We found 176068 price guide item(s) matching your search
There are 176068 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
176068 item(s)/page
Lot 106
Two 22ct gold wedding bands and a 9ct gold wedding band, one comprises a plain 2.1 mm wide D-profile band in 22ct yellow gold, Birmingham hallmarked with sponsor's mark 'H.S', dated 1935, ring size O; one comprises a plain 2.4 mm wide flat court band in 22ct yellow gold, Birmingham hallmarked with sponsor's mark 'J.P&S.Ltd', dated 1930, ring size J½; one comprises a plain 6.8 mm wide D-profile band in 9ct yellow gold, Birmingham hallmarked with sponsor's mark 'CJMCo.', dated 1961, ring size P½. Total weight of items 11.5 grams (3).
Lot 152
A 9ct gold trinity ring and an anchor link chain, to include a trinity ring with interlocking loops in different coloured gold, London hallmarked '375', dated 1997, size O, each band measures 2.8 mm in width, and 6.4 mm when joining together; An anchor link chain in yellow precious metal (broken in half), Italian hallmarked as '750', measuring 58.0 cm long. Total weight of items 15.4 grams (2).
Lot 158
Three diamond trilogy rings and a diamond solitaire ring, to include a three-stone diamond ring with an old-European cut diamond flanked by two single-cut diamonds, illusion set on a coronet mount in platinum, with millgrained shoulders to a yellow gold shank, hallmarked as '18ct & PT', size Q; Another one with three old-cut diamonds claw set on platinum bypass mount, to a yellow gold shank, hallmarked as '18ct & PT', size Q; A three-stone diamond ring with a single-cut diamond and two rose-cut diamonds, star set on a high profile mount in white metal, to a tapered yellow metal shank, unmarked, size S; A diamond solitaire ring with a old-cut diamond collet claw set on platinum mount, with rose-cut diamond accents on shoulders, to a yellow gold shank, hallmarked as '18ct & PT', size O. Total weight of items 9.8 grams (4).
Lot 177
A 9ct gold bracelet and two 22ct gold plain wedding bands, to include a bi-coloured gold chain with hinged square knot motif links, fastened with tongue and groove clasp together with a figure of eight safety catch, British import marks '375', measuring 19.2 cm long; ca 22ct gold D-profile band, London hallmarked with sponsor's mark 'L.W&G', dated 1908, ring size O, band measuring 2.9 mm wide; a thinner 22ct gold band, London hallmarked, dated 1950, ring size Q½, band 1.5 mm wide. Total weight of items 12.0 grams (3).
Lot 187
An opal triplet ring, comprises an oval precious opal triplet with dark body colour, with abundant play-of-colour effect in mosaic pattern, approximately measuring 12.6 x 10.7 mm, collet set on a yellow metal mount with engravings on the shoulders, to a D-profile shank, marked as '585', ring size O, total weight of item 9.7 grams.
Lot 204
A mixed lot of various rings, six of them set with amethyst cabochons, and a set of silver floral button en suite; An oval amethyst cabochon collet set to flat shank, marked '925', size O½; An oval amethyst cabochon claw set to flat shank, marked '950', size N½; An oval amethyst cabochon claw set to flat shank, marked '950', size N; An oval amethyst cabochon claw set flanked by baguette stones on shoulders, marked 'sterling', size I½; A round amethyst high dome cabochon tube set to flat shank, unmarked, size P½; Turkoman style round amethyst cabochon gypsy ring, unmarked, size P; A silver cherub ring, British hallmarked dated 1967, size T; Triangle blue hardstone set on white metal, size L½. A silver round morning glory button, Birmingham hallmarked with maker's mark 'R&W', dated 1901; A pair of clip-on earrings with same style, 2.5 cm across; A ring mounted with same silver button, size N½. Total weight of items 117.1 grams (11).one ear clip has a loose fitting.
Lot 214
A sapphire cocktail ring, featuring an oval fancy cut sapphire with bright cornflower blue body colour, approximately measuring 10.1 x 8.3 mm, tube set in a high profile yellow precious metal mount, to a tapered D-section plain shank, metal unmarked, ring size O½, shank 4.1 mm wide, total weight of item 16.9 grams.
Lot 229
A pair of 9ct gold cameo earrings and three rings; The shell cameo earrings has ropework details around the collets, fitted with pegs and butterflies, British hallmarked as '375'; A diamond-set cluster ring marked '9ct', size O; A diamond-set bi-coloured ring marked '9ct', size M; A chevron ring in yellow metal, unmarked, size O. Total weight of items 13.5 grams (4).
Lot 230
A collection of gem-set rings and a pendant on chain; To include a 9ct gold and diamond cluster ring, with baguette diamond accents on shoulders, Birmingham hallmarked '375' and sponsor's mark 'OPT', size N½; A 9ct gold and synthetic pink sapphire halo ring, surrounded by white stones, Birmingham hallmarked '375', size M; A 9ct gold diamond ring enhancer, with a swivel compartment with pierced 'I LOVE YOU', British hallmarked '375', size O; A sapphire and diamond bypass ring in white metal, marked as '18K', size M½; A 9ct gold and marquise tanzanite diamond ring, Birmingham hallmarked '375', size M; A tanzanite and diamond crossover ring in white metal, marked as '375', size J; A diamond-set heart pendant on a fine trace link chain, marked '375', measures 45.5 cm long. Total weight of items 15.2 grams (7).
Lot 276
A star sapphire gypsy ring, featuring a round sapphire cabochon with greyish purplish-blue body colour, that shows asterism effect under a direct light source, measuring 6.7 mm in diameters, gypsy set on a yellow precious metal mount, with chevrons pierced on shoulders, to a tapered D-profile shank, metal unmarked, ring size O½, total weight of item 8.1 grams.
Lot 371
Four pens, a pair of scissors and a single cufflink; to include a 9ct gold Mordan Everpoint pencil, Patent 179005, hallmarked '375' with 'SM&Co', dated 1926; A silver Yard-O-Led pencil, engraved with 'J.Miller', hallmarked with 'EB', dated 1979; A Cross pencil, made in Ireland; A 9ct gold fountain pen, with 14ct nib, hallmarked '375' with 'WJA', dated 1932; A pair of 9ct scissors in engraved case, hallmarked with 'EB', dated 1907; An 18ct gold single cufflink, hallmarked with maker's mark 'R&Q', dated 1908.
Lot 39
Cancer Research UK - An early 20th century three stone diamond ring, the three old European cut diamonds in scroll setting weighing approx. 0.63, 0.78 & 0.50 carats (estimated), total approx. diamond weight approx. 1.91 carats, colour F, clarity VS, band marked '18', gross weight 5.08g, size O.
Lot 56
An 18ct bi-coloured gold diamond and tanzanite dress ring, featuring an oval fancy cut tanzanite with bright purplish-blue body colour, approximately measuring 11.0 x 7.8 mm, claw set on a cathedral mount, embellished with marquise and round diamonds on the bifurcated shoulders, tapering to a flat shank, Birmingham hallmarked '750' with maker's mark 'LORIQUE', dated 2016, ring size O, total weight of item 4.8 grams.
Lot 74
A mixed collection of four flowerhead rings, to include a pink stone with split pearls ring in yellow metal, one out of four pink stones is a pink sapphire, hallmark rubbed off, size R; A 9ct gold and pink stone ring, centred with a white stone, London hallmarked 375, size S; A 9ct gold and violet sapphire flower head ring, Birmingham hallmarked 375, size O; A 9ct gold and green stone ring, British hallmarked 375, size M. Total weight of items 10.2 grams (4).
Lot 1450
4 Säulenleuchter mit MaskaronenMeissen. 3x Knaufschwerter, ab 1850-1918 und 1x Schwertermarke, 1934-1945, 3x 1 Schleifstrich und 1x 3 Schleifstriche. Modell-Nr.: O 87. Entwurf: 1815 - 1817. DRESSLER, Johann Gottfried(1764 Zschirma – 1836 Meißen) Weiß. H 21,5 cm. Leuchter mit glattem Säulenschaft, allseitigen Frauenmaskaronen unter einem rosettengeschmückten Kapitell, Säulenfuß, Quadratplinthe. 3 Leuchter mit hohlem Säulenschaft, davon 1x mit zusätzlicher Aussparung an der Plinthe (für die Nutzung als Lampenfuß) 1x kleiner Brandriss an 1 Nase, 1x minimale Chips an der Sockelkante, 1x minimaler Chip an der Sockelkante, 1x Bestoßung am Zungenbandrelief.
Lot 818
Antikes, englisches Medaillon im Originaletui Gelbgold 750 geprüft. 3 x 2,5 cm. 18,5 g. Viktorianisches, königsblau emailliertes Medaillon. Bekröntes "O" mit 31 silbergefassten Altschliff-Diamanten. Gerahmt verglastes Innenfach. Braunes Etui von HANCOOKS` & Co Jewellers & Silbersmiths To the Queen 38 & 39. Bruton St Bond Street
Lot 3043
HAMEL, O. Sonnige LandschaftÖl/Leinwand. Links unten signiert mit undeutlichem Zusatz. 1. H. 20. Jh. 47 x 60 cm. Gerahmt63 x 76 cm. Hügelige Landschaft mit Straße in Richtung eines Waldes mit herbstlich verfärbten Bäumen Wenn Otto Hamel, dann: Maler in Hannover und München (1866 Erfurt - 1950 Lohr), studierte in Erfurt bei Hagen, in Berlin und an der Academie Julien Paris bei Constant, Fleury und Lefevre, Prof. an der Kunstgewerbeschule Hannover. Literatur : Vollmer.
Lot 745
Sport Ronaldo signed 6x4 Brazil colour photo. Ronaldo Luís Nazario de Lima ( born 18 September 1976), commonly known as Ronaldo, is a Brazilian business owner, president of Segunda División club Real Valladolid, owner of Brasileiro Série B club Cruzeiro, and a retired professional footballer who played as a striker. Popularly dubbed O Fenômeno (The Phenomenon), and also nicknamed R9, he is widely considered one of the greatest players of all time. As a multi-functional striker who brought a new dimension to the position, Ronaldo has been the influence for a generation of strikers that have followed. His individual accolades include being named FIFA World Player of the Year three times, and winning two Ballon d'Or awards. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
![Sport Ronaldo signed 6x4 colour photo. Ronaldo Luís Nazario de Lima (born 18 September 1976),[2] commonly known as Ronaldo, i](https://cdn.globalauctionplatform.com/9812c1b3-2927-45f7-b4ab-ae9300b70483/14a1cb25-6a09-41e9-9ff2-ae9300ea9a90/468x382.jpg)
Lot 751
Sport Ronaldo signed 6x4 colour photo. Ronaldo Luís Nazario de Lima (born 18 September 1976),[2] commonly known as Ronaldo, is a Brazilian business owner, president of Segunda División club Real Valladolid, owner of Brasileiro Série B club Cruzeiro, and a retired professional footballer who played as a striker. Popularly dubbed O Fenômeno ( The Phenomenon ),[3] and also nicknamed R9,[3] he is widely considered one of the greatest players of all time. As a multi-functional striker who brought a new dimension to the position, Ronaldo has been the influence for a generation of strikers that have followed. His individual accolades include being named FIFA World Player of the Year three times, and winning two Ballon d'Or awards. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 21
Ivon Hitchens (British, 1893-1979)Forest: O Hurry to the Ragged Wood signed 'Hitchens' (lower right); further signed, inscribed and dated 'Forest. 'O hurry to the ragged wood,'/1971/by IVON HITCHENS/PETWORTH. SUSSEX.' (on a label attached to the stretcher)oil on canvas51.4 x 105.4 cm. (20 1/4 x 41 1/2 in.)Footnotes:ProvenanceWith Jonathan Clark & Co., LondonPrivate Collection, U.K.ExhibitedLondon, Waddington Galleries, Ivon Hitchens: Retrospective Exhibition, 16 May-9 June 1973, cat.no.30LiteratureAlan Bowness, Ivon Hitchens, Lund Humphries, London, 1973, p.112As he painted the present work, Hitchens approached his 80th year. He had enjoyed a long and lauded career and his position as one of Britain's dearest modern painters had been confirmed by a major retrospective staged at the Tate in 1963. He continued to paint with fervour into his final decade, with a fresh influence arising from the purchase of a house at Selsey Bill. This coastal property, approximately twenty miles south from his rambling twenty-four-acre woodland estate near Petworth, introduced a vibrancy to Hitchens' palette more riotous than employed in his painting hitherto.There are several themes which dominate the works from this period, among them a group of pictures which employ musical references. Hitchens had long used musical rhetoric to discuss painting, and as early as 1933 stated that he strived to paint the 'musical appearance of things'. In the later years a gramophone was positioned in the corner of his studio to play his wide and varied record collection as he worked (with opera being a particular favourite). His wife Mollie played piano beautifully, which could occasionally be heard from the house nearby. Although a longstanding influence for Hitchens, musical references became more direct in his late paintings, such as the series titled Boat and Foliage in Five Chords. A similar, although less prevalent, influence of this period can be traced to Hitchens's enjoyment of poetry. He kept a much-marked copy of Shelley by his bed and would quote Tennyson when the occasion called. The present work is one such example, taking its title from the first line of the final stanza of W.B. Yeats's 1904 poem The Ragged Wood. A tale of mismatched love, it concludes: O hurry to the ragged wood, for thereI will drive all those lovers out and cry O, my share of the world, O, yellow hair!No one has ever loved but you and I. Yeats's woodland setting will have likely appealed to Hitchens's sensibilities, and he painted another work by the title O Hurry Where by Water Among Trees, taken from the poem's first line.We are grateful to Peter Khoroche for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 48
Tristram Hillier R.A. (British, 1905-1983)Selsey Bill signed 'Hillier' (lower left)oil on panel22.6 x 35.6 cm. (8 7/8 x 14 in.)Painted in 1945Footnotes:ProvenanceWith Arthur Tooth & Sons, London, 2 May 1948, where acquired by Colonel F. BarkerHenry Luce III and Claire Booth Luce, thence by descentPrivate Collection, Vermont, U.S.A.ExhibitedLondon, Arthur Tooth & Sons, Paintings by Tristram Hillier, 7 May-1 June 1946, cat.no.28The present work was included in Hillier's exhibition at Arthur Tooth & Son's Bruton Street gallery in summer of 1946. This exhibition, the artist's first with Tooth's, had been slated for 1940 but was delayed due to the war. Many of the works selected for inclusion had to be abandoned by Hillier as he fled from his Normandy studio. Subsequently, these paintings had to be rescued and transported to London at great pains, as it transpired just in time with troops ransacking the Hillier house not long after.The delay to the exhibition resulted in an opportunity for Hillier to showcase the scope of development across the years since his Lefevre exhibition of 1933. Together it grouped a select number of Surrealist compositions such as Variations on the Form of an Anchor (1939, Tate Gallery) with a larger number of dazzling continental scenes such as The Lighthouse (1939, sold in these rooms on 23 November 2016 for £106,250). Hillier also included several recent English scenes in the exhibition, such as the present work, The Forsaken Village (1944) and Lobster Pots (1945). Generally executed on a small scale and demonstrating finely laboured application, these views are all deserted, abandoned even, undoubtedly a reflection of the horrors which the continent had just witnessed. Hillier wrote of the Tooth show - 'My exhibition was as successful as I could have wished. All the pictures were sold, within a few days while the critics were in some cases complimentary and in others exceedingly abusive, so that their reactions were without exception gratifying' (Tristram Hillier, Leda and the Goose, Longmans, London, 1954, p.177).Colonel F. Barker, the works first owner, purchased several works by Hillier, including Étretat (1939), and Chapel at Zarza (1969, sold in these rooms on 22 November 2017).The Estate of Tristram Hillier is preparing a forthcoming catalogue raisonné of the Artist's paintings and would like to hear from owners of any works by Hillier. Please write to The Estate of Tristram Hillier, c/o Modern British and Irish Art, Bonhams, 101 New Bond St, Mayfair, London W1S 1SR or email britart@bonhams.com.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 62
John Hoyland R.A. (British, 1934-2011)Blue Moon signed, titled and dated 'BLUE MOON/1.5.006/John Hoyland' (verso)acrylic on canvas127 x 153 cm. (50 x 60 1/4 in.)(unframed)Footnotes:ProvenanceWith Lemon Street Gallery, Truro, 2006, where acquired by the present ownerPrivate Collection, U.K.This work is drawn out in Hoyland's notebooks, and below it he writes 'Denis Bowen unsung hero' referencing the South African artist, gallery director and promoter of abstract art in Britain, and the title is likely a reference to Bowen's work which often featured moons and skyscapes with spheres. Hoyland painted other tributes to artists and friends, such as Souvenir for Patrick, (his friend Patrick Caulfield), Elegy for Terry (friend Terry Frost), Night Sky (for Vincent Van Gogh) and Master Weaver, Homage to Bryan Robertson.The Hoyland Estate are currently preparing the forthcoming catalogue raisonné of the Artist's work and would like to hear from owners of any work by the Artist so that these can be included in this comprehensive catalogue. Please write to The Hoyland Estate, c/o Modern British and Irish Art, Bonhams, 101 New Bond Street, London, W1S 1SR or email britart@bonhams.comThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 158
PANKHURST (EMMELINE)Autograph album containing the signatures of Emmeline Pankhurst ('Can man be free if woman be a slave?/ (Shelley)/ E. Pankhurst') and Ramsay Macdonald ('A man's a man for a' that/ J. Ramsay Macdonald') on the same page, together with leading members of the women's suffrage and socialist movement such as Ethel Annakin Snowden ('With kindest greetings/ Ethel Annakin Snowden'), Philip Snowden ('The man of independent mind is king of men'), social reformer and suffragist Isabella O. Ford, Nellie Alma Martel, Arthur Henderson, John J. Macpherson, John Hodge and others, c.68 leaves (34 blank), red calf gilt, worn, upper cover calf detached, loss to spine, small 8vo (100 x 160mm.), [c.1905-1906]Footnotes:'CAN MAN BE FREE IF WOMAN BE A SLAVE?': Album containing signatures of leading members of the women's suffrage, trade union and labour movements in Manchester collected by the daughter of Labour M.P. John Hodge.There is no ownership inscription in the album but internal evidence suggests it is likely to have belonged to Margaret Hodge, eldest daughter of Labour M.P. John Hodge (1855-1937). Hodge was an active supporter of the women's franchise movement and knew the leading lights of the WSPU in Manchester including the Pankhursts and Isabella Ford. In 1903 a deputation asked him him to introduce a women's franchise bill in parliament if he was successfully elected (see Reid, C. The Origins & Development of the Independent Labour Party in Manchester and Salford, 1880-1914, 1981, doctoral thesis online). Margaret's father's political connections would thus explain how she had access to the influential names represented here and she is known to have accompanied him to meetings, including to hear Churchill speak in July 1904 (Reid, p.907). According to the census, Margaret was 15 years old in 1901 and would therefore be around 20 or 21 when the book was signed, shortly after her father was elected M.P.Among the names gathered here are, notably, Emmeline Pankhurst, founder of the Women's Social and Political Union, who shares a page with future Prime Minister and then Secretary of the Labour Party Ramsay Macdonald, Ethel Snowden, a leading campaigner for women's suffrage and her husband Philip, the first Labour Chancellor of the Exchequer. Also included is Isabella Ormston Ford who was the first woman to speak at a Labour Representation Committee conference in 1903. The entries by the Snowdens and Isabella Ford are dated 20 February 1906, just five days after the Labour Representation Committee formally decided to adopt the name 'The Labour Party', and the day after the first march on the Commons organised by the WSPU and seen by Emmeline Pankhurst as the real beginning of the militant women's suffrage movement.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
![DU PRAISSAC (-)The Art of Warre, or Militarie Discourses... Englished by J.[ohn] C.[ruso], 2 parts in 1 vol., first English](https://cdn.globalauctionplatform.com/8371dcd4-571c-4dd7-83f9-aeae010c756c/e353ec91-d7f0-47e2-a2bc-aeae010f3a1a/468x382.jpg)
Lot 67
DU PRAISSAC (-)The Art of Warre, or Militarie Discourses... Englished by J.[ohn] C.[ruso], 2 parts in 1 vol., first English edition, one engraved plate, one woodcut diagram (inserted after L1), woodcut illustrations (some full-page) in the text, light damp-staining to lower margin of opening 2 leaves and fore-margin of final few leaves, small loss to lower inner corner of A3-5 just touching image on one page, contemporary calf gilt, rebacked and refurbished [Cockle 146; ESTC S122251], 8vo, Cambridge, Roger Daniel, Printer to the Famous Universitie, 1639Footnotes:'Cruso's military works were significant... in that they were the first to make the new continental, primarily Dutch, military literature available to an English-speaking audience' (ODNB). This is one of three issues printed by Daniel in Cambridge in 1639, each with varying imprints. This copy collates: [6], 202, [4], 8pp., A-N⁸, O⁶, lacking 2 leaves [par]1-2 ('Upon the accurate translation... [&c.]').This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
![OLIVIER (JEAN)L'art des armes simplifié, ou nouveau traité sur la maniere de se servir de l'epée [-Fencing Familiarized], FIR](https://cdn.globalauctionplatform.com/8371dcd4-571c-4dd7-83f9-aeae010c756c/5c3795cd-4fee-4af2-b9e7-aeae011169f7/468x382.jpg)
Lot 86
OLIVIER (JEAN)L'art des armes simplifié, ou nouveau traité sur la maniere de se servir de l'epée [-Fencing Familiarized], FIRST EDITION, parallel text in English and French, half-title, 9 engraved plates (8 folding, one with long tear repaired, light off-setting), lacks 'Directions to Binder' leaf at end, modern calf-backed marbled boards [Thimm, p.211; Vigeant, p.97], John Bell, [1771]--DEMEUSE (NICOLAS) Nouveau traité de l'art des armes, FIRST EDITION, half-title, engraved arms on dedication leaf, 14 folding engraved plates illustrating various fencing positions, modern half calf gilt [Thimm, pp.76-77], Liege, F.J. Desoer, 1778--Réglement concernant l'exercise et les manoeuvres de l'infanterie. Du premier Aout 1791 [-Planches relatives au réglement...], 2 vol., FIRST EDITION, half-titles, 39 plates (of 40, lacks plate 15) on 37 engraved sheets, mostly folding, bookplate of Knut O. Hagberg, nineteenth century half calf, Paris, Magimel, 1793-1795--CHATELAIN (LE CHEVALIER) Traité d'escrime, a pied et a cheval, contenant la démonstration des positions, bottes, parades, feintes, ruses, et généralement tous les coups d'armes connus dans les académies, second edition, half-title, 8 lithographed plates (with 9 figures), modern marbled boards, red gilt morocco spine label [Thimm, p.58; Vigeant, pp. 46-47, both mistakenly calling for 9 plates], Paris, Magimel, Anselin & Pochard, 1818--BOËSSIÈRE (TEXIER DE LA) Traité des l'art des armes, à l'usage des professeurs et des amateurs, FIRST EDITION, half-title, 20 folding engraved plates of fencing positions by Adam after Bodem, light spotting, early quarter morocco, g.e. [Thimm, p.33; Vigeant, pp. 38-39], Paris, Didot l'Ainé, 1818, 8vo (6)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 226
An 18ct white gold three stone diamond crossover ring, platinum-tops with illusion set modern round brilliant-cut diamonds, total diamond content approx 0.3ct, setting height 8mm, size O, 2.8gNo damage or repairs, all stones present, diamonds bright white and fiery, settings lightly abraded with personalised inscription inside shank, marks clear, engraved 18ct and Plat
Lot 103
An early/mid-20th century 18ct gold graduated five stone diamond half hoop ring, platinum tops with old and single-cut diamonds, total diamond content approx 0.15ct, setting height 3.9mm, size O, 2.3gNo damage or repairs, all stones present, diamonds have a few internal black spot inclusions, settings lightly abraded, marks clear, stamped 18ct and Plat
Loading...-
176068 item(s)/page