 1977, England vs Wales 1972, England v Scotland Schools - 1970, Arsenal vs Real Madrid, Gloucester Vs International XV 1973, South  / South West XV vs Presidents Overseas XV, Arsenal v Man U 1979, World Soccer 1962 and more.

Football programmes, Chelsea selection, 12 programmes inc. real Madrid v Chelsea ECWC Final 1971 (played in Athens, vertical crease, fair/gd), homes v Man City ECWC semi final 70/1, Leicester City LC semi final 64/5 (tm), Everton Charity Shield 1970 etc (mixed condition, some with tm, fair/gd)

Football press photos, a collection of approx. 50 b/w & colour photos, various sizes, all from the 1980's inc. Liverpool v Tottenham Milk Cup Final 1986, Liverpool v Juventus EC Final 1985, World Cup Spain 1982, QPR v Tottenham FAC Final 1982, Liverpool v Real Madrid EC Final 1981, also players in action inc. Mark Hughes, Peter Withe, Frank Worthington, Kenny Dalglish etc most with press photographers labels & details to reverse (vg)

REAL MADRID - CLAUDE MAKELELE AUTOGRAPHED PHOTO Hand signed photo size 8.5 x 11.5 inches

REAL MADRID - IVAN CAMPO AUTOGRAPHED PHOTO Hand signed photo size 8.5 x 11.5 inches

1981 EUROPEAN CUP FINAL Liverpool v Real Madrid played 27/5/1981 at Parc des Princes, Paris. Official French Football Federation (FFF) newspaper style issue previewing the Final and was published on the day of the match. Includes front cover preview entitled ''Coupe Des Clubs Champions Europeens Finale Au Parc des Princes Avec Un Choc Royal: REAL - LIVERPOOL'' with further previews inside. Generally good

1981 EUROPEAN CUP FINAL Liverpool v Real Madrid played 27/5/1981 at Parc des Princes, Paris. Official French Football Federation (FFF) weekly newspaper dated 3/6/1981 which reviews the Final. Includes pictures and reports from the Final to the front cover, inside and back page. This was the first issue released after the match. Generally good

WOLVES Five programmes for home Friendlies v Honved 54/5, Moscow Dynamo 55/6, Red Banner 56/7, Real Madrid 57/8. writing on the cover and South Africa 58/9. Generally good

1959 EUROPEAN CUP FINAL Programme for Real Madrid v Stade Reims in Stuttgart. Good

1960 EUROPEAN CUP FINAL Programme for Real Madrid v Eintracht Frankfurt in Glasgow. Good

MANCHESTER UNITED PENNANTS Seveneteen pennants including 1993 Premier League champions, 1970s pennant, 1970 Bobby Charlton Mexico World Cup, 1960s George Best plus three others. Additionally are Man U aways in Europe v 1991 Real Madrid, 1991 Athinaikos, 1992 Torpedo Moscow (2 different), Barcelona 1998, 1984 Gabor, 2004 Bucherest, Sturm 2000 x 2, 1996 Rapid Vienna. All the european were bought at the games. Generally good

PENNANTS Twenty seven worldwide pennants mainly from 1980s and 1990s. Includes Panathaikos, Valencia, Flamengo, A Bilbao, Kaiserslautern, Feyenoord, Honved, Olympiakos, Barcelona, Real Madrid, Anderlecht, A Vienna, Benfica, Dynamo Moscow (2 different), R Sociedad, Inter Milan, Kosice, Bayern Munich (2 different), Carl Zeiss, Ajax, Wales, S Prague. Plus three Wales U21 at 1997 Belgium and Turkey, 1998 Italy. Generally good

A rare Naples, Real Fabbrica Ferdinandea, topographical solitaire in its original fitted case, circa 1785Each piece decorated with a famous topographical view of Naples and surrounding area, all in miniature painting on a fondo stanifero or tin-glazed surface and titled on the reverse, the tray: Veduta del Tempio di Pesto [a view of the Temple of Paestum]the larger jug: Veduta del Tempio di Testo [a view of the Temple of Testo]the smaller jug: Veduta di Pompej [a view of Pompei]the sugar bowl and cover: Sepolchro di Virgilio and Sepolchro di Cicer.e [Sepulchre of Virgil and Sepulchre of Cicero respectively]pierced oval dish: Veduta presa di Pausilippo [a view in the proximity of Posilipo], depicting the bay of Naples with Vesuvius in the backgroundthe cup :Veduta dissa (..)Rocca pre. Terracina[View of the Rocca Traversa near Terracina]the saucer: Veduta della Scuola di Virgilio presso Pozzuoli [a view of the School of Virgil near Pozzuoli]the original leather case with embossed Bourbon fleur de lys amidst stiff-leaf gilt borders, with original metal handles, lock and key, tray: 34cm diam, all with crowned RFR in red to the reverse in addition to the titled views as indicated above, the saucer incised 3, the (some restoration) (12)Footnotes:Provenance: Collection D'Amodio, NaplesPrivate European Collection since the 1980sLiterature:A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli, 1986, no 327Exhibited:Naples, Museo Archeologico Nazionale, 'Le Porcellane dei Borbone di Napoli: Capodimonte e Real Fabbrica Ferdinandea 1743-1806', 19 December 1986-30 April 1987Another cased service of a slightly later date was sold in these rooms, Collezione Fiordalisi, 7 December 2017, lot 50, and a tray with the same technique, lot 84, in the same sale. It is likely that the print sources for this service derives from the drawings of Naples and its surroundings made by the Abbé de Saint Non (Jean-Claude Richard de Saint-Non) for the Real Fabbrica some years earlier.When Domenico Venuti became director of the Naples factory in 1779, he broke radically with any lingering Rococo sentiments, and whole-heartedly embraced the new neo-classical style that was sweeping Europe. Often shapes and decorations in Naples were based on the archaeological finds and the large number of antiquities in the Royal Collections. The Royal services designed by Venuti often depict detailed views of Naples and surrounding areas as well as images of famous newly-excavated archaeological sites such as Herculaneum (1738) and Pompeii (1740), all discovered during the reign of Charles III, before his move to Madrid to become King of Spain. As Angela Caròla-Perrotti (1986) points out, the use of the archaeological views indicates a keen interest in measuring the potency of the current Kingdom to the wealth and riches of the Antique. For the landscape scenes the factory made use of the well known book Illustrations de Voyages pittoresques de Naples et de Sicile by Abbé de Saint Non, published in 1785. In addition to these well known images however, there are also many scenes taken after nature by the painters Berotti and Santucci during their work for the Neapolitan court service of landscapes called the Servizio delle Vestiture del Regno.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

RAFAEL ALBERTI (El Puerto de Santa María, Cádiz, 1902 - 1999).Untitled.Wax on paper.Slight damage to the frame.Signed in the lower right corner.Measurements: 30.5 x 20 cm; 45.5 x 34 cm (frame).Rafael Alberti was a writer and poet belonging to the Generation of '27, considered one of the greatest writers of the so-called Silver Age of Spanish literature. He received numerous prizes and awards, including the National Poetry Prize (1925), the Lenin de la Paz (1965), the National Theatre Prize (1980), the Cervantes Prize (1983) and the Roma Prize for Literature (1991). He renounced the other great Spanish literary award, the Prince of Asturias, because of his strong republican convictions. Rafael Alberti's first vocation was painting, but his real discovery of this art came in 1917, when he moved to Madrid with his family and visited the Prado Museum for the first time. He first exhibited his work in 1920 at the Salón de Otoño in Madrid, and two years later he exhibited at the Athenaeum in the same city. His painting was characterised by the fact that it was not his definitive path, since after the death of his father, he began to write his first verses. As a writer, Alberti enjoyed great success from the beginning of his career, but at first his success was linked to artistic prestige, as he was still financially dependent on his family. The new literary magazines accepted and wanted to publish his works. He was also beginning to make friends within the circle known today as the Generation of '27. He began to write in a style that was not only more formally demanding, but also allowed him to be more satirical and dramatic. From then on, his life gradually opened up to what would become the centre of his inspiration, poetry, without ever completely abandoning his vocation as a painter. Among his last works is A la pintura ('On Painting') (1945). These reflect his intellectual activity during his exile, as Alberti returned to painting and began a series of poems to bring together his thoughts on painting. A subject to which he continued to devote himself for many years. Among these poems dedicated to painting he wrote a series of sonnets on the retina, the hand, the canvas, the brush, etc.; a series of short poems in free verse on colours; and finally a series of poems in homage to various painters such as Titian, El Greco and others.

EDUARDO ARROYO (Madrid, 1937-2018)."Untitled".2004.Mixed media and collage on paper.Signed and dated in the lower area.Size: 31,5 x 22 cm; 44,5 x 36 cm (frame).Painter, sculptor and engraver, Arroyo stands out as an important figure within the neo-figurativist movement. A key figure in the new Spanish figuration, Arroyo came to prominence on the national art circuit only belatedly, from the 1980s onwards, after a two-decade-long period of withdrawal forced by the Franco regime. Today, his works hang in the most reputed Spanish museums and his creativity extends to theatrical scenographies and illustrated editions. Arroyo began his career in journalism, finishing his studies in 1957. He then left for Paris, fleeing the stifling Spanish political climate of the time. Although his first vocation was as a writer, a task he continues to pursue to this day, by 1960 he was already making a living as a painter. That year he took part for the first time in the Salon de Peinture Jeunesse in Paris. His critical attitude towards dictatorships, both political and artistic, led him to take controversial initiatives. He opted for figurative painting at a time when abstract painting was overwhelmingly dominant in Paris, and his early themes were reminiscent of "black Spain" (effigies of Philip II, bullfighters, dancers), worked in a caustic and unromantic manner. At the beginning of the 1960s his plastic vocabulary moved under the American influence of pop art, and in 1964 his break with informal art became definitive. His first public impact came in 1963, when he presented a series of effigies of dictators at the Third Paris Biennial, which provoked protests from the Spanish government. That same year, Arroyo prepared an exhibition at the Biosca gallery in Madrid, which opened without his presence as he had to flee to France, pursued by the police; the exhibition was censored and closed a few days later. However, Arroyo's figurative option was slow to be accepted in Paris. The painter rejected the unconditional devotion to certain avant-gardists, such as Duchamp or Miró, which he considered imposed by fashions. His real interest was in demystifying the great masters and defending the role of the market as a protector and thermometer of art, as opposed to the network of museums and influences paid for with public money. In 1974, Arroyo was expelled from Spain by the regime, and would not recover his passport until Franco's death. However, his critical breakthrough in Spain was not immediate, and was delayed until the early 1980s. In 1982 he was awarded the Premio Nacional de Artes Plásticas, and anthological exhibitions were held at the Biblioteca Nacional in Madrid and the Centre Pompidou in Paris. Arroyo is currently represented at the Museo Nacional Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the Museo de Bellas Artes in Bilbao, the Hirshhorn Museum and Sculpture Garden in Washington D.C. and the Museo de Arte Moderno in Lille (France), among others.

JOAN PONÇ BONET (Barcelona, 1927 - Saint-Paul, France, 1984)."Untitled", 1947.Oil on paper.Signed and dated on the back.Size: 65.5 x 50 cm; 89 x 74 cm (frame).This seminal work in Joan Ponç's artistic career condenses the revolutionary impetus of the young artist into a motley composition. Dated 1947, this was a key year for Ponç, who was at the crest of the avant-garde wave in Franco's Catalonia. He had just founded the magazine Algol, the embryo of what would become the magazine Dau al Set (1948). In this work on paper, the influence of Miró can be seen, but at the same time, there are already creations born out of Ponç's boisterous imagination.A painter and draughtsman, he trained in Barcelona, in the studio of Ramón Rogent and at the Academy of Plastic Arts with Ángel López-Obrero. After devoting himself to painting and drawing in anonymity, he held his first individual exhibition in 1946 at the Galería Arte in Bilbao, which was to be his definitive establishment on the national art scene. In 1948, together with Tharrats, Puig, Cuixart, Tàpies and Brossa, among others, he founded the avant-garde group Dau al Set. Selected by Eugenio D'Ors, he took part in the Salón de los Once in Madrid in 1951 and 1952. In 1952 he took part in the Hispano-American Biennial, and the following year he spent some time in Paris, where he met Joan Miró and managed to exhibit at the Musée de la Villa. On the latter's recommendation, Ponç gained access to Brazilian artistic circles, settling in São Paulo from 1953 to 1962. In 1954, the year of the dissolution of Dau al Set, he held an exhibition at the city's Museum of Modern Art, which was so successful that the organisation acquired all his works. In Brazil he visited the equatorial jungles, where he was impressed by their fauna, especially insects, which he incorporated into his imagery. In 1955 he founded the Taüll group with Marc Aleu, Modest Cuixart, Jaume Guinovart, Jaume Muxart, Mercadé, Tàpies and Tharrats. After returning to Catalonia due to illness, as a fully established artist he shows his work in New York, Rio de Janeiro, Bonn, Paris, Frankfurt, Geneva, Antibes and various Spanish cities. In 1965 he won the International Grand Prize for Drawing at the São Paulo Biennial. Ponç's paintings present phantasmagoric images that are both painful and tortured, in which the subconscious is the protagonist. For the painter, art is nothing more than an introduction to the mystery and secrets of the spirit. More of a draughtsman than a painter, his work is extremely detailed and meticulous. Ponç's production can be divided into six periods: the Dau al Set period (1947), the Brazilian period (1958), the metaphysical-geometric period (1969), the period of the metaphysical characters (1970), the acupainting period (1971) and a final period of synthesis (1972). One of the most singular and enigmatic painters in the history of modern art, Ponç painted in order to survive the world, and turned each of his creations into a magical act. His trajectory describes a circular path over the years, almost without evolution, if we understand as such the change from one language to another, the variation of styles, the transformation of the unknowns that led him to paint. Ponç was a painter-poet, who used his brushes to discover the only world he knew, the most real of all, the world that lies in the depths of his own being. It is a world inhabited by strange creatures with half-human, half-animal bodies, by demons who make us participants in their actions, by deserted spaces in which symmetrical mounds, craters in a line, Stygian lagoons under dark skies broken only by the glow of coloured moons stand out. He is currently represented at the Museo de Arte Contemporáneo de la Universidad de São Paulo, the Museo Patio Herreriano in Valladolid, the MACBA in Barcelona, the Centro-Museo Vasco de Arte Contemporáneo in Vitoria, among others.

CHEMA BULLÓN (Madrid, 1965).Untitled, 2022.Bronze and beech wood base.Certificate of authenticity attached.It has an exempt base with respect to the work.Measurements: 16 x 12 x 3 cm; 19,5 x 11 x 6 cm (base).Bronze sculpture made from a mould of the artist's hand. The piece has a sculptural conception of classical character, however the division of the fingers introduces contemporaneity to the work. With a PhD in Fine Arts from the Universidad Complutense, Chema Bullón combines his artistic practice with teaching at the Faculty of Fine Arts in Madrid and at the Escuela de Arte 10 in the same city. He also collaborates with the Education Department of the Prado Museum. A multidisciplinary artist, he cultivates drawing, painting, engraving, installation and sculpture, always in search of a full, real and profound work. Since the mid-nineties, Bullón has held solo exhibitions in Madrid, Palencia and other parts of Spain, the most recent being "Suturas", at the Centro de las Artes de Arroyomolinos (Madrid, 2012) and "Árbol transformado" in Peñafiel (Valladolid, 2015). He has also taken part in important group exhibitions and competitions in Spain, Switzerland and the United States, and has produced several editions of graphic work. He is currently represented at the Palacio de Congresos y Exposiciones in Madrid, the Centro Cultural Rigoberta Menchú in Leganés, the SYDA Foundation in New York, the Museo de Arte Contemporáneo in Zarzuela del Monte (Segovia) and in private collections in Spain, Italy, Mexico, Austria and the United States.

PHILIP II: (1527-1598) King of Spain 1556-98. During his marriage to Queen Mary I of England, he was King of England and Ireland 1554-58. Rare L.S., `Yo El Rey´, as King, one page, folio, Madrid, 2nd of April 1565, to Juan Clavero, in old Castilian-Spanish. The document being an authorization of absence certificate, by which the King grants the salaries due to Juan Clavero, Chaplain of the Royal court, who has not been paid because of his absence because of his studies, stating `…deis y libreis al dicho Juan Clavero, nuestro Capellán, los albaranes de la dicha su quitación conforme al estilo de vuestro oficio, del tiempo que os constare, que dentro de los dichos tres años habrá estudiado en alguna Universidad aprobada, no obstante que no haya residido personalmente en nuestra corte, ni servido actualmente en nuestra Real Capilla…´ (“…give and release to the said Juan Clavero, our Chaplain, the delivery notes of the said salaries according to the way it is done by your office, for the time that you have checked, that within the said three years he will have studied at a recognized University, notwithstanding that he has not been personally residing at our court, nor currently served in our Royal Chapel..”) Countersigned at the base by the King´s secretary Saganta. Accompanied by a full transcription of the letter. Small overall minor age wear, mostly to edges, and a very small hole to the centre fold, otherwise G

BENZEMA KARIM: (1987- ) French Footballer, five-time winner of the European Cup. Signed colour 10 x 8 photograph by Benzema, the image showing the player in a full-length action pose celebrating a goal, wearing his Real Madrid strip. Signed in bold black ink to the image. EX.

Football Programmes ( 1963 - 2017 ) England V Scotland International 1965 European Cup Final Manchester United V Benfica 1968, European Cup Semi-Final Manchester United v Real Madrid 1968. Chorley v Wimbledon F A Cup 3rd Round 1977, Premier League International Cup 2017 Manchester United V Swansea City, Manchester United UEFA Youth League ( 3 ) Football League Matches Crewe ( 1 ) Bolton ( 3 )

SUBBUTEO TABLE SOCCER circa 1970  With red and blue teams, boxed, together with thirteen boxed teams; including, West Germany, Uruguay, A.C. Milan, Inter Milan, Ajax, Celtic, Brazil with numbers on shirts, Brazil with no numbers on shirts, Real Madrid etc, three statuettes Celtic, Brazil and Inter Milan, World Cup and European Cup, 6 ball boys and photographers and trainer manager (all boxed) Condition Report:Available upon request

Gareth Bale squad signed white Real Madrid CF no.18 home jersey, season 2021-22, match-issue, Adidas, long-sleeved with UEFA STARBALL 13 WINNERS and UEFA FOUNDATION FOR CHILDREN sleeve badges, club crest and sponsor logo, reverse lettered BALE, signed in black marker pen on front by approximately 17 squad members including Courtois, Camavinga, Ceballos, Nacho Novo, Mendy, and others, size 4 Complete with a Graham Budd Auctions Certificate of Authenticity. All profits will be donated to the Essex & Hertfordshire Air Ambulance.

Aranjuez (Spanien): Ansicht des Palacio Real bei Madrid, ca. 1770Guckkastenblatt. Kupferstich auf Bütten, altkol., im Schriftrand gestoch. zweisprachige Bezeichnung mit fälschlicher Ortsangabe (Wien), gestoch. Titel seitenverkehrt. Verlegt bei Basset in Paris. Blattrand v. Passepartout verdeckt. Unausgerahmt katalogisiert. 26 x 40 cm, hinter Glas gerahmt. Ra. 47 x 57 cm View of the Royal Palace in Aranjuez near Madrid in Spain, optical print, copper etching, coloured. Editor: Basset in Paris. Ca. 1770. Framed with passepartout and glass. 47 x 57 cm (frame)

[Situationists] Various editions of De la Misere en Milieu Etudiant/ Of Student Poverty: Considered in its Economic, Political, Psychological, Sexual and Particularly Intellectual Aspects, and a Modest Proposal for its Remedy. One of the most famous and widely reprinted Situationist texts. The polemic tract was conceived as a way for the S.I. to apply their theories in the real world, through collaboration with students at the University of Strasbourg. It called for insurrection against all authority: professors, intellectuals, God, the government, the church, communist parties, fellow students. Included are 9 versions, in different languages, average size 21 x 15 cm, 28-38 pages: (1) De la Misere en Milieu Etudiant. Paris, 1967. (2) Das Elend der Studenten und der beginn einer Epoche. SI/ Projektgruppe Gegengesellschaft, Dusseldorf, Sept 1970. (3) Sobre la Miseria en el medio estudiantil. Ediciones MAYO-37, text in Spanish, published for students in Zaragoza and Madrid, undated. (4) Over de ellende in het studentenmilieu. Eigentijds Archief, Antwerp, 1977. (5) De la Misere en Milieu Etudiant. Supplement special au No.16 de 21-27 Etudiants de France, 1966. (6) On the poverty of student life. London, Dark Star Press/ Rebel Press, 1985. (7) Ten Days that shook the University, On the poverty of student life. S.I. London, BCM/Situationists International c.1967. (8) Ten Days that shook the University. Detroit, Black & Red, 1973. (9) Ten Days that shook the University. London, BCM/ Situationist International, Equity printers, undated. (total 9)

Football - a job lot of football scarves, 'AC Milan v Barcelona' 2011, Ajax, Real Madrid, AC Milan, River Plate, 2 off Juventus, 2 off Real Madrid, Paris SG, AC Milan, Ajax, Borussia Dortmund, Munchen, Lazio and Boca Juniors, unused liquidated stock

Football - a Real Madrid pre-match waterproof jacket, size UK 40/42, a Real Madrid patch badge and a CABJ Boca Juniors penant

CRISTIANO RONALDO; a Real Madrid FIFA World Champion 2014 home shirt, signed to the front, size XL. Additional InformationCreasing and light general wear, some minor stitching irregularities, no certification or further information available with this lot.

adidas, UEFA Champions League Final 2022 Kick-off Ball, Liverpool FC v Real Madrid CF, played at Stade de France, Saint-Denis on 28th May 2022, pure white hexagonal panels symbolising truce and unity with silver stars bearing black borders, bearing adidas and UEFA CHAMPIONS LEAGUE logos framing МИР Peace emblem and printed with match details The design of the ball is deliberately paired back with a message for peace with the Cyrillic word "МИР", which can be translated as peace sitting above the word PEACE. The ball represents a message of "peace, belonging and hope" that will be passed from player to player during the match. The ball was used for the kick-off. The first time it went out of play, it was then collected up by the ball boy and given to the venue match director (who signed the certificate). Each of the ball boys and girls had a replacement ball (standard practice as 12 balls are in circulation during a match) and was briefed on what would be happening so the change could be made for another ball. It was then taken back to their office and transferred to adidas on site. Graham Budd Auctions joins adidas and UEFA to facilitate the historic auction of the Champions League Final 2022 Kick-off ball, coined the Peace ball, with all proceeds going to UNHCR, the United Nations refugee agency which supports those who have been forced to flee their homes. This unique, single lot auction coincides with World Refugee Day, 20th June 2022.

Alan Kennedy 16x12 inch hand signed colour, Black and white photo, Autographed Editions, Limited Edition. Photo Shows Liverpool's Kennedy slotting home the winning goal past Real Madrid Keeper Augustin in the 1981 European Cup Final. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

David Sadler 16x12 inch hand signed colourised, Black and white photo, Autographed Editions, Limited Edition. Photo Shows the Manchester United player Sadler scoring to bring his team level with Real Madrid in the 1969 European Cup Semi-Final 2nd Leg. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Football Kaka signed 12x8 colour photo pictured in action for Real Madrid in Spain. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Football Cristiano Ronaldo 16x12 overall mounted signature piece includes signed Real Madrid photo and unsigned Manchester United. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Madrid school, ca.1900. Following 19th century models."Virgin of the Dove".Oil on canvas, on wooden support.Good state of conservation.Measurements: 100 x 80,5 cm; 127,5 x 108 cm (frame).The Virgen de la Paloma is a Marian devotion typical of the city of Madrid, and its image is in the centre of the altarpiece of the parish of the Virgen de la Paloma and San Pedro el Real. According to the report written in 1791 by the mayor of Madrid, the Marquis of Casa García Postigo, the canvas, a representation of Our Lady of Solitude, was found or given to some children on a plot of land next to Calle de la Paloma in 1787. The work was then recovered by Isabel Tintero, who cleaned and framed it and placed it in the doorway of her house. Several miracles were soon attributed to the image, and its cult spread rapidly, and in 1795 a chapel was built to house it. The one presented here is a faithful copy of the original canvas, which shows Mary with a gesture of grief, dressed in mourning and adorned with a silver crown.

Andalusian School, Circle of JUAN MARTÍNEZ MONTAÑÉS (Alcalá la Real, Jaén, 1568 - Seville, 1649); 17th century."Infant Jesus".Carved and polychrome pine wood.The right foot has been restored.It has faults in the carving.Measurements: 46 x 14 x 13 cm.Round sculpture representing the Baby Jesus, the figure is naked, with articulated arms, which indicates that it is a figure conceived to dress, which were very popular during the Baroque period. This work is stylistically related to the Spanish Baroque, revealing a special influence of the great master of the Sevillian sculptural school of the 17th century, Juan Martínez Montañés. The material preferred by Montañés was always polychrome wood, with the collaboration of great painters, including Francisco Pacheco, Velázquez's master. He enjoyed great fame and popularity, becoming known in Seville as "the god of wood" and in Madrid as "the Andalusian Lysippus". His art, which he passed on to his pupils in his studio, was inspired above all by the natural, sometimes showing more classicist characteristics than Baroque ones. Towards the end of his career, however, he evolved towards a fully Baroque realism. Formally, the classical elegance and harmony, the basis of Baroque works with a mountain influence, stand out. It is, above all, a fully naturalistic work, idealised in terms of the subject matter, but highly realistic and expressive. In the Sevillian environment, the 17th century was a period of enormous economic and, therefore, artistic boom.