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Lot 27
ASSORTED 9CT GOLD JEWELLERY, to include a fine yellow gold curb link chain, fitted with a spring clasp, approximate length 470mm, hallmarked 9ct Sheffield import, a yellow gold green and colourless paste set cluster ring, hallmarked 9ct Birmingham, ring size N, a cubic zirconia single stone ring, hallmarked 9ct Birmingham, ring size O, approximate gross weight 7 grams (condition report: general moderate wear, overall condition good)
Lot 411
A GROUP OF P&O CRUISES SOUVENIR CRUISE SHIPS, comprising Oriana, Artemis and Oceana, with applied information stickers to the base, length of longest 30.5cm, together with a gilt metal 1920 Bluenose sailing boat, a gilt metal miniature clock in the form of a boat, a gilt metal miniature model of H.M.S Bounty and two lampwork Viking ships, etc. (10) (Condition Report: dusty, some light damage to ropes on metal ships, a few chips to the cruise liner funnels, one of the lampwork boats has a broken sail)
Lot 132
A BOX OF ASSORTED COSTUME JEWELLERY, to include a white metal and marcasite floral brooch, stamped silver, a white metal and copal amber ring, stamped 925, ring size O 1/2, approximate gross weight 17.3 grams, two early to mid-century paste brooches, a grouse foot brooch, a white metal and imitation turquoise ring, a three strand fresh water pearl necklace, a boxed 'Cristalina' necklace, a large selection of clip on earrings, beaded necklaces, imitation pearl necklaces, ladies wristwatches, bangles, bracelets and rings, (condition report: general moderate wear, watches not tested for working condition)
Lot 28
A SMALL ASSORTMENT OF JEWELLERY, to include a three stone diamond ring, prong set in a white metal illusion setting, leading on to a yellow metal shank, stamped 18ct & plat, ring size P, approximate gross weight 2 grams, a white and yellow metal pendant, prong set with an oval cut sapphire, bail stamped 9ct, approximate gross weight 0.9 grams, a rose and white metal ring set with circular cut colourless spinel, stamped 9ct sil, ring size O, approximate gross weight 3.7 grams, a pair of rose metal and paste drop earrings, unmarked, fitted with replacement fish hooks (condition report: general moderate wear, overall condition good)
Lot 159
ASSORTED JEWELLERY, to include a 9ct gold blue topaz ring, hallmarked 9ct Birmingham, ring size N, a 9ct gold five stone ring, set with five colourless cubic zirconia stones, hallmarked 9ct Birmingham, ring size O, approximate gross weight 4.0 grams, together with a yellow metal worn cameo ring, stamped 9ct, ring size N misshapen shank, a yellow and white metal full eternity ring, set with colourless spinels, stamped 9ct & Sil, ring size P, and a pair of unmarked yellow metal drop earrings, set with cubic zirconia, and a single stud earring, approximate gross weight 7.0 grams (condition report: topaz very worn, cameo very worn with misshapen shank, general light wear)
Lot 52
Chris SMITH (1950) Red On Yellow I & II Collagraphs Each signed 38cm x 28cm and 39cm x 29cm Postage is available on this lot from £32.50 to a UK address. Artist's label to the verso Trained by the renowned Plymouth figurative painter, the late Robert O Lenkiewicz, Chris worked from Studio 7, Higher Bussow Studios, Towednack, St Ives, Cornwall, and now works at Studio 5, Treriefe Park, working principally on figurative drawings and paintings but is currently expanding his repertoire to embrace the influences of the St Ives artists and stunning landscapes of the Penwith Peninsula. These influences are moving Chris's output into abstraction, landscape, and the inclusion of figurative within these genre.
Lot 74
Chris SMITH (1950) Estuary, Hayle Acrylic on canvas Signed, titled and dated 2015 to the verso 40cm x 30cm Trained by the renowned Plymouth figurative painter, the late Robert O Lenkiewicz, Chris worked from Studio 7, Higher Bussow Studios, Towednack, St Ives, Cornwall, and now works at Studio 5, Treriefe Park, working principally on figurative drawings and paintings but is currently expanding his repertoire to embrace the influences of the St Ives artists and stunning landscapes of the Penwith Peninsula. These influences are moving Chris's output into abstraction, landscape, and the inclusion of figurative within these genre. Postage is available on this lot from £32.50 to a UK address.
Lot 73
Chris SMITH (1950) Ballet Oil on fabric Signed and titled to the verso 50.5cm x 40.5cm Trained by the renowned Plymouth figurative painter, the late Robert O Lenkiewicz, Chris worked from Studio 7, Higher Bussow Studios, Towednack, St Ives, Cornwall, and now works at Studio 5, Treriefe Park, working principally on figurative drawings and paintings but is currently expanding his repertoire to embrace the influences of the St Ives artists and stunning landscapes of the Penwith Peninsula. These influences are moving Chris's output into abstraction, landscape, and the inclusion of figurative within these genre. Postage is available on this lot from £32.50 to a UK address.
Lot 55
Chris SMITH (1950) Atlantic Swell I and II Acrylic on canvas Each signed and titled to the verso Each 50cm x 50cm Postage is available on this lot from £32.50 to a UK address. Trained by the renowned Plymouth figurative painter, the late Robert O Lenkiewicz, Chris worked from Studio 7, Higher Bussow Studios, Towednack, St Ives, Cornwall, and now works at Studio 5, Treriefe Park, working principally on figurative drawings and paintings but is currently expanding his repertoire to embrace the influences of the St Ives artists and stunning landscapes of the Penwith Peninsula. These influences are moving Chris's output into abstraction, landscape, and the inclusion of figurative within these genre.
Lot 44
Chris SMITH (1950) Bojuthnoe to Ding-Dong Acrylic on canvas Signed and titled to the verso 38cm x 46cm Postage is available on this lot from £32.50 to a UK address. Trained by the renowned Plymouth figurative painter, the late Robert O Lenkiewicz, Chris worked from Studio 7, Higher Bussow Studios, Towednack, St Ives, Cornwall, and now works at Studio 5, Treriefe Park, working principally on figurative drawings and paintings but is currently expanding his repertoire to embrace the influences of the St Ives artists and stunning landscapes of the Penwith Peninsula. These influences are moving Chris's output into abstraction, landscape, and the inclusion of figurative within these genre.
Lot 52
Registration - KMS 974E Chassis No. - 7R01C225553 M.O.T. - Exempt Odometer - 33,600 The Ford Mustang was an instant hit when launched in 1964 – and when you look at this beautiful left-hand drive ‘pony car’ it’s easy to see why. With its classic Wimbedon white paintwork set off by dark blue GT striping and sitting on a set of 17” American Racing alloy wheels, ‘KMS 974E’ is a real head-turner. The car was imported from California to the UK in 2005 and has had just two previous owners since it arrived in this country. It has been treated to a full restoration and benefited from a 351 upgrade to the 5-litre engine. The California sunshine means that the Mustang is rot-free underneath, and the current owner describes the engine, bodywork, electrics, paintwork, black leather interior and three-speed Cruise-O-Matic automatic transmission as ‘excellent’. The car sports classic Lucas rectangular fog lamps, while contemporary touches include a digital odometer and tachometer and Kenwood radio. ‘KMS 974E’ comes with three keys and a large folder including all MOTs and invoices for all work carried out since the car arrived in the UK. Desperate to attract young, enthusiast buyers to its brand, Ford launched the inaugural Mustang in 1964. It had its corporate fingers crossed for sales of 100,000 in the first year. As things transpired it hit that figure in the first three months and the million mark after just 18 – the car was a runaway success. As often happens in the automotive world, the model then grew with time, and the modified ‘67 version portrayed as ‘Eleanor’ in the film Gone In 60 Seconds and the ‘68 one immortalised by Steve McQueen in Bullitt, were a more imposing breed of horse. Indeed, the model continued to grow in size, gaining a further three inches in width for 1971 in order to accommodate Ford’s big block 429ci unit. However, history interestingly shows that Mustang’s best year ever was 1966, when 607,568 examples found homes in the US alone. By comparison, a mere 61,090 of the current model sold in 2020. It seems ‘classic’ really is best! In summary: A restored example of the quintessential Americal ‘pony car’ A Californian car, imported into the UK in 2005 Benefited from a 351 engine upgrade
Lot 2
Registration - 343 XUS Chassis No. - H9YH142727 M.O.T. - Exempt Odometer - 20,015 If you’re a lover of 1950s Americana and have a hankering for a head-turning motor car with a throbbing V8, this second-generation Ford Thunderbird could be just what you’re looking for. All fins and chrome, this flame red 1959 ‘Squarebird’ is powered by a mighty 300hp, 352 cubic inch, 5800cc V8 engine that makes all the right noises. Inside, the inimitable 50’s American feel continues, with the cream and black trim, yet more chrome, electric windows and that handsome, steering wheel-mounted optional Cruise-O-Matic three-speed automatic transmission. Even the boot (or should we say ‘trunk’?) gets in on the act, with a distinctive grey and cream chequered lining. ‘343 XUS’ left the USA for the UK in 2009 and this left-hand-drive machine has had just three owners since it arrived on these shores. The current owner describes the engine, transmission, electrics and paintwork as ‘good’. The chrome would benefit from some TLC, as would the interior trim but, offered at No Reserve, this capacious four-seater is a great deal of car for the money. And it will certainly turn heads. The first-generation Ford Thunderbird, produced from 1955-57, was a hugely popular two-seater. When they launched the second-generation model in 1958, Ford added two additional seats and added luxury elements more usually found in much more expensive cars. One advertising slogan was ‘New Ford Thunderbird seats four - now it’s twice the fun to own one!” What became known as the ‘Squarebird’ has been acclaimed as a sculptural masterpiece of Fifties Detroit design, and it’s easy to see why the second generation sold more than four times as many examples as its predecessor. In summary: An eye-catching example of Ford’s renowned ‘Squarebird’ A fantastic, four-seater companion for classic American car events Offered at No Reserve
Lot 50
MUSIC & ENTERTAINMENT BOOKS - RIHANNA, STUDIO 54, OPRAH,CHER INCLUDING: Rihanna, Edited by Jen O Hill, Phaidon 2019 Studio 54, Ian Schrager, Rizzoli 2017 Capitol Records, Edited by Reuel Golden, Taschen 2021 Oprah. The Oprah Winfrey Show. Reflections on an American Legacy, Deborah Davis, Abrams 2011 ETC (7) Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 72
Two sterling silver serving pieces handmade by silver smith Orla Vagn Mogensen, comprising of 1 Medium two tine medium cold cut serving fork and 1 solid pastry server. The handles are embellished with curved floral followed by five beads. Hallmarked O. MGGENSEN Sterling Denmark to underside. Fork: 8.75"L x 0.75"W. Pastry server: 10"L x 2"W. Weight: 170 grams total. Artist: Orla Vagn MogensenCountry of Origin: DenmarkCondition: Age related wear.
Lot 90
Collection of Caithness paperweights including limited edition examples. The lot to include Opus '88 697/1000, 40 years coronation example, Pixie, Astral 143/50, Shamal 244/750, Myriad, Ring O Roses 291/750, Touchdown 677/1000, Trilogy 448/750, Caithness Magenta 463/750, commemorative Battle of Britain, Diamond Jubilee of Queen Victoria, Spectre, 721/1000, Solace 690/750. 16 in total.
Lot 61
18th Century Gold Posey Ring. 2.07g. 20mm. UK ring size O, US size 7. A D-shaped band decorated with an intricate floral and foliate pattern around the outer face. The inside of the band is engraved with an inscription, "To remember the is joye to mee". Makers mark, RW or RN ligated. Recorded on the PAS database as: CAM-827FF4.
Lot 1054
Alfred Edgar Coppard, an A.S.L. on headed note paper addressed to Dear Mr & Mrs Blater? "I am truly sorry that I am obliged to cry off coming to you at Easter...", dated 4.4.25, together with one other to Mr Blater, dated 21.5.25, housed in a cloth covered slip-case with gilt title to the spine "Letters From A.E. Coppard", together with various volumes by the author to include The Field Of Mustard, presentation copy inscribed "R.F. Gibb with the best of luck A.E. Coppard", 1926, Fares Please!, signed and dated 1950, 1931, You Never Know, Do You?, 1939, Ninepenny Flute, 1937, Fearful Treasures, 1951, Lucy In Her Pink Jacket, 1951, Dunky Fitlow, 1933, Ugly Anna And Other Tales, 1944 and It's Me, O Lord!. (10)
Lot 1289
A white metal diamond three-row half eternity ring, comprising a centre row of seven and two outer rows each with 13 brilliant cut diamonds, all in channel settings, diamond dimensions between approx 1.5 x 1.05mm and 2.8 x 2.85 x 1.69mm, total weight estimated as 0.82 carats, assessed mounted collectively colour J to K and clarity VS1 to VS2, ring width 7.5mm, size approx O, gross weight 9.7g, stamped and tested as 14ctRhodium plating wearing.
Lot 1283
An 18ct yellow and white gold, ruby and diamond oval cluster ring, the centre ruby measuring approx 8 x 6.2 x 3.6mm, weight estimated as 1.66 carats, within a border of 12 round brilliant cut diamonds all in claw settings, diamond diameters each approx 2.1mm, total weight estimated as 0.36 carats, assessed mounted collectively colour H to I and clarity VS2 to SI1, size O½, gross weight 4.3g, hallmarked 18ct, London 2019
Lot 345
Worksplate THE ENGLISH ELECTRIC CO LTD, VULCAN WORKS, NEWTON-LE-WILLOWS, ENGLAND No. D.1229. 1967. Ex O-6-0 Diesel Hydraulic supplied new to Ford at Dagenham where it was numbered 5, later rebuilt by Hunslet named Elementary and used at Queenborough Rolling Mill on Isle of Sheppey Kent. Rectangular chromed brass, face restored measures 10.25in x 4.625in.
Lot 2267
A Diamond Five Stone Ring the round brilliant cut diamonds in white claw settings, to a plain polished shank, total estimated diamond weight 1.25 carat approximately finger size OThe ring is in good condition. It is stamped '14K' and in our opinion would test as gold. The approximate qualities of the diamonds are; colour H/I/J, clarity SI1/SI2/I1. Gross weight 3.5 grams. CR made 18.12.23.
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175434 item(s)/page