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LATE VICTORIAN MAHOGANY, SATINWOOD, AND GONCALO ALVES MARQUETRY ARCHITECT'S DESK, BY EDWARDS & ROBERTS LATE 19TH CENTURY the hinged banded top with ratchet adjustment above three short frieze drawers, the centre drawer fitted with a leather slope, above a recess with a pair of doors with artist trophy inlaid oval reserves, enclosing deep shelves, flanked by doors with urns inlay enclosing folio compartments, on a plinth base, stamped EDWARDS & ROBERTS to the drawerDimensions:122cm wide, 82cm high, 76cm deep
The heavy-duty stainless steel case has a ratchet rotating bezel, helium release valve and screw back. The dial is black with baton hour markers and heavy luminous hands. The rubber strap is IWC with quick detachment from the case and stainless steel pin buckle. The movement is an automatic mechanical calibre with date.Click here for more details and images
Five early cycle bells and a Cyclists Cup,handlebar mounting, four double-gong types comprising two Lucas rotating bells, another rotating bell, a Lucas ratchet bell, and a single-gong bell, offered together with a collapsible Cyclists Cup with decorative cap, American, patented 23 Feb 1897. (6)For further information on this lot please visit Bonhams.com
A Louis XVI style parquetry inlaid lady's writing desk, 19th century, the central ratchet writing slope with lift-up lids inlaid with landscape panels to either side, the frieze inlaid with panoramic landscape, on slender cabriole legs, 69 cm high x 70cm wide x 38 cm deep.Provenance: The contents of The Birches, Kingston-upon-Thames
A Scale Model of a Dockyard Yacht, mid-18th century,possibly the yacht Old Portsmouth,with carved and painted wood hull, ebonised wales, carved catheads and figurehead, deck details including winch with ratchet and belfry, open hatches, covered companionway, poop deck with bench seat, capstan and tiller, supported on two brackets above rectangular stand, in glazed display case, case 16in x 27in x 10 1/2in (41cm x 69cm x 26cm) overallFootnotes:Provenance:Ex-Lot 155, Charles Miller Ltd Auctions, 2nd November 2021.This lot is subject to the following lot symbols: W TPW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Y A REGENCY MAHOGANY, ROSEWOOD, AND CALAMANDER CYLINDER BUREAU BOOKCASE CIRCA 1815 The open bookshelves above in rosewood and calamander, the upper part with three open shelves with a brass gallery, turned supports and 'X' fret sides, the base with satinwood interior fittings, and a baize lined adjustable slide enclosed by the cylinder fall above one long drawer flanked by reeded panels, on turned and reeded legs with a concave fronted shelf 162cm high, 85cm wide, 48cm deepDreweatts have applied for a de minimis certificate for this lot ref: CX1QQ7F7 Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The gilt metal gallery with dirt and discolouration and some slight lifting to the top tier, it appears to be firmly attached, the X-framed sides of the upper section also with dirt, discolouration, pitting, some polish depositsMarks and stains to the timber of the tiers The interior baize writing surface with dirt, discolouration, wear, marks, this may well benefit from replacement, there is a cut out section where the ratchet writing surface is - this element holds nicely at time of reportThere is no key, all elements are open at time of reportThere are losses to the interior handles, the top most frieze appears to all be drawers - all handles are missing and these have not been opened at Dreweatts Please see additional images for visual reference to condition Condition Report Disclaimer
A George IV mahogany reading table, the leather hinged slope with ratchet support, fitted a drawer on square taper legs, 55.5cm wide x 37cm deep x 73cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
GUSTAV BECKER, INLAID MAHOHANY MANTEL CLOCK, LATE 19TH / EARLY 20TH CENTURY with three train movement striking on eight gongs, the silvered dial with Roman numerals, subsidiary silent/chime dial, contained in a lancet-shaped case with boxwood and mother of pearl inlay, on four ball feet40cm highNot tested and no guarantee of working order; pendulum present but no key; ratchet removed but present; general wear throughout
Corkscrew - A 'Edwin Cotterill's patent self-adjusting'. Approximately 21.5cm high, handle 11cm Condition Report: there are two screw holes at the bottom which are missing.The brush is missing from the handlewhilst pig's tail is there I feel the very end is missing ,maybe a mm or so the clutch assembly is missing from the ratchet , therefore it is a straight withdrawother than the brush it all looks there from the outside however there are some items missing withinThere are no screws to thew badge but there never was anyI cannot see the spikes within
J. H. STEWARD, 456 WEST STRAND, LONDON; a vintage brass microscope with ratchet adjustment, in wooden case, with small drawer containing various slides, box containing six sample slides.Condition Report: - Box is defective, cannot guarantee complete, appears the nose piece holding objective lens is missing, full inspection advised.
A REGENCY MAHOGANY WORK TABLEIN THE MANNER OF GILLOWS, EARLY 19TH CENTURYinlaid with ebonised stringing, the frieze drawer fitted with a baize lined writing surface on a ratchet support, with a side inkwell and pen compartment above a silk bag, with ribbed corners on turned and reeded tapering legs and brass castors75.5cm high, 54.5cm wide, 51.5cm deepProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A LATE GEORGE III FLAME MAHOGANY SEWING TABLEC.1805-10inlaid with ebonised stringing, the hinged top with a rest on a ratchet, above a divided end frieze drawer, with a pleated silk bag, on lyre supports and lion's paw feet and castors74.5cm high, 49cm wide, 51.3cm deepProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A FINE GEORGE III BURR YEW CYLINDER BUREAUATTRIBUTED TO GILLOWS, C.1770-80inlaid with kingwood banding, pierced swan neck cornice above a pendant frieze, above a pair of Gothic lancet arch astragal glazed doors enclosing three adjustable shelves, above a drawer with a printed paper label inscribed 'Exhibited at Luton Museum Bedfordshire 35 in the days of Queen Charlotte Exhibition 1939' the interior fitted with drawers, pigeonholes and a baize lined writing surface on a ratchet, flanked by lift-out pen trays with divisions, on square tapering legs and spade feet240cm high, 94.6cm wide, 51.2cm deepProvenanceThe Earls of Derby, Knowsley Park, Liverpool. Christie's, London, 26th May 1937, The Property of a Lady of Title, lot 130. Acquired by Sir Sydney Barratt from Phillips of Hitchin, Hertfordshire, for Summerhill, Staffordshire and later installed in the Drawing Room, Crowe Hall, Bath, 1961 and by descent.Christie's, London, The Barratt Collection-From Crowe Hall, Bath, 16th December 2010, lot 145. LiteratureSee Ralph Fastnedge, Sheraton Furniture, fig.74.Exhibited'The Days of Queen Charlotte', The Luton Museum, Bedford, 1939, no.35.Catalogue NoteThe interior of this cylinder bureau, with its ratcheted writing slope and pen trays relate to a design by Thomas Sheraton in his Cabinet-Makers and Upholsterers Drawing Book, 1791-94, pl.2.The design of the handle is a known Gillow's model, see Susan Stuart, Gillows of Lancaster and London, 1730-1840, appendix D. p.335, pl.b.
A George IV mahogany reclining armchair,c.1830, by Robert Daws of London, of 'Daws Patent' design, the upholstered red leather back over open arms with padded arm rests and seat, the front seat rail sliding to reveal ratchet adjustable footrest, raised on turned supports terminating in brass castors, the back legs stamped 'R Daws B E D' with a Royal Patent,57cm wide94cm deep94cm highBuying this antique armchair could save up to 0.12 tonnes of CO2e compared to buying new.
A Dunelm 70’s style ratchet sofa bed, with a folding flat back, upholstered in yellow on deep padded seat, 194cm long, 100cm wide (flat) Condition report Appears little used and in excellent overall condition. The fabric while in generally good condition with little wear or marking would be improved with a professional clean.
A William and Mary walnut ratchet high wing back elbow chair with arched back, the scroll arms with swept fronts, loose seat cushion, burnt orange upholstery, on squared cabriole forelegs with turned and block H stretchers, brass caps with wroughtiron and lignum vitae castors, together with a matching modern footstool, without castors
Sony Playstation 2 console with two dualshock 2 controllers, 7 games. xbox 360 console with 2 controllers and 8 games. 20 assorted PC games. PS2 games include: Wipeout Fusion, Ratchet & Clank, WRC II Extreme, Enter the Matrix, Monopoly Party, Worms 3D and Soulcalibur IIXbox 360 games include: Ridge Racer 6, Medal of Honor Airborne, Call of Duty: Modern Warfare 3, Call of Duty 3, Call of Duty 4: Modern Warfare, Gears of War, Call of Duty: Black Ops and Tom Clancy's Ghost ReconPC games: The Sims on Holiday, The Sims Unleashed, Delta Force, Delta Force: Black Hawk Down, Tae Bo Ultimate Collection, Rainbow Six Rogue Spear, Defcon, Colin Mcrae Rally 2.0, Brothers in Arms Earned in Blood, Real War, Delta Force 2, Delta Force Task Force Dagger, Ghost Recon, Tactical Ops: Assault on Terror, Cheat Code Equalizer CDX, and Commandos Strike Force
A Hornby 0 Gauge clockwork (mostly) LNER Locomotive 'Project Box' (9), including two No. 2 Special Tank locos on LNER green, both as No. 1784, one F-G, the other P-F, an early No. 1 loco in LNER green as No. 623, F, paint flaky, later black LNER black 826 (missing rods, ratchet sticky), a Great Western M3 loco No. 6600, scratchy, two other over-painted tank locos (one only runs forwards) and a spare LNER type 101 mechanism, all mechs tested okay unless indicated otherwise, all with some small parts missing or other damages (9 inc loose bogie)
A Marklin 0 Gauge RV890 clockwork Steeple-cab Locomotive and Continental Market Passenger Stock (10), the locomotive in green with fixed pantograph, appears G, winding ratchet u/s, slight surface rust, together with green coach 17190 and baggage van 17200, red coach 18610 and red-brown van 17220, four small green coaches 18720 and crimson van 18730, varying F-VG, (10)
A 19th century continental gilt metal book stand, with a ratchet top, dated 1883, 27cm wide, together with a 19th century silhouette of a gentleman (2)Stand: Overall condition is dirty and tarnished but usable. There are three additional holes to the front and the centre of the flowers to each side is made with a hole, so it could be missing some glass cabochons. Portrait: Discoloured and in a more modern frame.
Ouvertüren-Walzenspieluhr von Nicole Frères, um 1852Nr. 31021, mit vier Ouvertüren (Gamme Nr. 1396), 232 Töne in zwei Stahlkämmen (48 und 184 jeweils vollständig, der äußerste Diskantzahn wurde bei der Herstellung entfernt), starker Federwerkmotor, Ratschenaufzug mit Holzgriff, geprägt "28 IPIG", Messing-Grundplatte geprägt "Nicole Freres a Geneve", der längere Kamm geprägt "Nicole Freres", selbstregulierender Geschwindigkeitsregler mit Sofort-Stopp-Möglichkeit, polierte Messing-Melodienplatte mit Gravur "Fabqué. par Nicole Frères pour T. Cox, Savory & Co., 54. Cornhill, London", furniertes Gehäuse mit roter Innenausstattung, abgerundete Ecken, aufklappbares Schlüsselfach, aufklappbare Endklappe, Bandintarsien aus Messing und Messingeinlage, Schildpattimitation und farbige Emaillen auf Front und Deckel, Gehäusebreite 68 cm, Walzenbreite 41,5 cm, Ø 10 cm, Werk und Gehäuse in gutem, restauriertem Zustand, Werk langsam laufend, Flügel am Fliehkraftregler müßten nachgezogen werden, ein vorderer Teil der abgerundeten Ecke fehlt, kleine Teile der Messingeinlage lose. - Das Programm enthält die Ouvertüren zu "La Gazza Ladra" von Rossini, "Der Freischütz" von Weber, "Norma" von Bellini und "Les Huguenots" von Meyerbeer. Jede Ouvertüre hat eine Spieldauer von etwa 2 ¾ Minuten. Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 12000 Zustand: (2/2-)Fine Grand-Format Overture Musical Box by Nicole Frères, c. 1852No. 31021, playing four overtures (Gamme no. 1396), with 232 teeth in two combs of 48 and 184 (complete, extreme treble tooth removed during manufacture), massive spring with wood-handled ratchet key stamped "28 IPIG", brass bedplate stamped "Nicole Freres a Geneve", the long comb stamped "Nicole Freres", compensated governor, instant-stop control, polished brass tune-plaque engraved "Fabqué. par Nicole Frères pour T. Cox, Savory & Co., 54. Cornhill, London", veneered case with red interior, rounded corners, hinged key-compartment, hinged endflap, brass stringing and inlay of brass, imitation tortoiseshell and colored enamels on front and lid, 26 ¾ in. (68 cm), cylinder 16 ¼ x approx. 4 in. diam. (41.5 x 10 cm), movement and case in good restored condition, movement slow-running, governor blades in need of tightening, one front section of rounded beading missing, small sections of brass inlay loose. - Note: The program presents the overtures to "La Gazza Ladra" by Rossini, "Der Freyschütz" by Weber, "Norma" by Bellini and "Les Huguenots" by Meyerbeer. Each overture plays for approx. 2 ¾ minutes. Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 12000 Condition: (2/2-)
Y A FINE GEORGE IV BRASS 'FIRST PERIOD' SKELETON TIMEPIECE WITH SECONDS-BEATING LEVER ESCAPEMENTJAMES CONDLIFF, LIVERPOOL, CIRCA 1825-30The single chain fusee train set between demi-lune shaped plates pierced with a band of crescents enclosing pendant cruciform motifs over repeating spire designs, united by four knopped pillars, with open-walled spring barrel, Harrison's maintaining power, six-spoke wheel crossings and contrate take-off for the oversized English lever escapement slung beneath the plate onto which the movement rests, regulated by a 2.5 inch faceted three-arm monometallic balance with blued steel timing screws, jewelled pivots and helical spring held in the mouth of gilt serpent applied to the lower case platform, the dial with centre seconds, silvered Roman numeral chapter ring, blued steel moon hands and visible motionwork incorporating five-spoke wheel crossings applied to the movement frontplate behind, the frame with large acorn-turned finial to the apex of the plates and four further conforming finials set on each corner of the plate beneath the movement, raised on four column-turned corner uprights over a rectangular platform centred with the balance wheel lower pivot and the applied with the gilt brass coiled serpent, the front with Classical male mask centred double lyre cast mount flanked by rosettes formed from six interlinked beehives, on ball feet; secured to a red velvet-lined rosewood veneered plinth to take the glass dome cover (damaged), with canted angles and line-strung borders over bun feet.The timepiece 32.5cm (12.75ins) high, 26cm (10.5ins) wide, 11.5cm (4.5ins) deep; including stand and dome 51cm (20ins) high, 35cm (13.75ins) wide, 19cm (7.5ins) deep. Provenance:Long-term single private family ownership since at least 1880. Catalogue Amendment 23/08/23; the underside of the upper frame plate is stamped J. CONDLIFF, LIVERPOOL behind the escapement top pivot.James Condliff set up as a clock and watchmaker at 32 Gerard Street, Liverpool in 1813. He then had premises on Circus Street (1819-22) and Fraser Street (1823-62). In 1827 he was joined in partnership by Joseph Condliff and continued from workshops in Fraser Street as well as from an address in Clare Street. Joseph Condliff subsequently opened a branch under his name alone in Everton and John Condliff took-on premises at Mount Vernon. James Condliff is believed to have retired by 1862 and died in 1884 and was most likely succeeded by Thomas Condliff who is recorded working in Liverpool 1867-1914. Derek Roberts in British Skeleton Clocks (pages 99-113) classifies Condliff's skeleton clocks into three distinct periods/types, with the first dating 1825-50, the second 1850 to circa 1870, and the third 1855-60. The current lot is from the first series which are typified by having arched plates set on a rectangular platform raised on columns. These models also incorporate a sprung balance with the end of the spring held by a serpent applied to the upper surface of a second, lower platform. Examples incorporating a second striking train include the additional feature of having their spring barrels set within the base, and the fusee chains passing up (past the balance) to the trains above. With these the base also serves to conceal the bell/gong and hammer. The present lot, being a timepiece only, benefits from having the barrel set between the plates hence leaving the base platform free to feature the escapement, balance and serpent uncluttered. The present timepiece is a particularly rare example from only a handful of first period skeleton clocks by Condliff. It also benefits from being a previously un-recorded example privately consigned from long-term single-family ownership. Condition Report: Timepiece is generally in fine original clean condition with no visible evidence of alteration or notable replacements. The train is fundamentally in running condition however at some point someone has attempted to wind via the spring barrel arbor causing the fusee chain to become unhitched and whiplash around the left-hand pillar and frame edge resulting in some bruising/marks to both the pillar, the edge of the plate and around a pierced aperture to the centre. The marks to the plate can probably be filed-out leaving little or no trace, and the pillar can possibly be removed without parting the plates (is pinned and screwed rather than riveted to one of the plates) and turned to remove the marks. The worst case scenario is that a replacement pillar may need to be turned from suitable yellow brass. The fusee chain is correctly attached but has not been set-up/tensioned (via the barrel ratchet) - this will be required before it will run under its own power for the entire eight-day duration. The timepiece is running and escapement beats happily when it is wound over about 1/3 way. As with the rest of the timepiece the chapter ring and hands are in fine condition and the serpent together with the front rail mounts retain fine gilt finish. The platform base has a slight casting fault to the rear left hand corner beneath the column base. The rosewood base and dome appear contemporary with the clock but may have been acquired separately (could be French); the glass dome is badly cracked at the rear.Timepiece is complete with a decoratively turned winding key. Condition Report Disclaimer

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