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Lot 520
A Pilkington's Royal Lancastrian Jar, decorated by William S Mycock, with repeating floral patterns, in golden lustre on a red ground, artist's monogram and painted year 1927, impressed factory mark,14.5cm high (lacking cover)Tight crack to the rim, travelling down the shoulder. Some minor crazing. General light wear.
Lot 28
A Pilkingtons Royal Lancastrian lustre hexagonal jar and cover, by William S. Mycock, painted with red grapes and silver-green lustre vines, on a yellow to green graduated ground, impressed mark and model number 2800, silver lustre monogram above a small drawing of a galleon ship, 22cm high, cover damaged***CONDITION REPORT***Jar structurally good; minor wear to silver lustre, not serious. Cover damaged as shown with unsightly glue repairs in several sections and some losses of ceramic to the rim.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 552
A mid 20th century Pilkington's Royal Lancastrian vase of baluster form with ribbed light green glaze, impressed, height 25cm; a 1960's Poole vase; a 1930's Royal Winton lustre vase; an oriental vase (no base)The Lancastrian vase is in good condition and 2 others likewise. The satsuma vase has no base and the rim has been reduced.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provIde any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.
Lot 19
William S. Mycock (1872-1950) for Pilkington's - a Royal Lancastrian lustre vase, stylised decorated with a repeating maiden rowing in choppy seas, in tones of blue, green and burnt orange, of shouldered baluster form, impressed 'Royal Lancastrian England', with further painted artists monogram and dated '1923' verso, h.26cmFinely crazed throughout.Fine paint speckles to surface (which could easily be cleaned off).Lustre glaze colours very slightly dulled.Overall very good.
Lot 378
Two trays of china to include: a Craft studios Hornsea pottery vase by John Clappison, Roseville USA conch shell, Kensington K.B Ware asymmetric mid Century vase and another similar, mushroom shape candle holder, various jugs; Doulton Burslem 'Nankin', Arthur Wood, Pilkington Royal Lancastrian etc. (2)(B.P. 21% + VAT)
Lot 249
* Aviation Autographs. An archive of approximately 100 autographs and letters to the pioneer aviator Sir Alan Cobham (1894-1973),, circa 1927-1970, the majority typewritten or handwritten on letterhead paper, signed, from over 40 major figures in the world of pre-war and post-war aviation including RAF pilots, aircraft company founders and designers, etc.: Jeffery Quill (1913-1996), Lord Beaverbrook (1879-1964), Geoffrey De Havilland (1882-1965), John Cunningham (1917-2002), Captain Ray Hinchliffe (1893-1928), Johnny Johnson (1915-2001), Sir Frederick Handley Page (1885-1962), Lord Trenchard (1873-1956), Sir Malcolm Campbell (1885-1948), Roland Beamont (1920-2001), Lord Brabazon (1884-1964), Jimmy Doolittle (1896 - 1993), Frank Whittle (1907-1996), Lord Dowding (1882-1970), Peter Twiss (1921-2011), Squadron Leader David Shannon (1922-1993), Squadron Leader Tony Iveson (1919-2013), and others, together with related mostly non-vintage press photographs, brochures, newscuttings and photocopies (but including some period items), plus two related publications containing signatures of numerous British test pilots and RAF pilots: Don Middleton, Test Pilots, The Story of British Test Flying 1903-1984 (Guild Publishing, 1985), signed by twenty four pilots including Ken Waller, David Morgan, Headly Hazelden, Godfrey Outy, Cliff Rodgers, Brian Milton, Desmond Penfrose, Alex Henshaw, Peter Twiss, Brian Trubshaw, Paul Millet, and others, and Martin Middlebrook and Chris Everitt, The Bomber Command War Diaries, An Operational Reference Book 1930-1945 (Viking, 1987), containing fifty autograph signatures by wartime members of 617 Squadron, air and ground crews, obtained at the 1957 Dam Buster Memorial event at the Petworth Hotel, Wood Hall Spa, including Mick Martin, D J Shannon, L G Knight, J C McCarthy, K W Brown, W C Townsend, Wolley Tait, L. Cheshire, T V Iveson, Bill Reid, and others, both volumes original cloth in dust wrappers, large 8vo, the main correspondence all contained in one box fileQTY: (an archive)NOTE:Sir Alan Cobham was a noted pilot who undertook a succession of record-breaking long-distance flights in the 1920s and 1930s.This collection includes correspondence relating to the development of air-to-air refuelling, and Sir Alan Cobham's company Flight Refuelling Ltd (FRL) which he founded in the mid 1930's. By 1939 FRL's looped hose refuelling system was practical enough to be regularly used to top up Imperial Airways flying boats departing on the transatlantic service. During World War Two FRL concentrated on military aircraft modifications, including the development of an extra long-range version of the Avro Lancaster for the RAF ‘Tiger Force’, intended to operate against Japan. Although the Japanese surrender meant these aircraft were never used, the experience allowed FRL to modify and operate a fleet of Lancaster and Lancastrian aircraft to ferry fuel into the besieged city of Berlin during the Berlin Airlift of 1948-49.
Lot 464
Four Corgi 1/144 diecast model airplanes to include Berlin Airlift Avro Lancastrian and Avro York (models both mint), Frontier Airlines Lockheed Constellation (model mint) and Short S.25 Sunderland V (very good overall condition, small paint chip wing trailing edge and damaged beaching gear). Boxes at least very good
Lot 31
Royal Lancastrian: Richard Joyce for Pilkington lustre bowl decorated with floral to inside and blue glaze to outside, impressed marks to base and RJ mark. Approx. 16.5cm diameter and 5.5cm high.Condition: Hairline crack to side, slight loss to decoration within inside, slight surface scratches and staining.
Lot 760
LARGE PILKINGTON ROYAL LANCASTRIAN LUSTRE VASE - RICHARD JOYCE. A large bottle shaped vase with various young girls dancing with ribbons and flowers and trees in the background. With repeating floral motifs and the neck with elongated scroll design, and with a red and gold lustre glaze. Signed to the base for Richard Joyce, 32cms high *Purchased from AD Antiques in 2005. *CR Good condition, no issues that I can see.
Lot 352
WILLIAM S. MYCOCK FOR PILKINGTON'S, A ROYAL LANCASTRIAN LUSTRE VASEDecorated with motto 'Lideat concerdere Veris' (Let the truths come together) on a stylised foliate groundGilt and impressed marks19cm highProvenance:Airlie Gardens, Holland ParkThe home of Herbert Olivier (1861-1952), Edwardian artist and travellerCondition Report: Shallow foot rim chip, 5mm x 5mmCondition Report Disclaimer
Lot 560
Four Corgi 1/144 diecast model airplanes to include Berlin Airlift Avro Lancastrian and Avro York (models both mint), Frontier Airlines Lockheed Constellation (model mint) and Short S.25 Sunderland V (very good overall condition, small paint chip wing trailing edge and damaged beaching gear). Boxes at least very good
Lot 460
A Pilkington Royal Lancastrian lustre bowl, early 20th century, of shouldered tapering form with raised rim, decorated by W.S. Mycock with a galleon to the interior and Art Nouveau foliate border to the exterior, "WSM" monogram dated 1924 to base, 16cm diameter Condition report: A few small scratches seen to top rim, approx 1cm in length. Crazing seen to the lustre of the interior of the bowl. General wear and rubbing seen to the underside of foot rim commensurate of age and use.
Lot 29
Twelve Corgi Aviation Archive aircraft, comprising AA32601 Avro Lancaster 467 Squadron, No. 48801 Military Short S.25 Sunderland V RAF Coastal Command, Battle of Britain No. 47301 Avro Lancaster, Battle of Britain No. 49201 Messerschmitt 109E, Battle of Britain No. 49101 Hawker Hurricane, Classic Propliners No. 48802 Short S.25 Sunderland III Transport of BOACs Hythe Class, Military Airpower No. 48201 Avro Vulcan, Military Airpower No. 48401 Hercules C1K tanker, Berlin Airlift No. 474403 Avro Lancastrian, Berlin Airlift No. 47205 Avro York RAF, Berlin Airlift No. 47201 Avro York Skyways and Flying Aces No. 49002 Supermarine Spitfire, Wing Commander Douglas Bader, all boxed and appear complete.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 66
A Pilkington’s Lancastrian lustre bottle vase, by William S. Mycock, painted in silver lustre with leaves and berries, the neck with scrolls on a green ground, the base with impressed marks, including number 882, inscribed artist’s monogram and the figure of a leaping hare, 21.5cm high***CONDITION REPORT***Typical minor glaze imperfections and fine crazing to the glaze, occasional areas of dirt which remove with a thumbnail, in good condition with no chips, cracks or restoration detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 850
PILKINGTON’S ROYAL LANCASTRIAN; a bowl with ribbed body decorated in orange vermillion glaze, diameter 18cm, together with a Royal Lancastrian vase of ovoid form, numbered 3023, height 20cm, together with two modern Chinese cloisonné vases on carved wooden stands (2).Condition Report: The Pilkington pieces are good with no chips, cracks or restoration, just the odd minor glaze fault, with light wear to the bodies.
Lot 499
A Pilkington's Royal Lancastrian lustre vase by W S Mycock, of swelling form decorated with exotic birds and flowering branches, impressed and monogrammed, height 32cm (some glaze crazing and discolouration to neck and rim; small faint hairline to rim) There is a hairline crack which does run from the neck of one eagle curving down as far as its tail feathers, approx 9cm. Also some cracks ? in base, see photos.
Lot 248
A Pilkington Royal Lancastrian Vase, of twisted pear form, and in green and blue high fired glazes, impressed mark, 19cm high, together with a Royal Doulton Flambe Veined Vase, model No. 1612, 19cm high and a similar model of a duck (3)Pilkington vase - crack to the top rimFlambe vase - good conditionFlambe duck - broken at the neck and re glued
Lot 360
PILKINGTONS ROYAL LANCASTRIAN; four pieces including a squat vase decorated with a crystalline glaze, with impressed P mark, diameter 16cm, together with a green glazed bowl with ribbed body, with impressed P mark and inscribed 'Made by MLW 15 III 10', diameter 17cm, also an unusual Radford hand painted vase decorated with a landscape, numbered 188, height 16cm (5).The Pilkington bowl with 'Made by MLW' with a firing crack to the underside although the bowl still rings true, the glazed squat vase with a tight crack to the rim, the Radford vase with crazing to the body.
Lot 62
A Pilkington's Lancastrian ovoid vase, by William S. Mycock, 1923, decorated with harebells and berries, in violet, silver, green and ruby lustre, impressed marks and painted WSM 1923 mark, 19cm high***CONDITION REPORT***There is typical fine crackle to the glaze all over, some wear to the foot consistent with age and use, in good condition with no restoration, chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 107
The Lady Brook Medieval diamond ring A Medieval gold diamond set and inscribed love ring, late 14th century, the shank taking the form of two angular entwined bands, the square rising pyramidal bezel close set with a pyramidal diamond crystal, the interior bearing a lower case black letter inscription in Medieval French reading: ‘ieo vos * tien * foi * tenes * le moy’ translating ‘As I hold your faith, hold mine’, ring size L½. £30,000-£40,000 --- The location of the find in Dorset was acquired by Henry de Broc (or de la Brook) from Reginald de Mohun (1206–1258), Feudal baron of Dunster in Somerset who had inherited it from his first wife Hawise Fleming, daughter and heiress of William Fleming. It then passed by descent through the Brook family. By the late 14th century, the Manor was in the possession of Sir Thomas Brook (c.1355-1418), who also owned La Brooke in the parish of Ilchester, who was the largest landowner in Somerset, and served 13 times as a Member of Parliament for Somerset (between 1386 and 1413). Sir Thomas was the first prominent member of his family, largely due to the great wealth he acquired from his marriage in 1388 to the wealthy widow Joan Hanham (d. 1437). Joan was the second daughter and co-heiress of Simon Hanham of Gloucestershire, and the widow of the Bristol cloth merchant Robert Cheddar (d. 1384), MP and twice Mayor of Bristol, whose wealth comprised 17 manors, five advowsons and very extensive properties throughout Devon, Dorset, Somerset and Gloucestershire, together with 21 shops, four cellars and 160 tenements in Bristol. Her son Richard Cheddar, MP, signed over his large inheritance to his mother and stepfather, Sir Thomas Brook, for the duration of their lives, due to the latter having ‘many times endured great travail and cost’ in defending them during his minority. The Brooks were granted a licence to crenelate the Manor in 1396 and create a park of 200 acres of pasture and wood. They resided there until they acquired the manor of Weycroft in the parish of Axminster, Devon, in around 1395, thereafter they split their time between the two residences. In May 1415, an ailing Sir Thomas Brook signed his will at the Manor, although he did not die until January 1418. His wife died 19 years later in 1437, and the couple were buried together in Thorncombe, the local parish church, under an elaborate ledger stone and monumental brass, considered to be one of the finest of its kind in the country. Unusually, although Sir Thomas was a knight, both he and his wife are depicted wearing fine civilian clothes and the Lancastrian Collar of Ss. The current Church of St Mary the Virgin at Thorncombe was built in 1887, about 50 yards south of the site of the former church (built at the same time as nearby Forde Abbey, in the late 12th / early 13th centuries by Cistercian monks) but the Brook effigies were preserved and inserted in another ledger-stone and placed in a relative position therein on a low tomb. ----------------------------- Although the knightly chivalric code dates to the 12th century, the notion of chivalric and courtly love really hit its peak in the 14th and 15th centuries. Courtly love is an ideal - the devotion of a great aristocratic knight to the most beautiful, courtly lady, ‘that love is not only virtuous in itself but is the very source and cause of all the other virtues’. This period also saw the flowering of ‘Court Culture’, which brought a new elegance to court life, a new delight in elaborate ceremonialism, and a new and high degree of stylisation to the manners of the French speaking aristocracy in England. This focus on courtly love can be seen in the literature of the time, such as Chaucer and Mallory. It can also be seen reflected in jewels, the ring offered here for sale being a fine example, with the two entwined bands representing the entwined lives of the couple (giver and receiver) and the personal love-themed posy inscription within, written in French (the language of both love and the aristocracy). In her cataloguing of a similar mid 14th century marriage/betrothal ring with an entwined band, Sandra Hindman also compares the pierced decoration of the band to developments in Gothic architecture, such as Sainte Chapelle in Paris. Literature: Hindman, S., et al, Towards an Art History of Medieval Rings: A private collection, Paul Holberton Publishing, 2014, p136, no. 22. Ogden, J., Diamonds, An early history of the king of gems, Yale, 2018 Ashe, L., Love and Chivalry in the Middle Ages, British Library, Jan 2018 Benson, L., Courtly Love and Chivalry in the Late Middle Ages, in Fifteenth-century studies: recent essays, ed. Yeager, R. F., Archon Books, 1984.
Lot 63
Richard Joyce for Pilkington's Royal LancastrianLustre vase, 1907Glazed earthenware, decorated with fish and seaweed in gold and red lustre glazes.21.8cm highUnderside with impressed factory marks and painted artist's monogram.Footnotes:LiteratureA J Cross, Pilkington Royal Lancastrian Pottery and Tiles, Richard Dennis, Hillingdon Press, p. 48, pl. 50AThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 103
Pilkington's Royal Lancastrian lustre squat oviod form vase by William S. Mycock Pilkington's Royal Lancastrian lustre squat oviod form vase, decorated by William S. Mycock (1872-1950). Painted with Art Nouveau stylised foliage and other botanical forms on a red ground. Artist's monogram to the base for Mycock as well as incised initials 'ETR' for Edward Thomas Radford, with a % year mark, shape 2406 and impressed factory marks, 16cm highLoss of gilding to the inner top rim as well as scratching to the interior
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