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Galerie Bassenge
Lot 7411

Tilson, Joe -- Clip-o-matic LipsFarbserigraphie auf Velin. 1968.88 x 65,7 cm (92 x 68,2 cm).Signiert "Joe Tilson" und datiert. Auflage 100 num. Ex.Prachtvoller Druck mit dem vollen, kleinen Rand. – Beigegeben: Eine weitere signierte Farbserigraphie mit Collage des Künstlers, "Let a thousand Parks Bloom", 1971 (Griffelkunst 184 F78). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

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Galerie Bassenge
Lot 7355

Mortensen, Richard -- Zum Thema der Odyssee I3 Farbserigraphien auf Velin. 1960.39 x 57 cm (Blattgröße).Auflage 75 num. Ex.Würtz Frandsen 27 d, 27 l und 27 o.Aus einer Reihe unsignierter Farbserigraphien nach Gouachen von Richard Mortensen, herausgegeben in der 25 Blatt umfassenden Mappe "Der fünfte Gesang. Sur le thème de l'Odyssée", erschienen im Verlag Denise René, Paris, und Galerie Der Spiegel, Köln, in einer Gesamtauflage von lediglich 75 Exemplaren (Kopie des Beiblattes zur Mappe beiliegend). Prachtvolle Drucke mit dem vollen Rand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

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David Duggleby Auctioneers & Valuers
Lot 5073

Royal Doulton figures, Memories HN2030, Country Rose HN3221, Top O' the Hill HN1834, all with original boxes, John Beswick figure of a seated piglet, Beswick Beatrix Potter Mrs Rabbit and Peter figure, and quantity of Sandland Character Ware jugs

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Kunsthaus Lempertz
Lot 574

O. Winston Link, Birmingham Special, Rural Retreat, VirginiaSpäterer Gelatinesilberabzug. 39,4 x 48,9 cm (40,4 x 50,4 cm). Rückseitig mit Bleistift signiert und beziffert, mit Copyrightstempel des Photographen, darin mit Tinte beziffert sowie von fremder Hand mit Bleistift bezeichnet. - Unter Passepartout montiert.ProvenienzFahey/Klein Gallery, Los Angeles; Privatsammlung, USALiteraturO. Winston Link, Ghost Trains. Railroad Photographs of the 1950s, Norfolk/VA 1983, S. 28 und 47f. mit Abbn.; O. Winston Link, Steam Steel and Stars. Amerikas letzte Dampfzüge, Nürnberg 1989, S. 86f. mit Abb.

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Kunsthaus Lempertz
Lot 600

Arno Fischer, Ost-Berlin, Friedensfahrt, Prenzlauer BergSpäterer Gelatinesilberabzug. 33,3 x 49,9 cm (39,1 x 52,7 cm). Rückseitig mit Photographenstempel. - Abzug mit geringfügigen Gebrauchsspuren.LiteraturTheo O. Immisch, Klaus E. Göltz (Hg.), Photographien von Arno Fischer, Ausst.kat. Galerie Moritzburg, Halle/Saale, Leipzig 1997, S. 49 mit Abb.; Elke aus dem Moore (Hg.), Arno Fischer. Fotografie - Photography, Ausst.kat. Institut für Auslandsbeziehungen e.V. (ifa), Stuttgart, Ostfildern 2009, S. 47 mit Abb.

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Galerie Zacke
Lot 144

TORYO: A SUPERB BAKUMATSU COPPER TSUBA OF THE BUNBUKU CHAGAMABy Toryo, signed Toryo 東凌Japan, late 19th century, Meiji period (1868-1912)Of tate-itomaki-gata with sumikiri corners, finely decorated in shibuichi, gold and copper takazogan depicting a tanuki seated by a tea kettle holding a teacup, the reverse with an idyllic scene of a straw hut below the moon in shibuichi, silver, and gold takazogan, inscribed Higashidaishita Shinobigaoka no hotori ni oite kore o saku, signed TORYO and with a seal.SIZE 8.2 x 8.1 cmWEIGHT 246.3 gCondition: Very good condition, minor wear, few minuscule nicks here and there.Provenance: British collection.The popular folktale Bunbuku-Chagama tells of a tanuki being mistreated as a tea kettle at a temple, before being sold off and bringing great wealth to its new owner using its shapeshifting powers.

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Galerie Zacke
Lot 148

HAMANO NORIYUKI: A FINE HAMANO SCHOOL SHIBUICHI, SILVER AND ENAMELED KOZUKABy Hamano Noriyuki, signed Hamano Noriyuki saku 濱埜矩隨作Japan, 18th-19th century, Edo period (1615-1868)Of shibuichi, decorated with subtle silver and shippo enamels, depicting cherry blossoms floating on water under the reflection of the moon, the reverse continuing the imagery and inscribed on a silver section Shokado no zu o motte HAMANO NORIYUKI kore o saku [made by Hamano Noriyuki, after a design by Shokado].LENGTH 9.6 cmWEIGHT 35.1 gCondition: Very good condition, minor wear.Provenance: British collection.Hamano Noriyuki is listed on pages 1446-1447, H 07454.0 and H 07455.0 in THE INDEX OF JAPANESE SWORD FITTINGS AND ASSOCIATED ARTISTS by Robert E. Haynes. Hamano Noriyuki I (1736-1787) lived in Edo. Hamano Noriyuki II (1771-1852), born in Edo, was the adopted son and student of Noriyuki I.

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Auctioneum - Bath & East Bristol Auctions
Lot 111

Estate Of John Challis - Only Fools & Horses - three original Only Fools And Horses related ' cast only ' VHS tapes (given to Challis after his work on each project directly by the  production company). Includes; The Story Of Only Fools & Horses (2003), Ginja Feat. Lee-O Delboy's Tune (a music video which featured Challis and other Only Fools regulars) and a UKTV Gold tape 'Only Fools And Horses Long Weekend - The Guide To Being A Trotter'. All housed in their original slipcase covers. Supplied with an autographed 8x10" colour photograph of Challis as Boycie. A portion of the proceeds from the Estate Of John Challis will be donated to three charities that he supported: British Hedgehog Preservation Society (1164542), The Cuan Wildlife Rescue (1096812), and Tusk Trust (803118).

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Auctioneum - Bath & East Bristol Auctions
Lot 191

Estate Of John Challis - Acting Appearances - Challis' collection of x7 production issued VHS cassette tapes. All featuring shows / segments of shows in which Challis appeared. Includes tapes marked; Ginja Feat. Lee-O Delboy's Tune (a music video), Five Seconds To Spare, Yorkshire Television 'Heartbeat - Where There's A Will', Inside Out Programme 6, Britain's Funniest Comedy Characters - John Challis. Most housed in their original slipcases. These tapes were given to Challis after filming, and were very often the only available record of an actor's work on each production. Supplied with an autographed 8x10" colour photograph of Challis in The Green Green Grass. A portion of the proceeds from the Estate Of John Challis will be donated to three charities that he supported: British Hedgehog Preservation Society (1164542), The Cuan Wildlife Rescue (1096812), and Tusk Trust (803118).

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Galerie Zacke
Lot 15

A FINE AND RARE LACQUER JU-KOBAKO (SMALL TIERED BOX), COVER AND STAND DEPICTING MOUNTAIN LANDSCAPESJapan, second half of 19th centuryOf rectangular form with canted edges decorated with an aogai-inlaid diapered border, bearing a roiro ground finely decorated in gold takamaki-e and togidashi with kirigane and e-nashiji to depict vast mountainous landscapes to the top and sides, with temples, a pagoda, a boat, trees, and birds, the base and interiors of nashiji, the interior edges of gold fundame, surmounted by an overlapping four-legged cover decorated in gold and colored takamaki-e and hiramaki-e, kirikane, and aogai inlays with various brocade designs including ho-o roundels and paulownia sprigs, supported on a rectangular gold-lacquered and nashiji stand raised on four short bracket feet.SIZE 7.1 x 7.2 x 6 cmCondition: Very good condition with only very minor wear, the stand with few tiny nicks and light scratches.Provenance: English private collection. Bonhams, Fine Japanese Art, 16 May 2013, London, lot 383 (sold for 2,500 GBP). English private collection, acquired from the above.Auction comparison: Compare a related lacquer three-tiered stacking set of lobed boxes with a similar overlapping cover, 10 x 14.2 x 12 cm, at Bonhams, 13 May 2021, London, lot 76 (sold for 6,120 GBP).

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Galerie Zacke
Lot 29

A PAIR OF BLACK AND GOLD LACQUER CHOSHI (SAKE EWERS) AND COVERSJapan, Meiji period (1868-1912)Each of circular section, supported on three knop feet, with a flat cover, short spout, and loop handle, bearing a lustrous roiro ground finely decorated in predominantly gold hiramaki-e and takamaki-e with kirikane and e-nashiji to depict ho-o birds and leafy branches, the handle and spout decorated with leafy scrolling vines, the interiors of brown lacquer.HEIGHT 17.2 cm and 17.4 cmCondition: Very good condition with minor wear and expected minor age cracks.Provenance: Dutch collection.With the original wood storage box with an old Japanese label.Auction comparison:Compare a related sake ewer, erroneously described as a yuto (a hot-water ewer), dated late 19th century, Meiji period, 25 cm high, at Christie's, 8 November 2006, London, lot 115 (sold for 2,400 GBP).

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Galerie Zacke
Lot 107

UTAGAWA YOSHITSUYA: A COLOR WOODLOCK PRINT TRIPTYCH DEPICTING KOGAKURE NO KIRITARO, DATED 1861By Utagawa Yoshitsuya (1822-1866), signed Ichieisai Yoshitsuyaga gaJapan, dated 1861A fantastic scene of the warrior Kogakure no Kiritaro using witchcraft to hide himself from three men attacking his palanquin. An enormous snake emerges in a cloud of smoke from the palanquin window, with Kiritaro riding atop its back at left, his hands clasped in a magical gesture as he casts a spell. The serpent bares its fang as a line of rats comes scampering out of his mouth, running across the scene. In the center, Waniguchi Jinsuke falls back on one knee, flinging his hand out at his side as he glares up at the creature. At right, his companions Masakino Torazo and Kazama Hanjiro watch with alarmed grimaces. Pine trees frame the dark night sky and a swirl of leaves is swept through the air.OBAN 36 x 23.5 cm (each print)Condition: Excellent condition, very good impression, fresh colors.Provenance: French private collection.The present triptych is from the series Kyokyaku Suikoden no uchi (Shuihuzhan of the mirror) and is titled Kogakure no Kiritaro yojyutsu o motte tsugata o kakusu (Kogakure no Kiritaro hides himself using witchcraft). The series was published by Kameya Iwakichi between 1861 and 1863. This triptych is dated to the sixth month of 1861.Utagawa Yoshitsuya (1822-1866) was a Japanese designer of ukiyo-e woodblock prints. Yoshitsuya was a student of Utagawa Kuniyoshi and, like his teacher, is best known for his woodblock prints of warriors.Auction comparison: Compare another example of this triptych by Utagawa Yoshitsuya at Christie's, Japanese and Korean Art, 20 September 2022, New York, lot 258 (sold for 5,292 USD).

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Galerie Zacke
Lot 72

INOUE: A SUPERB INLAID BRONZE DISH DEPICTING BOYS ON A DRAGON BOATBy Inoue company of Kyoto, signed Kyoto Inoue seiJapan, late 19th century, Meiji period (1868-1912)The shallow rounded sides rising from a short spreading foot to a gold-inlaid lobed rim with a masterful Komai-style lozenge design, encircling a central medallion finely decorated in iro-e takazogan with three boys dressed in Korean festive garments and standing in a dragon boat in a lotus pond with neatly incised blossoms and furled leaves, detailed in katakiri, all below a long-tailed ho-o bird in flight. One boy is standing in the back, holding a long staff with reishi terminal, beside a flag waving in the wind, above a second boy dancing and holding a drumstick and fan, wearing a peacock-feathered hat, the third boy standing behind the large dragon head holding a trumpet in his hand, all against a rich copper-brown patinated ground. The base with the gilt signature Kyoto INOUE sei [made by Inoue of Kyoto].DIAMETER 27.4 cmWEIGHT 1,234 gCondition: Very good condition with minor wear. Provenance: British collection.13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.

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Galerie Zacke
Lot 48

AN IMPORTANT IMPERIAL SILVER 'TANG MIRROR' BONBONNIERE WITH GOLD KIKUMONJapan, 1915, early Taisho period (1912-1926)The bonbonnière silver box in the shape of an eight lobed tang mirror, rising from an openworked foot, the lid centered by a gold kikumon flanked by two majestic ho-o birds (phoenixes) worked in masterful high relief and standing on swirling clouds and issuing bands. With a seal mark Gyokuya kinzo (respectfully made for the Imperial house).This bonbonnière was specifically made for the 1915 Tokyo Banquet, after the enthronement of Emperor Taisho. The eight-lobed mirror form with facing phoenixes, connotes an ancient tie to nobility. This harks back to the Tang dynasty (618–907) of China, which was a formative influence on the Japanese nation.LENGTH 6.4 cmWEIGHT 115.4 gCondition: Very good condition, minor surface wear.Provenance: From the Collection of Gustaf Wallenberg, thence by descent in the same family. Gustaf Wallenberg (1863-1939) was a Swedish businessman, diplomat, and active politician. His father André Oscar Wallenberg was the founder of Stockholm Enskilda Bank (today SEB, and grandfather of Raoul Wallenberg). After a career in the Swedish Navy, he turned to the business world and was active in improving the transoceanic shipping industry, which came in handy in 1908 when he successfully negotiated with the Qing court in Beijing about a friendship, trade, and navigation treaty. The collection was acquired between 1906 and 1918 when Wallenberg was the Swedish Envoyé in Tokyo. From 1907 Wallenberg was accredited for Beijing and came to spend time in both countries as the Swedish Ambassador. Wallenberg lived in China during a tumultuous period, when a lot of precious items entered the market and the golden era of collecting Chinese works of art started in Europe.For further information on Japanese imperial silver bonbonnières see Arts of Asia Journal, Susan Tosk and David Cole, Japanese Imperial Silver Bonboninières: Elegance in the Palm of Your Hand – The Nancy and Robin Markbreiter Collection, spring 2022, no. 9. Another bonbonniere from the same series as the present lot is illustrated in fig. 9. The full article can be read here: https://artsofasia.com/2022/02/24/japanese-imperial-silver-bonbonnieres-elegance-in-the-palm-of-your-hand-the-nancy-and-robin-markbreiter-collection/ Auction comparison:Compare to a closely related imperial silver bonbonnière sold at Hindman, Japanese and Korean Works of Art, 25 March 2022, Chicago, lot 13 (sold for 2,813 USD).

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Galerie Zacke
Lot 68

TAMAGAWA MITSUKIYO FOR THE KAKUHA COMPANY: A SUPERB SILVER AND GOLD-INLAID BRONZE USUBATA VASEBy Tamagawa Mitsukiyo for the Kakuha company, signed Dai-Nihon Etchu-koku, Kakuha sei, MitsukiyoJapan, c. 1880, Meiji period (1868-1912) The ovoid body flanked by two openworked handles depicting ho-o birds at flight amid scrolling clouds and decorated in gold, silver, copper, and shakudo takazogan within shaped panels depicting to one side a samurai carrying a noble lady on his shoulder amid pine and bamboo with finely incised crashing waves in the background, and to the other the hero Saginoike Heikuro fighting a giant python with neatly incised scales atop a craggy rock amid crashing waves and a waterfall. The separately cast trumpet mouth with a galleried rim inlaid in silver wire with a geometric and a foliate band, the base of the mouth with silver-inlaid leafy floral blossoms, the interior with katakiri and kebori as well as gold and copper takazogan to depict a ho-o bird beside a leafy branch and a kirin amid swirling clouds, the exterior similarly decorated with birds and butterflies amid leafy branches and peony. The separately cast, elaborately openworked, tiered stand is intricately decorated with gold and silver inlay, both flat and in high relief, as well as katakiri and kebori, depicting beast masks, birds in flight, blooming chrysanthemums, leafy bamboo, and implements for the shell-matching game (kai-awase), and further with geometric and foliate designs. HEIGHT 59 cm WEIGHT 13.9 kgCondition: Excellent condition with minor wear. Provenance: British collection. Kakuha Kanzaemon I, real name Kakuha Zenjiro, was a member of a lineage of metalworkers from Toyama. In 1869, he started a branch office in the port of Yokohama for the export trade of bronze ware and also acted as a retailer for foreign clients in Japan. Based on Chinese bronze forms but with exaggeratedly wide rims, usubata were first cast in Japan in the seventeenth century for formal flower arrangements; then, during the early Meiji era, elaborate multi-part usubata became one of the favored forms of bronze destined for international exhibitions and the global export market. Museum comparison:The artist Tamagawa Mitsukiyo appears to be rare, his output focused on producing exceptionally fine usubata. A single usubata is preserved in the Takaoka City Museum of Art and a pair of Usubata are located in the Portland Museum of Art, accession no. 2000.64A,B.Auction comparison: Compare a pair of related usubata vases by Tamagawa Mitsukiyo, dated Meiji period, circa 1880, each 48 cm high, at Bonhams, Fine Japanese Art, 7 November 2019, lot 219 (bought-in at an estimate of 25,000-30,000 GBP).13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.

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Galerie Zacke
Lot 40

A POLYCHROME WOOD FIGURE OF SEITAKA DOJIJapan, 16th-17th century, Muromachi (1333-1573) to early Edo period (1615-1868)Finely painted in polychrome pigments and gilt over gesso, the guardian attendant standing, wearing a long flowing robe with deeply carved folds, foliate hems, and floral roundels, a scarf draped over his shoulders, adorned with armbands, bracelets, and anklets, his face with a stern expression, the eyes inlaid in reverse-painted crystal, the curled hair tied at the front.HEIGHT 30 cmCondition: Good condition with some wear and small losses to pigments and gilt, few minuscule nicks, occasional light scratches. Provenance: French private collection.Mounted on an associated metal base of square form.Seitaka Doji is one of the two boy attendants of Fudo Myo-o (the Immovable or Unshakable One). Sculptural triads of these figures exist from the late Heian period (794–1185). In these triads, Seitaka Doji has a troll-like appearance, which contrasts with the placid features of his fellow attendant, Kongara Doji.Museum comparison: Compare a related lacquered wood figure of Seitaka Doji, together with Kongara Doji, 34.3 cm high, dated ca. 1350, in the collection of the Metropolitan Museum of Art, accession number 2018.17.1, .2.Auction comparison: Compare a related lacquered wood figure of Seitaka Doji, dated 14th century, 17.1 cm high, at Christie's, 25 April 2017, New York, lot 6 (sold for 5,625 USD). Compare a closely related polychrome wood figure of Seitaka Doji, dated to the Muromachi period, 16th century, 30.8 cm high, at Bonhams, 22 July 2020, New York, lot 988 (bought-in at an estimate of 4,000-5,000 USD).

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Galerie Zacke
Lot 65

A TALL AND IMPRESSIVE PARCEL GILT BRONZE KORO (INCENSE BURNER) AND COVER, ATTRIBUTED TO THE MIYAO COMPANYJapan, Meiji period (1868-1912) The koro of rounded square form, fitted with a metal inset, the sides with two shaped panels in gold, copper, and shakudo takazogan to depict a rakan and oni conversing, the arhat wearing loose robes and holding a small figure of Kannon while the demon holds a staff, the reverse panel depicting pheasants and peony, the body cast with raised floral diaper and foliate designs against an archaistic scroll ground and flanked by two scrolling cloud-form handles. The cover similarly cast and surmounted by a boy wearing a gold-inlaid robe decorated with clouds and flowers, standing in a dynamic pose beside a red-capped crane with silvered body and plumage. The vessel is supported on four long legs issuing from fierce dragon heads atop a tiered base which is crisply cast with stylized butterflies surrounding a ho-o bird against a diapered ground, a superbly patinated and gold-inlaid figure of Kannon wearing a long flowing robe with deeply incised folds standing atop the base which is raised on four short feet decorated with gold-inlaid ho-o birds. Unsigned, however confidently attributed to the Miyao company of Yokohama.HEIGHT 91 cm WEIGHT 14.6 kg Condition: Very good condition with minor wear, minimal casting flaws, few minuscule nicks, occasional light surface scratches. Provenance: British collection. Founded by Miyao Eisuke, the Miyao Company of Yokohama specialized in the manufacture of bronze sculptures, embellished with gold and silver as well as patinated copper alloys, that represent generic samurai warriors as well as more precisely identifiable characters from Japanese myth and legend. In addition, the company also made a smaller number of pieces in other formats such as incense burners, vases, and chargers.Auction comparison:Compare a related parcel gilt bronze censer, measuring 44.5 cm, also with rakan and oni motif and by the Miyao company, sold at Zacke, Fine Japanese Art, 4 June 2021, Vienna, lot 6 (sold for 17,696 EUR).13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.

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Galerie Zacke
Lot 122

AN O-YOROI ('GREAT HARNESS') SUIT OF ARMORJapan, late Edo period (1615-1868)The components lacquered gold and laced in blue, yellow, and orange, and mounted with gilt chrysanthemum-form kanamono. The armor comprising an iron sujibachi kabuto (helmet) with a 62-plate hachi mounted at the top with a partly gilt tiered chrysanthemum-form tehen kanamono, a loose-ring fitting suspending a red silk cord, with a five-lame shikoro, the lacquered fukigaeshi with lozenge designs, the mabizashi with raised geometric design and mounted with a gilt-metal maedate in the form of a ghost; a roughly textured black-lacquered menpo (mask) with facial hair and a three-lame yodare-kake; a brown-lacquered do (cuirass) with roughly textured black-lacquered sections similar to the menpo; two sode (shoulder guards) divided into a three-lame above a seven-lame section; two kote (sleeves) and tekko (gloves) with kusari and floral iron fittings over black textile decorated with tama pearls; two suneate (shin guards) with dark-brown lacquer and kusari over similar textile; and seven sections of five-lame kusazuri.Condition: Very good condition with some wear, minor nicks, small losses, age cracks, flaking and small losses to lacquer, light scratches.Provenance: Dutch collection. With a wood storage box.

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Galerie Zacke
Lot 54

SANMI: A MASTERFUL SILVER OKIMONO OF A DRAGON WITH ROCK CRYSTAL SPHEREBy Gyokuryuken Sanmi (art name Kazumi), signed Kazumi with kakihanJapan, late 19th century, Meiji period (1868-1912)Powerfully cast, the ferocious three-clawed dragon standing atop a rootwood base, its sinuous body precisely rendered with myriad scales and a spiked spine and mane, the eyes picked out in gilt, a separately cast gust of flames emanating from the beast's jaws holding a rock crystal sphere, signed to the dragon's underbelly within a shaped reserve KAZUMI with a kakihan (artist's monogram)LENGTH 31 cm, HEIGHT 32.5 cm (incl. base)WEIGHT 3.5 kg (excl. base and sphere)Condition: Excellent condition with minor wear.Gyokuryuken Sanmi (art name Kazumi) was an exceptional artist renowned for his masterful silver metal work during the reign of the Meiji emperor.The dragon is associated with a wealth of legend and symbolism in old Japan, signifying both the holy nature of Shinto and the wisdom of Buddhism. Representations of the dragon are found from the earliest historical period, wall paintings in the stone tomb chambers of the Kofun period (4th-7th centuries) together with tiger, phoenix, and griffin. In Shinto mythology the deity Ryujin is a dragon who lives under the sea and bears a jewel that controls the tides. In esoteric Buddhism, the dragon and the sword indicate the rope and double-edged sword of Fudo Myo-o.Literature comparison: For a silver ornament of a dragon and crystal ball see Joe Earle, Splendors of Meiji, Treasures of Imperial Japan, Masterpieces from the Khalili Collection (St. Petersburg, Fla.: Broughton International, Inc., 1999), pl. 135. Also compare to a closely related, yet larger bronze model of a dragon in similar pose, by the Miyao company, Meiji no Takara: Treasures of Imperial Japan - The Nasser D. Khalili Collection, The Kibo Foundation, 1995, Metalwork part II, no. 108.Auction comparison: Compare a closely related silver model of a dragon by Gyokuryuken Sanmi, signed Kazumi with kakihan, lacking the crystal ball and base, sold at Bonhams, Fine Japanese Art, 19 March 2013, New York, lot 2358 (sold for 128,500 USD).Compare a related silver dragon with rock crystal sphere by Gyokuryuken Sanmi, also dated late 19th century, Meiji period, 16.8 cm high, at Christie's, Japanese and Korean Art, 16 March 2021, lot 37 (sold for 62,500 USD).13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.

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Galerie Zacke
Lot 22

A BLACK AND GOLD LACQUER SUZURIBAKO WITH A SHORELINE LANDSCAPE AND RED-CRESTED CRANESJapan, 19th centuryOf rounded rectangular form, the overhanging cover with a roiro ground finely decorated in gold hiramaki-e, takamaki-e, and nashiji to depict an idyllic landscape with towering pine trees, craggy rockwork, dense grasses, calm waves, and wispy clouds. The interior of the cover decorated in gold, silver, red, and black takamaki-e to depict two cranes and three young amid flowers, leaves, and grass against a nashiji ground, the ita (baseboard) similarly decorated with leaves and fitted with an openworked tray holding two inscribed fude (writing brushes), a rectangular suzuri (inkstone), and a gilt-copper suiteki (waterdropper) in the form of a ho-o bird. The edges of gold fundame, the exterior sides and base of roiro.SIZE 5 x 26 x 23.7 cmCondition: Good condition with minor wear, the cover with expected age cracks with associated old repairs, few minuscule chips and tiny nicks.Provenance: German private collection.

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Galerie Zacke
Lot 7

AN INLAID LACQUER BOX AND COVER WITH THE THIRD PRINCESS (ONNO SAN NO MIYA) AND HER CAT FROM THE TALE OF GENJIJapan, second half of 19th centuryWell modeled as two overlapping boxes of rectangular form, the larger section with indented corners and bearing a kinji ground and finely decorated in gold and iro-e takamaki-e as well as shibuichi, shakudo, and silver takazogan to depict the Third Princess (Onno San no Miya) looking toward her cat playing with the hem of her long flowing court robe, the sides with stenciled designs of paulownia mon, ho-o bird, lotus, and butterfly, the corners with foliate designs, the smaller section with canted corners and bearing a wood ground similarly decorated with a swallow flying below wisteria, continuing over to the sides with another swallow perched on a branch. The unusual, red-lacquered interior with leafy vines and butterflies.SIZE 7.2 x 23 x 19 cmCondition: Very good condition with minor wear, few minuscule nicks, occasional light scratches, a minor loss to silver inlay.Provenance: British private collection.The present lacquer box depicts a scene from Chapter 34, Wakana no jo of Genji Monogatari (The Tales of Genji). The focal point of one of the tragic romances in the second half of The Tale of Genji is the childlike Third Princess (Onna San no Miya), whom Genji takes to wed in his middle years. While pursuing her runaway cat, the young girl emerges from her living quarters and is seen by Kashiwagi, son of Genji's best friend, who falls in love with her. This results in a clandestine relationship, Kashiwagi's guilt-inspired illness and death, and an infant passed off – with Genji's unspoken knowledge of the truth – as Genji's offspring.

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David Duggleby Auctioneers & Valuers
Lot 218

Collection of seven Disney Pooh and Friends figures, comprising Just for you mama, Pooh spells friendship y-o-u, Let's wander and wonder together, A grand adventure is about to begin, A good friend sticks to you like honey, Simple Wisdoms from the Wood Eeyore, and Sweet Dreams little one, all with boxes, together with four Bradford Exchange Winnie the Pooh collectors plates

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Ma San Auction
Lot 268

AN 18KT WHITE GOLD MOUNTED GREEN STONE OVAL CABOCHON SET RING. With claw setting, between pierced shoulders, stamped 18KT and with indistinct mark, total weight 4.1 gms. Size O, (untested)Slight wear, otherwise in good order.

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GRISEBACH GmbH
Lot 548

Adolf Fleischmann (Esslingen 1892 – 1968 Stuttgart). „Composition #132“. 1959Öl auf Leinwand. 96,5 × 78,5 cm (38 × 30 ⅞ in.). Unten rechts monogrammiert und datiert: af 59. Rückseitig mit Kohle signiert, betitelt, bezeichnet und datiert: fleischmann Comp # 132 1959.Wedewer O 243.–[3032] Provenienz: Privatsammlung, BerlinWir berechnen auf den Hammerpreis 32% Aufgeld.

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GRISEBACH GmbH
Lot 450

Anta Rupflin (Pasing b. München 1895 – 1987 Augsburg). „Küchenstilleben mit Fischen“. 1925/30Öl auf Leinwand. 54,3 × 65 cm (21 ⅜ × 25 ⅝ in.). Rückseitig und auf dem Keilrahmen jeweils der Nachlassstempel in Schwarz: A. R.Rupflin O 037 (Abfrage am 17.10.2022).–[3131] Wir berechnen auf den Hammerpreis 32% Aufgeld.

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GRISEBACH GmbH
Lot 449

Otto Nagel (1894 – Berlin – 1967). „Berliner Humboldthain“. 1919Öl auf Pappe. 65,5 × 50,5 cm (25 ¾ × 19 ⅞ in.). Unten rechts signiert und datiert: O. NAGEL 19.Schallenberg-Nagel/Schallenberg 12.–[3354] Gerahmt. Provenienz: Ehemals Sammlung Pachen, MainzWir berechnen auf den Hammerpreis 32% Aufgeld.

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GRISEBACH GmbH
Lot 315

Max Liebermann (1847 – Berlin – 1935). „Frau mit Kind am Wannsee-Ufer“. (Vor) 1926Kohle, teilweise gewischt, und Bleistift auf bräunlichem Papier. 20,4 × 14,1 cm (8 × 5 ½ in.). Unten rechts mit Bleistift signiert: M Lieberman[n].Entwurf für die Abbildung hinter der Titelseite in Georg Brasch: Das Wannseebuch. Berlin-Wannsee, Richard Schneider Verlag], o. J. (1926). [3091] Gerahmt. Provenienz: Ehemals Nachlass des Stadtdirektors Heinrich Tramm, HannoverWir berechnen auf den Hammerpreis 32% Aufgeld.

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GRISEBACH GmbH
Lot 555

Yves Laloy (Rennes 1920 – 1999 Cancale). „O Angelo …“. Um 1959Öl auf Leinwand. 130 × 89 cm (51 ⅛ × 35 in.). Mit Bleistift mit Versen aus dem 25. Gesang im Inferno Dantes bezeichnet. Rückseitig mit Pinsel in Rot bezeichnet: Mrs ”K“ (particul ier).Nouhaud-Duco S. 112.–Schrift verblasst. [3111] Gerahmt. Provenienz: Carl Laszlo, Basel / Privatsammlung, SchweizAddenda/Errata: Unten links signiert (schwach erkennbar): Y laloyWir berechnen auf den Hammerpreis pauschal 32% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.

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GRISEBACH GmbH
Lot 345

Otto Modersohn (Soest 1865 – 1943 Rotenburg (Wümme)). „Weg nach Surheide - Abendsonne“. 1938Öl auf leinenstruktierter Pappe. 49,5 × 59,4 cm (19 ½ × 23 ⅜ in.). Unten links signiert und datiert: O Modersohn 38. Rückseitig unten links der Stempel in Violett: Ausstellung / Worpsweder Künstler / Fr. Netzel Worpswede; darunter mit Bleistift nummeriert (im Kreis): 9.Kleine Farbverluste. [3381] Gerahmt. Wir berechnen auf den Hammerpreis 32% Aufgeld.

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GRISEBACH GmbH
Lot 542

Karl Otto Götz (Aachen 1914 – 2017 Niederbreitbach). Ohne Titel. 1963Gouache auf Papier. 50,2 × 64,8 cm (19 ¾ × 25 ½ in.). Unten links signiert: K. O. Götz. Rückseitig signiert und datiert: K. O. Götz 1963. Dort mit Bleistift gewidmet: Für UMBO K. O. Götz 6. April 1964. Auf der Rückpappe ein Aufkleber der Galerie Prestel, Frankfurt a. M.Nicht bei Ströher.–[3059] Gerahmt. Provenienz: Ehemals Otto Umbehr, HannoverWir berechnen auf den Hammerpreis 32% Aufgeld.

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Rogers Jones & Co
Lot 548

EARLY HORNBY 'O' GAUGE TIN PLATE CLOCKWORK No.1 LOCO & TENDER, No. 2710, 0-4-0 in LMS black livery with 'M Ld L' logo, c. 1920, associated keyComments: in used condition with loss to paintwork

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Rogers Jones & Co
Lot 586

VINTAGE HORNBY / MECCANO 'O' GAUGE, to include various locomotives (4), rolling stock, turntable, trackside equipment including signals, footbridge, lever frame control system and signalsComments: all in used condition, some in original boxes

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Rogers Jones & Co
Lot 77

18CT WHITE GOLD LARGE SAPPHIRE & DIAMOND CHIP RING, the central claw set sapphire (20 x 17mms) above pierced lattice setting accented with tiny diamonds, ring size O, 19.3gms, in ring boxProvenance: private collection Cardiff, consigned via our Cardiff OfficeComments: with Galaxy Diamonds insurance certificate, details available on request

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Rogers Jones & Co
Lot 92

18CT GOLD FIVE STONE DIAMOND RING, the five graduating stones measuring 0.4cts overall approx., ring size O 1/2, 3.0gmsProvenance: private collection Rhondda Cynon Taf, consigned via our Cardiff Office

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Rogers Jones & Co
Lot 93

18CT GOLD FIVE STONE DIAMOND & SAPPHIRE RING, the central diamond measuring 0.25cts approx., ring size O, 6.5gmsProvenance: Private collection Rhondda Cynon Taf, consigned via our Cardiff Office

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Atkins Auctions Ltd
Lot 760

A large collection of vintage Hornby/Meccano O gauge model railway including a locomotive (82011), carriages including two Pullmans, rolling stock, wagons, Esso tanker, signal, controller, transformer, platform, building, large selection of track etc

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Atkins Auctions Ltd
Lot 806

An antique bisque headed doll numbered 3/O "Germany" indistinct mark possibly Gebrüder Heubach

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Atkins Auctions Ltd
Lot 815

A collection of O gauge railway track including a wagon and a tin car etc.

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Ryedale Auctioneers
Lot 22

9ct yellow gold ring set with central emerald cut green stone, the shoulders set with diamonds, stamped 375, size O, and two 9ct yellow gold half eternity rings set with brilliant cut diamonds, both stamped 375, both size O, gross 6.1g

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Ryedale Auctioneers
Lot 23

18ct ring set with diamonds in a geometric design, stamped 18k, size O, a 9ct yellow gold cluster ring set with central red stone surrounded by diamonds, stamped 375, size N1/2, and a 9ct yellow gold ring set with red glass, stamped 375, size N1/2, gross 9.1g

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Ryedale Auctioneers
Lot 388

A vintage O gauge electric American style diesel locomotive, possibly repainted.

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Ryedale Auctioneers
Lot 389

4 pre-war O gauge Bing and Carette railway coaches.

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Ryedale Auctioneers
Lot 390

2 pre-war Meccano Hornby Series O gauge bogie railway coaches. A GWR 6597 First Class carriage (with original box) and a Pullman 'Alberta' carriage (no box).

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Ryedale Auctioneers
Lot 391

Quantity of "O" gauge Hornby pre-war accessories including trunks, guard station, street lamps, ticket machines, etc

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Ryedale Auctioneers
Lot 392

A collection of pre-war Meccano and Hornby tin plate and cast metal O gauge accessories.

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Ryedale Auctioneers
Lot 394

A collection of O gauge track, wagons and a Lima diesel shunter. Includes a boxed Rovex RV 257 passenger coach with opening doors (model barely/never used, excellent/near mint condition, box end missing).

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Ryedale Auctioneers
Lot 650C

The Grange Goathland - Collection of 9 vintage tinplate O gauge (mostly) railway wagons and a carriage, early Hornby, Lowke etc.

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Jacobs & Hunt
Lot 218

An 18ct gold diamond set band ring set with nine diamonds, 4.3 grams, ring size O

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Jacobs & Hunt
Lot 238

A yellow metal dress ring set with a single Amethyst within a flower head, 6.6 grams, ring size O

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Wessex Auction Rooms
Lot 103

Diamond 9ct yellow gold ring, comprising twenty-one small round brilliant cut diamonds, pavé set, ring size O½

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Wessex Auction Rooms
Lot 106

Ruby and diamond 9ct yellow gold ring, three small round eight cut diamonds to the centre, illusion set, twelve marquise mixed-cut rubies, three bar shoulder, ring size O½

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Wessex Auction Rooms
Lot 109

Sapphire and cubic zirconia 9ct gold eternity ring, size P; a paste 18ct yellow gold and platinum set ring, size O½; together with a cameo 9ct yellow gold ring (3)

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Wessex Auction Rooms
Lot 131

Ruby 9ct yellow gold ring, oval mixed cut ruby, probably a synthetic ruby, dimensions approx 8mm x 5.5mm, coronet claw setting, tapered shoulders, ring size O½; together with a black onyx 9ct yellow gold signet ring, the black onyx panel measuring approx 7.5mm x 5.5mm, rubover set, tapered shoulders, ring size O (band misshapen) (2)

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Wessex Auction Rooms
Lot 145

Diamond 9ct yellow and white gold suite comprising bangle, earrings and ring, Greek key design, small eight cut diamonds, the bangle with stated diamond weight 0.25 carat, tongue and box clasp with safety catch, interior circumference approx 16.5cm; the half hoop earrings with post and butterfly ear fittings, length approx 13mm; ring size O½

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Wessex Auction Rooms
Lot 170

Diamond 9ct yellow gold five stone ring, five small graduated round brilliant cut diamonds, partial rubover set, ring size Q; together with a diamond 9ct yellow and white gold flower head ring, eleven small round eight cut diamonds, illusion set, tapered textured shoulders, ring size O (2)

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Wessex Auction Rooms
Lot 182

Diamond 9ct yellow gold ring, the head modelled as the initials "RW", eight small round brilliant cut diamonds, textured tapered shoulders, ring size O½

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Wessex Auction Rooms
Lot 198

Topaz and diamond 9ct white gold ring, five round mixed cut pale blue topaz, channel set, twelve small round eight cut diamond spacers, tapered shoulders, ring size O; together with a pink sapphire and diamond 9ct yellow gold ring, five oval mixed cut pink sapphires, claw set, small round eight cut diamond accents, illusion set, tapered v-shaped shoulders, ring size O (2)

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Wessex Auction Rooms
Lot 199

Fire opal and diamond 9ct yellow gold ring, the rectangular mixed cut fire opal measuring approx 6mm x 4mm, four small round eight cut diamonds to each shoulder, tapered shoulders, ring size O½; together with a pink sapphire and diamond 9ct yellow gold ring, three round mixed cut pink sapphires, four small round brilliant cut diamond accents, claw settings, tapered shoulders, ring size O (2)

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Wessex Auction Rooms
Lot 200

Emerald and diamond 9ct yellow and white gold set cluster ring, four small round mixed cut emeralds with small eight cut diamond to the centre, claw settings, twenty small round eight cut diamond surround, illusion set, the square head measuring approx 10mm x 10mm, ring size O

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Wessex Auction Rooms
Lot 202

Mystic topaz and diamond 9ct white gold ring, the rectangular cut mystic topaz measuring approx 8mm x 6mm, claw set, three small round brilliant cut diamonds to each shoulder, total stated diamond weight 0.10 carat, claw set, tapered shoulders, ring size O½; together with a topaz and diamond 9ct white gold ring, three round mixed cut pale blue topaz, three small eight cut diamond accents to each shoulder, ring size O½ (2)

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