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Lot 2512
An early 20th century 18ct yellow gold, opal and rose cut diamond ring, featuring a centre oval and two smaller round opal cabochons, with two rose cut diamonds to either side of centre stone, all in grain and claw settings with carved shoulders, opal dimensions between approx 1.8 x 1.3mm and 4.7 x 3.3 x 1.65mm, rose cut diamond dimensions each approx 1.25 x 1.15mm, size O, gross weight 2g, hallmarked 18ct, Birmingham 1909, sponsor LBRS
Lot 2535
Two yellow metal dress rings, being a 9ct yellow gold oval shell cameo ring depicting the three graces within a diamond cut border, cameo dimensions approx 13.4 x 9.8mm, size N, gross weight 3.6g, partial hallmark for 9ct; and a yellow metal garnet five stone half hoop ring, having five graduated round faceted garnets in claw settings, garnet dimensions between approx 3.25 x 2.2mm and 4.35 x 2.81mm, total weight estimated as 1.24 carats, size O, gross weight 2g, stamped and tested as 9ct (2)
Lot 2626
A yellow metal opal dress ring, comprising an oblong crystal opal exhibiting blue and green harlequin colour pattern, with bifurcated shoulders, opal dimensions approx 22.05 x 10.2 x 3.05mm, weight estimated as 3.56 carats, size O½, gross weight 4.5g, stamped and tested as 18ctSetting is worn and surface of opal is abraded.
Lot 2704
An 18ct yellow and white gold, diamond three-stone ring, featuring three graduated round brilliant cut diamonds in claw settings, diamond dimensions between approx 4.45 x 2.75mm and 5.1 x 3.15mm, total weight estimated as 1.16 carats, assessed mounted collectively colour L to M and clarity SI1 to SI2, size O½, gross weight 4.5g, hallmarked 18ct, London 2005
Lot 2707
An 18ct white gold diamond half eternity ring, comprising seven Princess cut alternating with eight baguette cut diamonds, all in channel settings, Princess cut dimensions between approx 2.1 x 1.31mm and 2.35 x 1.4mm, baguette cut diamond dimensions each approx 2 x 0.95 x 0.75mm, total weight estimated as 0.42 carats, assessed mounted collectively colour H to I and clarity VS2 to SI1, size O, gross weight 3g, hallmarked 18ct, London, sponsor TJC
Lot 2740
An 18ct yellow gold jadeite dress ring, comprising an oval cabochon cut green jadeite in a bezel setting, jadeite dimensions approx 18.85 x 13.2 x 3.2mm, weight estimated as 6.65 carats, size approx O (beads in shank), gross weight 4g, hallmarked 18ct, Birmingham 1986, sponsor RCKJadeite is possibly dyed.
Lot 2808
A white metal diamond three-stone ring featuring three graduated old cushion cut diamonds in claw settings, Diamond dimensions between 3.4x3.1x3.5mm and 3.95x3.65x1.85mm approx. Total weight estimated as 0.61ct. Assessed mounted collectively, colour K to M, clarity SI1 to SI2, finger size O½, gross weight 3.6g, stamped and tested as platinum
Lot 458
Laila Tara H Thief! Thief! Thief In My Closet!, 2022 Natural Pigment, Watercolour, Velvet and Handmade Hemp Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Laila Tara H (b.1995, London) is an Iranian-British artist whose practice stems from the visual language of Indo-Persian miniature painting. Laila's Iranian heritage, and years spent moving through continents have inspired the language through which she articulates her own history + life. Utilising historical techniques, her works explore and experiment in scale and negative space. Symbolic forms and multiple, concurrent narratives punctuate the space. Detailed figures suspended amidst contemporary urban scenes, disjointed limbs amidst delicate foliage, are all arranged in stark, startling compositions that defy stylistic cannons and stretch boundaries. She often cuts and folds paper, puncturing and destabilising space to introduce new three-dimensional depth and shadow play. Her works, most often painted on hand-made natural hemp paper sourced from Sanganer, India, explore a range of emotions, and create a charged surface where the tension between form and formlessness; the object and its surrounding emptiness, plays out. The figures explore our sense of perspective and time, and are interlaced with deeply personal narratives. Laila mostly uses pigments that are either naturally derived, or prepared using traditional methods from found materials-these range from crushed red London bricks; walnut ink; madder red pigment; deep blue lapis lazuli from Badakhshan province of Afghanistan and India, sourced from Florence; ochres from Iran, collected from the island of Hormoz. Education 2017-2019 MA (distinction), The Prince's School of Traditional Arts, Miniature Painting Select Exhibitions/Awards Solo / Two-person: 2022 In Studio, Drake's London, New York, United States 2022 Twisted toes, tangled ears (with Anousha Payne), Public Gallery, London, United Kingdom 2022 duck duck goose, Purdy Hicks Gallery, London, United Kingdom 2021 Vexilloid, O Gallery, Tehran, Iran 2021 Am I?, V.O Curations, London, United Kingdom 2021 Sky-Circles (with Anusheh Zia Siddiqui), Indigo+Madder, London, United Kingdom Recent Selected Group: 2022 The body we are in, Confer-Karnac, London 2022 Future Fair, Cob Gallery, New York, United States 2022 Drawing Now Fair, Purdy Hicks Gallery, Paris France 2022 London Art Fair, Purdy Hicks Gallery, London 2022 ASSEMBLE, V.O Curations, London 2021 Slow Burn, Indigo+Madder, London 2021 Cruel Intentions, Arusha Gallery, London 2020 Casa Balandra Open Studios, Casa Balandra, Mallorca, Spain 2020 Nourishment Projects, V.O Curations, London 2020 So Good So Close, Numeroventi, Florence, Italy Statement about AOAP Submitted Artwork There's a moth in the cupboard. It's eaten through all the wool and all the silk. There's a moth in the cupboard and I can't get it out. Now that the moth turned velvet red, I sit by the fire and burn all that's left. ____ My painting practice for the last few years has stemmed primarily from Persian and Indian Miniature painting. My adoption of the tradition started as a means to leash myself to my lineal heritage, both by use of technique and medium but also by the active rejection of the western art power structure that has largely shunned non-western production as craft and inspiration. This is symptomatic of the larger geo-political power structure that physically dislocated and dismembered the majority (and most important) of the manuscripts. I say this while noting that tradition is an unstable term, especially when it's being used to cover half a continent and many centuries and is an evolving, thing. With the understanding that tradition is both unstable and unhinged now that it's existing entirely out of its original physical context - not entirely unlike my own biographical existence, I'm interested in the deconstruction of its aesthetic framework. To expand on the former, I am practicing the tradition outside of its original nation/state, outside of it's book-binding, outside of the generations of schools of men dedicated to it, outside of the occident/orient binary, and entirely outside of it's original purpose as a story-teller for political and religious means. Instead, I'm taking it on as a language with which to build a sort of Laila- dialect and weave my lived experiences. My compositions are maximal minimal - they require negative space to push movement and then the paint acts as an interjection. I enjoy taking this dense form of painting that began in manuscripts and reducing it down to its core - to take whole narratives and turn them to single sentences (with titles that are often poems.) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 561
Martin Davis Work-Life Balance Dice, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Martin Davis is an ex-firefighter turned artist. After university he spent more than 30 years in the fire & rescue service, during which time he found painting was a perfect antidote to the operational stresses of his working life. He committed himself fully to his art in 2008 after retirement and has spent the last 14 years finding his distinctive artistic voice. Martin is by admission an instinctive artist. Education He graduated from the University of Birmingham in 1976 (2.1 Economics) but in terms of art he is almost wholly self-trained, his only formal qualification being an Art GCE "O" level from his schooldays. Even so his artwork is bought by private collectors around the world and he has secured gallery space throughout the UK as well as in his native Derbyshire where he works from his home studio in Swanwick. Select Exhibitions/Awards Notable events: "Looking to the stars" Group Exhibition, Hornshaw Gallery, Brick Lane Gallery Annexe, Sclater Street, London 2016 Midlands Open Art Exhibition 2016, Tarpey Gallery, Castle Donington, Derbys Pentrich Revolution Bicentenary Group Exhibition 2017, various locations throughout the year Derbyshire/Nottinghamshire Great Sheffield Art Show 2017 & 2019, Open exhibition, Millennium Gallery, Sheffield. Summer/Autumn & Winter Exhibitions, D31 Art Gallery, Doncaster, 2021 Contemporary Portraits, Fronteer Gallery, Sheffield, 2021 Royal Cambrian Academy of Art Open Exhibition, Conwy, 2022 Salon Contemporary Arts 2022, Museum of Making, Derby 2022 Royal Academy Summer Exhibition 2022, London, Flux virtual Summer Exhibition 2022, Gallery Representation Salon Contemporary Arts, Derby Leabrooks Arts Complex, Leabrooks, Derbys Courtney Gallery, Ashbourne Derbys Hornshaw Gallery, London Statement about AOAP Submitted Artwork "Flying the Flag" is a good example of my figurative art as it is inspired by light, colour and a certain feeling in the composition which is almost wistful and surreal. My compositions are often associated with distant memories from childhood, here of hazy summers and the play of light and shadows. "Work-life balance dice" I guess is a still life, but a rapidly executed one. Much of my inspiration comes from words and phrases and modern concepts. I love to use the play of words against an image when on suggests the other, even out of it's usual context. Language and visual art are natural bedfellows. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 562
Martin Davis Flying The Flag, 2022 Acrylic and Gesso on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Martin Davis is an ex-firefighter turned artist. After university he spent more than 30 years in the fire & rescue service, during which time he found painting was a perfect antidote to the operational stresses of his working life. He committed himself fully to his art in 2008 after retirement and has spent the last 14 years finding his distinctive artistic voice. Martin is by admission an instinctive artist. Education He graduated from the University of Birmingham in 1976 (2.1 Economics) but in terms of art he is almost wholly self-trained, his only formal qualification being an Art GCE "O" level from his schooldays. Even so his artwork is bought by private collectors around the world and he has secured gallery space throughout the UK as well as in his native Derbyshire where he works from his home studio in Swanwick. Select Exhibitions/Awards Notable events: "Looking to the stars" Group Exhibition, Hornshaw Gallery, Brick Lane Gallery Annexe, Sclater Street, London 2016 Midlands Open Art Exhibition 2016, Tarpey Gallery, Castle Donington, Derbys Pentrich Revolution Bicentenary Group Exhibition 2017, various locations throughout the year Derbyshire/Nottinghamshire Great Sheffield Art Show 2017 & 2019, Open exhibition, Millennium Gallery, Sheffield. Summer/Autumn & Winter Exhibitions, D31 Art Gallery, Doncaster, 2021 Contemporary Portraits, Fronteer Gallery, Sheffield, 2021 Royal Cambrian Academy of Art Open Exhibition, Conwy, 2022 Salon Contemporary Arts 2022, Museum of Making, Derby 2022 Royal Academy Summer Exhibition 2022, London, Flux virtual Summer Exhibition 2022, Gallery Representation Salon Contemporary Arts, Derby Leabrooks Arts Complex, Leabrooks, Derbys Courtney Gallery, Ashbourne Derbys Hornshaw Gallery, London Statement about AOAP Submitted Artwork "Flying the Flag" is a good example of my figurative art as it is inspired by light, colour and a certain feeling in the composition which is almost wistful and surreal. My compositions are often associated with distant memories from childhood, here of hazy summers and the play of light and shadows. "Work-life balance dice" I guess is a still life, but a rapidly executed one. Much of my inspiration comes from words and phrases and modern concepts. I love to use the play of words against an image when on suggests the other, even out of it's usual context. Language and visual art are natural bedfellows. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 77
Anne von Freyburg No Title, 2022 Ink Drawing and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education MFA from Goldsmiths University of London (2016) and BA in Fashion Design from ArtEZ Arnhem, The Netherlands. Select Exhibitions/Awards 2022 Tsivrikos Shake Art Award 2022 2021 Winner of The Robert Walters UK New Artist Award Of The Year. 2021 Ingram Prize shortlist 2022 17th Tapestry Triennial, Centrale Textile Museum in Lodz, Poland (group) 2022 'Go Figure' Daniel Raphael Gallery London, (group) 2022 'Salon' Tsivrikos Shake Gallery London, (group) 2022 Duo exhibition with Rinke Nijburg, o-68 Gallery Velp, The Netherlands 2022 Group Show, 'Fragile' Letrangere Gallery London, UK 2021 Ingram Prize exhibition 2021 End of Residency show PLOP x Cob.gallery, London 2021 ING Discerning Eye Exhibition, Mall Gallery London 2021 Exhibition Robert Walters UK New Artists Award 2021 Saatchi Gallery London 2021 'Focus On The Female', Cynthia Corbett Gallery and Young Masters London UK. 2021 'Skin Deep', Duo exhibition, James Freeman Gallery London, UK Gallery Representation HOFA Gallery London Statement about AOAP Submitted Artwork Mixed media collage: ink drawing and cut out pieces of glossy magazine prints. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Lot 11
ARISTOTELES. Qui ferebantur librorum fragmenta. Collegit V. Rose. 1967. Ocl. -- Id. De sensu and de memoria. Text & transl. w. introd. & comm. by G.R.T. Ross. 1906. Ocl. (Spine ends slightly worn). -- Id. De anima. Ed. w. introd. & comm. by D. Ross. 1961. Ocl. w. (a bit dam.) dust-j. -- Id. De anima. W. transl., introd. & notes by R.D. Hicks. (Repr. ed. 1907). 1965. Ocl. (Bottom of spine slightly worn). -- M.C. NUSSBAUM & A.O. RORTY, eds. Essays on Aristotle's De Anima. (1995). Owrps. -- And 7 o. by A. (12).
Lot 638
EASTERN EUROPE -- POLAND -- "UHLAN PRUSSIEN". (Paris, 1815). Cold. aquatint by Debucourt after Vernet. 340 x 260 mm. -- "J. PONIATOWSKI". N.d. (1830's). Plain lithogr. by Visser after C.C.A. Last. 340 x 263 mm (paper size). -- "GIUSEPPE PONIATOWSKI alla Bataglia di Lipsia del 1813" - "I POLACCHI alla Battaglia di Sammo Sierra" - "GIOVANNI SOBIESKI alla Battaglia di Vienna del 1683" - (Florence, 1831). 3 engr. by Verico. 170 x 400 mm (image size). -- "KOSSYNIER/SENSENTRÄGER". Warsaw, K.L. Magnus, n.d. Plain lithogr. 420 x 280 mm. -- And 1 o. (7).
Lot 63
THEOPHRASTUS. The characters. An Engl. transl. w. introd. & notes by R.C. Jebb. New ed. by J.E. Sandys. 1909. Ocl. -- Id. The characters. Ed. by R.G. Ussher. 1960. Ocl. w. dust-j. -- Id. De lapidibus. Ed. w. introd., transl. & comm. by D. Eichholz. 1965. Ocl. w. dust-j. -- Id. On stones. Ed. E.R. Caley & J.C. Richards. 1956. Ocl. w. dust-j. -- And 6 o. on/by T. (10).
Lot 97
CASTLES -- GULICK, F.W. v. Ned. kastelen en landhuizen. (1960). Lge-8°. Ocl. w. dust-j. -- CASTELLOGICA. Verkenningen. Mededelingen Nederlandse Kastelen Stichting. Dl. 1-3: 1983-93. 4°. In 3 or. ringbinders. -- H.L. JANSSEN, (e.a.), red. 1000 jaar kastelen in Nederland. Functie & vorm door de eeuwen heen. (1996). 4°. Obrds. w. dust-j. -- J.C. BIERENS de HAAN. Rosendael, groen hemeltjen op aerd. Kasteel, tuinen en bewoners sedert 1579. 1994. 4°. Or. bind. w. dust-j. -- D.J.G. BUURMAN, red. Ammersoyen. Bijdr. tot de geschied. v.h. kasteel, de heerlijkheid en de heren van Ammersoyen. (1986). Obrds. w. dust-j. -- And 33 o. (also smaller) works on Dutch castles. (40).
Lot 589
UZANNE, O. La Française du siècle. Modes, moeurs, usages. Par., A. Quantin, 1886. (4), xvi, 273, (4) pp. W. front., 9 plates (w. tissue guards), 9 vign. & 9 initials, all in cold. etching by E. Gaujean after A. Lynch. Fine cont. full black mor. w. raised bands, dec. gilt back, t.e.g. & or. cold. etched wrps. bound up. NOTE:Vicaire VII, 924; Carteret IV, 384; Colas 2948; Lipperheide Fc 51.
Lot 297
HERMANS, W.F. Een landingspoging op Newfoundland. 1957. Ocl. w. dust-j. -- Id. Drie melodrama's. Conserve. De leproos van Molokaï. Hermans is hier geweest. 1957. Ocl. w. dust-j. -- Id. Horror Cœli en andere gedichten. (1946). Owrps. (Remnants of tape). -- 3 vols. First editions. -- Id. Fotobiografie. (2003). 4°. Or. bind. Printed in 1000 copies. -- MULTATULI. Max Havelaar. Ingel. en v. verkl. noten voorz. d. W.F. Hermans. - W.F. HERMANS. De raadselachtige Multatuli. - 1987. 2 vols. Owrps. -- And 18 o. by/on WFH. (24).
Lot 29
HEATH, Th. Aristarchus of Samos, the ancient Copernicus. (1966). Ocl. w. dust-j. -- P. HUBY & G. NEAL, eds. The criterion of truth. Essays written in honour of G. Kerferd tog. w. a text and transl. of Ptolemy's On the Kriterion and Hegemonikon. (1989). Ocl. w. dust-j. -- Cl. PTOLEMAEUS. Tetrabiblos. Or quadripartite: Being four books of the influence of the stars. Transl. by J.M. Ashmand. 1917. Ocl. -- J. LONGRIGG. Greek rational medicine. Philosophy and medicine from Alcmaeon to the Alexandrians. (1993). Obrds. w. dust-j. -- And 9 o. (13).
Lot 240
DIK, G.C. De Zeven Provinciën. Een poging tot reconstructie, (…) van 's lands schip de Zeven Provinciën van 80-86 stukken. (1993). Prof. ill. Fol.-obl. Ocl. -- W. v. ZIJDERVELD. Schouwen & aken. Een verdwijnend beeld in de polders. (1996). Obrds. -- J. v. BEYLEN. De hoogaars en de visserij v. Arnemuiden. (1993). Sm-4°. Obrds. -- Id. De hoogaars, geschied. & bouw. (1978). Sm-4°. Obrds. w. dust-j. -- And 4 o. (8).
Lot 1021
PORTUGAL -- OSORIUS, H. & F. LOPES DE CASTANEDA. Histoire de Portugal, contenant les entreprises, navigations, & gestes memorables des Portugallois, (…) Paris, A. L'Angelier, 1587. (26), 680, (44) pp. Cf., spine dec. in gilt, sides ruled in gilt. (Upper spine dam., binding rubbed, former owner's blindstamp on ff endp, small blank margin piece of title-p. torn, margins cut, faint staining at beginning, faint ink stain on leaf H1). NOTE:De Moraes pp 637-637: "This French editon was the work of Simon Goulart, Senlisien (…) it contains the books by Geronimo Osorio and Castanheda. It was reprinted many times by other publishers. (Felix le Munier, Jean Houzé, Guillaume Chaudrière and Abel L'Anglier in 1587)." - Adams O-384 (1st ed. 1581).
Lot 262
RENAULT, F. Bateaux de Normandie. (1991). 4°. Ocl. w. dust-j. -- G. CORNAZ. Les barques du Léman. 1998. 4°. Obrds. -- B. CADORET, (e.a.). Ar Vag. Tom. 3-4: Voiles au travail en Bretragne atlantique. 2 vols. Tom. 5: Voiles au travail du Canot-Misée au Dundée. 2004-12. 3 vols. of the series. 4°. Ocl./obrds. w. dust-j. -- And 7 o. (12).
Lot 10
ARISTOTELES. Parva naturalia. A rev. text w. introd. & comm. by D. Ross. 1955. Ocl. -- Id. Privatorum scriptorum fragmenta. Rec. M. Plezia. 1977. Ocl. (BT). -- H. DIELS, ed. Aristotelis qui fertur de Melisso Xenophane Gorgia libellus. 1900. 4°. Owrps. -- D. HARLFINGER. Die Textgeschichte der Ps.-Arist. Schrift Peri atomon grammon. Ein kodikolog.-kulturgeschichtl. Beitrag zur Klärung der Überlieferungsverhältnisse im Corpus Arist. 1971. Owrps. -- P. MORAUX. Les listes anciennes des ouvrages d' Aristote. 1951. Owrps. -- And 7 o. (12).
Lot 194
TIBET -- PAL, P. Art of Tibet. Expanded ed. (1990). Prof. ill. Lge-8º. Ocl. w. dust-j. -- Id. Tibetan paintings. (1984). Prof. ill. Lge-8º. Ocl. w. dust-j. -- I.A. BAKER. The Dalai Lama's secret temple. Tantric wall paintings from Tibet. 2000. W. photographs by Th. Laird. Lge 8º. Ocl. w. dust-j. -- S.M. KOSSAK, (a.o.). Sacred Visions. Early paintings from Central Tibet. 1998. Prof. ill. Lge-8º. Ocl. w. dust-j. -- And 2 o. (6).
Lot 1069
EMBLEM BOOKS -- EGYPT -- HORAPOLLO. De sacris notis & sculpturis libri duo, ubi ad fidem vetusti codicis manu seripti restituta sunt loca permulta, corrupta ante ac deplorata. Par., J. Kerver, 1551. (20), 240, (4) pp. W. 195 very fine & charming woodcut emblems attributed to J. Cousin. Old cf. (Rebacked in mod. cf., corners strengthened w. mod. cl., blank margin of ti. & last leaf rep., a few o. small rep., old owner's entry on ti., first half of book faintly stained, lower inner margin of last 3 lvs. stained). NOTE:First illustrated edition of a work also known as "Hieroglyphica", first publ. in 1505 by Aldus (without emblems). - Text in Latin and Greek. Our copy with the corrected replacement on G7 v°. - Adams/Rawles/Saunders F-330; Landwehr, Romantic 381; Praz 374; Adams H-850; Hoffmann II, 384.
Lot 45
PLATO. Hippias Major. W. comm. by D. Tarrant. (Repr. ed. 1928. 1988). Ocl. -- Id. The Philebus. Ed. w. introd., notes & appendices by R.G. Bury. (Repr. ed. 1897). 1973. Ocl. -- L.M. de RIJK. Plato's Sophist. A philos. commentary. 1986. Owrps. -- P. SELIGMAN. Being & not-being. An introd. to Plato's Sophist. 1974. Owrps. -- R. BRAGUE. Le restant. Supplément aux commentaires du Ménon de Platon. 1978. Owrps. -- W.J. PRIOR. Unity and development in Plato's Metaphysics. (1985). Obrds. w. dust-j. -- And 15 o. by/on P. (21).
Lot 343
STICHTING DE ROOS, UTRECHT -- BERTRAND, A. Gaspard de la nuit. 1956. 2 vols. W. 51 lithogr. by M.T. Koornstra. 4°. Ocl., uncut. In 2 or. slipcases. (Slipcases sl. worn). -- W. CUNEY. Puzzles. 1960. W. 8 fine two-colour woodcuts by Ru v. Rossem. Fol. Obrds. In or. dec. slipcase. -- A. v. CHAMISSO. Peter Schlemiels Schicksale. 1960. W. drawings by L. Metz. 4°. Ocl. -- (J.M.M.) VILLIERS de L'ISLE-ADAM. Trois contes cruels. 1951. W. 15 etchings by J.-P. Vroom. Lge-8°. Sleeved owrps. In or. slipcase. -- And 3 o. (8). (A bit dustsoiled). NOTE:Printed in 175 numb. copies. St. De Roos 38, 52, 50, 20, 40, 59, 39.
Lot 278
WARD, C.A. Sacred and secular: Ancient Egyptian ships and boats. (2000). 4°. Obrds. -- J.S. MORRISON. Greek and Roman oared warships 399-30 B.C. 1996. Sm-4°. Obrds. w. dust-j. -- D. FABRE. Seafaring in ancient Egypt. (2004). Fol. Obrds. w. dust-j. -- B. RANKOV. Trireme Olympias, the final report. (2012). 4°. Obrds. -- And 8 o. (12).
Lot 409
ART NOUVEAU -- DOKUMENT deutscher Kunst, Ein. Darmstadt 1901-76. (Ausst. Kat. Mathildenhöhe, Hessisches Landesmus., Kunsthalle). Darmstadt, (1976). 5 vols. Prof. ill., partly cold. Sm-4°. Owrps. -- A. KREKEL & E. RAASSEN. Jan Eisenloeffel, 1876-1957. (1996). 4°. Ocl. w. dust-j. -- L. GANS. Nieuwe kunst. De Ned. bijdrage tot de Art Nouveau. Dekoratieve kunst, kunstnijverheid en architektuur omstreeks 1900. 1966. Lge-8°. Ocl. w. dust-j. -- Ch. HOLME, ed. Modern British domestic architecture and decoration. 1901. 4°. Hcl. (A bit stained in places). From the library of C.J.A. Begeer (w. testimony of prize won in 1901). -- And 5 o. on interior dec. (13).
Lot 75
STOICISM -- POHLENZ, M. Die Stoa. Geschichte einer geistigen Bewegung. (&) Erläuterungen. 2.-3. Aufl. 1959-64. 2 vols. Ocl. (1) w. dust-j. -- A. SCHMEKEL. Die Philosophie der mittleren Stoa. 1974. Ocl. -- M. FREDE. Die stoische Logik. 1974. Owrps. -- Added: D.R. DUDLEY. A hist. of cynism. From Diogenes to the 6th c. A.D. (Nachdr. 1937). 1967. Ocl. -- And 9 o. on the subject. (14).
Lot 528
VIOLINS -- LÜTGENDORFF, W.L. v. Die Geigen- und Lautenmacher vom MA. b.z. Gegenwart. 5.-6. Aufl. 1922. 2 vols. W. ill. Lge-8°. Ocl. -- A. MOSER. Geschichte des Violinspiels. 1923. Ocl. -- A. EHRLICH, Hrsg. Berühmte Geiger der Vergangenheit und Gegenwart. 2. Aufl. 1902. Or. gilt dec. cl., t.e.g. (Spine faded, spine ends chipped). -- And 3 o. on the subject. (7). (W. name entries).
Lot 977
ROTGANS, L. Poëzy, van verscheide mengelstoffen. 2e dr. Amst., 1735. W. engr. front., ti.-vign., 45 vign., 2 full-page engr. to 'Boerekermis'. 4°. Cont. vellum. -- H. SWEERTS. Alle de gedichten. Amst., 1697. W. engr. front. portr., 24 engrav. emblem. & 1 full-page engr. 4º. Cont. cf., gilt spine raised with bands. -- J. ANTONIDES v.d. GOES, Alle de gedichten. 3e dr. Hier by komt het Leven des Dichters. Amst., 1714. W. engr. portr. & 5 full-p. plates. 4°. Cont. blind-tooled vellum, spine raised with bands with red label. (Title plt. & title page of 'De Ystroom' loose, else a good, clean copy.). -- D. SMITS. Gedichten. - Nagelaten gedichten. - De Rottestroom. Rott., 1740-1753. 3 vols. W. engr. title-pp., 1 portr., 3 full-p. engr. & 1 fold. map of " De Rottestroom". 4º. Cont. cf., gilt backs raised with bands. (Spine of vol 1. has been repaired very neatly, vol 1. lacks author portr., as usual). -- And 18 o. (24).
Lot 519
MEYER, W., hrsg. Fragmenta Burana. 1901. 4°. Cont. red h. mor. bind. -- CARMINA BURANA. Mit Benutzung der Vorarbeiten W. Meyers. Hrsg. v. A. Hilka & O. Schumann. 1930. 2 vols. Owrps. -- Id. Hrsg. v. J.A. Schmeller. 4. Aufl. 1904. Owrps. -- J. SMITS v. WAESBERGHE. Muziekgeschiedenis der middeleeuwen. 1939-42. 2 vols. Lge-8°. Ocl. -- And 1 o. (7).
Lot 176
INDIA -- CHATTERJEE, K. Merchants, politics & society in early modern India. Bihar: 1733-1820. 1996. Ocl. w. dust-j. -- G. DUNBAR. A history of India from the earliest times to the present day. 1949. 2 vols. W. 1 fold. map & ill. Ocl. -- R. DUTT. The economic history of India in the Victorian Age (&) under early British rule. 7th ed. 1950. 2 vols. Ocl w. (shelfworn) dust-j. -- P.E. ROBERTS. History of British India under the Company and the Crown. 1970. W. fold. map. Ocl. (Modest annot. in pencil throughout). -- And 7 o. (13).
Lot 543
ORNITHOLOGY -- AMIRSADEGHI, H. Sky Hunters. The Passion of Falconry. (2008). 4°. Obrds. w. dust-j. -- J.B. MAY. The Hawks of North America. 1935. Sm-4°. Ocl. -- I. NEWTON. Population Ecology of Raptors. (1979). Obrds. w. dust-j. -- K. HARRINGTON. The Gift of a Falcon. (1988). Obrds. w. dust-j. W. ms. dedication by the author. -- T.J. CADE. The Falcons of the World. (1982). 4°. Obrds. w. dust-j. -- And 13 o. (18).
Lot 394
KEMPOWSKI, W. Das Echolot. Ein kollektives Tagebuch. 1993. 4 vols. Ocl. In or. slipcase. -- Id. Das Echolot. Fuga furiosa. 1999. 4 vols. Ocl. In or. slipcase. -- Id. Das Echolot. Abgesang '45. 2005. Ocl. In or. slipcase. -- Id. Und geht's ja noch gold. (1972). Ocl. w. dust-j. (Spine a bit faded). With author's autograph dedication. -- Id. Heile Welt. (1. Ausg. 1998). Ocl. w. dust-j. -- Id. Letzte Grüße. (1. Ausg. 2003). Ocl. w. dust-j. -- And 6 o. by the same. (18).
Lot 526
VIOLINS -- JALOVEC, K. Encyclopedia of violin-makers. (1965). 2 vols. 4°. Ocl. w. dust-j. (Dust-j. show some traces of use). -- Id. Italian violin makers. (2nd ed.). (1964). 4°. Ocl. (Spine a bit faded). -- A.H. KÖNIG. Die Viola da Gamba. (1985). 4°. Obrds. -- W.C. RETFORD. Bows and bow makers. (1977). Ocl. w. dust-j. -- And 1 o. (6).
Lot 52
PLATO -- TARÁN, L. Academica: Plato, Philip of Opus, and the Pseudo-Platonic Epinomis. 1975. Ocl. -- G. GROEN v. PRINSTERER. Prosopographia Platonica. (Repr. ed. 1823). 1975. Owrps. -- É. des PLACES. Études sur quelques particules de liaison chez Platon. 1929. Owrps. -- E. MOUTSOPOULOS. La musique dans l'œuvre de Platon. 1959. Owrps. -- G. RYLE. Plato's progress. 1966. Ocl. w. dust-j. -- And 13 o. on P. (18).
Lot 84
RUSSELL, B. Logic and knowledge. Essays, 1901-50. Ed. by R.C. Marsh. (1966). Ocl. w. dust-j. -- Id. The autobiography, 1872-1967. (1971-78). 3 vols. Ocl. w. dust-j. -- B. BLANSHARD. Reason and goodness. (1966). Ocl. -- G.H. v. WRIGHT. The varieties of goodness. (1963). Ocl. w. dust-j. -- H.W.B. JOSEPH. Essays in ancient & modern philosophy. 1935. Ocl. -- And 9 o. (16).
Lot 308
REVE, G. "Herkenning". (Uit: Nader tot U). 1984. Or. manuscript in ink by Reve on 1 leaf (r°). -- VASALIS. (=M. Droogleever Fortuyn-Leenmans). Verjaars-brief voor Gerard. Leiden, De Vijf Winden Pers, 2003. Small booklet printed in two colours, in envelope. In or. pictorial cardboard box. Published for Reve's 80th birthday. Printed in 300 numb. copies, signed by the author. -- REVE-TEGEL nr. 3: Droom. Rott., Uitg. Bébert, 1986. Tile printed w. poem in R.'s handwriting on upper surface. Made in 300 numb. copies, monogrammed "GR" on back side in blue pencil. -- PHOTOGRAPH of Gerard Reve. 1981. 30 x 24 cm. Signed by the artist. -- And 4 o. by/on R. (8).
Lot 149
RAYMOND, A. & G. WIET. Les marchés du Caire. Trad. annot. du texte de Maqrîzî. (1979). - J.-C. GARCIN. Un centre musulman de la Haute-Égypte médiévale: Qûs. (1976). - 2 vols. 4°. Cont. h. red mor. -- U. VERMEULEN & D. de SMET, eds. Egypt and Syria in the Fatimid, Ayyubid and Mamluk eras. 1995. Ocl. w. dust-j. -- N.H. HENEIN. Mârî Girgis. Village de Haute-Égypte. (1988). 4°. Owrps. -- And 4 o. (8).
Lot 60
SEXTUS EMPIRICUS. (Opera). Ex rec. I. Bekkeri. Berl., G. Reimer, 1842. Hcl. (A bit browned/foxed). -- Id. Contro gli etici. A cura di E. Spinelli. (1995). Owrps. -- A. BAILEY. Sextus Empiricus and Pyrrhonean scepticism. 2002. Obrds. -- B. MATES. The skeptic way. Sextus Empiricus's Outlines of Pyrrhonism. 1996. Owrps. -- L. ROBIN. Pyrrhon & le scepticisme grec. 1944. Owrps. (A bit browned). -- M. SCHOFIELD, (a.o.). Doubt and dogmatism. Studies in Hellenistic epistemology. 1980. Ocl. w. dust-j. -- J. BARNES. The toils of scepticism. (1990). Obrds. -- And 7 o. on scepticism. (14).
Lot 970
BLUSSÉ -- DORDRECHT -- BLUSSÉ, A. De beste opvoeding der jeugd, ten nutte van dit Gemenebest; en Bespiegelingen bij een onweder. Dordr., Blussé en Zoon, 1776. Hcf., spine dec. in gilt w. label. (Spine dam., boards chafed, much shelfwear). Convolute containing 23 (occasional) poems by A.B. -- Added: Id. Iets Dichtmaatigs. Dordr., P. Blussé, 1784. W. engr. title-p & some plts. Hcf.,. spine dec. in gilt w. label. (Bottom of spine dam., some shelfwear). -- Id. 2 manuscript exercise books. H. mor. (N.D.). -- And: COLLECTION of c. 50 occasional poems, speeches and leaflets, all written by members of the Blussé family or their friends, relatives & associates between 1750 and 1808. (Some with lovely decorated wrappers.) -- And: Out-Dordrecht's Nieu-Maere. 1897. Folio. 33 editions of this novelty newspaper, published during the Oud-Dordrecht exhibition of 1897. (Vols. 1 and 3 double, lacking vol. 6). -- And 8 o., all written or published by Blussé family members. NOTE:Abraham Blussé (1726-1808), bookseller and publisher of many books and of the Dordrechtse Courant.
Lot 854
EX LIBRIS -- COLLECTION of c. 300 ex libris by Dutch or Belgian artists whose names begin with an M (c. 240x), an N (33x) or an O (33x). 20th c. Various sizes and techniques. All but a few tipped onto mounts, loose in alphabetical order. NOTE:Incl. duplicates/variants. Comprises ex libris by a.o. Jan C. Maas, A. Magdalijn, Piet Marée (22x), Fr. Masereel, Th. Mauve (ca 50x), Fokko Mees, Jan Meeus (11x), Joh. Melse, Johan Meyerink, Mies Minderaa, Herman Moerkerk, Theo Molkenboer, Simon Moulijn, Stefan Mrozewski, K. Nachenius, Theo Neuhuys, Jac Nuiser, Dirk Nijland, Obbes, Edmund van Offel and A. Overbeek.
Lot 998
HOOFT, P.C. (Werken). Amst., (etc.), 1703-38. 5 vols. Fol. Very fine cont. blind tooled vellum w. raised bands. ('Brieven' in a slightly diferent binding, but a very fine set). NOTE:This excellent set consists of: NEDERLANDSCHE HISTORIEN. 4e dr. 1703. 2 vols. W. engr. front., engr. portr. of the author, 23 engr. portraits, 25 engr. double-p. plates (of which 15 by J. Luyken) and 1 o. engr. plate. -- MENGELWERKEN. 1704. W. engr. front., engr. portr. of Henry IV of France and 30 engr. half-p. emblems in text. -- TACITUS. Werken. Vert. d. P.C. Hooft. 1704. W. 14 engr. portr. and 8 engr. double-p. plates. -- BRIEVEN. 1738. W. fine fold. engr. portr of the author by Houbraken and fine in text engr. view of the 'Muiderslot'. - Leendertz 128, 2, 140 & 146.
Lot 89
SCHOPENHAUER, A. Parerga en paralipomena. Kleine filosofische geschriften. (2002). 2 vols. Ocl. w. dust-j. In or. slipcase. -- J.-P. SARTRE. Het zijn en het niet. Proeve van een fenomenologische ontologie. Vert. d. F. de Haan. (2003). Obrds. w. dust-j. -- M. HEIDEGGER. Zijn en tijd. Vert. d. M. Wildschut. (1998). Ocl. w. dust-j. -- H. ARENDT. Het leven van de geest. Vert. d. D. De Schutter & R. Peeters. (2021). Ohcl. -- And 6 o. in Dutch (translation). (11).
Lot 358
JOYCE, J. Dubliners. An annotated edition (by) J. Wyse Jackson & B. McGinley. (1993). 4°. Ocl. w. dust-j. -- Id. Giacomo Joyce. W. an introd. and notes by R. Ellmann. Lond., (1968). Ocl. w. dust-j. -- Id. Stephen hero. Ed. w. introd. by Th. Spencer. (Star Edition). (1944). Owrps. -- G.M. LEONARD. Reading Dubliners again. A Lacanian perspective. (1993). Ocl. -- W.Y. TINDALL. A reader's guide to 'Finnegans Wake'. (1969). Ocl. w. dust-j. -- And 10 o. by J. (15).
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