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Lot 575
A Trix Art Deco pottery jug, hand painted with stylised trees against a yellow ground, pattern number O.482, painted and impressed marks, 30.5cm high, together with a Hampton Ivory Art Deco pottery jug painted in three colours, and a Katzhutte pottery figure of a dancer, modelled standing holding a fan above her head, raised on an oval base, printed mark, 51cm high. (3, AF)
Lot 29
Bagford (John, 1650-1716). Seven letters (N, O, P and Q on one sheet, X and V on another, and Z on a third sheet), after the 1464 Alphabet, probably early 18th century, woodcuts printed from seven blocks on cream laid paper, good impressions though somewhat uneven, a few minor foxmarks, generally in very good condition, largest image 218 x 172 mm, sheet size 232 x 187 mm and smallerQty: (3)Footnote:John Bagford, a shoemaker by trade, but a collector by instinct, issued proposals in 1707 for the publication of a history of printing. These woodcuts were probably executed at around this time, by or for Bagford, and are copies of the very rare 1464 woodcut alphabet (see British Museum accession number B,10.1-23). It seems that the copies offered here were cut on seven blocks, the first five with 4 letters each, arranged as two rows of two letters, block six with just two letters in one row (X and Y) and the seventh block with just one letter (Z). One of the woodblocks, for the letters K and I, survives in the British Museum (B, 11.1), probably from Bagford’s collection.
Lot 8
Attributed to Luca Giordano (Naples 1634-1705). Women preparing fish in a kitchen, circa 1680, pen and brown ink with traces of black chalk, on firm laid paper, bearing inscriptions in pen and brown ink, 'Jordan' and 'No 73' lower left, and '360 r' lower right, a further, apparently crossed out inscription in the lower right corner, a few minor losses touched in with brown ink, sheet size 31 x 44.1 cm (12 1/4 x 17 3/8 ins), framed (50 x 65.3 cm)Qty: (1)Footnote: Provenance: Charles Robert Rudolf (1884-1974); Colnaghi, London; A.J. Mackenzie Stuart, Edinburgh; Day & Faber, London (their label, verso); Christie's, London, Old Master and British Drawings and Watercolours, 7 July 2015, lot 16.Literature: O. Ferrari and G. Scavizzi, Luca Giordano: L'opera completa, Naples, 1992, D79.Exhibited: London, Colnaghi, Exhibition of Old Master Drawings, 1967, number 21, illustrated; Edinburgh, Merchants' Hall, Italian 17th century drawings from British private collections, 1972, number 63, illustrated (Scottish Arts Council label to verso)A similar inscription to the one on the present drawing ('Jordan', 'Nº. 73' and '360 r') can be found in The Triumph of Cybele by Giordano dated to his Spanish period, circa 1697, in pen and brown ink lower right 'Jorda/N.º 72. 324Ps, 4 . . . Rs [?].' now in the Metropolitan Museum of Art, New York (inv. 63.76.4; J. Bean, 100 European Drawings in the Metropolitan Museum of Art, 1964, 38). Like the present drawing, the Metropolitan example is executed in brush and brown over black chalk. Another version of the present drawing, of women preparing fish in a kitchen with a cat stealing fish from a table, in pen and brown ink and grey-brown wash over black chalk and grey wash and measuring 32.4 x 44.8 cm. is in the British Museum (inv. 1950,1111.41; O. Ferrari and G. Scavizzi, op. cit., no. D79).
Lot 137
A collection of 17th-Century and later seals to include a 17th-century bronze seal, possibly Polish, and wioth Masonic connections, simple bronze grip, well-engraved matrix with full armorials; a late 18th-century silver fob seal, CF, London 1794, simple C-scroll supports, matrix engraved armorials; two 19th-century gilt metal mounted fob seals, one engraved M the other O; a 19th-century silver fob seal with a seated model of a greyhound on yellow metal disc, blank matrix; a small agate handled desk seal, blank yellow metal matrix; a jasperware cameo(17th-Centruy seal matrix: 2.7cm x 2.7cm)
Lot 8
1923 Gibson Style O acoustic guitar, made in USA, ser. no. 7xxx8; Body: sunburst finish top, trans brown back and sides, generally in very good condition for age with scuffs and marks to be expected; Neck: good; Fretboard: ebony; Frets: good, upper frets tarnished/oxidised from pickguard gassing; Hardware: replaced tuner, pickguard split and missing a section (retained), pickguard also gassing, tailpiece tarnished and oxidised; Case: original hard case; Weight: 2.32kg; Overall condition: good for age
Lot 122
Vinyl Records – LP’s, 12” Singles and Picture Disks Including Prince And The New Power Generation – Love Symbol - 9362-45037-1; Diamonds and Pearls – 7599-25379-1; Prince - Sign "O" The Times - W 8399 TP (Limited Edition Picture Disk); Controversy – WB K 56950; New Power Generation – W 9525 TP (Limited Edition Picture Disk); U Got the Look – 920727-0; If I Was Your Girlfriend – 920679-0; Graffiti Bridge – WX 361; I Could Never Take the Place of Your Man – W8288T (9)
Lot 433
A gold ring set with central citrine and pair of diamond chips, size L, unmarked, probably 15ct, 2.5g; a 14ct gold ring set with a blue stone and paste chips, marked 585, 4g; an unmarked gold ring set with red and blue stones and a pair of diamond chips, size O, unmarked, possibly 15ct, 4.7g; a 14k gold ring set with three paste stones, size O, 1.6g; a 15ct rose gold ring, size Q, marked 625, 1.8g (5)
Lot 104
A collection of silver and white metal jewellery to include a silver and purple stone pendant, two silver rings, one hand made white metal ring (unmarked), a hand made white metal pendant necklace set with mother of pearl (unmarked), an amber pendant and earrings suite and a pair of silver mackintosh style earrings. All silver items marked 925. Amber pendant measures 5.5cm. Necklace measures 54cm. Rings size O - P. Silver item weight 30.2g.
Lot 155
Two hallmarked 9ct gold stone set rings. The lot to include a crossover ring set with two pear cut garnet flanked by two further round cut white stones, import marked Birmingham 1972, size O. Together with a ring set with a round cut pink stone likely CZ, assay marked Birmingham, size J.5. Total weight 2.5g.
Lot 13
FRANKENSTEIN. Milner, Henry M. The Man and the Monster! Or, The Fate of Frankenstein; A Peculiar Romantic Melo-dramatic Pantomimic Spectacle, In Two Acts, Founded principally on Mrs. Shelly's [Mary Shelley] singular Work, entitled, "Frankenstein; Or, The Modern Prometheus"...As it is Performed at The London Theatres, London: John Duncombe, [1826]. Stipple-engraved frontispiece portrait of Mr O. Smith as the Monster [the first illustration of the monster in print], and final page with Disposition of the Characters when the Curtain falls. Costume for all characters listed, with the Monster (named with six asterisks) wearing, 'Close vest and leggings of a very pale yellowish brown, heightened with blue, as if to show the muscles, &c. Greek shirt of very dark brown, broad leather belt.' 28pp. Bound with Shakespeare, William. The Poetical Works of Shakspeare, London: C. Cooke, [c.1808], illustrated with three engraved plates (inc. frontis.). Contemporary calf, morocco title label lettered in gilt, contemp. owner inscription on opening blank, 'Willm. Roy's Book, Bought at Charing Cross, London, May 12, 1829.' Contents with toning and some pale staining, slight loss from bookworm to opening leaves of Frankenstein, binding rubbed and worn with splitting to joints
Lot 3205
GROSSE FIGUR DES HEILIGEN JOHANNES Niederlande o. Niederrhein, um 1480/ 1500 Eiche, plastisch geschnitzt, farbig gefasst, rückseitig geflacht. H. 82,5 cm. Ganzfigurige Darstellung des Heiligen Johannes auf einem Sockel mit segnend erhobener Rechten, den Kelch in seiner Linken haltend. Part. besch., mit Spannungsrissen, Fassung ergänzt.
Lot 1881
KLEINE ROKOKO-KANNE Die Niederlande, Den Haag, Meister Reynier de Haan, 1775 Silber, getrieben, ebonisiertes Holz. H. 9,7 cm, 308 g. Auf der Bodenunterseite punziert mit Beschau- und Stadtmarken, Meistermarke 'RH' und Jahresbuchstaben 'D'. Am Fußrand Jahresbuchstabe 'O' unter Krone. Tremolierstrich. Wandung und Deckel sind verziert mit Rocaillen und Kartuschen. Knauf min. besch., min. Oberflächenkratzer.
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176073 item(s)/page