We found 1550 price guide item(s) matching your search

Bernard Moore – Flambé vase of flared beaker form glazed mottled grey green over ox-blood, inscribed mark to the glaze and dates 1904 and 1905; together with a compressed conical vase with graduated ox-blood glaze, inscribed marks; and a Pilkington's Royal Lancastrian vase of tapered shouldered form, with mottled flambé glaze with iridescence, impressed marks, 11cm high and smallerThe “beaker” vase has several pockmarks from production and there are multiple scratches on the top half of the piece. Crazing is also present. The compressed vase has heavy patches of scratches in several places. The Pilkington has a few pockmarks and a glazing imperfection on either side.

A very rare Steiff rod jointed Monkey 35PPB with elephant button, with brown mohair, black boot button eyes, inset velvet face, ear, hands and feet, black cross stitched nostrils, slightly raised nose, a red painted seam for mouth, central seam from face down back of head, rod jointed mechanism comprising two short rods from limb to limb, wires down the limbs to the hands and feet and a rod looped around the arm joint going into the head, velvet hands with stitched fingers and separate thumbs and a very rare elephant button in the left ear with S shaped trunk -14in. (36cm.) height seated, 24in. (61cm.) overall length (missing right ear, right arm cleanly broken through at elbow and patched, holes and protruding wire through hands and feet, some balding areas, general wear and fading) Notes - his head mechanism is intriguing as the head goes significantly backwards and forwards in a valley, his arm joint is much high than on the Rod Bears, so the loop of the neck joint is much higher. It would appear that has been made so the head rocks backwards and forwards, but it is possible that this valley and movements has caused over time. Provenance - Monkey belonged to the vendor’s Grandfather James Kay Harrison who was a born and bred Lancastrian, growing up near lake Windermere. James was born in 1901 and was an only child so it is assumed Monkey was a present from his parents. He founded Abinger Preparatory School in Abinger Hammer in Surrey which he took to Canada during the 2nd World War, returning later to Cumbria. Monkey has always just been called Monkey, not very imaginative but it suits him. Monkey always sat in the vendor’s Grandfather's study and the various children were allowed to play with him now and then when staying with them. James Harrison had two children, six grandchildren, and monkey has been involved with over a hundred years of play. He is sold with two JPEG images, one of James as a young boy wearing a dress and the other of his grandchildren in the 1960s with Monkey in a cart

A Pilkington Royal Lancastrian pottery bowl, in a mottled green glaze, impressed marks and numbered 2524, 23cm diameter.

A Pilkington Royal Lancastrian pottery vase, of circular form with a flared rim, mottle green glaze, impressed marks and numbered 3271, 17cm high.

A Pilkington Royal Lancastrian pink and silver lustre pottery vase, of elongated cylindrical form, impressed marks and numbered 2564, 18.5cm high. (AF)

A Pilkington Royal Lancastrian small vase, 11cms tall together with a circular covered box and a three handled jug vase by A Baron Barnstaple pottery

Pilkington's Royal Lancastrian Pottery circular comport with turquoise drip glazes and domed foot, no. 3174, impressed mark c.1920's/30's, 26cm diam.

A Pilkington's Royal Lancastrian Pottery Charger, by John Chambers, painted with a pair of fighting dragons, painted artist's monogram and dated 1929, impressed factory marks, 26cm diameter; A Pilkington's Royal Lancastrian Pottery Lapis Ware Vase, painted by Gladys Rodgers with feathers, on a burnt orange ground, painted artist's mark, impressed factory marks, 15cm high; and A Pilkington's Royal Lancastrian Pottery Carved Vase, by William S Mycock, on a blue and green ground, incised artist's mark, impressed factory marks and 3034, 15.5cm high (3)1. Charger has metal plate hangers which have made marks and is crazed. 2. Lapis vase is in good order. 3. Carved vase is in good order.

PILKINGTON ROYAL LANCASTRIAN; a scarab advertising paperweight in a powder blue glaze, length 9cm.Additional InformationGlaze fault to the underside below the glazes, light scratches and scuffs, there is a glaze chip to the body of the piece. 

WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO. ROYAL LANCASTRIAN LUSTRE VASE, DATED 1929 glazed and painted earthenware, painted artist's marks, impressed maker's markDimensions:25.7cm high

A Pilkington Royal Lancastrian pottery bowl, in a mottled green glaze, impressed marks and numbered 2524, 23cm diameter.

A Pilkington Royal Lancastrian pink and silver lustre pottery vase, of elongated cylindrical form, impressed marks and numbered 2564, 18.5cm high. (AF)

A Pilkington Royal Lancastrian pottery vase, of circular form with a flared rim, mottle green glaze, impressed marks and numbered 3271, 17cm high.

A rare Poole pottery red seated Cat, 7" tall (graze to ear), an interesting Pilkington Lancastrian jar with drizzle glaze, 3" tall and an Art Deco Coronet ware Parrot & Co hand painted jar, pattern 6849, 3" tall.

Gladys Rogers for Pilkington Royal Lancastrian, a lustre pin dish and cover, 1908, the cover (broken and reglued) painted with red flowerhead to the centre, enclosed by heart motif leafheads, the body painted with panels of flowering roses against a blue ground, artist's cipher, stamped factory mark and date, diameter 8cm; and another lustre vase (shape 2651), the tapering body painted with panels of inverted heart motifs, against a mottled red ground, stamped factory marks, 8.5cm.Qty: 2Provenance:The Abraham Lomax Collection, thence by descent.Condition report:Pin dish and cover - Cover broken in half and crudely reglued, with resulting losses of glaze along the break line. The pot is in good condition, no chips, hairlines or restoration. Some crazing has developed.Vase - Good condition, no chips, hairlines, or restoration. Crazing lines have developed. The firing is patchy, especially surrounding the lustre inverted heart/ spade shaped motifs.

A Pilkingtons Lancastrian Type Lustre Bowl decorated with Heraldic Rampant Lion in the Manner of William S Mycock, Substantial Glue Restoration, Unmarked, 18cms Diameter

A GEORGE III MAHOGANY 'WHEATSHEAF' TRIPOD SUPPER TABLE POSSIBLY IRISH, CIRCA 1780 73cm high, the top 81cm diameterProvenance: By repute formerly in the collection of Margaret Pilkington (1891-1974) who was honorary director of Manchester's Whitworth Art Gallery from 1936 until 1959. Margaret Pilkington was the elder daughter of Lawrence Pilkington (1855-1941), the co-founder, with his brother Charles, of the Pilkington Lancastrian Pottery and Tile Company at Clifton Junction near Manchester, famous for its lustre wares. Margaret Pilkington herself was a director of the firm for many years.

Pilkington's Royal Lancastrian related items from the personal collection of Abraham Lomax, including ceramic and glaze fragments in a small tin, an oval intaglio plaster armorial crest, an off-cut of kiln off-cast, small kiln stand, a small circular dish, mottled blue-green, stamped 'P', 10.8cm diam; and a trial vase dated 1909, the shoulder painted with a border of swans between trees in a red crimson glaze against a cream ground, painted to the underside 'Trial' over the Pilkington mark, 8cm.Provenance:The Abraham Lomax Collection, thence by descent.Condition report:The nature of this lot means that the majority of the items have some chips and "damages" as they are a collection of fragments. Referring to the trial vase and small circular dish:Trial vase - heavy crazing throughout the cream ground glaze. One line to the base line could be considered a hairline. No restoration or chips. Some surface scratching. The glaze hasn't fired evenly, notably to the swan border.Dish - two shallow chips to the rim on the upper surface, one 1.5cm, the other 1cm. Nearby there is a 1cm scuffed patch to the glaze. Otherwise no restoration or hairlines.

Pilkington's Royal Lancastrian, a rare miniature 'Twiffler' vase, thrown by Edward T Radford, in orange vermillion glaze, 1cm high.Provenance:The Abraham Lomax Collection, thence by descent.Footnote:The term 'Twiffler' has been in circulation within the Pilkington Pottery since Radford was in employment as the main thrower. Lomax records them as "many small pieces being thrown" in a way to suggest and experiment with new shapes and forms under the guidance of Forsyth, who referred to them as "sketches in clay". Many shapes show the influence of Chinese vases. But calling them small pieces is somewhat of a misnomer as many are smaller than an inch, and as in this case barely a fraction of an inch. The Pilkington's Lancastrian pottery Society newsletters of March and June 2013 contain further information on these fascinating whimsical miniatures with colour plates showing a broader range of those known to exist in private collections and formerly the Monks Hall Collection in Eccles.Condition report:There is possibly a P painted to the underside of the base but not immediately evident. There is a tiny chip to the underside of the baseline, with what looks to be a small resulting hairline.

Pilkington's Royal Lancastrian, a vase with three lions, designed by William S Mycock,1930s, the tapering body in orange vermillion glaze moulded with a frieze of three marching lions against a darker mottled bronzed glaze, impressed marks, 24cm.Provenance:The Abraham Lomax Collection, thence by decent.Condition report:No chips, hairlines, or restoration. Light surface wear. No evident crazing.

Pilkington's Royal Lancastrian, a Galleon charger, designed by William S Mycock, 1930s, fired in an orange vermillion glaze, moulded in shallow releif with a masted galleon in stromy seas, incised artist's monogram and date ciper, stamped factory mark, 44cm diameter.Provenance:The Abraham Lomax Collection, thence by decent.Condition report:No chips, hairlines or restoration. There is an ingrained surface scratch across the main sail, 3cm in length. There is a 2mm pockmark which we take to be in the firing, towards the end of the rigging at the back of the gallein. Some slight firing irregularities to the underside such as glaze bubbling,

Gladys Rogers for Pilkington Royal Lancastrian, a lustre pin dish and cover, 1908, the cover (broken and reglued) painted with red flowerhead to the centre, enclosed by heart motif leafheads, the body painted with panels of flowering roses against a blue ground, artist's cipher, stamped factory mark and date, diameter 8cm; and another lustre vase (shape 2651), the tapering body painted with panels of inverted heart motifs, against a mottled red ground, stamped factory marks, 8.5cm.Qty: 2Provenance:The Abraham Lomax Collection, thence by descent.Condition report:Pin dish and cover - Cover broken in half and crudely reglued, with resulting losses of glaze along the break line. The pot is in good condition, no chips, hairlines or restoration. Some crazing has developed.Vase - Good condition, no chips, hairlines, or restoration. Crazing lines have developed. The firing is patchy, especially surrounding the lustre inverted heart/ spade shaped motifs.

William S Mycock for Pilkington's Royal Lancastrian, a lustre vase, 1915, ovoid body (shape 2619), painted with scrolling foliage with red flowerheads, against a navy ground, artist's cipher and date cipher, stamped factory marks, 17cm.Provenance:The Abraham Lomax Collection, thence by descent.Condition report:Good condition, no chips, hairlines or restoration. Some very light surface wear.

William S Mycock for Pilkington's Royal Lancastrian, a lustre vase with birds, 1929, thrown by Radford, the swollen body (shape 160) painted with four birds in flight, scrolling border to the neck, powder blue ground, artist's and throwers' initials to base, with date cipher, 21cm.Provenance:The Abraham Lomax Collection, thence by descent.Condition report:Good overall condition, no chips, hairlines or restoration. The firing is even.

Pilkington Royal Lancastrian lustre vase decorated with floral band, numbered 2761, 12.5cm highPre 1920, as it is marked England as opposed to 'made in England'. It is good order with no signs of chips, cracks or restoration. Some minor scratching and wear to glaze only.

Pilkington Royal Lancastrian lustre vase with floral decoration, 7cm highGood condition with no chips or cracks, some minor crazing and wear to glaze.

A Pilkingtons Royal Lancastrian vase, miniature vase and dish, c1930, in various eggshell glazes, an A E Gray & Co Gloria Lustre miniature dish, a Shelley miniature mushroom shaped Harmony ware vase and other British pottery and porcelain ConditionBlue and white tea bowl and larger Pilkington vase chipped. Most of the other items in good condition

Pilkington's Royal Lancastrian lustre twin handled vase decorated by William S. Mycock Pilkington's Royal Lancastrian lustre twin handled vase, decorated by William S. Mycock (1872-1950). Painted with two heraldic lions passant surrounded by foliage and berry trees on a light yellow ground. Artist's monogram to the base as well as a plant illustration, shape 2577 and impressed factory marks, height 21.5cm.Both handles restored, couple of blisters and crazing.

Pilkington's Royal Lancastrian lustre plate decorated by William S. Mycock Pilkington's Royal Lancastrian lustre plate, decorated by William S. Mycock (1872-1950). Painted with rings of Art Nouveau stylised foliage on red, green and gold grounds. Artist's monogram to the base along with a painted viking longship illustration and impressed factory marks, 24.5cm diameterRestoration to parts of the rim, the residue is visible

Pilkington's Royal Lancastrian lustre plate decorated by William S. Mycock Pilkington's Royal Lancastrian lustre plate, decorated by William S. Mycock (1872-1950). Painted with a heraldic knights helmet and scrolling foliage with Latin inscription 'Sola Nobalitas Virtus' (virtue alone is true nobility) to the rim in gilt lustre on a red ground. The reverse with scroll border on lime-green ground. Artist's monogram to the base, with the 1928 year mark, shape 3218 and impressed factory marks, 29cm diameter.Crazing throughout, scratching to the surface, some lost of lustre and some blistering to the underside of the rim. Please view all images.

Pilkington's Royal Lancastrian relief moulded vase William S. Mycock Pilkington's Royal Lancastrian relief moulded vase by William S. Mycock (1872-1950). Decorated in brown on a turquoise ground with abstracted leaves and foliage. Artist's monogram to the base, with year mark, shape 2838 and impressed factory marks, 30cm highLight crazing throughout, two small fleabites to the body. No restoration.

Pilkington's Royal Lancastrian relief moulded vase William S. Mycock Pilkington's Royal Lancastrian relief moulded vase by William S. Mycock (1872-1950). Decorated in tonal blues with gulls in-flight over cresting waves and stylised clouds above. Artist's monogram to the base, with 1931 year mark, shape 14 and impressed factory marks, 23cm highRestored in areas and a hairline crack running the length of the vase

Pilkington's Royal Lancastrian vase William S. Mycock Pilkington's Royal Lancastrian vase by William S. Mycock (1872-1950). Decorated in tonal blues with birds, likely parakeets, surrounded by tree branches. Artist's monogram to the base, with year mark, shape 2113 and impressed factory marks, 23cm highGood condition, design overall slightly blurred.

Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, circa 1925, rouleau form, painted with deer and stags between trees, below a geometric spiral neck and chevron shoulder, impressed marks, painted monogram, 20.5cm high

Charles Cundall for Pilkington, a Royal Lancastrian lustre vase, 1908, squat baluster form, painted with barges in full sail to each side, between fruiting vines, in bronze on blue ground, impressed marks, painted monogram and date cypher, 13.5cm high

Mixed china together with a pink table lamp and three Royal Lancastrian Pilkington floral plates and ImariLocation:RAM

A Pilkington's Royal Lancastrian vase of tapering form under mottled brown lustre glaze, monogram for W S Mycock, height 11 cm.  Good condition.

A Pilkington's Royal Lancastrian vase of squat form under mottled brown/fawn glaze, monogram for W S Mycock, height 15cm.  Good condition.

A Royal Lancastrian spherical 2 handled vase on circular foot, lustre decoration with red flowers against a blue ground, monogram for W S Mycock, height 18cm. Good condition with some wear to lustre around base..

A PILKINGTON ROYAL LANCASTRIAN ONION SHAPED LUSTRE VASE BY RICHARD JOYCE, shape no. 2522, the plain neck over a body decorated with four circular panels with coats of arms surrounded by foliate scrolls between bands of trefoil motifs and geometric designs, bears lustre monogram and impressed marks to the base, height 19cm (Condition report: the inside of the foot rim has some over glazed firing faults / chips, otherwise in good condition overall)

A Pilkingtons Royal Lancastrian Lustre bowl with floral design by W S Mycock, 24.4cm diameter x 10cm High. (No damage, heavy crazing to central motif).

A ROYAL LANCASTRIAN LUSTRE FOOTED COMPORT BY WILLIAM S MYCOCK, floral detail to the bowl, printed and impressed marks to base, H 14 cm, Dia. 23 cmCondition Report:Crazing throughout interior of bowl, 3 markings to base probably from firing.No other obvious chips, cracks or restoration.

Richard Joyce for Pilkington Royal Lancastrian lustre two handled vase: Painted with red flower heads on a green foliate scroll ground, impressed and painted marks, 3391, h.17cm. Dark speckled lustred glaze to one side and a lighter glaze to the reverse.

William S Mycock for Pilkington Royal Lancastrian lustre vase: 1923, painted red flower heads with silver foliate scrolls on white ground, impressed and painted marks, 3099, h.24cm.

William S Mycock for Pilkington Royal Lancastrian lustre heraldic vase: 1922, painted with red shield of rampant lion, on a blue foliate scroll ground of red flower heads, impressed and painted marks, 2909, h.21cm. Some very slight nibbling to the base rim and some slight scratches to the glaze at the rear of the vase.

RESTORATION PROJECT! Richard Joyce for Pilkington Royal Lancastrian lustre vase: Painted on a green foliate scroll ground of red flower heads, impressed and painted marks, 2626, height approx. 25cm. (the base smashed into several pieces)

William S Mycock for Pilkington Royal Lancastrian lustre ginger jar & cover: 1926, painted with green flower heads & foliate on red ground, impressed and painted marks, 2642, h.29cm. Slightly darker/lighter red glazes all around.

Pilkington Royal Lancastrian lobed gourd shaped vase of squat form, decorated in purple and blue merging streaked glaze, with printed mark beneath, H22cm

A Pilkington's Royal Lancastrian Lustre Vase, decorated by William S Mycock, with motto FRANGAS NON FLECTES and coat of arms, on a blue ground, artist's monogram and 1919, impressed factory marks and 3022, 20cm high (restored chip to rim)Restored chip to rim. Damage to foot rim with hairlines. Crazing. See extra images.

A Pilkington's Lancastrian Fish and Leaf two tile panel designed by Charles Francis Annesley Voysey, dust pressed with a fish before flowering water lily, glazed green impressed P to back of tile, 15.5cm. square (each tile), (2) Provenance The Douglas Johnson collection. Literature Angela & Barry Corbett Pilkington Tiles 1891-2010, page 40 for a polychrome example illustrated.

A Pilkington's Lancastrian Pottery vase by William S Mycock, shouldered form with everted top rim, painted with heraldic lion amidst scrolling foliage, above a band of berried laurel in golden lustre on a red ground impressed factory marks, painted artist cipher and date code for 1909, 22cm. high Provenance Christopher Wood, thence by descent Literature Isabelle Anscombe & Charlotte Gere Arts and Crafts in Britain and America, Van Nostrand Reinhold, page 98 plate 105 this vase illustrated.

A Pilkington's Royal Lancastrian carved eggshell glazed plate  by William S Mycock, 1936, with a swan, 20.5cm dam, impressed mark, 3266, incised artist's monogram and year cipher Good condition

A PILKINGTON ROYAL LANCASTRIAN LUSTRE VASE BY RICHARD JOYCE, of squat form with a short flared neck, decorated with green-gold lustre sprays to a cobalt blue ground, JR monogram, impressed marks, 2366. 9.5cm high View 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X35.spinCONDITION REPORTLight surface scratching 

Pilkingtons - Royal Lancastrian Impressive Large Twin Handle Lustre Lidded Vase, Excellent Proportion. c.1920's. Stamped to Base of Vase. Height 9.5 Inches - 23.75 cms.

A ROYAL LANCASTRIAN LUSTRE FOOTED COMPORT BY WILLIAM S MYCOCK, floral detail to the bowl, printed and impressed marks to base, H 14 cm, Dia. 23 cmCondition Report:Crazing throughout interior of bowl, 3 markings to base probably from firing.No other obvious chips, cracks or restoration.

A Pilkington Royal Lancastrian lustre vase, deigned by Richard Joyce, decorated with fish swimming amongst seaweed, height 6ins - There is all over crazing which can be easily seen.  There is a glazing rough spot to the foot rim but no chips, cracks or signs of restoration

A Pilkington Royal Lancastrian lustre bowl, internally decorated with bunches of grapes by Gwladys Rodgers, printed and impressed mark beneath, 25.5cm diameter.

PILKINGTONS ROYAL LANCASTRIAN; a vase of tapering circular form with streaky lavender glaze, height 13cm, and a further Pilkington Royal Lancastrian vase with moulded linear decoration, height 19cm (2).Additional InformationThe lavender vase with numerous glaze chips running around the body, scratches to the glaze. The green vase with minor scratches to the glaze, each with glaze crazing.

RAF Battle of Britain era Note Book for Workshop & Laboratory Records, named 903320 Evans, dated July 1940, with notes on gunnery practices, sighting, cleaning etc, also a collection of ten aviation photographs, including images of Derwent engine, Avro Tudor II, scenes of an Avro Lancastrian, and Merlin power egg, also an iron badge stamp, various patches and books relating to the RAF. The photographs were taken by an unknown photographer known to have lived and worked in the Alsager area towards the end of WWII and into the 1950's.

William S Mycock for Pilkington's Royal Lancastrian - a lustre twin-handled vase, 1915, painted with Persian inspired panels, artist's monogram and date cipher, stamped factory marks, 20.8cm (one handle restored).