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Lot 2166
UNBEKANNTER BILDPLASTIKERTätig um 1900 in Deutschland o. FrankreichRitter zu Pferd aus einer grossen Figurengruppe 'Turnierkampf' Bronze, dunkel patiniert, Eisen. H. 44 cm (Figur). Über einem quadratischen, ornamentieren Sockel vollplastische und detailreiche Darstellung eines steigenden Rosses mit einem Ritter in der Verteidigungshaltung. Part. stark besch., Sockel ergänzt, auf einer Holzunterlage stehend. Bei dem vorliegenden Werk lassen sich eindeutige Parallelen zu den großen Turnierkampf-Figurengruppen von Albert Hinrich Hussmann und Alfred Émilien Comte de Nieuwerkerke erkennen.
Lot 1220
ZWEI MINIATUR-REISEUHREN Frankreich o. England, Ende 19. Jh. Messing, poliert. H. 9 cm bzw. 7,5 cm. Jeweils ein hochrechteckiges, allseitig verglastes Gehäuse mit beweglichem Griff. Schwarze römische Zahlen auf weißem Fond. Min. ber., feiner Haarriss im Zifferblatt, 1 Schlüssel vorhanden, wohl funktionsfähig.
Lot 1331
BIEDERMEIER-KOMMODE Deutsch o. Österreichisch, um 1810/ 1815 Kirsche (?), furniert, Bronze-Beschläge. H. 81 cm, B. 81 cm, T. 45 cm. Über vier sich verjüngenden Beinen gerader, zweischübiger Korpus mit leicht überstehender Deckplatte. Besch. und rest. Provenienz: Laut Einlieferer Adelsbesitz Münsterland/ Waldeck.
Lot 1196
GROSSE KAMINUHR 'JÄGER MIT ERLEGTER BEUTE' Schwarzwald o. Brienz, um 1870/ 1880 Nussbaum, vollplastisch geschnitzt, dunkel gebeizt, Glas. H. 53,5 cm. Auf dem Werk mit einer Medaille 'Japy'. Über einem stilisierten Sockel als Baumstamm ausgeführtes Uhrwerkgehäuse mit der vollplastischen Figur eines sitzenden Jägers, in die Ferne schauend. Zu seinen Füßen liegt eine erlegte Gämse. Rundes Zifferblatt mit römischen Zahlen in den weiß emaillierten Feldern. Part. besch. und rest., Uhrwerk wohl nachträglich eigebaut, Pendel vorhanden.
Lot 1069
KÄTHE KOLLWITZ1867 Königsberg - 1945 Moritzburg'ENDE' - BLATT 6 AUS DER FOLGE 'EIN WEBERAUFSTAND' Radierung und Durchdruckverfahren auf festem Kupferdruckpapier. DM 24,5 x 30,5 cm (R. 42 x 53 cm). Unten links in der Platte bez. 'Orig. Rad. von Käthe Kollwitz', unten Mitte 'Verlag von Emil Richter Dresden', unten rechts 'Druck v. O. Felsing, Berlin-Chltt.'. Gebräunt. Im Passepartout und hinter Glas gerahmt (ungeöffnet).
Lot 1188
EMPIRE-KAMINUHR Frankreich o. Österreich, um 1810/ 1820 Bronze, vergoldet und dunkel gebeizt. H. 36,5 cm. Über vier Spitzfüßen rechteckiger Sockel mit umlaufendem, vegetabilem Fries. Von zwei Karyatiden gehaltenes Uhrwerkgehäuse mit einem Adler als Aufsatz. Weiß emailliertes Zifferblatt mit schwarzen römischen Zahlen hinter Glas. Part. besch., Verluste der Vergoldung und Patina, Pendel und Schlüssel vorhanden, Uhrwerk ungeprüft.
Lot 2078
CHRISTUSKNABE MIT DER WELTKUGEL Deutsch o. Französisch, um 1900 Holz, plastisch geschnitzt, farbig gefasst, teils vergoldet, rückseitig geflacht. H. 38 cm. Halbfigurige Darstellung des Christusknaben in andächtiger Haltung, eine Weltkugel in seiner Linken haltend. Part. besch., mit Verlusten der Fassung.
Lot 2191
GIOVANNI DE MARTINO1870 Neapel - 1935 o. 1938 ebendaFischerjunge Bronze, braun patiniert. H. 37,5 cm. Seitlich bezeichnet 'Martin', verso mit einer Widmungsinschrift. Über einem felsartigen Sockel ganzfigurige Darstellung eines schreitenden Fischerjungen mit einem Korb voller Muschel in der Rechten und einem Kescher in seiner Linken. Part. mit Verlusten der Patina.
Lot 933
DECKELVASE MIT KAPUZINERKRESSE Deutsch, Nymphenburg, 1925-1975 Porzellan, polychrome Malerei, Goldstaffage. H. 34 cm. Grüner Manufakturstempel, eingepresstes Rautenschild, Pressnummer, Ritzzeichen. Im Boden und im Deckel bez. 'O.175.78 Rud. Sieck' bzw. 'R. Sieck 78. O.175'. Ovoider Korpus. Dekorentwurf von Rudolf Sieck. 1. Wahl. Part. sehr min. ber., sehr min. best.
Lot 1753
THREE GOLD AND GEM SET RINGS (3)Comprising; a Victorian 12ct gold and pink gem set five stone ring, with engraved decoration to the shoulders, London 1864, ring size N and a half, a gold ring, mounted with a half pearl between two turquoise, ring size O and a gold, blue and colourless gem set eternity ring, marks indistinct, ring size N and a half, combined gross weight 5.8 gms
Lot 1779
AN 18CT GOLD AND DIAMOND RING AND THREE FURTHER RINGS (4)The diamond ring mounted with rows of circular cut diamonds in a triple slanting design, ring size I, gross weight 3.5 gms, a 9ct gold, sapphire and diamond three stone ring, ring size O and a half, a gold ring, claw set with a rectangular cut amethyst, detailed 9ct, ring size N and a colourless gem set eternity ring (damaged)
Lot 1800
A DIAMOND CLUSTER RING AND DIAMOND SINGLE STONE RING (2)The diamond cluster ring comprises of nine old mine cut diamonds, size O, the single stone is set with an old mine cut diamond which measures, 4.62 X 4.30 X 3.09 mm, approximately 0.52 carats, size O, both are set in 18 ct yellow gold, gross weight 5.3 grams.Condition report - Both rings are in good condition for age, no notable damage. Diamond single stone - estimated colour G/H - estimated clarity VS
Lot 1830
THREE EDWARDIAN DIAMOND RINGS (3)Comprising of one set with six old cut diamonds, in a rub over setting, size N, another with a central sapphire and two old cut diamonds, size O, and a three stone, set with old cut diamonds, size K, all in 18 ct gold, gross weight 7 grams.Condition report - All in good condition, no notable damage, stones are all well set.Sapphire has mild abrasion to facets.
Lot 1842
A VICTORIAN GARNET AND SEED PEARL RING, AND A SAPPHIRE AND DIAMOND RING (2)Comprising off a Victorian four stone garnet ring, with a central seed pearl, size N, gross weight 2.3 grams, also with a pinkish/red sapphire ring set with three old cut diamonds to the side, in 18 ct gold, size O, gross weight 2.2 grams.Condition report - Both rings in good condition.
Lot 153
Frankel's No.3 number half-cloth from the 2012 Queen Anne Stakes at Royal Ascot the race where this supreme thoroughbred earned a Timeform rating of 147 the highest mark ever afforded to a racehorse,presented in a framed memorabilia display including a lock of Frankel's tail hair, a signed racecard, four colour photographs and a printed legend, the black number cloth as carried by Frankel numbered 3 in gold and with the Royal Ascot logo, the cloth signed by Frankel's late great trainer Sir Henry Cecil and former Juddmonte Racing manager Lord Teddy Grimthorpe, flanked by four 6 by 8in. colour photographs, below is a neatly tied lock of Frankel's tail hair, besides is the racecard for the Queen Anne Stakes 19th June 2012 that has been signed by Frankel's jockey Tom Queally, Teddy Grimthorpe and the legendary commentator Sir Peter O'Sullevan, centred to the bottom is a printed legend for the display; reverse of frame bears two signed COA's from the colt's groom and Sir Henry Cecil's Warren Place Travelling Head Lad authenticating the cloth and the hair respectively, framed and glazed, 77 by 102cm.Please be aware all glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.The Timeform Organisation was founded by Phil Bull in 1948 with a mission statement of providing "dispassionate analysis" of racehorse performances. On this day they rated Frankel at 147, 2lb higher than the record set when Sea Bird II won Le Prix de l'Arc de Triomphe in 1965. It was also the first mark of 140 or higher afforded since the 1970s. A full list of 140 and above racehorses follows: Frankel 147. Sea Bird II 145. Brigadier Gerard & Tudor Minstrel 144. Abernant, Ribot & Windy City 142. Mill Reef 141. Dancing Brave, Dubai Millennium, Sea The Stars, Shergar & Vaguely Noble 140.Timeform's report of the 2012 Queen Anne Stakes reads: "Frankel has produced many astonishing performances already but this one breaks new ground, not just Frankel's best yet but achieving the highest Timeform rating ever on the Flat, surpassing Sea-Bird's 1965 Arc rating by 2 lb, a staggering effort, and it's remarkable that he has now shown bare form in excess of 140 on 3 consecutive starts, a point in itself that adds substance to him being the greatest Flat racehorse of all time; in a well-run race, Frankel was in touch from the outset and always travelled powerfully, tanking into the lead with over 2f to run before being unleashed by Queally, the response even more sensational than he'd produced before, bursting further and further clear right to the line, hardly even feeling the whip as he did so; if it's been possible to pick holes in Frankel at any stage then it's been that he hasn't always looked the most tractable, needing a gung-ho ride to make sure in last year's 2000 Guineas for instance, and his vast ability always saw him through, but he's now 100% the finished article, even bigger and stronger in physique as well as mentally mature, and that all manifested itself this day; he's still only 2 races into this defining season and new tests await, set to step up to 1¼m either in the Eclipse or Juddmonte International, and there's no concerns over whether he'll stay, more anticipation and excitement for what a longer trip and different challengers (in particular top-notch 3-y-o Camelot) could bring, the potential still there for Frankel to go higher still in the ratings; barring accidents, he'll never be beaten."Sir Henry Cecil described Frankel as "The best I've ever had, the best I've ever seen, I can't believe in the history of racing there has ever been better."
Lot 24
A good signed photograph of the boxer Freddie Mills,with fine quality signature in fountain pen, inscribed "Best O' Luck", 8 by 6in.b&w, and with barely visible dedication below upper margin in Mills' hand "To Sportsman Jimmy Street, Airman", small tear but generally good; sold together with two pre-war boxing programmes, Grand Boxing Tournament Eddie Phillips v Tommy (Kid) Farr at The Stadium Club High Holborn (also featuring an exhibition by Harry Mizler) 1.2.34; and Pancho Villar v Ben Foord at the Royal Albert Hall 23.9.35 (3)
Lot 528
Three Charlton Athletic 1934-35, 1935-36 & 1936-37 team photographs, approx. 18 by 14in., matted and all produced as official team photographs for season, all B. W. O. Newman SE13. Each headed Charlton Athletic football club with date and player legend under photograph. 1935-36 also has legend 'Record achievement 3rd Division Southern Section Champions 1934-35', (3)
Lot 364
20th century A.D. A miniature model of red-laced ?-Yoroi armour of Kamakura period, comprising: 1. a helmet (hoshi-kabuto) with shinodare frontal plates, fukigayeshi raised side protections, terminating on the top with a tehen no kanamono of typical chrysanthemum form, the bowl (hachi) fitted with star-rivets hoshi, a mabezashi, (integral peak visor), lined with green silk; the neck of the helmet is protected by a very wide laminated yellow-laced shikoro neck guard, with orange braid spaced lacing; the helmet is fitted with a kabuto no o chin-strap); 2. a fine russet lacquered menpō face mask, with flared nostrils and open mouth, gold lacquered teeth, hair moustache and chin tuft, to which is attached a laminated yodare-kake, (throat guard), made of two plates; 3. a splendid O-Yoroi armour constructed with a separate protection for the right side waidate and facsimile of laced kozane lamellar armour, watagami shoulder-straps; attached to it a kusazuri protection made from four laced panels hanging from the front and back of the d? to protect the lower body and upper leg; a yoshitsune-gote vambraces; ?-sode, shoulder guards, composed from six suspending plates; hiza-yoroi haidate, thighguards; suneate, greaves. Cf. Robinson, R., Oriental Armour, pp.173ff., figs.91-92, 94-95 no.7, 96 lett.B,105 lett.F, 107 lett. A, pl.XXIX. 1.74 kg total, 67 cm high including stand (26 3/8 in.). Acquired from an Essex, UK collector by exchange. Property of an Essex gentleman. From the end of the Heian era and especially during the Kamakura period this was the armour of warriors of high rank, as the Samurai wore in their victorious war against the Mongols of Qubilai Qhan, in 1271-1281. The helmet and cuirass (katchu) were accompanied by the kogusoku 'small complete', that is the set of accessories waidate, suneate, kote, haidate, kusazuri, etc.. - added a protection of the whole body. These miniature sets were often made for the Children's Festivals, held annually.
Lot 68
5th-4th century B.C. A terracotta red figure skyphos with carinated body, an owl standing facing, framed by olive or laurel sprays on both faces, two handles and discoid foot. Cf. The Metropolitan Museum, accession numbers 2011.604.10.143 and 41.162.100, for similar; cf. an identical owl on a red-Attic skyphos in Melnikova-Grigorjeva, Bogdanova, O., 'An owl and a mirror: on Bosch's visual motif's meaning' in Sign Systems Studies, 38, (1/4), Tartu, 2010, fig.3, p.215, in the Museum of Fine Arts, Lyon. 48.9 grams, 11.8 cm wide (4 5/8 in.). Acquired in the 1970s. Ex Olivier Vodoz, Geneva, Switzerland. The 'owl' motif is found in Ancient Greece (especially in Athens) as an attribute of the goddess Athena, and later with the Roman Minerva. The goddess of wisdom is rarely seen without her main attributes, and therefore the owl is often present. The popularity of an owl as a symbol of Pallas Athena is confirmed by Greek coins dating from 5th–2nd centuries B.C., gemstones, amphorae, but especially by a group of skyphoi with its image. This specimen belongs to a series widespread in the last quarter of 5th century B.C. For this specific lot, 5% import VAT is applicable on the hammer price [A video of this lot is available to view on Timeline Auctions Website.]
Lot 85
5th-4th century B.C. A terracotta ?????-???? (Hydria - water pot - wearer), formed as a standing female figure dressed in a chiton, one hand held by her side, the other steadying the hydria on her head; hollow-formed; mounted on a custom-made display stand. Cf. ???????????, ?., ?onanno-???????????, M., ???????, ?., Pisani, M., '???????, ????????, ??????? ?????? ??? ??????. ?????? ????????? ?? ???????? ???? ???? O???????' (figurines, wreaths, small vases and lamps. clay votive offerings in a rural sanctuary in Orchomenos, in Greek) in ???????????, A. (ed.), ???????????? ??? ??????????? ???? ???????? ???? ??? ???? ???????????? ??????? ??? ??? ?? ??????? ??????? (Coroplastic and small crafts in the Aegean area from the geometric times to the Roman period), Athens, 2014, pp.45-68, fig.8, p.56. 120 grams, 19 cm high (175 grams total, 23 cm high including stand) (7 1/2 in. (9 in.)). Sotheby's 12 August 1978, lot 444 (part). Ex Mohamed Makriya collection. With old inked collection number '3715' and old label 'CRETE' to the inside. With Sotheby's part lot label '53/19' verso; and '160/B', '397/3 SOTH' and '24/7/78' pencilled to the base. One of the most representative terracotta figurines offered as gifts in the Greek sanctuaries are the ones of Hydriaphorai (Hydria-wearers). In one sanctuary in Orchomenos, 32 different types are represented, covering the period from the 5th to 4th century B.C. [No Reserve]
Lot 123
Circa late 3rd-4th century A.D. or later. A colossal eagle statue or pillar cap carved in the round in white marble, gripping a round-section perch on a rectangular plinth base with concave sidewalls, the eagle modelled standing facing with head turned slightly left, wings closed, stylised detailing to the bird's massive talons, feathers and hooked beak. Cf. Bell, G.L., Amurath to Amurath, London, 1911, fig.3, p.10; Mendel, G., Catalogue des sculptures grecques, romaines et byzantines, Constantinople, 1914, nos.1135 (1949), vol.III, p.369, for similar sculptures of colossal eagles; Demir, O., La Cappadocia, culla della Storia, (The Cappadoce, cradle of History), Ankara, 1985, p.14, for a similar colossal eagle statue in marble at the Kayseri Museum. 100 kg, 1.08 m (42 1/2 in.). Ex private European collection, acquire by the current owner in 1997. Accompanied by an academic expertise by Dr. Raffaele D'Amato. Accompanied by scholarly note TL05438 by Dr Ronald Bonewitz. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11313-189915. These colossal statues of eagles, typical of the Tetrarchic Period, warned the enemies of the power of Rome and symbolised the presence of the emperor and military power in front of the Empire’s citizens, especially in the most problematic provinces, like Egypt, Syria and Mesopotamia, which were exposed to the influence and to the attacks of the rival Sassanian Empire or to the predatory raids of Nomadic tribes. They were also cult statues in front of which incense was burned in honour of the emperor. For this specific lot, 5% import VAT is applicable on the hammer price [A video of this lot is available to view on Timeline Auctions Website.]
Lot 775
THOMAS O WILSON BATH. A 19TH CENTURY ROSEWOOD REGULATOR FUSEE WALL CLOCK the 12" painted dial fronting a later fitted regulator fusee movement with dead beat escapement, maintaining power and large going barrel. The glazed trunk with waist mould and leaf carved side scrolls.91cm high 42cm wide
Lot 233
A selection of Corgi Classics die-cast model vehicles, including: Corgi Classics Daktati Land Rover & Figures; Corgi Classics Bedford O Series Van; Corgi Classic Thunderbirds Fab 1; Corgi Classics St Helen’s Fire Brigade Leyland Emergency Tender Set; two other Corgi fire engines; and others, each in box.
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