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Lot 60
An 18ct. white gold and cultured pearl dress ring, the square form mount set central cultured pearl and paste to corners (gross weight 3.0g), size UK O 1/2, together with a platinum and blue CZ ring, (gross weight 5.1g), size: UK N+, and two 9ct white gold and stone set rings (these two gross weight 4.9g), (4)
Lot 105
After Pierre Jean David d'Angers (1788-1856): "La Liberte-Marianne": A Bronze Figure of a Maiden, wearing a Phrygian cap and loose robes holding a flintlock rifle, on a square plinth, signed PJ DAVID S-O, 14.5cm high; After the Antique: A Bronze Figure of the Venus De Milo, on a marble plinth, 11cm high; and A Bust of a Child, on a circular socle and waisted circular marble plinth, 24cm high (3)
Lot 316
A pair of Derby figures modelled as a lady and gent collecting fruit and flowers raised on rococo style bases circa 1770; together with two Royal Doulton figures ''Top o' the Hill'' HN1834 and Autumn breezes HN1913 (a/f.) a Paris porcelain scent bottle, salmon ground and enamelled with flowers and a similar square example (6)Derby with expected minor losses no repair, both Royal Doulton damaged Salmon bottle with large foot chip
Lot 14
WIKING Konvolut aus 4 Pritschenwagen und 6 Anhängern, 1950er und 60er Jahre, bestehend aus leuchtgrünem DKW-Pritschenwagen, GK 2003: 360/3 O, 1955-60; Tempo Matador GK 340/4P, 1954-60; Dreirad 'Tempo Hanseat' in Hellgraubeige, GK 330/1G, 1953-56 sowie ein Mercedes Unimog in Rot, GK 371/5A, 1962-63, dazu ein LKW-Anhänger, GK 400/1, 2 PKW-Anhänger, GK 50/1, ein Reiseanhänger, GK 54/5B sowie ein Transport-Anhänger, ein kl. Schwergut-Anhänger und eine Rampe ohne Achsen, dazu diverses Ladegut.| WIKING convolute of 4 pick-up trucks and 6 trailers of the 1950s and 60s, consisting of bright green DKW platform truck, yc. 2003: 360/3 O, 1955-60; Tempo Matador yc. 340/4P, 1954-60; Tricycle 'Tempo Hanseat' in light gray beige, yc. 330/1G, 1953-56 and a Mercedes Unimog in red, yc. 371/5A, 1962-63, plus a truck trailer, yc. 400/1, 2 car trailers, yc. 50 /1, a travel trailer, yc. 54/5B and a transport trailer, a small heavy goods trailer and a ramp without axles, plus various cargo.
Lot 25
OSHIMA JOUN: A SUPERB AND LARGE BRONZE KORO AND COVER WITH MYTHICAL BEASTS AND SHISHIMAI MONKEYSBy Oshima Joun (1858-1940), signed Ichijoken Joun with kakihanJapan, c. 1900, Meiji period (1868-1912)The baluster body supported on four feet cast in the form of fierce dragons with tamas in their mouths, cast with a minogame, kirin, and ho-o bird amid scrolling clouds against a diapered ground, the shoulder with two loop handles similarly cast with clouds and dragons against a key-fret ground, the cover similarly cast with a key-fret band above clouds against a diapered ground and surmounted by a group of monkeys with a shishimai mask, one monkey wearing a hyottoko mask. Signed ICHIJOKEN JOUN with a kakihan to the base.HEIGHT 47 cmWEIGHT 10.7 kgCondition: Good condition with minor wear and casting flaws, minuscule nicks, light scratches.Provenance: From an old southern German private collection, assembled before 2007.Oshima Joun (1858-1940) was a professor at Tokyo School of Art from 1887 until 1932 and is regarded as one of the most celebrated bronze-casters of the late nineteenth and early twentieth centuries. He exhibited at several of the great international expositions of the era, including Paris (1900), St. Louis (1904) and London (1910).Auction comparison: Compare a related bronze censer by Oshima Joun, signed Ichijoken Joun and with kakihan, dated c. 1900, 55.8 cm high, at Christie's, Japanese &Korean Art, 24 March 2010, New York, lot 540 (sold for 35,000 USD).
Lot 85
TWO UNUSUAL WOOD FIGURES OF BISHAMONTEN AND FUDO MYO-OJapan, 17th-18th century, Edo period (1615-1868)Both carved standing on a rockwork base, Bishamonten, the god of fortune in war and battles, portrayed wearing armor with raised decorations, his right hand in position to hold a trident, now lost, the face with a fierce, wrathful expression. Fudo Myo-o (Acala), the fierce protector of the Buddhist Law, is shown with his right arm raised which was probably holding a kurikara (sword) and a lasso on the lowered left hand, both now lost, Fudo uses his sword to cut through ignorance and his lasso to reign in those who would block the path to enlightenment.HEIGHT 13.7 and 14 cm WEIGHT 42 g totalCondition: Overall good condition, commensurate with age. Extensive wear, weathering, erosion, losses, minor chips and old repairs as well as remnants of pigment. Provenance: German private collection, assembled between 1965 and 1986.
Lot 346
TSUKIOKA YOSHITOSHI: A WOODBLOCK PRINT OF SADANOBU AND DEMONBy Tsukioka Yoshitoshi (1839-1892), signed Yoshitoshi with sealJapan, Meiji period (1868-1912)Woodblock print, ink and color on paper. Sadanobu threatening a demon in the palace at night (Sadanobu-ko yoru kyuchu ni kai o osoreshimu no zu), from the series Thirty-six New Forms of Ghosts (Shingata Sanjurokkaisen), published by Matsuki Heikichi. The print depicts the story of high-ranking minister Sadanobu, who, on his way to the imperial palace in Kyoto, was followed by a demon which grabbed his sword. Sadanobu shouted to the guards not to interfere. Surprised at his lack of fear, the demon broke free and fled.SIZE oban 25.1 x 36.8 cmCondition: Good condition, color, and impression. Minor browning, creasing, and small tears and minor material loss around the edges.Provenance: Czech private collection.Tsukioka Yoshitoshi was one of the leading woodblock print artists during the Meiji era (1868-1912) and one of the last to work in the traditional ukiyo-e manner. Born in Edo (today's Tokyo), he showed a strong interest in classical Japanese literature and history. When he was 11, he became a student at Kuniyoshi Utagawa's studio. Under his teacher's guidance, he showed exquisite draftsmanship and learned how to draw from life, something not necessarily part of the training schools of painting and illustration in Japan.Yoshitoshi's last woodblock series, 'New Forms of Thirty-Six Ghosts', draws on an array of supernatural tales from both China and Japan. The images depict the weird, wonderful, and sinister ghost stories that were widely told among the Japanese population. Interestingly, this series was produced at a time when the Meiji government actively discouraged anything that contradicted Western science and rationality, leading some critics to regard this series as a criticism of the government's new ideology.
Lot 130
A BLACK AND GOLD LACQUER SUZURIBAKO WITH THE MOON, HO-O BIRDS AND KIRI MONSJapan, late 19th century, Meiji period (1868-1912)Of rounded rectangular form, the domed overhanging cover bearing a roiro ground decorated in gold hiramaki-e and takamaki-e with pewter and silver takazogan as well as highlights in aogai, gold foil, and silver kirikane to depict a flowering prunus branch under a crescent moon in a starry sky, the interior of the cover with a nashiji ground similarly decorated, adding silver takamaki-e, e-nashiji, and scattered gold kirikane, depicting a magnificent ho-o bird in flight surrounded by clusters of kiri (paulownia) mons. The interior of the box with a sparser nashiji ground similarly decorated with another ho-o bird and kiri mons, the depiction partly obscured and at the same time continued on the fitted tray holding the rectangular ink stone and copper suiteki (waterdropper) in the form of a stylized persimmon.SIZE 21.5 x 19.5 x 4.6 cmCondition: Good condition with some surface wear, minor age cracks, small nicks, occasional light scratches, minor flaking to lacquer, small losses to gold foil. The base with extensive scratching as well as small nicks and losses to lacquer.Provenance: Dutch collection.According to legend, the ho-o bird will only nest in paulownia trees, and only in peacetime and when a virtuous ruler is in power. With hopes of attracting the auspicious birds, the trees are planted in courtyards and gardens across Japan.
Lot 348
TSUKIOKA YOSHITOSHI: A WOODBLOCK PRINT OF MINAMOTO NO YORIMITSUBy Tsukioka Yoshitoshi (1839-1892), signed Yoshitoshi with sealJapan, Meiji period (1868-1912)Woodblock print, ink and color on paper. Minamoto no Yorimitsu Cuts at the Earth Spider (Minamoto no yorimitsu tsuchi gumi o kiru zu), from the series Thirty-six New Forms of Ghosts (Shingata Sanjurokkaisen). The print depicts Minamoto no Yorimitsu pulling his sword to defend himself from the spider demon.Oban SIZE 36.9 x 27 cmCondition: Good condition, color, and impression. Minor browning, and creasing.Provenance: Czech private collection.Tsukioka Yoshitoshi was one of the leading woodblock print artists during the Meiji era (1868-1912) and one of the last to work in the traditional ukiyo-e manner. Born in Edo (today's Tokyo), he showed a strong interest in classical Japanese literature and history. When he was 11, he became a student at Kuniyoshi Utagawa's studio. Under his teacher's guidance, he showed exquisite draftsmanship and learned how to draw from life, something not necessarily part of the training schools of painting and illustration in Japan.Yoshitoshi's last woodblock series, 'New Forms of Thirty-Six Ghosts', draws on an array of supernatural tales from both China and Japan. The images depict the weird, wonderful, and sinister ghost stories that were widely told among the Japanese population. Interestingly, this series was produced at a time when the Meiji government actively discouraged anything that contradicted Western science and rationality, leading some critics to regard this series as a criticism of the government's new ideology.
Lot 13
OSHIMA JOUN: A SUPERB BRONZE OKIMONO OF A CARPBy Oshima Joun (1858-1940), signed Joun Japan, c. 1900, Meiji period (1868-1912)Well cast as a swimming carp, the lower fins forming the feet supporting the okimono, the scales and fins masterfully incised, the eyes with gilt-rimmed pupils, the mouth slightly agape with elegantly curved barbels, the underside with the seal-form signature JOUN within an oval reserve.LENGTH 26 cmWEIGHT 1026 gCondition: Excellent condition with minor wear and casting irregularities. Provenance: French private collection.Oshima Joun (1858-1940) was a professor at Tokyo School of Art from 1887 until 1932 and is regarded as one of the most celebrated bronze-casters of the late nineteenth and early twentieth centuries. He exhibited at several of the great international expositions of the era, including Paris (1900), St. Louis (1904) and London (1910). His figural okimono are relatively rare.Literature comparison:Compare to a related bronze okimono depicting carps in waves in the Khalili collection illustrated in O. Impey, M. Fairley (eds.), Meiji No Takara: Treasures Of Imperial Japan: Metalwork Vol II, London 1995, cat. 102.J. Earle.
Lot 129
HARA YOYUSAI: A FINE AND RARE GOURD-FORM SUZURIBAKO AND COVERBy Hara Yoyusai (1769-1845), signed YoyusaiJapan, late 18th to early 19th century, Edo period (1615-1868)The exterior of the gourd-form writing box and cover bearing an ochre ground finely decorated in gold and copper takamaki-e and pewter takazogan with e-nashiji to depict leafy vines, the interior of the box and cover bearing a roiro ground and decorated in gold and silver takamaki-e with e-nashiji to depict maiden flowers (ominaeshi) borne on leafy stems, the box further fitted with brush rests, a pouch-form ink stone, and a rectangular copper suiteki (waterdropper) with a ho-o bird amid clouds in high relief, the interior of the cover with the signature YOYUSAI.SIZE 24.6 x 21.7 x 4.5 cmCondition: Good overall condition with wear, extensive age cracks, flaking, minor losses, small nicks, light scratches, slightly warped. Provenance: Dutch collection.With a fitted silk cushion and dark wood storage box and cover.Literature comparison: Compare a related lacquered gourd, also by Hara Yoyusai and with leafy vines, in the collection of the Minneapolis Institute of Art, accession number 2015.79.425.
Lot 74
An 18ct gold ring, set five brilliant cut diamonds, ring size: 'O', total weight: 4.5gCondition report: The ring is internally stamped .750, the stones are securely, deeply mounted, and safe, they seem clear and bright, they are small, 3mm in diameter, we are not jewellers but can't see any chips or problems.
Lot 393
NASA astronaut Richard O. Covey signed 5. 5 x 3. 25 white card. Richard O. Covey, also known as Dick Covey a veteran of four Space Shuttle missions. Underneath his signature, he has written NASA Astronaut. Accompanying the signed card, is an unsigned colour 10 x 8 portrait photograph of Covey. Perfect for mounting or displaying together. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
![DOMAINE O VINEYARDS - OMG RED BLEND 2011 [FRANCE] 14% ABV / 75CL](https://cdn.globalauctionplatform.com/d3dbdfdf-73df-44c5-8a28-ae940114784c/8e09465f-2334-4bad-ab9e-ae940119d22f/468x382.jpg)
Lot 76
Platinum diamond cluster ring, central 0.33 carat diamond surrounded by ten 0.05 carat diamonds, ring size N/O CONDITION REPORTThe diamond cluster ring is in very good condition, unfortunately we not not have a certified jeweller to grade the stones, however, when placed on white paper the centre stone has a very light yellowish colouration, there are no visible inclusions to the naked eye. Engraved inscription to the shank interior
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175434 item(s)/page