A substantial 18ct yellow gold navette shaped diamond cluster ring, the central round brilliant cut diamond weighing approx 0.15ct within a stepped border of further round brilliant cut stones, size O 1/2, approx 12.7g.Additional InformationThe ring head measures 26.4 x 16.5mm. The shoulder when viewing from the reverse appears that the gold may have been torn and either repaired or is now damaged. The diamonds appear to be drawing yellow but this may be from the setting. They are well matched and of good clarity and sparkle well.
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An 18ct yellow gold sapphire dress ring, size O, approx. 2.55g (stone missing), and a 9ct yellow gold and silver mounted dress ring, size M 1/2, approx. 1.8g (2).Additional InformationSapphire ring is misshapen, one stone is missing, surface abrasion throughout with heavy wear to the setting, the second ring has heavy wear to the setting and general surface wear throughout.
A 9ct yellow gold curb link necklace with two stone opal drop pendant, together with a 14ct yellow gold bar brooch set with a central moonstone, 9ct gold bar brooch set with amethyst coloured stone, Victorian 9ct gold stick pin and a yellow metal ring, set with cultured Pearl, size O, combined weight 14.4g (5).
A large 18ct yellow gold opal and diamond dress ring, the central oval opal flanked by ten small round brilliant cut diamonds, size O, approximately 14g.Additional InformationThere is a crack running through the opal, otherwise light surface abrasions. The diamonds are of a slightly stepped setting, and there are light surface scratches.
An 18ct white gold and ten stone channel set diamond ring, size L, approx. 2.4g, and a yellow metal diamond and emerald eleven stone half eternity ring, size O, approx. 2.1g (2).Additional InformationBoth with minor surface scratches, the yellow metal example is thinning on the band and the stones have surface abrasions with some attention needed to a couple of the claws.
A 9ct yellow gold wedding band, size O 1/2, approx 2.3g, and two 18ct yellow gold three stone diamond rings, J /12 and O, combined 3.8g (3).Additional InformationThe diamonds are heavily included and drawing yellow, a couple of tips of one of the rings are a little worn. General surface wear to all three.
An 18ct yellow gold wedding band set with three tiny diamonds, ring size J, approx. 3g, and an 18ct gold sapphire and diamond three stone ring, size O, approx. 1.65g (2).Additional InformationSapphire is medium to dark in colour, the diamonds are very small but face up nicely, general surface wear to both but overall in good order.
BOODLE & DUNTHORNE; an 18ct yellow gold and diamond floral cluster ring, the central diamond weighing approx 0.15ct within a border eight further smaller diamonds, size O 1/2, approx 3.3g.Additional InformationThe maker's mark is obscured, presented in Boodle & Dunthorne box, general surface wear. The ring is dirty and would benefit from a clean.
An 18ct yellow gold diamond and ruby oval floral cluster ring, with oval ruby within a border of ten brilliant cut diamonds, size O 1/2, approx. 3.9g. Additional InformationThe ring head is approx. 12 x 11.5mm. Light surface abrasions to the ruby. The diamonds are facing up white and are well matched. General surface wear to the shank.
An 18ct yellow gold diamond set crossover dress ring, with twin brilliant cut diamonds, size O, approx. 4.9g and an 18ct white gold three stone diamond set ring, size K, approx. 6.4g (2).Additional InformationDiamonds drawing yellow and are included. Quite heavy surface scratches to the shanks.
An 18ct yellow gold solitaire diamond ring with brilliant cut stone and an 18ct yellow gold princess cut diamond solitaire ring, the diamond weighing 0.27cts, sizes L and O, combined approx. 6.2g.Additional InformationThe round cut stone is heavily drawing yellow and is included. The princess cut stone is of good white colour. Both have surface scratches to the shanks.
A pair of 14ct yellow gold Mabe pearl set earrings with clip and post fittings, diameter of pearls 15mm, approx 7.7g, and a 9ct yellow gold cameo ring, size O 1/2, approx 2.3g (3).Additional InformationMinor surface wear to the earrings, some surface scratches to the cameo on the ring. General surface wear throughout.
Seltene Deckel-Vase aus hellgrün-cremefarbener Jade mit vier plastisch ausgeformten KnabenChina, 18. Jh.H. 18,5 cm o,S.Zwei lose Ringhenkel an Löwenköpfen am Hals.Aus alten einer europäischen Privatsammlung, erworben vor 1960Wenige kleine Bestoßungen an den Kanten, teils gefüllt, Deckel mit natürlicher Linie in der Jade
Feines und seltenes Gewicht in Form eines feuervergoldeten Hirsches mit Kauri-MuschelChina, Han-DynastieL. 9,2 cmDie Muschel in ovalem Querschnitt, rotbraun gesprenkelt, auf elfenbeinfarbenem Grund, bildet den Körper des Tieres, der an den Seiten und an der Unterseite in einem einzigen Stück aus vergoldeter Bronze gefasst ist, Der Kopf ist mit dem verzweigten Geweih und den Ohren an den Körper gepresst, vier Beine mit den darunter gefalteten Hufen auf der Unterseite reliefiert.Bedeutende österreichische Privatsammlung, erworben 1994 von E. & J. Frankel, New YorkPubl.: Sotheby's London, 7.12.1993, Los 29 - Zeileis 'Von Shang bis Qing - Dreieinhalb Jahrtausende chinesische Bronze', 1999, Nr. 142, S. 352Es wird angenommen, dass diese Gewichte in Vierersätzen hergestellt wurden, wie z. B. der Satz von vier Gewichten in Form einer Schildkröte aus Goldbronze und Kaurimuschel, die paarweise in jedem der beiden Särge einer Doppelbestattung in einem westlichen Han-Grab in Hunyan, Provinz Shanxi, gefunden wurden. Siehe Wenwu, 1980:6, S. 51, Abb. 27 (eines von vier). Diese Gewichte wurden mit Blei gefüllt, um ihnen zusätzliches Gewicht zu verleihen. Für einen Satz von vier Gewichten ähnlich dem Paar in der Falk-Sammlung siehe Kaikodo Journal, Herbst 1998, Nr. 46, S. 128 und 226, wo das Falk-Paar auf S. 128, Abb. 1 abgebildet ist. Der Eintrag für das Vierer-Set vermerkt, dass das Wort für Hirsch, lu, ein Homonym für Reichtum ist, und dass Kaurimuscheln seit der Antike als Zahlungsmittel verwendet wurden. Die braunen Flecken auf der Kaurimuschel können auch als Anspielung auf den heiligen gefleckten Hirsch gesehen werden, der den Lingzhi, den Pilz der Unsterblichkeit, ausfährt.Vgl. das Paar ähnlicher hirschförmiger Reittiere (ohne den Kaurimuschelkörper) aus der Sammlung von Carl Kempe, abgebildet in O. Karlbeck, "Selected Objects from Ancient Shou-Chou", B.M.F.E.A., Stockholm, 1955, Nr. 27, Abb. 45, 4 (a&b)Kleine Altersspuren, kleines Loch in der Schale
Morita Shiryû (1912-1998)Japan, dat. 199097 x 187,7 cm R.Paneel. Die Schriftzeichen „Ryû chi ryû“ 龍知龍 (Ryû wa ryû o shiru: Der Drache kennt den Drachen) in Kursivschrift. Aluminiumpaste auf schwarz lackiertem Papier, auf Holz aufgezogen. Gerahmt. Rückseitig Papieretikett des Künstlers mit Titel „Ryû chi ryû“, Maßangaben, der Jahreszahl 1990, dem Künstlernamen und -Siegel 'Sei no ji' sowie seiner Adresse in Kyoto.„Ryû wa ryû o shiru (Drache kennt Drachen) sind drei Schriftzeichen, die in Morita Shiryûs Œuvre seit 1964 präsent sind. Der Spruch „Ryû wa ryû o shiru“ bedeutet so viel wie „Größe erkennen ist Größe“. Moritas Pseodonym „Shiryū“ bedeutet direkt übersetzt „Drachenkind“ - ein Beleg für die Identifizierung des Künstlers mit dem Wort und dem Schriftzeichen „Ryû“ (Drache). Die persönliche Verbundenheit mit der Form und Bedeutung des Zeichens veranlasste Morita, dessen kalligrafische Manifestation immer wieder aufzugreifen. Werke mit dem Ryû-Zeichen sind die berühmtesten und begehrtesten des Künstlers und befinden sich in bekannten Sammlungen wie der des Art Institute of Chicago.Aus einer Schweizer Privatsammlung, in den 1990er Jahren erworbenMinim. berieben, insgesamt schön erhalten
Exzellente Vase aus dunkelbraunem Holz mit Dekor von spielenden LöwenJapan, Meiji-PeriodeH. 31,7 cmIn tiefem Relief in sehr feiner Ausführung um die Wandung spielende Löwen mit Brokatbällen, am Stand und am Hals Blütenmuster, die Mündung mit Fledermaus-Bordüre.Bayerische PrivatsammlungVergleiche mit einer sehr ähnlichen Vase, verkauft bei Christie's London, 16.6.1999, Los 62, signiert Takaaki Kore o Kizamu. Minim. best.
Various sizes, techniques and artists, partly signed in pencil, all but a few tipped onto mount, loosely inserted in board portfolio.Incl. some duplicates. A fine collection of ex libris designed especially for the prominent Austrian veterinarian Ottmar Premstaller (1927-2018). Artists incl., a.o.: H. Blokhuis; F. Bötel; N. Bulder; Cinybulk; Z. Dolatowski; H. Fajlhaner; Leopold Feichtinger; Otto Feil; A. Gastmans; J. Liesler; M. Kislinger; Herbert Ott; O. Premstaller himself; P.G. Rueter; E. Schöner; Lou Strik; and Wim Zwiers. Added: Collection of approx. 90 ex libris by or for Herbert Ott (1915-1987) and by various artists for Nobert Ott and for other members of the Ott family. (total approx. 180 in 2 board portfolios)
für die Kinderstube. Neu übersetzt von Edmund Lobedanz. Mit 50 Text-Illustrationen von Erdmann Wagner, nebst einem bunten Titelbilde von Hermann Vogel. Leipsic/ Berlin, O. Spamer, 1881, illustrated as indicated, orig. dec. gilt cl., 4to (weak on inner hinges). H.C. Andersen's Auserwählte Märchen, vol. 1. (2) Andersens Kinder- & Haus-Märchen. Übersetzt von H. und L. Krüger. Nurnberg, printed by E. Nister for Th. Stroefer, n.d. (ca. 1900), 174,(2) p., w. 4 col. plates and 88 (full-p.) b/w ills. by A. Wanke, O. Kubel a.o., orig. clothbacked pict. boards, 4to. Weak on lower inner hinge; binding sl. rubbed along extremities. Fine Jugendstil book publication. (3) Hans Christian Andersens Märchen. Leipsic, Insel, 1921, 2 vols., XXII,(2),556; (4),549,(2) p., orig. unif. gilt hc., t.e.g. -and 6 others, incl. 3 other editions of fairy tales by Andersen. (total 10 vols.)
Mostly 20th cent. but also w. a few 19th cent. specimens, for owners whose names begin with A. Various sizes, techniques and artists, partly signed in pencil, all but a few tipped onto mounts, loosely inserted in alphabetical order in 2 portfolios.Incl. some duplicates/ variants. Comprised of ex libris for a.o.: Suze van der Aa; Bertus Aafjes; A. Aantjes; C.M.H. Achterberg; Gerrit Adriaans; J.J. Adrian; W.J.F. Akkerman; J. Alberdingk Thijm (by L.W.R. Wenckebach); Peter Alkan; Han Alta; L. van Amerongen; Sietje Amesz; Arnold Andersen; Hans Andreas; G. van den Arend; O. Arnhem; Frans van As, K.M. Astor; Ina Aukes; R. Avenarius; and AVRO. (total approx. 220 in 2 portfolios)
Ed. K. Toth, German transl. O. Gildemeister. Zurich/ Leipsic/ Vienna, Amalthea-Verlag, 1921. 3 vols. XLIV, 428; (4), 434; (4), 444 p. 60 tipped-in very fine coloured plates by F. von Bayros. Unif. gilt halfvellum, with gilt cartouche "Firenze Verona Ravenna" showing the coats of arms of the cities on front board, gilt title on spine, in cardboard slipcase. Numbered (204/1100), signed copy. Slipcase edgeworn, gold tooling on boards sl. oxidized. (total 3)
Mostly 20th cent. but also w. some 19th cent. specimens, for owners whose names begin with M (approx. 90), N (approx. 45), O (26) or P (approx. 95, also a few w. the letter Q). Various sizes, techniques and artists, partly signed in pencil, all but a few tipped onto mounts, loosely inserted in alphabetical order in 4 portfolios.Incl. some duplicates/ variants. Comprised of ex libris for a.o.: Karl Machtan; Adina Mala; Harry A. Malm; Wolfgang Märker; August Menk; Maria Mess; Friederike Meyersberg; Martha Miller; Ilse Mottl; Dr. Mumm; Joachim Frhr; Von Münster; Mizzi Nagel; Colomanus Nappendruck; Manfred Neureiter; Rudolf Niess; Rudolf Oberländer; Emil Otto; M. Pabst; Ilse Palus; Grigorieff Paul; Bernd Perret; Lucia Pfeiler; Ursula Pieroth; Erika Plöntzke; Walter Popik; and Albert Quadt. (total approx. 250 in 4 portfolios)
Friedländer, Hamburg, 1913. 97 x 71 cm. Lith. no. 5862. (Right) folding lines worn and toned, reinf. on verso. *Peter Alupka was a streetcat cat found by Thea Sutoris, a doctor specialized in speech impediments. She found that Peter could produce sounds that resembled her speech. She trained him by using the same therapy she used on her patients. After three years Peter could say the words "Anna", "Helene" and "nein", he could sing the "O Tannenbaum" song and would cry "Hurrah!" when his owner mentioned Kaiser Wilhelm.
No. 1. Moscow, Edition d'etat de la RSFSR, 1930. 48 p. Folio. Orig. cover des. O. Deynek, text in French, photos by a.o. B. Ignatovitch, B. Kozak, A. Chayhet, and A. Grigorieff. Spine worn, some discol., otherwise in good condition. A landmark Soviet art magazine, issued from 1930 to 1941, to celebrate the achievements of the first 2 Five Year Plans and (through various foreign language eds. such as this one) to propagandize the stark contrast between the vibrant Soviet economy and the stagnation of Western economies under capitalism.
sive Germaniae Inferioris) Pars Prior (-Pars Posterior). Amst., Johannes Janssonius, 1657. W. half-titles: Urbium totius Belgii seu Germaniae Inferioris nobiliorum, & illustriorum tabulae antiquae & novae accuratissime elaboratae. Pars prior (-Pars posterior). (2 parts in 1 vol.). Folio. Contemp. vellum binding w. blindst. centerpiece and cl. ties, Engr. title-p., letter press title-p., Praefacio and 56 (from 61) plans for the 1st part. Engr, title-p., letter press title-p. and 52 plans for the 2nd part. Town plans or bird's-eye views of a.o.: Brabant; Gelderland; Flanders; Artois; Hainaut; and Namur in "Pars Prior", and of a.o.: Holland; Zeeland; Utrecht; Friesland; Overijssel; and Groningen in "Pars posterior", index for both parts bound at end of part 2.Lacking 5 plans: Antwerp nova pl. (E); Antwerp descriptio (E2); Breda nova pl. (O); Buscam ducis etc. (Q); and Herderwicia descriptio (Ee2). Also lacking both engr. title-p. and letterpress title-p. of part 2. The Nijmegen plan (after B&H) replaced by a copy without text verso. Some plans w. sm. tears repaired w. sellotape, left half of plan of the Hague (Ff) loose, other half repaired w. sellotape, sl. waterst. to upper right corner in part 2 (not affecting plans/ text), sl. foxing. Janssonius acquired the plates of F. Hogenberg's "Civitates orbis terrarum" that were mostly unaltered, and incorporated them in his town atlases. In the index at the end of part 2 these were referred to as "vetus pl." unless being altered, amended or reworked, in which case the index mentions "novus pl." For Dutch cities, he ordered newly engr. copperplates after Blaeu's orig., after A. van Slichtenhorst or M. Zeiler. The index refers to these as "novus pl." as well. Ref.: Koeman-vanderKrogt. Atl. Neerl. IV-1 p. 267-271.
(1) Dokumente, 1982. Clasp bound, 29.5 x 21 cm, ca. 100 photocopied pp. Catalogue for a 100-day exhibition series organized by Olbrich at his art space Kunold Strasse 34 in Kassel, simultaneously with Documenta 7. Every day another artist was invited to present something and contribute to the catalogue. Artists included Ria Pacquee, Michael Gibbs, Klaus Groh, Robert Rehfeldt, Wulle Konsumkunst, Klaus Staeck, Rod Summers et al. (2) Collective Copy and Test Copy, 1983. Artists' books featuring thrown away photocopied sheets (by unknown people) collected and assembled by the artist. Olbrich sent free copies to people from his mail art network, who could only get one Collective Copy and one Test Copy in their lifetime. This sample derives from Bart Boumans, with original envelope and note by Olbrich. (3) 16 items sent by Jürgen O. Olbrich to Boumans, providing great documentation on Olbrich's mail-art and Kunoldstrasse activities. (total 19)
Mostly 20th cent., a few 19th cent. specimens and some unidentified plates with just initials indicated, for owners whose names begin with N (approx. 175) or O (approx. 175). Various sizes, techniques and artists, a few signed in pencil, all but a few tipped onto mounts, loosely inserted in alphabetical order in 2 portfolios, some loose.Incl. some duplicates/ variants. Comprised of ex libris for a.o.: G. Nagel; Ita Neethling; J. de Nie; G. Nieuwenhuis; Johannes Nithack; Nobilis; Adriana v.d. Nolle; C.M. Noorlander; J.M. Noy; Chr. Nuijs (by Jan Feith); E. Nijman; H.N. Ouwerling; A.J. Odinot; A.A. Olierook; J. Oostveen; J. Oranje; J. van Osch; B.E. Ott; H.N. Ouwerling; and Paul van Overzee. (total approx. 350 in 2 portfolios)
Hospices de Beaune, Beaune Cuvee Guigone de Salins 1972 H&O Beyerman. Bin-soiled label, torn slip label. Level 2.5cms )1) Hospices de Beaune, Beaune Cuvee Dames Hospitalieres 1982 Laboure-Roi. Bin-soiled labels, one very bin-soiled. Levels 2.5cms (3) Hospices de Beaune, Beaune Cuvee Hugues et Louis Betault 1983 Raoul Clerget. Bin-soiled labels, one damaged. Levels 2.5cms (6) Lying at LCB Barking
Circle of Thomas Butterworth/A Man O' War/in a stormy sea/oil on canvas, 39.5cm x 59cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Samuel Atkins (fl. 1787-1808)/A Man O' War Becalmed/signed/watercolour, 20.25cm x 30cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
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