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Lot 1849
An Alps Toys of Japan plastic and battery operated model of a Dodge Colt Mitsubishi Lancer Rally Car fitted with new sound and Touch-o-matic change action comprising of white body with racing No. 6 and roof rack load, housed in the original card pictorial box, excellent example with clean battery compartment
Lot 101
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Malaga, 1933 - Antequera, Malaga, 2006)."Micro David", 1971.Nickel-plated metal. With golden metal chain.Signed on the arm.Detachable sculpture: 17 elements.Measurements: 6 x 2,5 x 1,5 cm.Miguel Ortiz Berrocal showed a special predilection for articulated and detachable sculptures. Inspired by the main creative forces of the first half of 1900, the artist sought his own artistic path. He drew his inspiration from science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that have to be assembled and disassembled in order to penetrate their invisible space.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and from 1968 he alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicétera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 34
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Málaga, 1933 - Antequera, Málaga, 2006)."Bullfighter. Homage to the Niño de la Palma", 1972.Detachable sculpture: 18 elements.Brass, copy 696/2000.Signed and numbered.The patina is worn.Measurements: 28 x 21 x 20 cm (with base).Miguel Ortiz Berrocal showed a special predilection for articulated and detachable bronze sculptures. Inspired by the main creative forces of the first half of 1900, the artist sought his own artistic path. He was inspired by science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that have to be assembled and disassembled in order to penetrate their invisible space.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and since 1968 he has alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicettera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 97
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Malaga, 1933 - Antequera, Malaga, 2006)."Cristina", 1969-1970.Nickel-plated metal, example 2406/9500.Detachable sculpture: 25 elements.Signed and numbered.Measurements: 15 x 8,5 x 6 cm.Miguel Ortiz Berrocal showed a special predilection for articulated and detachable sculptures. Inspired by the main creative forces of the first half of 1900, the artist sought his own artistic path. He drew his inspiration from science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that have to be assembled and disassembled in order to penetrate their invisible space.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and since 1968 he has alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicettera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 486
§ Lawrence Coulson (1962-) Shining Throughsigned 'LAWRENCE / COULSON' (lower left)oil on board90 x 125cmProvenance:With Artique Gallery, London, where acquired in October 2005With vast, panoramic skies marbleised by tumbling clouds or ignited by blazing sunsets, and with distant, anonymised figures dwarfed by their surroundings, the work of Cambridge-born artist, Lawrence Coulson, has found itself embedded within the illustrious tradition of British landscape painting.As the son of noted landscape artist, Gerald Coulson, Lawrence Coulson began painting at a young age, though, after achieving a D grade at ‘O’ level, Coulson left school to work in the retail trade. At 21, Coulson was encouraged by his father to reignite his passion for art and within a few weeks sold his first painting. It was not until 1997 that Coulson became a full-time painter, having spent the intervening 14 years painting only in his spare time. In the following year, Coulson cemented his growing reputation with a sell-out exhibition at The Halcyon Gallery, London.Principally drawing inspiration from the fens, fields and shorelines of East Anglia, Coulson’s works demonstrate the duality of our environment, ranging in character from the serene and meditative, to the sublime and dramatic. Inspired by Seago, Turner, Friedrich and Wyeth, Coulson aims not to replicate the physical landscape precisely as it appears, but to elicit a mood and immerse his viewer within the work.
Lot 380
Peter de Wint (1784-1849) watercolour over traces of pencil, entitled 'Westminster Abbey from Carlton House Terrace, approx 13 x 47 cms, provenance 'The Artist's Studio sale, 25th May 1850, Lot 347 bought by Vokins for Lady Clive (oe4.15.o), framed and glazed. Note: formerly from Glympton Park Woodstock Oxford.
Lot 1024
Indian School. 19th CenturyPortrait of Three Kings of Oudh, fragment from a larger painting.Image size 27cm x 16cm.Hand written label to the verso."Fragment of a picture found in the white marble bassadussi? in the Kaisibagh palace Lucknow in 1858. Five portraits of the Oudh dynasty. The centre figure was bayonetted so I cut the canvas, but have lost a part- 2 portraits the 3 remaining are*Naser O deen Hydar, King of Oudh for ten years died 7th July 1837 besides his revenue he spent a reserve fund? of 10,000.000 all but 700, 000 succeeded by his uncle Nasser-O-dowlah who took the title of*Mahomed Ali Shah: he entertained Lord Auckland in 1837- He added 30,000 to the reserve fund died 16th May 1842 buried in Husainabad Imambara. His son Hazsut? Mahal? succeeded him taking the title*Amjad Ali Shah. He raised the reserve to 1,360,000£-died 13 Feb 1847, buried Hazratganj Imambara, He was succeeded by his son Wajid Ali Shah the last king of Oudh who after spending all the reserve fund was deposed by Lord Dalhousie on the 7 Feb 1856 on a heusim? of 120,000 £ a year and a palace in Calcutta (where he died in 188...)The next year the Lepoy? rebellion broke out.In 1858 we took Lucknow expelled the rebels."
Lot 122
A Diamond Set Five Stone Ring. Centering on An Early Brilliant Cut Diamond, Measuring 3.0mm Diameter, Flanked To Either Side by Two Swiss Cut Diamonds, Measuring 2.5mm - 1.7 mm Diameter. All Stones Star Set to White Illusion-Style Settings. Tapering Yellow Shoulders and a Plain Polished ' D ' Shaped Cross Sectioned Shank. Ring Stamped 18CT & PLAT ' Tests as 18ct Gold. Settings Test as Platinum-Fronted, The Ring Is Stamped ' 2693 ' ( Presumed a Stock Code ) to The Inside of Shank. Calculated Total Diamond Weight 0.24 Metric Carat, Approximate Diamond Quality / Colour I/J, Clarity SI. Ring Size O. Shank / Setting As New Condition. Comes with Independent Expert Valuation for £1,100, Folder and Paperwork.
Lot 1307
A Small Collection of Military Medals 1. George VI Palestine medal 1945-1948 awarded to D/JX 159395 JM Wilson P. O. R. N. 2. George VI silver medal for faithful service India 3. France WWI 1914-1918 military cross with citation 4. Royal School Church Music ST Nicolas medal and ribbon 5. George V and Queen Mary 1935 medal and ribbon 6. 2 medals with others WW1 and 2.
Lot 486
Colour Change Fluorite Ring, a 6ct square cushion cut, sapphire blue, fluorite, which changes colour to a vibrant purple in UV, candlelight or incandescent light; fluorite being one of very few gemstones to have this property which visibly resembles colour change sapphire; here set with three graduated white topaz to each shoulder in platinum vermeil and silver with a scroll work gallery; size O
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