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WILLIAM MORRIS: QUILL PEN AND PAINT BRUSH BELONGING TO MORRIS Provenance: From the Collection of Dorothy Walker (1878-1963), daughter of Sir Emery Walker (1851-1933) and thence by descent. Emery Walker, typographer, printer and a major figure in the Arts and Crafts Movement, was friends with William Morris from the 1870s and they were neighbours in Hammersmith in West London. Morris took pleasure in seeing Walker on a regular, and sometimes daily basis and Walker encouraged Morris to set up the Kelmscott Press. After Morris's death in 1896, Walker founded the Doves Press, in partnership with T Cobden-Sanderson, becoming thereby a pioneer of the Private Press movement in Britain and the United States. After Walker's death in 1933, Dorothy Walker maintained the family house at 7 Hammersmith Terrace in an unaltered state and it became a kind of shrine to the Arts and Crafts Movement. Upon Dorothy's death in 1963 the house was cared for by her companion, Elizabeth de Haas, and when she died in 1999, a charitable trust was set up to preserve the house and its collections, and make it accessible to the public. Within the house are many things connected to Morris and his circle, including Morris's spectacles and Rossetti's teapot. Dorothy Walker was also a friend of Morris's daughter May, and examples of May Morris's needlework are in the house. The pen was made by the London supplier of artists' materials, Charles Roberson and Company, where Morris was a regular customer. The attached label attributing to Morris is in Dorothy Walker's hand. With the pen are letters from Emery and Dorothy Walker, some of which relate to Walker knighthood in 1930, memorial booklets for Emery Walker and Dorothy Walker, a drawing of Dorothy Walker and a lithograph of Emery Walker. The original of the Emery Walker portrait is on display in 7 Hammersmith Terrace.
Test Pilot Special signed collection. Complete set of the 40 TP Test Pilot series of covers comm. The greatest pilots including autographs of Chuck Yeager, Brian Trubshaw, Tom Sopwith, Jeffrey Quill, Col Carne VC, Peter Twiss, Alex Henshaw, Roland Beamont, Jeffrey Quill, Bill Bedford, John Cunningham, Scott Crossfield. Each cover has a nice illustration of the planes flown and the pilot has a flight cachet detailing the RAF flight on which each cover was flown. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.95
Signature and Obituary of Jeffrey Kindersley Quill AFC the pre-WWII Test Pilot who famously test flew the Spitfire and taught a number of RAF pilots to fly it including Flg Officer R. R. S. Tuck. In 1940 he volunteered for operation flying and on attachment to 65 Sqn he claimed a Bf 109 destroyed on 16 August. Plus news report and photograph of Quill being honoured at the age of 78. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.95
Wilkie Collins (1824-1889), English novelist famous for 'The Woman in White' and 'The Moonstone'. Autograph letter, signed and dated 9th November 1882, on headed paper (90, Gloucester Place, Portman Square. W.) with WC monogram and quill design. The letter appears to concern a dispute over payment, with Wilkie Collins stating that he is enclosing a cheque that he wishes to be returned receipted, to Watson Brothers. One sheet, three sides of writing in black ink.Provenance: The vendor's grandmother, a Mrs. Mordaunt, was a collector of signed letters and autographs; the letters that she amassed in her lifetime are being offered in this Library Auction.
WILLIAM IV SILVER PRESENTATION INK STAND OF SHAPED OBLONG FORM WITH A SCALLOP AND FOLIATE DECORATED RIM, INSCRIPTION AND DATE, 1834 WITH SILVER MOUNTED MOULDED GLASS INKWELL AND QUILL HOLER FLANKING A WAFER BOX (LACKING TAPERSTICK) AND TWO PEN WELLS ON FOUR SCROLL FEET, BY MATTHEW BOLTON PLATE Co. BIRMINGHAM, 1833, 33.5cm x 22cm (950g)
Fourteen Native American Baskets, including dishes and lidded baskets. One basket includes a tag from Warao Basketry; three include tags from Tohono O'Odham Basketweavers Organization that include the names of the makers: two made by Arlene Raymond and one made by Rose Martin. Four quill-covered boxes with animals depicted on the lids. Two of the boxes are signed Evelyn Toulouse under the base. Provenance: Collection of Judith Balderson, MN.Dimensions: Height ranges from 3/4 in. to 6 1/4 in.; Diameter ranges from 2 in. to 9 1/4 in. Condition: Good condition.Images: To view larger images, please visit https://www.dropbox.com/sh/8ed9nhnm5wknrh8/AACsurKHrYImqDg3T-dvZrR1a?dl=0
Ivory quill holder in the form of a horse's hoof, 28cm, an ivory fan with handpainted scene and an ivory measure marked Job and Co Cannon St West London and W.H.Fuller Reading, 15cmPLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbanks advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.. Ivory quill holder with splits and abrasion to the underneath of the horse hoofFan- Paper does not appear torn, but surface dirt and some abrasionsMinor loosed to pierced carved ivory work to sticksSee images
A late 19th century Chinese porcelain inkstand, having European gilt brass mounts, the top with hinged cover and with quill & pen holders, dia. 12cm Condition Report / Extra Information No liners.Chips to enamel in several places, noticeably to pink and green floral panel.Glue visible around base.Requires a good clean.
A 19th century diamond and sapphire articulated feather on later brooch fitting, designed as a stylised peacock feather with the 'eye' an oval cut sapphire in a scalloped collet and border of old round cut diamonds, the barbs in a loose and overlapping design set throughout with old round, cushion and rose cut diamonds, and each pair set flexibly along the shaft en tremblant, the quill also diamond set, the whole feather on a later detachable brooch mount, clasp with safety catch; length 5.9cm, total estimated weight of diamonds approximately 1.90cts, in period leather case Provenance: Ennismore Gardens, Knightsbridge, London SW7
A Victorian 1827 Pattern Naval Officer's Sword, the 76cm quill back steel blade faintly etched with crowned fouled anchor and indistinct maker's name, the gilt brass gothic hilt with hinged guard, cast with a fouled anchor below a Queen's crown, wire bound fish skin grip and lion head pommel, with brass mounted leather scabbard and bullion sword knotBlade pitted, etching very faint. Gilding to hilt is worn. Leather of the scabbard could be replacement, mounts original
An Imperial German Naval Sword, the 72.5cm quill back steel blade etched with a fouled anchor, Man o' War and foliage, the ricasso stamped with King's head and visored helmet logos/ W.K. & C., the brass gothic hilt with hinged guard engraved Rehder, with ribbed bone grip, well cast lion head pommel with inset glass eyes and long mane, lacks scabbardBlade with black patching and pitting to surface, particularly towards the tip. Etching is crisp. Bone grip is cracked and chipped. Lacks scabbard.
A British 1827 Pattern Naval Officer's Sword, the 79cm quill back steel blade faintly etched a fouled anchor, Royal Coat of Arms and scrolling foliage, each side of the ricasso signed T.CLARK NAVY WAREHOUSE, EXETER CHANGE, LONDON, the brass gothic hilt bearing traces of original gilding, with hinged guard, wire bound fish skin grip and lion head pommel, lacks scabbard Black patching to surface of blade. Wear to gilding on the hilt. Otherwise good. Lacks scabbard
A Victorian 1855 Pattern Lancaster Sword Bayonet, the quill back steel blade with various inspector's marks, the brass pommel stamped 5/1887, V/ M.S.C.4/ 36, as issued to the Medical Staff Corps, quillon broken, lacks scabbard; a British 1888 Pattern Lee Metford Bayonet, with later grip scales, lacks scabbard; a British L.I.A.3 Knife Bayonet, lacks scabbard; a French M1892 Berthier Carbine Bayonet, with first type crosspiece, hooked quillon and composition grips, lacks scabbard (4)
Masonic Jewels, A Georgian Masonic Secretary’s or Scribe’s Jewel, by Thomas Harper, crossed quills tied with a ribband, this also making the suspension loop, approx. 107 x 86.5mm. (cf. Harris 42), London hallmark for 1797, maker’s mark TH (Thomas Harper), tip of one quill bruised, good very fine Thomas Harper (1744-1832), himself a Mason, established a reputation as one of the best makers of Masonic Jewels in London. He was first initiated in 1761 into Lodge No. 24 in Bristol, but on moving to Charlestown, South Carolina, he was the first Junior Warden of Lodge No. 190. He was a most influential member of the Grand Master’s Lodge No. 1 on the Atholl register, now No. 1 on the register of the United Grand Lodge of England and he was honoured in September 1785, at the age 50, with Grand Rank. He was also Master of The Turners’ Company for the years 1813 & 1829. Thomas Harper was in practice as a silversmith whilst in America, however he first registered his mark at Goldsmiths’ Hall on May 27th 1790.
PAIR OF NINETEENTH CENTURY PORCELAIN SMALL FIGURES IN PERIOD COSTUME, he with tricorn hat at jaunty angle and each pierced to the rear to received quill or spill holder, naturalistic circular base, 5" (12.7c,) high, ANOTHER PAIR IN RUSTIC ATTIRE, she holding a watering can, underglaze blue cross swords mark, 5 1/2" (14cm) high AND A CLASSICAL FEMALE FIGURE PLAYING A LYRE emblematic of music, 6 1/2" (16.5cm) high (minor faults) (5)
A FINE 19TH CENTURY GILT BRASS AND WHITE MARBLE MANTLE CLOCK. By Japy Freres of Paris. The lever movement with outside count wheel striking on a steel bell. Circular enamel dial with Roman numerals in an unusual leaf and scroll cast case, crested with a laurel wreath and scroll. Flanked to one side with a figure of Shakespeare seated on a stool, holding a quill. The other side with theatrical trophies, on a white marble two-stage moulded-plinth. Under glass dome. 17.44" x 23" (46cm x 56cms). (1)

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5323 item(s)/page