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Dr. Fischer Kunstauktionen
Lot 1591

Große Platte mit indianischen Blumen Süddeutsch, Göggingen, um 1750 Im Querschnitt rund mit passig-geschweiftem, profiliertem Rand. Auf weißem Fond in Blautönen sehr fein gemalter Dekor mit sog. indianischen Blumen. Auf Unterseite bez. ''Gögging'' in Blau. An Rand Glasurabrieb. D. 42 cm Gögginger Fayencen sind sehr selten auf dem Markt, die Manufaktur bestand nur von 1748 bis 1752. In den Sammlungen der Museen stehen vor allem Enghalskrüge und ovale Platten. Runde PLatten sind selten. Lit.: O. Riesebieter, Die deutschen Fayencen des 17. und 18. Jahrhunderts, 1920, S. 110ff.

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Dr. Fischer Kunstauktionen
Lot 1671

Bronzeplakette ''Das Studium (L'étude) Ovide Yencesse (1869-1947) Frankreich, Paris/Dijon 1909 Bronze reliefiert: Frontal Mutter mit Kind ein Buch lesend, Rückseitig Schneeglöckchen. Links oben bez.: O. Yencesse, in der Bande gestempelt ''Bronze''. 5 x 4,5 cm

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Dr. Fischer Kunstauktionen
Lot 1596

Apothekengefäß (Albarello) Sizilien, Palermo, mit Jahreszahl ''1612'' Zylindrische Wandung polychrom bemalt, frontal mit in Rundkartusche gefasstem Profilbildnis, darunter Schriftband ''O(?) Mellis'', rückseitig Schilde, Speere, Helme, Trommel und JAhreszahl ''1612'' umgeben von eingerolltem Rankenwerk und Akanthus. H. 16,5 cm

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Lyon & Turnbull
Lot 145

Signed, oil on board23cm x 36cm (9in x 14in)Footnote: Exhibited: Glasgow, Royal Glasgow Institute of the Fine Arts, 1943Note: Hunter was born on the Isle of Bute and emigrated to America with his family in 1892. He established himself as an artist in San Francisco before moving to Glasgow in 1906. The city remained the base to which he returned throughout a peripatetic life which included significant amounts of time spent in France. Hunter had his first solo exhibition at Alexander Reid's gallery, La Société des Beaux-Arts in Glasgow in 1913, with the business supporting him for the rest of his career.By 1918, Hunter was in touch with S. J. Peploe and their work was shown with that of F. C. B. Cadell in The Leicester Galleries, London five years later. They were joined by J. D. Fergusson for a group exhibition at the Galerie Barbazanges, Paris in 1924, for another at The Leicester Galleries the following year and with the addition of Telfer Bear and R. O. Dunlop at the Galeries Georges Petit in the French capital in 1931, shortly before Hunter's death, aged fifty-four.Between 1919 and 1926, Hunter spent part of each spring and summer in Fife in eastern Scotland, which is bordered by the Firth of Tay, the Firth of Forth and the North Sea. As Bill Smith and Jill Marriner have written 'He came upon an important source of inspiration through his fortuitous discovery of Fife and the possibilities inherent in its colourful landscape and rural architecture...it opened up a whole new realm of possibilities for Hunter. Subsequently he would go to Fife in any season. It was there that he made the break to paint en plein air. The artistic ground he gained as a result marked an important turning point in his development in terms of modern colour.' (Bill Smith and Jill Marriner, Hunter Revisited: The Life and Art of Leslie Hunter, Edinburgh 2012, p. 79)'Largo' comes from the Gaelic word meaning hillside and is the name of a region in the East Neuk of Fife. It consists of the villages of Upper and Lower Largo and Lundin Links. It was in this area that Hunter painted the present work. Given its intimate scale it was probably made on the spot in direct response to the view before him, of modest fishing boats moored at Lower Largo harbour.The scene is captured in confident brushstrokes, highlights of bright colour and harmonious tones of pale blue and green. A sense of movement in the sea and the vessels atop it is communicated. The eye is led out to the horizon, past rocks which break the surface of the sea and the modest, summarily-described figures gathered on the harbour wall on a fresh, sunny day.

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Auktionshaus Dannenberg
Lot 3805

Monogrammist A.D. (um 1851) Zwei Kinder, einem Leierkastenspieler lauschend. Öl/Lwd. (rest.), li. o. monog. "A.D." und dat. 1851. Ca. 23x 31 cm. Goldstuckrahmen (l. besch.).

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Auktionshaus Dannenberg
Lot 495

Sieben Fayence-Fliesen, Delft. Sechsmal mit unterschiedlichen, figürlichen Darstellungen in runder Reserve, einmal mit Hirsch in architektonischer Landschaft, gemalt in Unterglasurblau. Ränder teils besch und li. o. Ecke der großen Fliese rest. Delft, 18. Jh. D. 12,5x 12,5 bzw. 21,5x 19,5 cm.

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Auktionshaus Dannenberg
Lot 3887

Unbekannter Maler (Ende 19.Jh.) Belebter Marktplatz am Breslauer Rathaus. Öl/Lwd. (Craquelé, kl. Retuschen, re. o. kl. Farbausfall), re. u. sign. Hertwig. Ca. 18x 25 cm. Vergoldeter Rahmen aus der Zeit, ca. 42x 35 cm.

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Auktionshaus Dannenberg
Lot 3809

Müller, Richard (1874 Tschirnitz a. d. Eger - Dresden 1954) Portrait von "Eduard Staffel" (so unter der Abbildung im Buch s.u. bez.). Öl/Lwd. (Kratzer im unteren Bereich), li. o. monog. "RM" sowie dat. 1920. Ca. 89x 69 cm. R., 99,5x 79 cm. Beigegeben: Kopie bzw. der Abbildung Auszug Auszug aus Franz Herrmann Meissner, "Das Werk von Richard Müller", S. 150.

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Auktionshaus Dannenberg
Lot 4007

Berndt, Peter (1937 Neugersdorf/Oberlausitz - Berlin) Blühender Kirschbaum. Aquarell/Bleistift/Papier (nicht ausgerahmt), li. o. bez. "Für Uli Richter" und re. u. mit persönlicher Widmung zum Geburtstag 1996 und sign. PP.-Ausschnitt ca. 32x 22,5 cm. R.

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Auktionshaus Dannenberg
Lot 3525

Hoffmann, Ludwig von (1861 Darmstadt - Pillnitz 1945) Drei Akte mit Pferden. Bleistiftzeichnung auf festem, braunen Papier (li. o. hinterlegter Riss und li. Rand wohl beschnitten), li. u. monog. Ca. 24x 31 cm. In PP. montiert.

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Auktionshaus Dannenberg
Lot 3200

Menzel, Adolf von (1815 Breslau - Berlin 1905) "Stille Teilnahme" (1887). Radierung/Papier (stark gebräunt), re. u. im Druck sign. und re. o. Trockenstempel D. im Kreis. PP.-Ausschnitt 25,5x 21 cm. R.

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Auktionshaus Dannenberg
Lot 3914

Wagner, Wilhelm (1887 Hanau - Bad Saarow 1968) "Rotterdam", so li. u. betitelt. Öl/Lwd. (o. rest. Riss), li. sign. Ca. 37x 44 cm.

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Auktionshaus Dannenberg
Lot 3888

Unbekannter Maler (Niederlande/Flandern, frühes 17. Jh.) Portrait eines Edelmannes. Öl/Holz (parkettiert, rest.), li. o. bez. "Aetatis suae 65" und dat. "Anno 1621". 59x 43 cm. In geschnitztem und vergoldetem Holzrahmen (rest), 17./18. Jh., 83x 68 cm. Beigegeben: Fotografie des Portraits, verso mit handschriftlichem Gutachten von Max J. Friedländer von 1952 mit möglicher Zuschreibung an Van Dyck.

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Auktionshaus Dannenberg
Lot 3564

Stöhrer, Walter (1931 Stuttgart - Schulderup 2000) "Für Elfie Rußwurm, Berlin". Tusche/Papier (gebräunt), li. o. dat. 1962, li. o. Widmung "Für Elfie Rußwurm Berlin 1962". Auf Doppelseite eines sieben Blätter umfassenden Werkes mit acht wohl Lithographien Stöhrers 42x 57 cm. Prov.: Aus dem Nachlass von Elfie Rußwurm, die in den 60er Jahren sehr eng mit Walter Stöhrer befreundet war.

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Auktionshaus Dannenberg
Lot 3716

Beyer, Max Otto (1863 Berlin - Düsseldorf 1902) Stillleben mit Früchten. Öl/Lwd. (rest., doubliert), re. u. sign. "M. O. Beyer". 25x 40 cm. R.

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Auktionshaus Dannenberg
Lot 3560

Stengel, Gerhard (1915 Leipzig-Dresden 2001) Zwei Aquarelle: Vogelperspektive auf "Berlin" und Ostsee "Wusterow Bodden", so verso betitelt und num. Randmängel. Je re. o. sign. und dat. (19)75 bzw. 77. Je 51x 73 cm.

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Auktionshaus Dannenberg
Lot 779

Paar Jugendstil-Schauplatten oder -Wandreliefs, WMF. Allegorische Darstellungen des Sommers und Herbstes mit weiblichem Akt und Putto, musizierend bzw. Weintrauben pflückend. Zinn, versilbert (berieben, Kratzer). Inschrift und 1x dat. 1913. Form-Nr. 396 bzw. 396 A. Je gem. I/O WMF und Straußenmarke, Geislingen, um 1900. D, je 32x 40 cm.

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Auktionshaus Dannenberg
Lot 3798

Maxfield, James Emery (geb. 1848 Detroit) Pendants: Damenbildnis, je in historischen Kostümen. Öl/Holztafel, einmal re. o. sign. und dat. 1895 (?). 25x 19 cm. Je im Rahmen aus vergoldetem Stuck (besch.), Ende 19. Jh.

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Auktionshaus Dannenberg
Lot 120

Teedose, Meissen. Rechteckig mit gerundeter Schulter und kurzem, eingezogenen Rand. Schau- und rückseitig bunt gemalte Landschaftsveduten mit Personen, zu den Seiten gestreute Blumen. Goldränder. Plastische Blatt- und Blütenapplikationen auf der Schulter teils best., Wandung re. o. mit herstellungsbedingtem Brandriss, Haubendeckel mit Blütenapplikation rest. Schwertermarke mit Stern, Meissen, Periode Marcolini, 1774-1814. 1 Schleifstrich. H. 12,5 cm.

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Auktionshaus Dannenberg
Lot 3771

Klopotan, Franjo ( geb. 1938 Presecno/Kroatien) Winterlandschaft mit Fantasiefiguren - "Zweiköpfiger Hirsch", so verso betitelt und sign. Öl/Lwd., li. o. sign. 30x 60 cm. R.

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Bellmans
Lot 509

HINDEMITH, Paul (1895-1963). A manuscript musical quotation from an unidentified work. With 8 other items. (9)HINDEMITH, Paul (1895-1963). A manuscript musical quotation of 4 bars from an unidentified work, signed by the composer, on a thin piece of cards with dimensions 44 x 120mm., laid down on a larger sheet of paper, with, on the verso, a more substantial manuscript musical quotation by Mina Härma, signed; with a one-page autograph letter, signed by Paul Hindemith, and dated 19.XI.22, to "Direktor [?]Hertzka"; and other short manuscript musical quotations, each signed, by Arnold Bax (piece unidentified), Mario Castelnuovo-Tedesco (from his 1st Piano Concerto), Eric Coates ("Knightsbridge" from the London Suite), Carl Orff ("O Fortuna" from Carmina Burana), Wilhelm Peterson-Berger (piece unidentified) and William Walton (piece unidentified, but signed and dated Jan 25th 1938). Provenance: from the Collection of the late Dr Elkan Lewis (1931-2020). (9)

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Bishop & Miller Auctioneers Ltd
Lot 330

Screaming Trees - Buzz Factory LP (SST 248), Purple marble effect vinyl.VG, w/o insert

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Bishop & Miller Auctioneers Ltd
Lot 411

3 x Rock LPs. Black Sabbath - The Collection (CCSLP 109), gatefold, 2-LP set. Hawkwind - Astounding Sounds (CDS 4004). Uriah Heap - Anthology (RAWLP 012), gatefold, 2-LP set.(CDS 4004) w/o inner sleeve

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Bishop & Miller Auctioneers Ltd
Lot 477

7 x New Wave/Electronica LPs. The Cars (2) - The Cars (K52088). Candy-O (K52148). Jean Michel Jarre (2) - Oxygene (2310 555). Magnetic Fields (POLS 1033). The Kane Gang - The Bad And Lowdown World Of The Kane Gang (KWLP2), bearing signatures. Ric Ocasek - Beatitude (GEF 25282). David Sylvian - Gone To Earth (VDL1), 2-LP set.

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Bishop & Miller Auctioneers Ltd
Lot 480

9 x Rock 12" singles. Def Leppard (2) - Love Bites (LPX DJ5). Rocket (LEPX 6). Deep Purple - Black night/Strange Kind Of Woman (12 HAR5178). Guns 'N' Roses - Sweet Child O' Mine (GEF 43T). Kiss - Crazy crazy Nights (KISS 712). Lynyrd Skynyrd - Freebird (MCAT 251).David Lee Roth - A Lil' Ain't Enough (W 0002 TW), includes ltd edition sticker. Van Halen - When It's Love (W7816TW). ZZ Top - Sharp Dressed Man (W9576T).

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Sheffield Auction Gallery
Lot 504

1980's Interest L.P's, over forty in this collection including Pet Shop Boys - Disco and Actually, Robert Plant - The Principle Of Moments, Housemartins - London O Hull 4, Communards - Communards, Bronski Beat - Age Of Consent, Ultravox - Lament, Prince - Lovesexy, Dirty Mind and 1999, Scritti Politti - Division and others by Bruce Springsteen, Bob Geldof, ELO, Queen, Michael Jackson, Elton John, Eurythmics, etc.

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Sheffield Auction Gallery
Lot 617

Thirty Seven L.P's, to include Fairport - Gottle O' Geer, Barclays James Harvest - Gone to Earth, Grateful Dead - Workingmans, Dead, Queen - News Of The World, A Day At The Races and A Night At The Opera, Jethro Tull - War Child and others by Bob Dylan, Bob Marley, Steeleye Span, America, Nilsson, The Byrds and Eric Clapton.

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Bonhams
Lot 43

A rare Doccia armorial beaker with the arms of Cardinal Giovanni Francesco Stoppani, circa 1753The front painted with the arms beneath the cardinal's galero, the reverse with a finely painted flower spray flanked by insects, gilt-edged rims, 8cm high (short hair crack and two small flat chips to rim)Footnotes:Cardinal Giovanni Francesco Stoppani (1695-1774) was born to a noble Milanese family, ordained as a priest in 1734, was Apostolic Nuncio in Tuscany from 1735 to 1739, and subsequently in Venice and the Holy Roman Emperor and the Diet of Frankfurt in 1745. He was appointed Cardinal by Pope Benedict XIV in the consistory of 26 November 1753.Prseumably while serving as Apostolic Nuncio in Tuscany, Stoppani became a friend of the founder of the Doccia factory, Marchese Carlo Ginori. In a letter of 1752, Stoppani thanked Ginori for a gift of some 'very fine' porcelain and reminded him that he has sent a drawing of his family's coat-of-arms, presumably for the planned armorial service. A letter dated 1 December 1753 records the delivery of the service, shortly after Stoppani's appointment as Cardinal: 'On Wednesday morning the news of the promotion having reached here, I give myself the honour of relaying to Your Excellency that having left for Urbino, I took advantage of the opportunity to present my compliments to Cardinal Stoppani and to present him with the case which was graciously consigned to me, he was extremely grateful for the magnificent porcelain service contained therein...' (quoted in J. Kräftner, Baroque Luxury Porcelain (2005), p. 287).The coffee pot from the service is in the Victoria & Albert Museum, London (accession no. C.51-1931), published in L. Frescobaldi Malenchini/R. Balleri/ O. Ruccelai (eds.), Amici di Doccia Quaderni, VII (2013), cat. no. 88. The milk jug is in the Museum für Kunst und Gewerbe, Hamburg, published by J. Kräftner, op. cit., no. 112.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 250

A Sèvres blue-ground saucer, dated 1767Painted in the well by Étienne Evans with a bird in a landscape, the blue-ground heightened with gilt dots, the rim gilt, 10.8cm diam., interlaced LL monogram enclosing date letter o, painter's mark for Evans, incised mark (minor rubbing to gilt dots)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 310

Two Meissen rectangular plaques depicting 'The Penitent Magdalene', mid 19th centuryAfter paintings attributed to Correggio and Pompeo Batoni, respectively, 19.5cm by 28cm and 19.5cm by 28.8cm, crossed swords marks in blue, the first incised '113 O/ G' and impressed 33, the second incised 'S 97'[?] and with painter's number 6. in black (unframed) (2)Footnotes:After paintings formerly in the Gemäldegalerie, Dresden, and missing since WWII. Other examples are illustrated in S. & T. Bergmann, 1350 Gemälde auf Porzellanplatten (2021), nos. 419 and 420.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 103

A Meissen part tea and coffee service, circa 1740-45Finely painted with European landscape scenes, including figures in landscapes, harbour scenes and ships at sea, each within an elaborate gilt cartouche edged in brown of trellis panels and scrolling foliage, further painted with Holzschnittblumen, the teabowls with similar circular scenes on the inside within concentric iron-red circles, gilt scrollwork borders to the rims, gilt scroll-moulded spouts, the handles embellished in gilding, the coffee pot: 24.5cm high, crossed swords marks in underglaze-blue, gilt mark o↗ (finial of coffee pot replaced, finial of sugar bowl cover a metal replacement, spout of milk jug restored) (18)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 158

Two Meissen plates with underglaze-blue decoration, circa 1740With wavy, brown-edged rims, painted after a Chinese original with a peacock perched on a flowering branch opposite fanciful towering rockwork and gnarled branches, the border painted with panels alternating between four different garden scenes, the panels including Chinese figures and a fancy bird displaying its tail, the under-rim painted in blue with a border of trailing plants and rocks, a curious flowering tree issuing from stylised rockwork painted in the centre of the base above the Meissen factory mark, 25.7cm diam., both with crossed swords mark and a tiny square or letter o in underglaze-blue, one plate impressed 20 (2)Footnotes:A similar example is in the Arnhold Collection, New York; see M. Cassidy-Geiger, The Arnhold Collection of Meissen Porcelain 1710-50 (2008), p.489, no. 224, where the author notes that the mark on the reverse is based upon a Japanese model. Another identical plate was in the Hoffmeister Collection, Hamburg, sold in these Rooms, 26 May 2010, lot 14.For further information on this lot please visit Bonhams.com

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Dreweatts 1759
Lot 339

A pair of late Victorian brass spigot taps by Parton & Osborne Birmingham, turned ebonised handles, inscribed and detailed "Hot-Tepid-Cold", 21cm high Condition Report: One with inscription fairly worn and chip to handle and lacks back fixing post- P&O is more likely to be the name of the maker- perhaps not a reference to the P&O company Condition Report Disclaimer

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Dreweatts 1759
Lot 51

Ansei Uchima (Japanese-American 1922-2000) One Morning, Woodblock print, Signed in pencil and dated 1965, artist's proof 39.5 x 12cm (15½ x 4½ in.) Together with a group of 8 20th century prints and pictures, various sizes, please see condition report for full list (9) Condition Report: First; paper yellowing and colour muting, unexamined out of frame Second; Illegible- print, African style mythological figure, Japanese style signature to plate, inscribed in pencil "G D'* O***** Orle**zal"54 by 15cm, paper yellowed, colour muted Third; L**s *ie***", "Factory view", print, signed in pencil indistinctly and dated 1966, paper 36 by 55cm, paper yellowed Fourth; reproduction print after Dacomier- muted Fifth; Frie**** (20th Century French School), "Campagne D'ete", Artist's proof print, Signed and inscribed in pencil, 53 by 39cm generally good condition- mild discolouration Sixth; Heather Lewis "Riverside", oil on canvas laid down, signed with initials and dated 90, 39 by 49cm, label to reverse "Heather Lewis, Lymore valley cottage, Milford on sea etc", surface is dirty, Seventh Unsigned print- standing female nude- examined in frame- sealed mounting boards, image 19.5 by 7cm, paper yellowed, colour muted Eighth; Unsigned mixed media- "Mother and child", 49 by 35cm, unexamined out of frame- which has been opened at some stage- backing slightly loose in frame Ninth; B***** Figures with bull celebrating", etching, signed in pencil indistinctly, numbered x/xx, 32.5 by 49.5cm, yellowed and muted Condition Report Disclaimer

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Dreweatts 1759
Lot 99

Albert Ernest Markes (British 1865-1901) Man-o-War in a choppy sea Watercolour heightened with white Signed (lower left) 97 x 87.5cm (38 x 34¼ in.) Provenance: Berwick House, Shropshire Condition Report: sunlight has caused browning- and considerable pigment fading- is crated to protect frame Condition Report Disclaimer

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Dreweatts 1759
Lot 300

Three various 19th century hardwood handled straight pull corkscrews, the first with lignum vitae handle fitted with spike, for the Peninsular & Oriental Steam Navigation Company,, marked W Biggs Stratford, P&O SNCo., 14cm long; two others possibly with rosewood handles and fitted with brushes , probably later (3) Condition Report: All showing signs of wear from use and handling First handle fairly worn- loss to section of turned end Second- larger replacement brush, Third- replacement brush- lacks end to screw/worm Condition Report Disclaimer

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Clevedon Salerooms
Lot 449

Hornby Trains - Three 'O' gauge locomotives comprising; Type 501 - LMS 5600, Type 101 - LMS 2270 (boxed), Type 101 - LNER 460 (boxed), and Type 51 - British Railways 50153

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Clevedon Salerooms
Lot 9

White metal ring, unmarked, set an oval faceted garnet, 1.8cm wide, size O approx, 12.4g gross approx

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Clevedon Salerooms
Lot 14

Yellow metal ring set single blue topaz, stamped 750, size O½, 7.5g gross approx

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Clevedon Salerooms
Lot 19

9ct gold turquoise and cultured pearl ring, size O, with a half hoop ring stamped '9ct', size P, 3.6g gross approx

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Clevedon Salerooms
Lot 21

Yellow metal, garnet and blue topaz-coloured stone set ring, stamped 9ct, size O, and a 9ct gold half-eternity ring set seven white synthetic stones, size O, 11.4g gross approx

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Clevedon Salerooms
Lot 23

Two 22ct gold wedding bands, sizes N and O½, 8.9g approx

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Hansons Auctioneers and Valuers
Lot 178

Clasped Hands Ring.  Circa, 17th century AD. Copper-alloy, 1.72 g, 22.22 mm. UK ring size: O, US ring size: 7. A fede finger ring, with a bezel formed of two clasped hands.

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Hansons Auctioneers and Valuers
Lot 264

Edward Martyr Penny.  Circa, 975-978 AD. Silver, 1.16 g. 19.63 mm. Diademed bust left, +EADWEARD REX ANG. Reverse: Small cross, +GVNF M-O EFGRV. Moneyer Gunnulfr at the York mint. Ref: North 763.

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Hansons Auctioneers and Valuers
Lot 268

Athelred II Cut Halfpenny.  Circa, 978-1016 AD. Silver, 0.64 g, 19.27 mm. Bust left with sceptre, +AEDELRED [REX ANGLO]. Reverse: Voided short cross with letters C.R.V.X in angles. [   ]INE M-O LV. London mint. Ref: Spink 1148. 

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Hansons Auctioneers and Valuers
Lot 359

Henry II Tealby Penny.  Cross-and-Crosslets coinage, 1158-1180. Silver, 1.31 g, 21.60 mm. Crowned facing bust with sceptre, [+HENRIC] REX. Reverse: Cross with crosscuts in each quarter, [+ ]O[ ] LVN. London mint. Ref: Spink 1342. 

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Hansons Auctioneers and Valuers
Lot 360

Henry II Tealby Penny.  Cross-and-Crosslets coinage, 1158-1180. Silver, 1.30 g, 19.57 mm. Crowned facing bust with sceptre, +HENRI[C] [RE]X. Reverse: Cross with crosscuts in each quarter, +R [. ][O] N NORE. Northampton mint. Ref: Spink 1339. 

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Keys Fine Art Auctioneers
Lot 370

JACK MAVROGORDATO: A HAWK FOR THE BUSH, A TREATISE ON THE TRAINING OF THE SPARROW-HAWK AND OTHER SHORT-WINGED HAWKS, Saffron Walden, C W Daniel, 1985 reprint, original cloth, d/w (spine faded), otherwise vgc + E W JAMESON: THE HAWKING OF JAPAN, THE HISTORY AND DEVELOPMENT OF JAPANESE FALCONRY, Davis California 1976 reprint, 4to, original cloth, acetate d/w, vgc + PHILLIP GLASIER: FALCONRY AND HAWKING, London, B T Batsford, 1986, 2nd edition, 4to, original cloth, d/w, vgc + EMMA FORD: FALCONRY IN MEWS AND FIELD, London, B T Batsford, 1982, 1st edition, signed, original cloth, d/w (price clipped and soiled) + ROGER UPTON: O FOR A FALCONERS VOICE, MEMORIES OF THE OLD HAWKING CLUB, Marlborough, The Crowood Press, 1987, 1st edition, 4to, original cloth, d/w, vgc + JACK MAVROGORDATO: BEHIND THE SCENES, AN AUTOBIOGRAPHY, Tisbury Wilts, Element Books, 1982, 1st edition, original cloth, d/w, vgc (6)

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Duke's
Lot 207

ORUMIA: A WHITE AND CHOCOLATE DIAMOND RING on a 14K yellow gold shank, ring size O, approx 2.3gram total weight, together with a certificate of authenticity

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Duke's
Lot 250

AN AMETHYST DIAMOND CLUSTER RING the amethyst, 7mm x 10mm, within a border of twelve graduated brilliant-cut diamonds, on a yellow gold shank, ring size N-O

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Duke's
Lot 252

A SAPPHIRE AND DIAMOND DRESS RING the oval-cut sapphire flanked either side with a row of sapphires in a criss-cross white gold setting, and edged with a row of brilliant-cut diamonds, on a white gold shank stamped 14K, ring size O

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Duke's
Lot 265

A TRIPLE CLUSTER DIAMOND RING three brilliant-cut diamonds, each within a border of nine further brilliant-cut diamonds, c1.54ct total weight, on an 18K white gold shank, ring size O

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Duke's
Lot 267

A DIAMOND CLUSTER RING the central brilliant-cut diamond, within a border of six further diamonds, approx 1.00ct total weight, on an 18K gold shank, ring size O

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Duke's
Lot 276

AN AQUAMARINE AND DIAMOND RING the aquamarine, c.0.35ct, flanked either side with baguette-cut diamonds, c.1.25ct total diamond weight, on a platinum shank, ring size O

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Duke's
Lot 285

A DIAMOND COCKTAIL RING the cluster of round-cut diamonds raised set on an 18ct white gold shank, with openwork shoulders, ring size O-P

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Duke's
Lot 287

AN ART DECO STYLE DIAMOND RING three brilliant-cut diamonds, within a border of old-cut diamonds, on a white gold shank, ring size O

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Duke's
Lot 295

A FIVE STONE DIAMOND RING five graduated diamonds c.0.80ct total weight, box-set on a platinum shank, ring size N-O

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Duke's
Lot 299

A GENTLMANS RED GEM-SET DRESS RING seven rows of princess-cut red gemstones, on a white gold shank, with ribbed shoulders, stamped "750", ring size O-P

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Duke's
Lot 300

AN ART DECO AQUAMARINE AND DIAMOND CLUSTER RING the square-cut aquamarine within a border of brilliant-cut diamonds c.0.85ct total diamond weight, on a platinum shank, ring size O

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Duke's
Lot 301

A SAPPHIRE AND DIAMOND CLUSTER RING the oval-cut sapphire, within a border of ten brilliant-cut diamonds, c.2.20 total diamond weight, set in platinum, on an 18ct yellow gold shank, ring size O

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