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Lot 45
TWO 9CT GOLD SAPPHIRE RINGS Comprising a three stone cluster ring and a single stone cross over ring both with 375 faded hallmarks, the sapphires set in white metal, the cluster ring size R ½ , weight 2.68g, the crossover ring size O, weight 2.4g Condition Report : Good, stones in need of a clear Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 49
A GOSHENITE STATEMENT RING with a Camille Lucie crystal set ring, the Goshenite measuring approx. 2.2cm in length and set in a gold plated mounted and shank with amber coloured enamel shoulders, ring size O, weight 114.4grams, the Camille Lucie ring crystal set on a gilt mount and shank, signed Camille Lucie to the inside, ring size N
Lot 60
A COLLECTION OF VINTAGE JEWELLERY Comprising of a silver and Marcasite cocktail ring, a silver and Marcasite watch head ring, a silver and Marcasite pendant and chain, a pair of turquoise flower head stud earrings marked 925 India, cocktail ring bezel at longest point 2.5 cm ring size O watch head ring 2.6cm x 1 cm, ring size M The Star of David pendant of open work design and set with purple glass and Marcasites marked 925, diameter 2.4 cm. chain length 45cm Pendant drop length 2.8cm, stud earrings diameter 0.8cm
Lot 142
A GEORGE II SILVER TANKARDembossed with flora and scrolls, hallmarked for Newcastle 1738, maker IC with O above, the tankard bearing an engraved cartouche dated Xmas 1871, the lower terminal of the handle incorporating a whistle, tankard height including handle top 12cm, 8.5 diameter, weight 301grams, 9.6 troy ozs Condition report: Generally good; body with isolated minor dents; engraving clear; decoration with a slightly rounded, polished profile; a few small flat-spots to edge of foot rim.
![[O GAUGE]. A BRIMTOY NO.3 TRAIN SET comprising a B.R. 0-4-0 tender locomotive, 67000, lined black livery, with a clockwork m](https://cdn.globalauctionplatform.com/2eb3ca25-bcf9-4e7a-ab4a-ae1b00eb3c88/f39c7076-662b-4eef-ae43-ae6900f4e11a/468x382.jpg)
Lot 268
[O GAUGE]. A BRIMTOY NO.3 TRAIN SET comprising a B.R. 0-4-0 tender locomotive, 67000, lined black livery, with a clockwork mechanism (untested); six-plank open wagon; brake van; station halt; and track, boxed as one. Condition Report : Generally good condition; locomotive with some surface rust to off-side; brake van with some surface rust to roof; box lid with one split corner.
Lot 276
ASSORTED TOYS comprising a Hornby O gauge station, 'Windsor', complete with ramps; Hornby O gauge twin-track level crossing; Dinky tinplate petrol station (lacking roof fascia board and accessories and partially over-painted); a pressed steel crane, probably by Tri-ang; and a Burnett tinplate money box in the form of a GR post box, all unboxed, (5).
Lot 485
An early 20th century sapphire and diamond ring, the cabochon sapphire is claw set with rose-cut diamond-set bows to the shoulder in platinum, size O Accompanied by report number 5782-396 from GCS dated January 2022 stating that the cabochon-cut sapphire is a natural sapphire with no indications of heat treatment. Origin: Myanmar (Burma)
Lot 504
A diamond solitaire ring, set with a round brilliant-cut diamond weighing 6.88cts, with foliate pierced and engraved decoration to the gallery, the foliate shoulders set with single-cut diamonds (one missing) in platinum, size O 1/2, case Accompanied by report number 5782-488 from GCS dated January 2022 stating that the round brilliant natural diamond weighs 6.88ct, with G colour and S12 clarity. Fluorescence: Strong.
Lot 57
Two silver peppermint boxes, 833/000, square contoured model, one with a hinged lid decorated with floral engraving, size: indistinct, Schoonhoven, jl.:O:1873. And a box decorated with filigree and soldered silver elements. MT.: wed. HJ van Halteren, Schoonhoven, jl.: q:1875. in total about 62.3 grams. 5.5x5.5x2cm. Slightly dented at the bottom, otherwise in good condition.
Lot 260
Silver tobacco box and pipe root, 833/000. Rectangular tobacco box with rib treatment along the sides and with a hinged lid with engraving with wavy line treatments and flower. MT.: Unclear, jl.:O:1823, with a pipe root in the shape of a hoof. 11.5x7x2.5cm. and 10 cm. Total about 164 grams. Slightly dented, otherwise in good condition.
Lot 108
World War II collection 3 multi signed bookplates includes 49 fantastic bomber command veteran signatures such as W/O Colin Cole 617 Sqd, Flt Sgt Charles Avey, Flt Lt Sydney Grimes 617 Sqd, Flt Sgt Ray Grayston, F/O Jack Warner DFM 425 Sqd, Wg Cmr Norman Wilkins DFC 7 Sqd plus many more great names. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 109
World War II collection two 8x6 multi signed black and white photos featuring 14 bomber command veterans signatures includes F/O Jack Warner DFM, Flt Lt Wilfred Tunstall DFC, Fl Lt Boris Bressloff DFC, Flt Sgt Ray Grayston and F/O Ray Worrall. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 110
World War II Mosquito 10x8 black and white photo includes 10 pilot and navigators signatures includes Sqd Ldr John Brown, Flt Lt Charles Campbell, Wg Cmr Peter Channor, Flt Lt Terry Clark, Flt LT Dennis Gosling, Flt LT Bob Willis and W/O Bert Winwood. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 2879
-- Eine Monstranz zur stündlichen Betrachtung des Sternenhimmels-- Klippel, Alwin. Der Sternenhimmel zu jeder Stunde des Jahres. Ausgabe für Mittel-Europa. Vierundzwanzigste Auflage. Drehbare Sternenkarte auf rundem Karton in mehrfach gestanzter, reich goldgeprägter Skala-Monstranz über schwarzlackiertem, gedrechselten Fuß. Durchmesser ca. 25 cm. Höhe der Monstranz ca. 44 cm. Dortmund, A. Klippel, o. J. (um 1928). Vom Verlag der Deutschen Lehrmittel-Anstalt Freinz Heinrich Klodt, dem Hoflieferanten der Landesherren von Frankfurt am Main herausgegebene Himmelsscheibe des Alwin Klippel in Dunkelblau mit den Sternen, Sternbildern und der Milchstraße in Weiß und den Koordinatenlinien sowie den Zodiak-Bezeichnungen in Gelbdruck. Innerhalb der Monstranz kann die Himmelsscheibe frei gedreht werden, um somit nicht nur den jeweiligen Monat, sondern auch den Tag des Jahres exakt einzustellen. Dann kann man in der leicht ovalen Mittelöffnung den Sternenhimmel betrachten, der sich der Nordhalbkugel bietet, die Sternzeichen zuordnen und alle Himmelsphänomene ablesen. Rückseitig die ausführliche Anleitung. Die Scheibe ist an einem langen Metallstab mit Messingkugel oben an geflochtenen Drähten auf einen schwarz lacktierten, gedrechselten Fuß montiert und damit außergewöhnlich dekorativ. - Nur ganz unwesentliche kleine Läsuren, insgesamt sehr gut erhalten, kaum Gebrauchsspuren, sehr selten mit der Monstranz und dem Fuß. - Dabei: Kleine Himmelskunde. Anleitung zur Beobachtung des gestirnten Himmels und seiner Bewegungen. Unterhaltende Begleitschrift zur drehbaren Sternkarte. Hrsg. von Richard Alwin Neufalz. 83 S. 19,5 x 12,5 cm. Illustrierter OUmschlag mit Klammerbindung. Frankfurt, Deutsche Lehrmittel-Anstalt, um 1915. - Zehnte Auflage. - Papierbedingt leicht gebräunt.
Lot 2901
Silberne Spindeluhr. "Improved patent English lever". Chronometer mit Linksaufzug, römischem Zifferblatt, 3 Messingzeigern, Deckel mit kantengeschliffenem, massiven Kristallglas in profilierter Silberlünette an Scharnier, Korpus aus geriffeltem Silberkranz, Rückdeckel aus punziertem und ziseliertem Silber mit (leerer) Monogrammkartusche, beide Deckel mit Druckverschluss, silberner Werkdeckel mit Rundloch für den Handaufzugschlüssel. Durchmesser ca. 5,6 cm., höhe mit Öse ca. 2,0 cm. Mit Messing-Vierkantschlüssel (Länge ca. 4,1 cm). London um 1900.Schwere silberne Spindeluhr mit Silberstempeln "O", "W", Löwe und Anker sowie der Nummer "7-1-9889-V77". Die mit "Improved patent English lever" auf dem Ziffernblatt ausgewiesenen Taschenuhren waren für Ihre Zuverlässigkeit bekannt und gesucht, vor allem in der Seefahrt - vgl. den kleinen Anker im Silberstempel. Gehäuse in 925er-Silber, vergoldetes Ankerwerk, Schlüsselaufzug, gravierter Unruhkolben, Kompensationsunruh, weißes Emaillezifferblatt, römische Ziffern für die Stunden, arabische Ziffern für die Sekunden. Gehäuse teils guillochiert, ungraviertes Wappenschild. - Silber außen etwas oxidiert, wenige kleine Hacker, Kratzer und Druckstellen sowie Gebrauchsspuren, augenscheinlich gut funktionsfähig.
![<[*]> Rose, Frederick William. Serio-Comic War Map for the Year 1877. Revised Edition. Chromolithographie. 47,5 x 67 cm](https://cdn.globalauctionplatform.com/ba35980d-26b3-4a77-a711-ae5b0167ee87/9e8f132d-4c2f-4459-b99e-ae5b016b07f9/468x382.jpg)
Lot 2950
Rose, Frederick William. Serio-Comic War Map for the Year 1877. Revised Edition. Chromolithographie. 47,5 x 67 cm. Unter Passepartout. London, G W Bacon, 1877.Sehr wahrscheinlich der zweite Zustand dieser Karte, die insgesamt vier Auflagen erlebte, hier noch ohne die "Erklärungen" in deutscher Sprache in der linken Blatthälfte.Die satirische Karikaturkarte stammt von Frederick William Rose (1849-1915) und zeigt die sich entwickelnde politische und militärische Situation in Europa zur Zeit des Russisch-Türkischen Krieges im Jahr 1877. Die Karte wurde als beliebtes Propagandamittel eingesetzt, um die stark antirussische und pro-türkische außenpolitische Haltung der damaligen britischen Regierung unter ihrem konservativen Premierminister Benjamin Disraeli zu unterstützen.Russland wird in Form einer bösartig aussehenden Krake dargestellt, deren acht lange Tentakel sich nach Nord- und Osteuropa, in den Nahen Osten und nach Asien erstrecken. Der Riesenoktopus umschließt mit festem Griff die Gebiete Finnlands, Polens, Bulgariens, der Krim und Persiens und reicht sogar bis zum Heiligen Land, Armenien und Samarkand sowie zum Khanat Chiwa in Zentralasien. Im Bereich der Krim wurde der Krake eine tiefe Schnittwunde zugefügt. Dies scheint sie aber keineswegs in ihrem Zugriff zu beeinflussen.Das türkische Imperium wird in Person eines liegenden Osmanen mit Turban über den Dardanellen und dem Bosporus dargestellt, der sich mit nur einer kleinen vorgehaltenen Pistole zu verteidigen weiß und seine goldene Uhr beschützt, die ihm um die Taille hängt - die Stadt "Constantinople". Die Krake hat bereits begonnen, ihre Fangarme auszustrecken und nördliche Teile der Türkei umschlossen.Griechenland wird durch eine lästige Krabbe gezeigt, die dem Osmanen in den rechten Ellbogen kneift. Ungarn wird von seiner Schwester Österreich von einem Angriff auf Russland abgehalten. Deutschland, in Gestalt seines uniformierten Kaisers, umgibt sich mit Waffen und Geschützen, bereit für den Ernstfall. Frankreich in Gestalt von Marschall Mac-Mahon zielt mit einer gefährlichen Mitrailleuse auf seinen deutschen Nachbarn, um sich für seine Niederlage im Deutsch-Französischen Krieg von 1870/71 zu rächen. Italien ist ein junges Mädchen, das seine neu gefundene Einheit genießt und den Papst in Rom in Form eines Püppchens an der Tiara packt. Spanien wird personifiziert durch die liegende Figur von Alfonso, der sich von seinen jüngsten Anstrengungen erholt.Der König von Belgien präsentiert seine Reichtümer in Form von Schätzen und verweist damit zugleich auf seine Kolonien. Dänemark schwenkt stolz seine kleine Flagge. Die Britischen Inseln - England als kniender Gentleman mit Regenschirm, Schottland als Highlander im Schottenrock mit erhobenem Claymore und Irland als Mönch mit Kapuze und dem Gedanken an Home Rule - stehen bereit und sind entschlossen, zumindest die Türkenuhr zu retten.Die sogenannte Oktopus-Karte gehört zu einem der eindringlichsten Beispiele des faszinierenden Genres der Karikatur im späten 19. und frühen 20. Jahrhundert. Russland als Krake mit ausgestreckten Fangarmen darzustellen war schon vor Rose ein bekanntes Motiv, wurde von ihm jedoch perfektioniert und in einen kartographischen Kunstgriff inszeniert. Auf der vorliegenden Karte verkörpert die russische Krake etwas Monströses, Böses und Fremdartiges, ein Wesen, das in der damaligen politisch instabilen Lage gezielt seine Tentakeln ausgestreckt und Unruhe stiftet - o tempora o mores (honi soit qui mal y pense!).Fred. W. Rose schuf die Erstausgabe dieser Karte nur zwei Monate nach Ausbruch des Russisch-Türkischen Krieges (1877-1878) und changierte auf besonders gekonnte Art und Weise mit Cartoon-Stereotypen der verschiedenen Länder. Gleichzeitig gelang es ihm, verschiedene Konflikte mit einzubeziehen und zu erzählen. Diese Erstauflage verkaufte sich so erfolgreich, dass bereits im selben Jahr eine erweiterte Ausgabe erschien. Großbritannien war zu diesem Zeitpunkt sehr an der Kartographie interessiert, auch an der Vermessung des eigenen Landes, in erster Linie, um koloniale und imperiale Interessen wirksam, auch im Ausland, zu präsentieren.Rose war zum Zeitpunkt der Veröffentlichung der Karte ein siebenundzwanzigähriger junger Mann, der im Legacy Office of the Inland Revenue angestellt war, wo er Zeit seines Lebens als Beamter arbeitete. Auch nach seinem großen Erfolg der vorliegenden Karte, die zu einer Serie von insgesamt fünf Karten gehört ("England on Guard". London, G W Bacon, 1878; "A Comic Map of the British Isles". Ebenda 1880; "Angling in Troubled Waters". Ebenda 1899; "John Bull and his Friends". Ebenda 1900), blieb Rose in seiner Funktion als Beamter tätig. "His strongly-held Conservative political views undoubtedly informed the content and message of several of his comic maps & in a manner which has never been fully recognized or appreciated" (barronmaps.com/fred-w-rose-1849-1915/, Stand am 23.2.2022). - In der rechten unteren Ecke mit größerem Feuchtigkeitsrand. Einmal vertikal, einmal horizontal gefaltet. In der horizontalen Faltspur auf der rechten Blatthälfte mit Einriss bis in die Darstellung. Etwas gebräunt und angeschmutzt, leicht fleckig.
Lot 1012
DROBINSKI BOLESLAW: (1918-1995) Polish fighter ace of World War II who participated in the Battle of Britain. In June 1941 Drobinski heavily damaged the plane flown by German ace Adolf Galland. A small portion of a D.S., B Drobinski P/O, one page, slim oblong 8vo, n.p., n.d. The typed document, evidently clipped from a combat report, states, in full, 'Flying near St. Inglevert I noticed an aerodrome on which a large aircraft was taxi-ing. I came down to about 20 ft. and gave a short burst at the aircraft, which I recognised as a Ju.52, from about 250 yards range. The enemy machine stopped suddenly but I was unable to observe further results.' VG
Lot 1013
CHALUPA STANISLAW JOZEF: (1915-2004) Polish fighter ace of World War II who participated in the Battle of Britain. Dark fountain pen ink signature ('J Chalupa P/O') on a 12mo piece evidently clipped from an official document and bearing several printed words of text relating to squadrons etc. VG
Lot 1112
CHRISTINA OF LORRAINE: (1565-1637) Grand Duchess of Tuscany 1589-1609 as spouse of Ferdinand I Grand Duke of Tuscany. She served as Regent of Tuscany 1621-28. Granddaughter of Queen Catherine de´Medici and mother of Grand Duke Cosimo II de´Medici. L.S., `V[ost]ra buona amica Christ[i]na G[ran] D[uches]sa, one page, Pisa, 7th February 1599, to Bartolini Rinoreini in Siena, in Italian. The Grand Duchess states `Vi ringratio della diligenza di ritrovarmi le tole, ma perche quella del guibbone e falsa vorrei che m´avvisasse siquella della sottana e falsa o buona ancora et avvisatemi il prezzo di ogni cosa. Che Dio vi guardi´ (“I thank you for the diligence in finding my tole, but because that of the guibbone is false, I would like you to warn me if that of the petticoat is false or good again and tell me the price of everything. May God look at you´ With address leaf, bearing remnants of a former seal. Paper with watermark. Overall age wear and creasing, with few small tears to edges and very small holes. G
Lot 1270
SAN MARTIN JOSE DE: (1778-1850) Argentine General, Commander-in-Chief of the Army of Chile 1817-19 and President of Peru 1821-22. An interesting and early letter signed by San Martin, who refers to the United Provinces of South-America. L.S., `Jose de San Martin´, four pages, folio, at the Santiago General Headquarters, Chile, 6th June 1817, to the Secretary of State of the Finances Department, in Spanish. San Martin states `La imprenta que trajo el ejército de los Andes, de cuya propiedad me consulta usted en su nota de antes de ayer, pertenece al Estado de las provincias Unidas de Sud-América; pero como por ahora no la necesita está francamente cedido su servicio al de este Pais, y podrá entre tanto disponer de ella´ (“The printing press that the army brought from the Andes, whose ownership you asked me about in your note the day before yesterday, belongs to the State of the United Provinces of South America; but as for now he does not need it, his service is openly ceded to that of this country, and therefore there is a free disposal of it in the meantime”) To the front page, upper left corner, a registration and approval annotation by the Finance Ministry. The letter bears beneath San Martin´s lines, two responses by officers, the first of a page and half is by Mr. Argomedo, stating `The State´s Attorney under State secrets in the Treasury Ministry, in charge of the file of proposals by several interested parties on the printer´s better performance, says that according to the report done by His Excellency Chief General, we cannot talk at this stage about its sale….´ To the third page the second officer´s text confirming the previous proposal by Argomedo, and to the last three lines in the hand of officer Romero. With extremely small clips to the left edge, otherwise VG The present document was signed by San Martin only four months after having defeated the Royalists and taking over the capital Santiago de Chile. San Martin then refused the governorship of Chile in favour of Bernardo O´Higgins, because he said did not wish to be diverted from his main objective which was the capture of Lima. He would spend the next 14 months clearing the country of Royalists soldiers and rout the remaining troops until the Battle of Maipu in April 1818. San Martin´s incredible campaign across the formidable barrier of the four cordilleras has been compared to Hannibal or Napoleon´s ones.
Lot 291
CINEMA: Selection of signed 5 x 7 photographs, few 4 x 6, by various film actors and actresses and film directors, including Maureen O´Hara, Sylvia Kristel, Milos Forman, Barbara Carrera, Tony Curtis, Douglas Fairbanks & Lillian Gish, Jonathan Pryce, etc... All are boldly signed, and most to clear areas of the images. G, 8
Lot 297
GERMAN CINEMA: Selection of vintage signed postcard photographs and a few slightly larger by various German (and a few Austrian) actors including Martin Benrath, Horst Frank, Wolfgang Preiss, Helmut Griem, Joachim Fuchsberger, Hans Christian Blech, Joachim Hansen, Charles Regnier, Karlheinz Bohm, O. E. Hasse, Horst Buchholz, Ernst Deutsch, Bernhard Wicki, Kurt Meisel, Gerhard Riedmann etc. Generally VG, 23
Lot 329
LENNON JOHN: (1940-1980) English singer, songwriter and musician, founder of the Beatles. An unusual, bold red ink pair of caricatures and small series of notes by in the hand of John Lennon, unsigned, one page (printed Memo stationery), oblong 8vo, n.p., n.d. (c.1969/70). Within a rectangular red box Lennon has penned the titles of several films directed by Yoko Ono, comprising Rape (1969), Two Virgins (1968), Smile (1968; also titled No.5) as well as the title of Lennon and Ono's first joint art exhibition You Are Here, beneath which he has added a pair of caricatures of himself and Yoko Ono, with an unusual cloud like formation above their heads, perhaps representing the plumes of smoke created by smoking marijuana. The page also features two other words ('Smile RA' and 'Smile') both of which Lennon has crossed through. Some very light creasing and with a very slightly irregularly torn upper edge, VGYoko Ono's films Two Virgins and Smile were both filmed on the same day and premiered alongside each other at the 1968 Chicago Film Festival. Rape was produced for Austrian television.Lennon and Ono's first joint art exhibition You Are Here (To Yoko from John Lennon, With Love) opened at the Robert Fraser Gallery in Duke Street, London, on 1st July 1968. The exhibition largely contained an assortment of charity collection boxes and at the launch ceremony Lennon and Ono released 365 white helium-filled balloons over London. Lennon proclaimed “I declare these balloons high”. Attached to each was a printed card with the words “You are here” on one side, and “Write to John Lennon, c/o The Robert Fraser Gallery, 69 Duke Street, London, W1” on the other. Many who returned the cards received a letter signed by Lennon which read: “Dear Friend, Thank you very much for writing and sending me my balloon back. I'm sending you a badge just to remind you that you are here. Love, John Lennon”.Provenance: The present doodle and notes were previously in the collection of Lizzie Bravo, a Beatles fan who was hand picked by Paul McCartney from outside the EMI Abbey Road Studios to provide backing vocals on the Beatles' song Across the Universe from the charity compilation album No One's Gonna Change Our World (1969).
Lot 153
SAPPHIRE-SET BROOCH, RING AND EARCLIP SUITEThe brooch of openwork scrolling design with beaded decoration and circular-cut sapphire accents, the ring and earclips of matching design, lengths: brooch 5.0cm, ring size approx. O½, earclips 2.5cm (3)For further information on this lot please visit Bonhams.com
Lot 165
CHOPARD: 'HAPPY DIAMONDS LOVE' RINGThe bombé ring depicting the word 'LOVE' pavé-set with brilliant-cut diamonds, the letter 'O' represented by a glazed heart-shaped case holding a brilliant-cut diamond, signed Chopard, numbered, ring size approx. M½, maker's caseFor further information on this lot please visit Bonhams.com
Lot 196
AQUAMARINE AND DIAMOND RING, 1977; TWO PAIRS OF GEM-SET PENDENT EARRINGS1st: Set with a step-cut aquamarine, accented by single-cut diamonds mounted in 18 carat white gold 2nd: the carved amethyst and brilliant-cut diamond flowerhead suspending a chain set with a cultured pearl and amethyst sphere terminals, 3rd: set with opposing pear-shaped aquamarines, oval-cut tourmaline and circular-cut black gemstones, 1st with London hallmark and maker's mark GEP, ring size approx. O½, earring lengths 7.5cm and 6.4cm (3)Footnotes:This lot is part of a large private collection of 20th century jewellery that was formed over several decades. The collection represents the breadth of innovation and creativity of jewels made during the second half of the 20th century as well as the collectors' eye for superior design and appreciation of jewellery as an art form.For further information on this lot please visit Bonhams.com
Lot 200
COLLECTION OF JEWELLERY1st: Each pendent earring designed as a tassel with hoop terminals, mounted in 18 carat gold, 2nd: Each earclip designed as a wave, 3rd: The flexible band set with an oval ruby cabochon, 4th: Bi-coloured, the flexible curb-link band set to the front with brilliant and single-cut diamonds, 5th: The eternity ring, set throughout with brilliant-cut diamonds, 6th: The 18 carat gold abstract mount set with single-cut diamonds, 1st: signed Bulgari, London hallmark, 2nd: signed Cartier, 6th: London hallmark, lengths: 1st 3.0cm, 2nd 4.0cm, ring sizes approx. 3rd E, 4th O, 5th I½, 6th N (6)Footnotes:This lot is part of a large private collection of 20th century jewellery that was formed over several decades. The collection represents the breadth of innovation and creativity of jewels made during the second half of the 20th century as well as the collectors' eye for superior design and appreciation of jewellery as an art form.For further information on this lot please visit Bonhams.com
Lot 229
GEORG JENSEN: DIAMOND RING; DIAMOND PANEL RING1st: Bi-coloured, set with brilliant-cut diamonds, 2nd: The rectangular plaque, set with brilliant-cut diamonds, 1st: signed Georg Jensen, numbered, diamonds approx. 0.70cts total, ring sizes approx. K (leading edge) and O½ (leading edge) (2)Footnotes:This lot is part of a large private collection of 20th century jewellery that was formed over several decades. The collection represents the breadth of innovation and creativity of jewels made during the second half of the 20th century as well as the collectors' eye for superior design and appreciation of jewellery as an art form.For further information on this lot please visit Bonhams.com
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175434 item(s)/page