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Click here to subscribe1st Bn Royal Sussex Regiment Long Service Pair of Medals. Awarded to 6390787 Corporal L.M. Ellis Royal Sussex Regiment. Comprising: General Service Medal, clasp Palestene (CPL R. SUSS R), Army Long Service & Good Conduct Medal (GVIR) (CPL R SUSS R). Medals loose last medal with pin as worn. Corporal L.M. Ellis is confirmed o the medal roll as serving with the 1st Bn. A pre war regular he was awarded the LS&GC Medal in 1938
3rd Bn Kings Own Scottish Borderers Boer War Queens South Africa Medal Awarded to 3952 PTE J PRINGLE K O SCOT BORD. Three clasps Cape Colony, Orange Free State, Transvaal. Heavy edge knocks. Private Pringle clasp entitlement is confirmed, whilst serving with the 3rd Bn of the KOSB. He was also awarded to the KSA.
German Third Reich cased 1938 Golf award to an Englishman. Fine rare circular silver example bearing eagle and swastika on black, white and green enamel bar with DEUTSCHER GOLF VERBAND 1928 in surround. Reverse with legend : To John O. Rudgard with hearty thanks for his friendly hospitality London - July 18th 1938. Housed in its green case bearing silver G in double ring on the lid; cream silk and green velvet lined. VGC
WW2 Polish Air Force RAF Officer's attributed Cap. A rare early war example tailored by Gieves Ltd of London. The cap is of the regulation pattern with the early war feature of light blue stitching to the welt of the crown and green card to the underside of the peak. To the front a Polish Air Force bullion eagle badge. The lining wit tailors label and ink name P/O Cieplinski. Overall service wear, one small moth hole to the crown with a slightly larger to the back of the cap. Two Officers of this name appear on the Roll of the Polish Air Force WW2. Flying Officer Filip Cieplinski a pilot who flew with 300 and 307 Squadron, he was Killed on the 1st March 1943, whilst serving with 7 AACU. F/O Stanislaw Cieplinski a Balloon Officer.
R B Cunningham Graham "Redeemed & Other Sketches" 1st Edition published by William Heinemann Ltd 1927 the red hard back with gilt writing to the spine, Robert J Casey "The Lost Kingdom Of Burgundy" published by the Century Co New Your & London 1923 the burgundy hard back depicting a scene to the front and writing to the spine, Clayton Williams "Never Again Texas 1848-1861" Signed 1st Edition with dust cover published by The Naylor Co 1969, Dr. S. O. Young "A Thumb-Nail History Of The City Of Houston Texas From Its Founding In 1836 To The Year 1912" 1st Edition published by Rein & Sons Co Houston Texas USA 1912, the blue hard back with gilt writing to the front and spine, Karl Friedrich Vollrath Hoffmann "Erde Und Ihre Bewohner" published by J Scheibles Buchhandlung Stuttgart 1835 (AF), E. B. White "The Points Of My Compass" 1st Edition with dust cover published by Harper & Row USA 1962, Louis Kronenberger "Cavalcade Of Comedy" published by Simon & Schuster New York 1953, Dumas Malone "The Story Of The Declaration Of Independence" published by Oxford University Press 1954 with dust cover, Horace Liveright "Peter Arnos Circus" 1st Edition 2nd printing published by Van Rees Press 1931 the black hard back with gilt writing to the front (9)
Atlas Editions 1:76 scale model coaches, from the Classic Coaches Collection, comprising 4642 101 J T Whittle & Son Burlingham Seagull, boxed; 4642 102 Wallace Arnold Bedford VAL, boxed; 4642 103 Ron W.Dew Bedford OB, boxed; 4642 104 King's Ferry Van Hool T9, boxed; 4642 105 Kässbohrer Setra S8, boxed; 4642 106 Saurer L4C, boxed; 4642 107 Henschel HS 100 N, boxed; 4642 108 IFA H6 B, boxed; 4642 109 Samuel Ledgard Plaxton Panorama, boxed; 4642 110 Allander Travel Bova Futura, boxed; 4642 111 Excelsior Holidays Plaxton Excalibur, boxed; 4642 112 York Pullman Van Hool T8, boxed; 4642 113 Borgward BO 4000, boxed; 4642 114 Midland Red BMMO C5, boxed and 4642 115 Mercedes-Benz O 3500, boxed (15)
A LARGE AND RARE PAINTED GIGAKU WOOD MASK NETSUKE OF SUIKO-OUnsigned Japan, Nara, late 19th century - early 20th centuryBoldly carved with a stern expression marked by intense eyes below furrowed brows, the unusual hat with two upturned side flaps and an elegantly curved crown, some details heightened with pigment. The back carved with a thick himotoshi bar.HEIGHT 7.6 cmCondition: Good condition with some wear to wood and pigments, few minuscule nicks, and occasional light scratches.Provenance: Ex-collection Grandvuinet. Sotheby's, 14 July 2006, London. European collection P. Jacquesson, acquired from the above.Suiko-o translates to 'drunken barbarian king' and the character appears along with his followers at the end of the Gigaku performance.Literature comparison: Compare an 8th-century Gigaku mask of Suiko-o in the Tokyo National Museum, object number N-231.
CHORENSAI MINAMOTO: A TSUCHIMEJI TSUBA OF TEKKAIBy Chorensai Minamoto Nobusada, signed Chorensai Minamoto NobusadaJapan, Edo period (1615-1868), dated 1856Of nade-maru-gata shape, with one hitsu, the iron tsuchimeji plate decorated with the immortal Tekkai expelling his spirit, worked in takabori with copper, gold, and silver takazogan, with signature. The reverse with a mountain landscape and incised with Ansei sannen shoto kore o tsukuru (Made in early winter, 1856).SIZE 7.5 x 6.7 cmWEIGHT 103.5 gCondition: Very good condition, minor wear, traces of age.Provenance: French private collection.
MUNEYOSHI: AN IVORY OKIMONO OF DARUMABy Muneyoshi, signed Muneyoshi sakuJapan, Meiji period (1868-1912)The Zen patriarch standing atop a single reed - after an unsuccessful encounter with the Chinese Liang-dynasty Emperor Wu, Bodhidharma is said to have sailed up the Yangtze River on a single reed to continue his journey to promote Zen - and holding a hossu in one hand, his characteristic cowl neatly incised with Ho-o birds amid swirling clouds. His face is well detailed with a bushy beard and brows as well as large eyes and a prominent cleft chin. Signed to the underside above the feet MUNEYOSHI saku [made by Muneyoshi]. Note the variety of textures creating a striking contrast and appealing feel to the okimono.HEIGHT 16.5 cmCondition: Very good condition with minor surface wear and few natural age cracks.Provenance: French private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
An early 20th century emerald and diamond ring, the central rectangular step cut emerald measuring 5mm x 3.5mm, with a border surround of single cut diamonds, continuing to diamond set split shoulders, all set in white metal with a plain polished yellow metal band (unmarked), ring size O 1/2, weight 3.8gmsCR: Central emerald in good order, no cracks, chips or losses. General scratching and wear commensurate with age and use. All diamonds are present - a few have small chips and nibbles, but the majority are in goo order, showing general scratching and wear commensurate with age and use. Some splitting to the gallery, some denting, scratching and wear commensurate with age and use to the gallery and setting - see pictures for illustration. Shank shows minor thinning, heavy scratching and wear to the exterior base, but no signs of splitting or repair. See pictures for illustration.
A Victorian 18ct gold pearl set ring, the boat shaped head set with half-pearls, set to tapering shoulders and plain polished shank, marks for Chester 1896, size J (at fault), together with a 9ct gold signet ring, marks for Birmingham 1921, size K, a 9ct gold shell cameo dress ring, size O 1/2, a continental gold garnet set clover ring, size M 1/2, a 9ct gold and gold coloured signet ring, size O 1/2 (at fault), a 9ct gold tie pin, 50mm wide, and a 9ct gold garnet and pearl stick pin, 52mm wide (7)
A selection of 9ct gold dress rings, to include; a garnet set 9ct gold dress ring, size N 1/2, a paste set 9ct white gold eternity ring, size O, a 9ct gold cubic zirconia solitaire ring, size N, a sapphire and diamond set 9ct ring, size N 1/2 (at fault), a white stone set 14ct gold ring, size O (at fault), and a 9ct white gold green stone set ring, size L (6)
An early 20th century diamond toi et moi diamond ring, comprising two round old cut diamonds, measuring 4.61mm x 2.96mm and 4.67mm x 3.14mm, claw set to diamond set twist shoulders, continuing to a plain polished yellow metal band, ring size O, weight 3.0gmsCR;Please note: Weights are approximate due to the cut of the gemstones. One diamond weighs approximately 0.35 carats, the other weighs approximately 0.40 carats.The smaller stone has a surface reaching fracture approximately 2mm wide, running across the outer table facets, visible with the naked eye. There are a couple of nibbles to the girdle. Approximate clarity P.The larger stone appears to have chip to the girdle, however this may be a natural. No other obvious cracks, chips or surface reaching fractures. Approximate clarity SI.Stones to shoulders are present and in good order.Colour grade is not possible due to the setting, but when viewed face up there is no obvious draw of colour and the diamonds have a good sparkle.
An early 20th century diamond three-stone ring, the central old cushion cut diamond measuring 5.51mm x 4.62mm x 2.99mm, with a further round old cut diamond to each side, claw set in white metal, to tapering plain polished yellow metal shank, stamped '18', ring size O 1/2, weight 2.6gmsCR; Please note: Weights are approximate due to the cut of the gemstones.Central stone weighs approximately 0.60 - 0.70 carats. Diamond to each side weighs approximately 0.30 carats.The central stone shows two large fractures to the girdle, one running between a bottom claw and a side claw (approx. 1.5mm wide) and another running outward from a top claw (approximately 1mm wide). Some nibbling to the facet edges and girdle. Some of the bottom facets have polish marks visible through the table, but no obvious inclusions visible at 10x.One of the outer diamonds has a large fracture running from the table to the girdle. Some nibbling to the girdle, and what appears to be a couple of naturals. The other diamond has a small, surface reaching fracture in the middle of the table, and nibbling to the girdle.Clarity across stones is SI-P.
An opal and sapphire 9ct gold dress ring, the central opal cabochon measuring 9mm x 6.5mm, with a cluster surround of twelve round mixed cut sapphires, all set in 9ct gold to a plain polished mount, ring size L, together with a red and colourless gemstone set 9ct gold half eternity ring, size N, a 9ct gold wedding band, size N 1/2, and a sapphire and diamond 9ct gold ring, size O 1/2 (at fault), gross weight of group 9.0gms (4)
A George V 9ct gold Waltham full hunter pocket watch, the white enamel dial with Arabic numerals and subsidiary seconds dial to six 'o' clock, set to a plain polished 9ct gold case, marks for Birmingham 1919, 50mm diameter, weight 95.2gms CR; Currently not in working order. Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
A gentleman's vintage 9ct gold Derrick wristwatch, circular dial with Arabic numerals and subsidiary dial to six 'o' clock, set to a plain polished 9ct gold case, marked for Edinburgh 1957, 30mm diameter, upon a black leather strap with buckle fastening Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Currently not in working order.
A Gentleman's Tag Heuer 2000 series automatic 200 meter wristwatch, the circular white dial with luminous baton markers and hands, outer seconds track and date window to three o' clock, rotating bezel, Tag Heuer emblem to reverse, reference no. WK2110, 38mm diameter, upon a stainless steel bracelet with folding clasp, complete in box and travel case with paperwork Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Note; This watch is currently ticking. Crown pulls out to position one, adjusting the date window accordingly. Crown pulls out to position two, hands complete a full twelve hour rotation.
A Gentleman's Raymond Weil 18ct gold plated wristwatch, the circular dial with Roman numerals and inner minute track with date window to three 'o' clock, set to a plain polished case, 36mm diameter, set to a gold plated brick link strap with folding snap clasp, together with a Pierre Cardin gold plated wristwatch, 35mm diameter, upon a gold plated strap with ladder snap clasp (2) Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Pierre Cardin example: Currently not in working order.Raymond Weil: Currently not in working order.
SEIYODO TOMIHARU: A RARE WOOD NETSUKE OF A SNAIL ON A TARO LEAFBy Seiyodo Tomiharu (1733-1810), signed Nihon...Seiyodo Tomiharu kore o chokoku, Tenmei ni no toki ni, mizunoe tora toshi... 日本...青陽堂富春彫刻之 干時天明二壬寅年...Japan, Iwami province, dated 1782 (Tenmei 2), Edo period (1615-1868)Carved from finely stained boxwood and depicting a snail slithering across a folded taro leaf. The composition is full of movement, achieved by the many curls of the stem and leaf, and the foot of the snail, as well as its spiraling shell. The foot of the mollusk is treated with fine ukibori pimples and the veiny structure of the leaf is achieved naturalistically. To top it all off, the entire surface of the leaf is treated with extremely fine ukibori, appearing like waves and simulating the natural surface of the taro leaf - this can only be fully enjoyed when viewed under a magnifying glass or microscope - the sheer skill needed to pull this off is remarkable! One large himotoshi through the underside, the other 'natural' through the leaf. Signed in partially worn ukibori characters Nihon...Seiyodo Tomiharu kore o chokoku, Tenmei ni no toki ni, mizunoe tora toshi... [Seiyodo Tomiharu carved this, in the 2nd year of the Tenmei era, the year of Mizunoe-tora (1782)].LENGTH 7 cmCondition: Very good condition - minor professional and invisible touch-ups to the edges of the leaf.Provenance: European collection.Auction comparison:A similar netsuke by Seiyodo Tomiharu was sold at Bonhams, The Robert S. Huthart Collection of Iwami Netsuke Part I, 15 May 2019, London, lot 31 (sold for 16,937 GBP).
Künstler des 18. JahrhundertsBauer, Kaiser und Papst - "O Gott! Wen Du nicht woll'st und ich nichts thät - Ihr beide nichts zu Essen hät."Öl auf Leinwand (ohne Keilrahmen)Bildfläche: 70 x 58 cmLeinwand: 74 x 61 cmösterreichischer PrivatbesitzKarl Dinklage, Geschichte der Kärntner Landwirtschaft, Klagenfurt 1966, S. XXXI, Nr. 60 (Abb.)Werner Drobesch/Claudia Fräss-Ehrfeld (Hgg.), Die Bauern werden frei. Innerösterreichs Landwirtschaft zwischen Beharren und Modernisierung im frühen 19. Jahrhundert, Klagenfurt 2007, Deckblatt (Farbabb.)Die Hierarchie der drei Stände, an dessen unterster Stufe die Bauern stünden, wurde über Jahrhunderte in mittelalterlichen Darstellungen verbildlicht. Diese Ständelehre fundierte ideologisch die seit dem frühen Mittelalter geltende Feudalordnung. Im 18. Jahrhundert begann diese Vorstellung der "gottgewollten Ordnung" zusehends zu bröckeln und ein neues Selbstbewusstsein der Bauern erstarkte, was auch in den neu entwickelten Motiven der bildenden Kunst abzulesen ist. Der sozialkritische Inhalt des vorliegenden "ironischen" Dreiständebildes wird durch die, den Figuren zugeordneten, Sprüche zum Ausdruck gebracht. Während beim Papst zu lesen ist: "Ich mit meiner Lehr hab viele 1000 Menschen belehrt.", ist dem Kaiser zugeordnet: "Und Ich mit meiner Macht hab soviel Länder und Leut an mich gebracht." Der kniende Bauer wendet sich jedoch direkt an den oben dargestellten Herrgott und entgegnet den beiden mächtigen Herren souverän: "O Gott! Wen Du nicht woll'st und ich nichts thät - Ihr beide nichts zu Essen hät.". Diese moralische Überlegenheit des einfachen Arbeiters über die Potentaten ist ein Motiv der ständekritischen Idee, die sich noch bis ins 20. Jahrhundert großer Beliebtheit erfreute.
Michael PowolnyPutto mit Blumen "Frühling"Keramik aus hellem Scherben, farbig staffiert und glasiert; auf der Unterseite gemarkt mit geprägter Bildmarke der Wiener Keramik, Entwerfermonogramm "MP" und Modellnr. "60/1"H. 37,9 cmElisabeth Frottier, Michael Powolny. Keramik und Glas aus Wien. 1900 bis 1950. Monografie und Werkverzeichnis, Wien/Köln 1990, o. S., Abb. 21 & 22;Arlt, Weilinger, Wiener Keramik, Werkverzeichnis. Wien 2018, S. 152 Abb., WK Modellnr. 60
Michael PowolnyPutto "Sommer"Keramik aus hellem Scherben, farbig staffiert und glasiert, Goldmalerei; auf der Plinthe gemarkt mit Bildmarke der Wiener Keramik und Entwerfermonogramm "MP", auf der Unterseite gemarkt mit Bildmarke der Wiener Keramik, Entwerfermonogramm "MP" und Modellnr. "73"H. 39,5 cmElisabeth Frottier, Michael Powolny. Keramik und Glas aus Wien. 1900 bis 1950. Monografie und Werkverzeichnis, Wien/Köln 1990, o. S., Abb. 23;Arlt, Weilinger, Wiener Keramik, Werkverzeichnis. Wien 2018, S. 152, WK Modellnr. 73
Michael PowolnyPutto mit Trauben "Herbst"Keramik aus hellem Scherben, farbig staffiert und glasiert; auf der Plinthe gemarkt mit Entwerfermonogramm "MP" und Bildmarke der Wiener Keramik, auf der Unterseite mit Modellnr. "W 61"H. 37,5 cmElisabeth Frottier, Michael Powolny. Keramik und Glas aus Wien. 1900 bis 1950. Monografie und Werkverzeichnis, Wien/Köln 1990, o. S., Abb. 24;Arlt, Weilinger, Wiener Keramik, Werkverzeichnis. Wien 2018, S. 153 Abb., WK Modellnr. 61
Tias Eckhoff und Georg JensenTafelbesteck Nr. 99 "Cypress"Silber; 203teiliges Besteck, bestehend aus: 6 x 18 und 6 x 12 Tafelbestecken; 23 Vorleger; alle Teile gemarkt mit "STERLING/DENMARK", "GEORG/JENSEN"; die einzelnen Teile wie folgt: 18 Suppenlöffel, 18 Menümesser, 18 Menügabeln, 12 Fischmesser, 12 Fischgabeln, 18 Dessertlöffel, 18 Dessertmesser, 18 Dessertgabeln, 12 Buttermesser, 12 Kuchengabeln, 12 Teelöffel, 12 Mokkalöffel; Vorleger: 1 Suppenschöpfer, 2 große Salatvorleger, 2 kleine Salatvorleger, 4 Vorlegelöffel, 4 Vorlegegabeln, 2 Saucenschöpfer, 1 Kuchenmesser, 1 große Tortenschaufel, 1 kleine Tortenschaufel, 2 kleine Eisvorleger, 2 Marmeladenlöffel, 1 OlivengabelBruttogesamtgewicht: 9.735 gGeorg Jensen, Silversmith. 77 artists. 75 years, Washington D.C. 1980, o. S., Abb. 30
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