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BAGUE SAPHIRS ET DIAMANTSOrnée d'un saphir taille ovale entouré de diamants taille brillant et de saphirs taille ronde, poinçon français pour l'or 18K (750°/00), tour de doigt 55, poids brut 12.19 g.Footnotes:SAPPHIRE AND DIAMOND RINGSet with an oval sapphire, within a surround of brilliant-cut diamonds and circular-cut sapphires, French assay mark for 18 carat gold, size O, gross weight 12.19 grams. For further information on this lot please visit Bonhams.com
DEMI-PARURE CITRINE, ONYX ET DIAMANTSComprenant une paire de pendants d'oreille et une bague, la bague ornée d'une citrine rectangulaire à pans coupés rehaussée d'onyx et de diamants taille 8/8, les pendants d'oreille ornés d'onyx et de diamants taille brillant, poinçons français d'import pour l'or 18K (750°/00) et 14K (585°/00), tour de doigt 56, longueur des pendants d'oreille 8.2 cm, poids brut total 38.27 g.Footnotes:CITRINE, ONYX AND DIAMOND DEMI-PARUREComprising a ring and a pair of pendent earrings, the ring set with a step-cut citrine accented by onyx and single-cut diamonds, the pendent earrings set with onyx and brilliant-cut diamonds, French import assay marks for 18 and 14 carat gold, ring size O, earrings length 8.2 cm, combined gross weight 38.27 grams. For further information on this lot please visit Bonhams.com
BAGUE SAPHIROrnée d'un saphir pain de sucre, poinçons français d'import pour l'or 18K (750°/00) et le platine (950°/00), tour de doigt 55, poids brut 8.03 g.Footnotes:Accompagnée d'un certificat partiel LFG indiquant l'origine du Sri Lanka et la présence de traitement thermique pour ce saphir. Certificat no. BD027979/5 en date du 14 octobre 2021.SAPPHIRE RINGClaw-set with a sugarloaf cabochon sapphire, French import assay marks for 18 carat gold and platinum, size O, gross weight 8.03 grams. Accompanied by a partial report from LFG stating that the sapphire is of Sri Lankan origin and heated. Report number no. BD027979/5 dated 14th October 2021.For further information on this lot please visit Bonhams.com
DePol (John).- Fraser (J.H.) & Eleanor Friedl. John DePol: A Catalogue Raisonné of his Graphic Work 1935-1998, one of 400 copies, San Francisco, Book Club of California, 2001 § Boltin (C.) A Practical Guide to Light Refreshment: a collection of nineteenth-century recipes, one of 200 copies signed by the author and artist, wood-engravings by John DePol, New York, 1996 § Brody (C.T.) John DePol and the Typophiles..., one of 500 copies, illustrations, New York, 1998 § Not Barn Again: Four Wood Engravings by John DePol, one of 150 copies, original wrappers, uncut, Council Bluffs, Ia., Yellow Barn Press, 1997 § Saxe (Stephen O.) American Iron Hand Presses, wood-engravings by John DePol, original cloth, dust-jacket, New Castle, De., 1992, the first three all original cloth-backed patterned-paper boards, the first with slip-case; and 3 Benjamin Franklin keepsakes, 4to & 8vo (8)
Medieval manuscript.- Prayerbook, in Flemish and a small part in Latin, illuminated manuscript on vellum, 159 ff., final f. blank, and 9 fly-leaves, complete, collation: i-ii6, iii8+2, iv8, v-vi8+1, vii-xi8, xii-xiii8+1, xiv-xv8, xvi8+1, xvii-xix8, xx4, most with catchwords, pencil foliation (used here) including medieval fly-leaves, 18 lines, ruled in red, written in dark brown ink in a handsome gothic liturgical hand, 7 full-page miniatures in full borders, 7 small miniatures of flowers in three-quarter borders, 7 large initials in full borders, 20 smaller initials in three-quarter or full borders, the borders in colours and burnished gold, with coloured fruit, flowers and leaves, with gold bezants on hairline stems, many one to 4-line initials in gold on pink, blue & white backgrounds, some with marginal decoration of coloured and gilt leaves on hairline stems, gold, blue, pink & white line-fillers, rubrics in red, little marking or rubbing, 17th-century speckled calf, spine gilt, rubbed, front cover scuffed, head of spine and lower corner of front cover worn, 4to (200 x 138 mm.), [Bruges], [second half of the 15th century].⁂ A very fine manuscript with copious decoration in the style of the Flemish master William Vrelant.Contents: Calendar, in Latin (f5-16), followed by a large collection of devotional works, including prayers to the Virgin and the Trinity; on the Wounds of Christ, the Passion, the Obsecro and O Intemerata, prayers to Saints George, Katherine, Barbara, and Jerome (the last in Latin), and many others, ending in an account of the suitable times for certain prayers to be used and their merits.Illumination: This fine manuscript combines the works of two skilled illuminators. It was written c. 1460 in Bruges and partly decorated then in the style connected with Willem Vrelant, with three of the full-page miniatures (f 93v, 107v & 133v) and many of the borders, with fruit, flowers &c on fine hairline stems, dating from this period. About 30 years later, four more full-page in borders containing brightly coloured flowers, fruit, and foliage on liquid gold grounds (f 17v, 25v, 41v & 50v) were inserted on added sheets and most of the small miniatures were repainted or added in previously blank spaces.The full-page miniatures depict: (f 17v) a lady kneeling before the Virgin and Child in a gothic interior, with angels above, the border includes a bird and an armoured figure fighting a snail, (f 25v) God the Father enthroned in the clouds, folding the body of Christ, with two angels, above a landscape, the border includes at the foot a woman admiring herself in a mirror, (f 41v) the Crucifixion with the Virgin, two other saints and three soldiers at foot, in a landscape with a city behind, the border includes two armoured figures jousting on snails, (f 50v) The Virgin and Child enthroned in the sky, with two angels, above a landscape including a river and a city, the border includes a bagpipe player, (f 93v) the Last Supper, at a round table in a gothic interior, John lying on Christ's lap, Judas holding a purse, the border includes birds, a snail and half-length figures of a man and a woman, (107v) the Virgin and other saints praying at the foot of the (empty) cross, a landscape behind, the border includes a bird and two half-length figures, (f 133v) the crucified Christ displaying his wounds to five kneeling figures in a gothic interior, the border including a rabbit, two grotesques and a half-length woman crowning a bird with a human face. The small miniatures and historiated initials include (f 23v, 55r & 69r) Virgin and Child, (f36r) the Scourging, (f59r & 76r) St George and the Dragon, (64r St Bernard, with crozier and book), (67r) St Katherine, (68r) St Barbara; (f 85r Blessed Sacrament), (f 100r-103r) seven small miniatures of different flowers, perhaps replacing the Wounds of Christ, (f103v) Coronation of the Virgin, (f126r) St Jerome and the lion, (f131r) St John the Evangelist, (f141r) St Christopher carrying the Child, (f144r) Christ before Pilate, (f146r) an angel, (f147r) St Adrian, (f147v) St Anthony, (f148v St Elizabeth, (f150r) Nativity of the Virgin. The borders contain, among much else, figures of birds, squirrels, lions, butterflies, a camel, human figures, including a naked woman with a mirror emerging from a snail shell, and several grotesques.Provenance: (1) The women depicted in prayer on f 133v & 17v are probably the patrons respectively responsible for the original commissioning of the manuscript in c 1460 and its augmentation c 1490. (2) Nineteenth-century armorial bookplate of the Dutch family of Doedes, with motto 'Sublimia curo', perhaps the scholar Jacobus Izaak Doedes (1817-1897). (3) Later nineteenth-century bookplate 'au Cte Chandon de Briailles', 'MS 51' added in pencil, probably Raoul Chandon de Briailles (1850-1908), scholar, collector, and owner of the well-known Chandon champagne enterprise in Epernay, whose collection was sold by his descendants at Tajan, Paris, 17 December 2003. (4) Sotheby's, 7 December 2004, lot 46, bought privately by the present owner.
Archaic style ring, stamped '22k', set with a green stone bead, on a cordCondition report: The green hardstone measures approx 1.5cm x 1.8cm (including mount), is semi-opaque and is fairly pitted on the surface with internal inclusions. Size O/P approx. Shank indistinctly stamped 22K, and tests as 22ct. **General condition consistent with age and use.
Heinrich Hoffman for Ascher (Red Ashay) - Rare Art Deco frosted glass 'Butterfly Girl' car mascot, 19cm high, on original aluminium baseFootnote: Red Ashay mascots were marketed in the UK by H.G.Aucher Ltd, of Acombe Street, Chorlton-on-Medlock, Manchester and of 404 Holborn Viaduct, London EC1.Condition report: Chip to edge of one wing. Stone chips / mark to face as per images, worthy of minor restoration required.
Wendy Ramshaw, seven stacking ring with spire stand, three hallmarked 9ct gold, 1981, two unmarked, and two hallmarked silver plain rings, 1984, in a card box with 'Wedgwood' and 'Wendy Ramshaw' to the lid, also an Electrum Gallery paper labelCondition report: The ring was bought from new at The Electrum Gallery and is being sold by a private local vendor. They have confirmed that there are only seven rings and has only been worn a few times. All the rings show some signs of wear, light surface scratches, and slight staining/tarnishing to one of the silver bands. The ring stand screws tightly, and the rings are secure, no obvious signs of wear, scratches, etc to the ring stand. All rings are size O apart from one silver band size P. **General condition consistent with age and use.
An Art Deco opal and diamond 18ct and platinum ring, comprising a round opal to the centre within a grain set border of small diamonds, single small diamonds set to either side, platinum settings to a 18ct gold band, size, O, total gross weight approx 3.4gms, in boxCondition report: good- all stones present, opal with abrasions, minor tarnish and wear and tear to metals
A three stone diamond and 18ct gold ring, comprising three round brilliant cut diamonds with a total weight approx. 1.50ct, white gold claw setting, to a tapered 18ct yellow gold shank, size O, total gross weight approx. 4.1gmsCondition report: all claws and stone intact, diamonds with evidence of laser drilling treatments, wear and tear commensurate with age
A 14k white gold sapphire and diamond bracelet, stamped 585, approx 4.7gms; a 9ct gold St Christopher pendant, 2.7gms; a 9ct gold and mystic topaz line bracelet, 4.1gms; a pair of 9ct gold heart shape earrings, 1.3gms; a 9ct gold and opal three-stone ring, size O, 1.2gms; assorted unmarked yellow metal earrings, chain and brooch, silver-gilt ring
Three gold and gem set rings to include a 9ct gold and diamond set band, size Q, a 9ct gold and smoky quartz, large oval stone solitaire, size O, combined total gross weight approx 9.3gms and a continental gold and synthetic colour change ring, size N1;/2, probably 14ct gold, total gross weight approx 5.3gms Condition report good all stones present and intact, some abrasions to stones, scratches to metals commensurate with age
An 18ct amethyst ring with emerald cut amethyst and three small diamonds set to each shoulder, size M1/2, total gross weight approx 4gms together with a pearl ring, 9ct gold size O, total gross weight approx 1.3gms and a pendant set black cabochon and a Continental silver ring with amber type stone, size Q (4)
Bank of England, Kenneth O. Peppiatt, a small group of notes comprising £1, unthreaded, prefix 40R, £1, blue, prefix B97D, 10 shillings, mauve, prefix J04D,£1, threaded, prefix W06A and 10 shillings, last series prefix 04E, first and third good extremely fine, others about uncirculated to uncirculated (5 notes) EPM B238, B249, B251, B260, B262 £100-£150
Bank of England, Basil G. Catterns, 10 Shillings, 15 July 1930, serial number L37 211404, Kenneth O. Peppiatt, 10 Shillings, 5 October 1934, prefix B94, £1, 13 September 1948, prefix U69A, 10 Shillings, 2 April 1940, prefix S73D, £1 (2), 29 March 1940, prefixes H10E and U45H, first two notes extremely fine, the remainder very fine to good very fine (6 notes) EPM B223, B235, B249, B251, B260 £150-£200
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175434 item(s)/page