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Fine art nouveau silver picture frame approximate measurements 29 x 12cm

A 19th century silk longstitch picture of The Holy Family, 36 x 42 cm in black glass slip and gilt frame

Boxed Wedgwood Jasperware items to include Large Dancing Hours Vase, Picture Frame, Mantle Clock, Commemorative Plates, tallest 19cm

Vintage Silver picture frame measures approx 18cm by 14cm

Antique silver picture frame measures approx 17.5cm by 13cm

Large vintage silver picture frame measures approx 31cm by 24cm

A Collection of Various Shells, in a box with geometric section dividers and sliding coverA Sailor's Shell Valentine Diorama, late 19th/early 20th century, of circular form, with a print of a yacht over seaweed and shells under glass within a shell border15cm diameterA Similar Picture of a Dog, within a mirrored and shell frame24.5cm wideA Heart-Shaped Plaque, inscribed FROM YOURS AFFECTIONATE10cmTwo Hinged Rectangular Needle Cases9.5cm and 7.5cm (5)

George VI silver picture frame with easel mount, Birmingham 1944, silver bud vases, silver mounted scent bottle, etc

Two silver mounted picture frames with ribbon decoration, sponsor's marks of Henry Matthews, Birmingham 1912 and 1914, 25.5cm high (apperture 21cm x 15.5cm) and smaller, together with a George V silver mounted photo frame, Birmingham 1916

Late Victorian silver easel picture frame, Birmingham 1896, 18cm x 13cm (aperture 14cm x 10cm) approx, a George V, silver easel picture frame, Birmingham 19232, and a George V circular photograph frame on a silver base, London 1933 (3)

A Victorian needlework picture of King John signing Magna Carta, 52 x 43cm, in a modern frame; and another woolwork picture, 59cm x 52cm

§ Alberto Giacometti (1901-1966) Annettelithograph 25 x 18.5cmThere are no visible signs of a signature. The paper has yellowed slightly with some faint acid burning found close to the mount. The paper has some undulations beneath the mount. This picture has not been examined outside the frame.The photo included showing the back of the frame was incorrect, this has now been revised. There is no label on the back of the frame. There is a written inscription stating it is a lithograph by Giacometti

Collection of framed Medieval style prints with a further Japanese print, a oak picture frame and a soft-fround etching of York Cathedral by James Alphege Brewer (1882-1938), 27cm x 29cm (largest) (13)

Giovanni Battista Salvi SASSOFERRATO (After)(1609-1685). The Madonna in sorrow,Oil on canvas, 45X35cm in an ebonised and gilt frame. We are uncertain of the date, but probably early-mid 19th century. We have not examined the picture out of the frame and glazing, there is evidence of some repair and overpaint, along with craquelure and a little paint loss near the edge. The stretcher appears to have been adapted. The total measurement including the frame is 53.5X43.5cm.

ANTIQUE SILVER MOUNTED ITEMS To include a monogrammed hairbrush and hand mirror, hallmarked London 1924. A 13cm tall, hobnail cut crystal bud vase, hallmarked Birmingham 1905 and a small 7.5cm tall fluted bud vase, hallmarked Birmingham 1989. Also a 22.0 x 17.0cm silver plated picture frame, containing a photograph of Queen Mary.

ANTIQUE SILVER MOUNTED PICTURE FRAME Approx 24.0 x 18cm rectangular silver mounted picture frame, surmounted by a Sevigne bow motif with a navy blue velvet back. Hallmarked Birmingham 1912. Weight 236.7 grams (excluding glass)

VARIOUS ANTIQUE SILVER ITEMS To include a Victorian engraved cup on pedestal foot with single scroll handle, hallmarked Birmingham 1870, two plain sided napkin rings (cased) one hallmarked Chester 1931 and a circular picture frame. Total weighable silver 172.7 grams

White metal picture frame, oval silver hallmarked photo frame and tortoiseshell and silver hallmarked pocket watch case

A 1930s Art Deco picture frame, the pale pink acrylic base with scroll ends fitted with two sheets of plain glass.

WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892-1963, TWO ETCHINGS HARVESTING KINTYRE and CARTS, MACHRIHANISHetching on paper, each signed and titledeach mounted and framed overall size 37cm x 54cm each Qty: 2Overall good condition, some foxing present to the main image, minor stains to border, scratches and chips to frame, second picture has some stains to the border at the top by frame, spec of foxing starting to appear to the etching, scratches and chips also present to frame.

SCOTTISH SCHOOL, STUDY OF A MAN oil on boardframedoverall size 40cm x 34cm Appears to be a small stain to the bottom left corner, other than that the picture and frame bare no additional damage or signs of repair.

W.H. STOCKMAN, TORBAY LIFEBOAT oil on canvas, signed, in gilt frame60cm x 85cm overall Minor stain along on the picture running parallel to the frame. No other major noticeable damage

A mixed lot to include mixed metal wear to include a pewter picture frame, a copper kettle, silver plated items and othersLocation:

R A Hawkins: oil on canvas, cattle in a stream, 4 1/2" x 6 3/4", in gilt frame, and a similar picture of a cow, in gilt frame

AN ART NOUVEAU GILT COMPOSITION WALL MIRROR EARLY 20TH CENTURY probably previously a picture frame with later plate 74cm high, 54cm wide

George Chapman (1908-1993) 'Waiting for a bus', etching and aquatint, numbered 18/50, signed in pencil lower right, 79cm x 43cm No glass. Overall display wear and some scuffs to the frame. Minimal wear to the picture itself.

After T. Rowlandson (circa 1756-1827)Tavern Scene, watercolour, 14cm x 23cm Time/UV fade. Some smudging. Some unidentifiable foreign objects behind the glass. The frame with signs of wear consistent with age and use. Tape attached to the back of the frame. Please note that this picture has not been removed from its frame to examine.

A circular barbola easel looking glass, bevelled mirror plate, 24cm high, c.1930; another similar; a Victorian rectangular 'tramp' art picture frame, 20.5cm x 20cm; an Art Nouveau rectangular two-handled tray, inset with needlework panel, 43cm wide; etc, qty

A 19th century woolwork picture, of a farmstead and village, signed Sarah Bright, 43cm x 56cm, broad mahogany frame, c.1880

A contemporary oil painting by Scottish Artist Hazel McLean, contained within a black frame and under glass.  May include other mixed media.  Picture is of a seated person with paintings to background of two additional people / faces looking downwards / forward.  McLean's works are two-fold: firstly she explores the human condition and form through various mediums and materials, expressing all aspects of emotions and sexuality; secondly she expresses her intense relationship with the earth and all it's living organisms through abstract-expressionism, sculpting mixed-media and oils with her hands, nails, snagged sheep's wool, wood, rags and occasionally a brush.  Measures approximately 62cm x 52cm

Oil on board panel painting, after George Stubbs (British 1756-1815). The painting depicting a thoroughbred horse, in a standing position in a foliate setting with hillside. With signature W.E.W to bottom right. In an gilt gesso frame (af). Measures approx. 38cm x 44cm. Picture measures 23.5cm x 18.5cm

A lot of miscellaneous items including a hand cranked Singer sewing machine in case, a box of LPs, ornate picture frame, a wicker basket containing various treen items, a chessboard box, a vintage typewriter, a brass small table / seat and a copper bucket.

A carved and painted wood/wax relief picture, depicting trees and cherubs in glazed frame, 21cm x 25cmGood condition

Silver Art Nouveau style easel picture frame together with another silver oval easel picture frame with repoussé repeating decoration. (2) (B.P. 21% + VAT)  Small frame is dirty/grubby but has no obvious damage.  Larger frame has a number of small dents.

Brass trivet in the form of a snap top pedestal table, a repoussé brass picture frame and brass watch holder with 'The Revenge' ship finial. (3) (B.P. 21% + VAT)

Anthony Vandyke Copley Fielding (British, 1787–1855),Cattle and boats on the bank of a lake,  Watercolour on paper,  Signed and dated 1850 lower left, applied Harlech Estate label verso stating 'Bought at Robinson & Fishers May 26th 1938,27.5cm x 39cm,Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates CONDITION REPORT:The picture is framed under glass and has not been removed for inspection.  The paint surface shows no obvious damage or foxing, however the paper shows a slight ripple across the surface most visible at the edges of the mount.  The colours appear reasonably bright and strong, but are likely to have faded somewhat over time.  The underside of the glass shows some kind of watermarks, and would benefit from cleaning.  The frame appears to be structurally sound, but shows wear to the gilt finish, some small dents, and the odd small loss to the moulded detail.

English school (late 19th century/early 20th century),An oval bust length portrait of a young lady in lace collar with blue ribbon,Watercolour on paper,18cm x 14cm,Framed and glazed CONDITION REPORT:The picture is framed under glass and has not been removed for inspection.  The paint surface shows no obvious signs of damage or restoration.  The colours appear strong and bright, but may have faded somewhat over time.  There are some small gold coloured flecks near the mount in the lower left quadrant (possibly residue from the mount itself).  The frame is structurally sound, but shows evidence of overpainting, the odd small chip to the moulded edges and surface wear throughout.

An oval silk work embroidered portrait, 19th century, depicting a young lady in a white silk dress standing in a landscape, in verre eglomise frame, the embroidery 24cm x 18.5cm, the frame 34cm x 29cm overall, with an oval late 19th century silk work embroidered study of a seated lady crocheting, inscribed 'Taken November 1885' and 'J.K.M November 8th 1895' verso, in ornate oval glazed frame, 23cm x 17.5cm (2) (at fault) CONDITION REPORT:The portrait of a standing lady shows no obvious damage to the embroidered silk work or background silk fabric. The verre eglomise mount shows some small areas of deterioration to the black finish around the edges. The lower left edge of the picture sits approximately 3mm above the mount.The portrait of the seated lady shows several areas of damage to the background fabric, the largest approximately 4cm x 1cm in the centre of the image. 

A pair of brass candlesticks, early 20th century, modelled as bamboo, leading to a shaped circular base, with ‘Made in Italy’ impressed to base, each 19cm high, and a NB & IW cast iron gilt finished picture frame, 20th century, with easel back, impressed maker's mark verso, 24.5cm high (3) (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates

A giltwood and gesso moulded picture frame, 19th century, the aperture 24.5cm x 30cm, the maximum canvas size 27.5cm x 32.5cm, the frame 55cm x 49.5cm overall (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates

A Victorian style brass picture frame of large proportions, late 19th or early 20th century, of rectangular form with with curved corners and rope twist border, easel stand verso, the frame 41cm x 31.5cm, the aperture 36cm x 27cm

A 19th century French musical picture clock, depicting figures and a lakeside village, oil on canvas, the clocktower inset with a 4cm enamelled dial, enclosing the movement signed Guyerdet Aine, Paris, along with a separate striking movement and musical movement playing four aires, the frame 106cm W x 84cm H x 18cm D (at fault)

A SILK AND HAIR WORK PICTURE OF 'ROME IN ITS ORIGINAL SPLENDOUR' LATE 18TH CENTURY In an eglomise surround, titled in English and French, gilt frame Image 25 by 38cm Together with a print of the same subject possibly after Robert Sayer Provenance: Bonhams, The Sampson and Horne Collection, 28 April 2010, Lot 316

AN ITALIAN CARVED GILTWOOD PICTURE FRAME WALL MIRROR 17TH CENTURY AND LATER The Baroque frame with central cherub's mask 46cm high, 57cm wideProvenance: Bonhams, Fine Frames, 5th March 2008, Lot 86 Condition Report: The frame is covered in a very dark painted glaze, perhaps covering an oxidised silvered layer - it is very hard to discern the quality of the gilding (or silvering) below what apper to be layers of dirt, bronze powder paint and over other painting. The features of the cherub in the centre are as a result of layers of paint, now quite hard to discern. However, the carved frame is good quality and may in fact benefit from some gentle cleaning to reveal the gilded (or silvered) layer. The mirror plate is later (the only obviously later element). Sight size 36 x 25 cm.Condition Report Disclaimer

An Early 20th Century Oil on Canvas Depicting Gentleman's Jack Russell in Interior Setting Beside Pipe and Bottle of Port, Jockey and Horse Picture to Background, Subject Measuring 39x50cms High and Gilt Frame Measuring 49x60cms

Miscellaneous treen and other items, including turned wood boxes and covers, inkwell, carved oval picture frame and an artist's lay figure, etc

A giltwood and composition picture frame, c1870, with high relief applied masks and Venus shells, sight 29cm diam, 64 x 52cm Losses

Picture frame. A Victorian giltwood panel frame, sight 40 x 36.5cm; 60 x 56cm Slightly chipped, most notably on two corners and much old settled dust / dirt

Paul Pascal (Orientalist artist, 1832-1903) - Bedouin by an Oasis, signed, gouache, 7 x 11cm The picture in good condition, the colours fresh. Gilt composition frame with slightly worn losses.

An early 20th century Chinese dragon cast metal photo / picture frame. Together with an Arts & Crafts copper frame. Measures approx. 19cm tall. 

A 19th century mahogany picture frame, of rectangular form, 70 x 55cms, picture aperture 60 x 45cms; together with two smaller walnut picture frames. (3)

▴ 'Reclining Woman and Picador Eating Grapes'linocut in colours, 1962, from 'Picasso Linogravures' published by Galerie Louise Leirisimage 26.5 x 32cmProvenance: With Goldmark Gallery, Rutland.Condition ReportFramed: 51 x 55.5cmSome light foxing to the white of the paper, although I do not believe this detracts from the picture, it is well presented and ready to hang. Not viewed out of glazed frame.

Camp on the lakesigned and inscribed verso (behind backboard), oil on board47.5 x 60.5cmCondition ReportFramed: 60 x 74cmPresents well. Some surface dirt, not viewed out of glazed frame, not viewed under UV light. Contact the picture department for a full condition report.

FOUR BOXES AND LOOSE PICTURES, CAMERAS, DOLLS AND SUNDRY ITEMS, to include an oval bevelled mirror in a wooden frame, two collector's dolls - one musical, brass plate stands and small picture easels, over forty framed pictures - mainly prints, with needlework and a small garden landscape study, oil on board, signed F Dickson, some empty frames, an album of postcards of British commemorative stamps, a cased Praktica PL Noval 35mm camera fitted with a Meyer-Optik f2.8 50mm lens, a cased Agfa Silette 35mm camera with Wallace Heaton Ltd retailers mark, cased Agifold and Compur (sd) folding cameras, a Finetta camera, a Gossen Color Finder, etc (4 boxes + loose) (sd)

A large early gilt gesso and wooden picture frame. External 157 x 115cm .internal 92 x 134cm

19th Century watercolour depicting a gentleman on a horse drawn carriage, unsigned. Details to the back detailing the owners of the picture over the generations. [Frame 31x28cm]

A quantity of brass and copper items including plaque of Henry VIII and Maria Auguste,(back a/f), copper picture frame, brass letter opener, candlesticks etc.

Unknown artist, Three mastered ships at sea scene, watercolour and pencil, initialled A.B bottom right, in a gilt mounted frame. (foxing to picture) (25cmx35cm) 

A Portrait Leah Kellog Rodgers, by an unknown artist, watercolour from the Lineage Book of Charter Members of the Daughters of the American Revelation, exhibited at the New York State Fair 1911/1912, in a wooden frame, picture details verso. (26cmx21cm)

Gem and shell set globe in brass effect frame, H33cm; large gilt picture frame, 66cm x7 6cm, and a large circular brass tray with hammered decoration, D57.5cm (3)