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Hansons Auctioneers and Valuers
Lot 142

A collection of SCI-FI Signed Autographed Photos and official promotional cards. Each approx 10 x 8 inches. Houses in a folder - one vendor collection some dedicated - please see photos - viewing by appointment on collections.Star Trek Voyager - Robert Picardo as the Doctor  / LeVar Burton, Nana Visitor, Robert O`Reilley, Buffy the Vampire Slayer - Dawn Summers ( Michelle Trachtenberg) Mark Lutz as the Groosalugg, FHM Carlo Dalla Chiesa, Angel - Julie Benz as Darla, Amber Benson, Paul Darrow Blakes 7, Babylon 5 Ed Wasser as Morden, Andreas, Jason Carter, Carole Tord, Bower, Sophie Aldred, Amanda Stargate SG1, Michael Shanks Dr Daniel Jackson and others total of 30 autographs

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Hansons Auctioneers and Valuers
Lot 179

A Collection of Neighbours - TV Soap Series Autographed / Signed promotional cards. Plus a selection of Home and Away Tv series cards all signed - Neighbours Including multiple copies of many  - Stefan Dennis, Natalie Bassingthwaighte, Nell Feeney, Dan O`Connor, Dichen Lachman, Mathew Wekrmeister, Carla Bonner, Sianoa Smit-McPhee, Pippa Black, Ben Nicholas, Ryan Moloney, Damien Bodie, Ian Smith, Stephanie McIntosh, Alan Fletcher, Stephen Lovatt, Tom Oliver, Janet Andrewartha, Alan Fletcher, Eliza Taylor-Cotter, Jackie Woodburne, Kyal Marsh, Caitlin Stasey, Natalie Blair, Anne Charleston, Holly Valance, Dan Paris, Kate Keltie. approx 50 plus some lettersHome and Away - Zac Drayson, Katie Richie, Lyn Collingwood, Aleetza Wood ( back ) Anna Hruby, Ryan Kwanten, Justin Melvey, Kylie watson, Lynne McGranger, Judy Nunn, Brendon McKensy, Ada Nicodemou, Kimberley Cooper, Antoinette Byron, Anthony Phelan. approx 17 

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Hansons Auctioneers and Valuers
Lot 180

A large Collection of Coronation Street Signed / Autographed publicity photo / cards - mostly postcard size. Housed in a folder. approx 180 plusincluding - Sarah Lancashire, Thelma Barlow - Peter Baldwin, Roy Baraclough, Maureen Lipman, Julie, David, Rebecca, Georgia Taylor , June, Bett, Berry, Amy Kelly,  Johnny Briggs, Denise Welch, Sally Whitaker, Richard Standing, Amanda Barrie, William Roach, Sue Nicholls, Liz Dawn, Kevin Kennedy, Jacqueline Pirie, Tracy Shaw, Jennifer James, Morris, J Kington, Angela Lonsdale, Brian Capron, Bruce Jones, Ryan Thomas, Sue Cleaver, Sally Lindsay, Gale, Chris Gasgoyne, Maggie Jonos, Chris Bisson, Karen, Shobna Gulati, Tina O`Brien, Bradley Walsh, Jane Danson, Samia, Bill Ward, Hudson, Hunt, Jenny Platt, Thomas Craig,Callard, Whyment, Wendi Peters, Tina Gambe, Sam Aston, Simon Gregson, Susie Blake,Michael Crabb, Kate Ford, Alan Halsall, Brooke Vincent, Debra Stephenson, Ray Fearon, Malcolm Hebden, Barbara Knox, Sally Lindsay, Eric Potts, Sue Cleaver, Ian McKellen, Clive Russell, Vicky Binns, Craig Charles, Kym Ryder, Sean Gallagher, Nikki Patel, Jack Ellis,  etc - 

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Hansons Auctioneers and Valuers
Lot 183

EASTENDERS - TV Soap - Stars - Autographed / Signed publicity postcard size pictures. Approx 170 including : Nina Wadia, Jamie Borthwick, Stuart Laing, Diane Parish, Stephen Lord, Larry Lamb, Jake Wood, Amanda Drew, Madeline Duggan, Belinda Owusu, Lorna Fitzgerald, Linda Henry, Natasha Beaumont, Charlie Jones, Elaine Tan, Sophie Thompson, Cheryl Fergison, Martin Kemp, Gillian Wright, Race Davies, Thomas Law, Roberta Taylor , Gavin Richards, Daniela Denby-Ashe, Andrew Lynford, Ricky Groves, Derek Martin, Mark Homer, lila Morse,Michelle Ryan, Elaine Lordan, Lacey Turner, Jessie Wallace, Alex Ferns, Rudolph Walker, Angela Wynter, Gary Beadle, Tracy-Ann Oberman, Joseph Kpobie, Mohammed George, Nigel Harman, Phil Daniels, Anita Dobson, Leslie Grantham, Letitia Dean, Matt Di Angelo Kellie Shirley, Robyn Moore, Dave Hill, Paul Bradley, Tom Ellis, Colm O` Manlaf, Hannah Waterman, Dudley Sutton, Janet Dibley, Edna, Ian Lavender, Michael Higgs, Troy, Petra, Asvin, Jimi, Sean Gleeson, Craig Fairbrass, Cliff Parisi, Dorreen Taylor, Joe Absolom, Jane Slaughter, Tommy Eytle, Susan George, Brooke Kinsella, Joel Beckett, Shane Richie, Hilda Braid, Kim Medcalf, Christopher Parker, Steve McFadden, Danniella Westbrook, Sophie Lawrence, Barbara Windsor, Kara Tointon, Martine McCutcheon, Megan Jossa, Gillian Taylforth, Gerry Cowper, Joe Swash, David Spinx, Shana Swash, Joan Hooley, Krystle Williams, Natalie Cassidy, Tamzin Outhwaite, Tiana Benjamin, Dean Gaffney, Anna Wig, Mona Hammond, Elizabeth Kelly, Leslie Schofield, Dalip Tahil, Ameet Chana, Raji James , Pooja Shah, Bill Treacher, Wendy Richards, James Alexandrou, Pam St.Clement, Tony Caunter, Todd Carty, Emma Barton, Lucy Speed, Shaun Willamson, Nicky Henson, Louise Jameson, Clark Wilkie, Michael Greco, Jake Kyprianou, Carly Hillman, Leon Lissek, Leila Birch, Melissa Suffield, Adam Woodyatt, Laurie Brett, Gretchen Franklin, Jo Joyner, June Brown, John Bardon, Barbara Keogh, Charlie Brooks, Patsy Palmer, Mike Reid, SId Owen, Charlotte Avery .... etc - some mulitples 

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Hansons Auctioneers and Valuers
Lot 68

ADAM ANT Interest. From the Alleyne collection.Jordan Mooney, whilst no longer managing Ant, returned in 1985 to style Ant’s look for both the “Vive Le Rock” album and the subsequent national tour to promote it. She was responsible for the overall look - down to the very last detail. The client remembers “I was working for an entertainments merchandising company at the time and was surprised to find this on my desk one morning. I`d been working on separations of Ant`s tour t-shirts - Nick Knight’s photographs, Rob O`Connors designs etc., when a bolt of cyan fabric arrived with a hand written note from Jordan (Mooney), specifying a print for one of Ant`s personal stage costumes. This is the reference sample I kept along with the hand-written, signed note from Jordan.”

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TW Gaze
Lot 5628

An unmarked ring set with an oval pale blue stone. Size N/O, 3g

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Beeston Auctions
Lot 1032

3 silver dress rings. To include a band style set with green agate and an Art Deco style dress ring set with marcasite stones and central round cut mother of pearl. All have silver marks to inside of band. Sizes O, P½ and R.

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Beeston Auctions
Lot 1051

A contemporary design large silver dress ring. Rough grooved detail to top of ring. Worn 925 mark to inside of ring. Size O, total weight approx 12.1g.

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Beeston Auctions
Lot 1054

3 modern design stone set silver dress rings all with silver marks. To include an 800 silver adjustable ring set with an oval of natural agate. Sizes L (adjustable) O and S.

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Beeston Auctions
Lot 1082

A 18ct gold vintage solitaire ring mount- no stone. High set shoulders with bark effect engraved detail to both. Full hallmarks to inside of band. Size O. Total weight approx. 5.6g.

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Beeston Auctions
Lot 1142

4 silver and white metal dress rings. A filigree wrap around ring set with a single pearl, a speckled glass cabochon ring with pierced work to shoulders, a round black onxy cabochon ring and a cameo set ring surrounded by marcasite stones. Sizes N, O and Q.

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Beeston Auctions
Lot 1146

6 silver and white metal band style rings. To include pierced work buckle ring, a twist design band and a star decorated band. Sizes include O,P,Q,R and X.

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Wessex Auction Rooms
Lot 729

Vinyl - Misty In Roots / Aswad - 10 Reggae albums and Two 12” singles, including: Misty In Roots: People Unite (Misty In Roots) - In Progress (PU 104) EX / EX, Wise And Foolish (PU 101) VG+ / VG+, plus printed inner. Live At The Counter Eurovision 79 (PU 003 ALB) EX / EX. Muti-O-Tunya (PU 105) VG+ / EX. Eartha (PU 102 ALB) EX- / VG+, Plus Printed Inner. Forward (KAZ LP 900) EX / EX. See Tham Ah Come (12”, PU/PRL 001) VG / VG++. Aswad: Jah Shaka Meets Aswad In Addis Ababa Studio (Jah Shaka Music, SHAKA 850) VG / EX, Live And Direct (IMA 6), New Chapter ( cbs 85336) 2 Copies. It’s Not Our Wish (12”, Green Vinyl, Grove Music, GMDM 9) VG+ / EX

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Bamfords Auctioneers & Valuers
Lot 77

Copoclephily - a George V silver-gilt presentation key, Ashington Wesleyan Central Hall, A Brocklehurst & Co, Architects, Opened May 21st 1924 by Mrs Ridley Warham, 10.5cm long, Birmingham 1924, 48g; another, Opening of the Extension to Pretty Polly (Holdings) Ltd, 1959, 42g; another, Latchmere Road School, Kingston upon Thames, 1936, 44g; another, N.C.H & O, Congleton New School, 1940, 58g (4) [192g]

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Bishop & Miller Auctioneers Ltd
Lot 177

British No.7 Mk I L Knife Bayonet, this marked to one side of ricasso, faint stamp on the other side of what appears to be a broad arrow above which is '0 I' or 'O U', piece missing from grip, held in steel scabbard stamped '294'

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Bishop & Miller Auctioneers Ltd
Lot 278

A Selection of signed military aviation related books to include, 'Aviation Sketchbook' by Nicolas Trudgian, multi signed by WW2 RAF & USAAF Aircrew including Flt/Sgt Lou Crabbe 49 Sqn., Sqn/Ldr Benny Goodmann 617 Sqn., Air Commodore John Ellacombe 151 Sqn., W/Cdr John Bell 617 Sqn., Air Commodore John Langston 617 Sqn., Sqn/Ldr Tony Pickering 501 Sqn., Major General Don Straight 356th Fighter Group USAAF, Flt/Lt Murray Valentine 617 Sqn., F/O Ken Wilkinson 19 Sqn., etc, 'Fighting High, World War Two Air Battle Europe, Volumes One & Two' by Steve Darlow, Vol. 2 multi signed by WW2 Aircrew including W/O Peter Green 102 Sqn, W/O Cliff Caley RAAF 460 Sqn., F/O John Elliot 550 Sqn., W/O Harry Irons 9, 462, 466, & 158 Sqn., Flt/Lt Terry Clarke 219 Sqn., etc, 'Wimpy, A Detailed Illustrated History of the Vickers Wellington in Service' by Steve Bond, multi signed by the author and WW2 RAF Pilots including Graham Harrison 172 & 612 Sqns., Geoff Paine, John Elliot, Clifford Hobbs 104 Sqn., etc, 'Wings of the Luftwaffe' by Captain Eric 'Winkle' Brown, signed by the author, a renowned WW2 Royal Navy Fighter and Test Pilot, 'Ted the Lad, a Schoolboy Who Went to War' by Ted Cachart, signed by the author, a WW2 veteran who joined the RAF underage and went on to serve in Bomber Command on Lancasters, 'Fighter Pilot' by Bob Doe, signed by the author a Battle of Britain Fighter Pilot, 'Faster Than the Sun' by Peter Twiss, signed by the author who served with the Fleet Air Arm in WW2 and went on to become a record breaking test pilot, (8)

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Bishop & Miller Auctioneers Ltd
Lot 28

First World War grouping, 1914-1918 British War Medal (102845 DVR. O. MOTHERSOLE. R.A.) together with a Royal Artillery cap badge, a wheelwrights trade badge, both in gilding metal, and a photograph of Mothersole in civilian clothes, records show Oscar Mothersole of Ipswich, Suffolk, enlisted in the Royal Field Artillery on 28th June 1915, his trade is listed as carpenter/wheelwright, he entered France on 3rd June 1916 serving with C Battery 178 Brigade RFA and is entitled to the BWM and Victory medal

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Bishop & Miller Auctioneers Ltd
Lot 285

A Selection of signed military aviation related books to include, 'Heroes All' by Dr Steve Bond, multi signed by WW2 RAF pilots including Flt/Lt Len Davies 151 & 261 Squadrons, Flt/Lt Jack Biggs 17 Sqn., Flt/Lt Eric Clarke 49 Sqn., Flying Officer George Cook, Flight Sergeant Bob O' Dell 408 Sqn., Flt/Sgt John King 296, 644 & 47 Sqn., W.O. Jack Linaker 9 Sqn., etc, 'The Battle of Britain Portraits of the Few' by Christopher Yeoman & David Pritchard, multi signed by RAF pilots including John Ellacombe 151 Sqn., Michael Wainwright 64 Sqn., Johnny Iveson 616 Sqn., Terence Kane 234 Sqn., Ken Wilkinson 616 & 19 Sqn., etc, ' Johnnie Johnson, Spitfire Top Gun' Parts One & Two by Dilip Sarkar, signed by author and RAF Pilots including John Milne 19 Sqn., 'B-26 Marauder at War' by Roger A. Freeman, signed by the author, 'A Tigers Tale, The Story of Battle of Britain Fighter Ace W/Co John Connell Freeborn DFC' by Bob Cossey, signed by the author, 'The Last of Many' signed by the author an RAF veteran, The Long, The Short, And The Tall' by W.N. 'Pete' Gray, signed by the author who served with 7 Sqn, 34th Bomb Group USAAF in WW2, 'Ghosts of Biggin Hill' by Bob Ogley, signed by the author, (9)

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Bishop & Miller Auctioneers Ltd
Lot 292

Selection of military aviation related books to include, 'Spitfire' by Dilip Sarkarmulti signed by the author and RAF Pilots including Bob Morris 66 Sqn., Rodney Scrase 72 Sqn., John Milne 19 Sqn., Bill Musgrave 237 (Rhodesia) Sqn., Maurice Macey 127 Sqn., Michael Wainwright 64 Sqn., etc, 'The Narrow Margin' by Derek Wood & Derek Dempster, signed by Air Commodore John Ellacombe 151 Sqn Battle of Britain & Flt/Lt Jack Pike 17 Sqn., 'The Lancaster Manual' produced by the RAF Museum, multi signed by WW2 RAF Aircrew including F/O John Elliot 550 Sqn., W/O Cliff Caley 460 RAAF Sqn., Flt/Sgt Roy Fensome 216 Sqn., F/O George Cook 49 & 205 Sqn., 'Spitfire on my Tail' by Ulrich Steinhilper & Peter Osborne, signed by Ulrich Steinhilper a Luftwaffe veteran of JG52, with a representation of his parachuting from a Me 109 after being shot down during the Battle of Britain, 'Flying Greek' by Colonel Steve N. Pisanos USAF, signed by the author who served with 71 (Eagle) Sqn RAF before transferring to the USAAF on americas entry into the war, 'Martlesham Heath' by Gordon Kinsey, signed by the author who was a WW2 RAFVR veteran, 'The Battle of Britain' by James Holland, signed by the author, 'Yeager' by General Cuck Yeager & Leo Janos, British 1st edition 1986, (8)

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Bishop & Miller Auctioneers Ltd
Lot 322

German Reichswehr O/R's leather belt with steel buckle, the Reichswehr was the official name of Germanys armed forces between 1919 and 1935 when it was replaced by the Werhmacht, together with a German M31 mess tin, stamped 'HW&D38' and personalised with the initials 'AR' roughly engraved on the lid and side, the items were brought back from the war in 1945 by 692206 Private Jack Bailey of the Royal Corps of Signals who was attached to the 43rd Reconnaissance Regiment, part of 43rd Wessex Division in the 21st Army Group in North West Europe, they were aquired from a German soldier, part of a group described as 'almost like Dads Army', so possibly Volkssturm, in the town of Goch in Germany just over the border from the Netherlands, direct from family, (2)

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Bishop & Miller Auctioneers Ltd
Lot 404

Pre First World War Rifle Brigade O/R's Full Dress Busby, green cord boss with crowned strung bugle insignia to front, black horsehair plume, makers label for ' Hobson & Sons, London' to interior, replacement chin strap

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Bishop & Miller Auctioneers Ltd
Lot 415

Pre First World War British cavalry accoutrements to include Lancer O/R's full dress girdle, pair of steel shoulder chains, and a busby bag to the 14th Hussars dated 1914

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Bishop & Miller Auctioneers Ltd
Lot 417

Victorian Royal Marine Light Infantry O/R's full dress tunic, scarlet cloth with blue facings, Queen Victoria crown buttons throughout, epaulettes embroidered with globe and laurel, one good conduct stripe to left sleeve, blanket lining,  'PO7237 and R.E. SIMS CH8790' stamped to interior, Richard Ernest Sims, born 31st January 1876 at St Pancras, London, enlisted in 'D' Company Portsmouth Division RMLI on 30th January 1893 with the service number PO7237, transferred to 'A' Company Chatham Division with the number CH8790 in September 1896, Discharged (invalided) December 1898, together with copy of service record

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Veilinghuis de Ruiter
Lot 195

Silver bonbon basket. Beautiful oval model with soldered handles and pearl edge decoration. The sides are partly openwork openwork and the bottom edge has a fillet edge. Standing on 4 soldered legs. The Netherlands, Schoonhoven, H. Schriek, 1974, hallmarks: lion, Minerva, maker's mark, o, sword - minor signs of wear. 84 grams, 835/1000. Dim. L 15.7 cm, W 10.5 cm, H 6.2 cm.

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Veilinghuis de Ruiter
Lot 322

Dinner spoon (Rotterdam 18th century) silver. Made in Dutch smooth. Netherlands, Rotterdam, 18th century, hallmarks: unclear hallmarks (including faded year letter of Rotterdam), o with crown, axe. Inscription: MAG - light signs of use. 50 grams, 925/1000. Dim. L 20.9 cm.

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Veilinghuis de Ruiter
Lot 324

Dinner spoon (Delft, Dirk van de Goorberg 1747-1811) silver. ''Amsterdams Lof''. The Netherlands, Delft, Dirk van de Goorberg, 18th century, hallmarks: standing lion with crown, city hallmark, maker's mark, unclear year letter, o with crown. Inscription: H - light signs of use. 62 grams, 925/1000. Dim. L 20 cm.

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Veilinghuis de Ruiter
Lot 129

Bread basket silver. Very beautiful, large oval model with partly openwork sides with rocaille rims and flower, branch and leaf decoration. The handles are molded and the basket stands on 4 rocaille-decorated legs. Netherlands, Voorschoten, J.M. van Kempen & Zonen, 1924, hallmarks: lion, Minerva, maker's mark, O - light signs of use. 1050 grams, 835/1000. Dim. L 40.7 cm, W 25.3 cm, H 14 cm.

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Veilinghuis de Ruiter
Lot 146

Bottle tray silver. Round model with pearl edge decoration and partly openwork edge. The Netherlands, Leiden, J. Duijndam, 1924, hallmarks: lion, Minerva, maker's mark, O - minor signs of wear. 88 grams, 835/1000. Dim. H 1.8 cm, diameter 10.7 cm.

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Ewbank's
Lot 3024

Regimental silver, coffee pot in George III style with ebonised handle, with Devonshire Regiment crest and motto Semper fidelis, and with inscription, " Presented to the officers 2nd Bn Devonshire Regiment by Lieut, J O Travers December 1895, " circa 1900 (date letter rubbed), 29 cms high, 27.2 ozs 848 grams SILVER COLLECTION OF SIR RAY TINDLE CBE DL 1926-2022 The following obituary (edited) was published by Tindle Newspapers: Sir Ray Tindle was a man who had a life-long commitment to, and passion for, the newspaper industry. He was a newspaper man through and through.After leaving school he enlisted in the 1st Battalion Devonshire Regiment and saw service in the Far East between 1944 and 1947, rising to the rank of captain.He was extremely proud of his association with the now-disbanded regiment and greatly mourned its passing, going so far as to name his previous home in Farnham Devonshire House in its honour.Sir Ray made the Surrey town his home in the 1960s and made such an impact in the following 50 years that he was known by locals as Mr Farnham. If a charity or organisation needed help, Sir Ray was there. He eventually stepped down as Chairman of Tindle Newspapers when he was 90, remaining as president, with son Owen, who runs the Oxon Hoath Retreat and Conference Centre in Kent, taking over as Chairman.After returning to the UK after the War,Sir Ray acquired his first newspaper title, the Tooting & Balham Gazette, with his £300 demob payment. It was to be the first of many and, over the years through a series of launches and acquisitions, the group grew to a considerable force under the collective banner of Tindle Newspapers Ltd. It now owns local papers and radio stations covering large parts of Surrey, Hampshire, Essex, Somerset, Devon and Cornwall, Wales, Ireland, the Channel Isles and the Isle of Man. Many of these papers are very long established, including the Monmouthshire Beacon founded in 1837.Others were launched in Queen Victorias reign, such as the Farnham Herald (1892), Cambrian News (1860), Cornish & Devon Post (1856), Mid-Devon Advertiser (1863) and the Tenby Observer (1853).The Tindle Group became the fourth largest UK local newspaper group by number of titles published.Sir Ray was a man of immense self-belief and iron determination, as characterised by his coat of arms, carried by all his newspapers, with the Latin motto Noli Cedere, which translates as Never Surrender.He retired as Chairman of the Surrey Advertiser in 1977 after 35 years. He was also a director for 18 years on the main board of The Guardian & Manchester Evening News, and Chairman for ten years of the Belfast News Letter, the UKs oldest provincial daily. He was a founder shareholder and, for many years, an alternate director, of Capital Radio.He became Master of the Worshipful Company of Stationers and Newspaper Makers in 1985 after some 20 years of service on several committees and of the Court.Over the years he also donated sizeable sums to various worthy causes and projects, particularly in and around his hometown of Farnham.In 1973 Sir Ray was appointed OBE for services to the newspaper industry and in 1987 he was appointed CBE. In 1989 he became a Deputy Lieutenant for the County of Surrey. He was knighted in 1994 andwas made the Newspaper Personality of the Year at the 2005 Newspaper Awards, in the same year becoming an honorary vice-president of the Veteran Car Club of Great Britain.Sir Ray died as he would have wished, still committed to the media empire he had so painstakingly created over the course of a long and distinguished career.He was an avid collector of silver, and his collection is being sold by the estate in this auction.

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Fieldings Auctioneers
Lot 342

An 18ct hallmarked white gold diamond floodlight ring comprising three vertical rows of four diamonds, to knife edged shoulders, total weight of stones approximately 0.85ct, weight 4g, ring size O.

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Fieldings Auctioneers
Lot 352

An 18ct hallmarked domed head ring of open woven rope twist design set with four rows of three brilliant cut diamonds, all to pierced split shoulders, weight 13g, ring size O 1/2, Sheffield 1996.

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Fieldings Auctioneers
Lot 437

An early 20th Century 18ct hallmarked gypsy set boat shaped ring, weight 4.2g, ring size O 1/2, Chester 1917.

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Fieldings Auctioneers
Lot 439

An early 20th Century 18ct emerald and diamond ring, three old cut stones spaced by four square cut emeralds, weight 2g, ring size O 1/2, S/D.

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Fieldings Auctioneers
Lot 440

An 18ct tanzanite and diamond cluster ring, central oval tanzanite, length 11mm, within a twelve stone diamond surround, all to diamond set shoulders, weight 5.1g, ring size O.

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Fieldings Auctioneers
Lot 453

A 9ct hallmarked amethyst and diamond halo ring, central cabochon collar set amethyst within a border of diamonds, weight 2.3g, ring size O.

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Fieldings Auctioneers
Lot 500

An early 20th Century diamond solitaire ring, old cut claw set stones, weight approximately 3.10ct, colour O/P, clarity SI 3, to plain shoulder, weight 4.3g, ring size N 1/2, S/D.

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Fieldings Auctioneers
Lot 503

A 9ct hallmarked five stone blue topaz ring, collar set stones to a split shank in the manner of Boodles, weight 3.6g, ring size O.

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Fieldings Auctioneers
Lot 505

An early 20th Century 18ct sapphire and diamond, boat shaped, gypsy set three stone ring, weight 2.8g, ring size O, Birmingham 1906.

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Fieldings Auctioneers
Lot 507

An early 20th Century 18ct hallmarked sapphire and diamond five stone ring, alternating stones to a boat shaped head, weight 3.6g, ring size O, Birmingham 1909.

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Fieldings Auctioneers
Lot 551

A 14ct white gold black and white diamond cluster ring modelled as a star fish, length 30mm, weight 8.3g, to a double split shank, ring size O.

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Fieldings Auctioneers
Lot 553

An early 20th Century 18ct diamond double head daisy cluster ring, weight 3.2g, ring size O.

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Hampel Fine Art Auctions
Lot 103

Paar seltene chinesische Porzellanobjekte mit „Meninos de Palhavã“-DekorHöhe der Deckeldose: 15,7 cm.Durchmesser: 13,2 cm.Höhe der Schale: 11,5 cm.Durchmesser: 25 cm.China, Qing-Dynastie, Qianlong-Periode (1736-1795), 1776 oder später.Jeweils in Porzellan gegossen, glasiert mit Unterglasurblau und Eisenrot staffiert und gold gehöht. Jeweils mit unglasiertem Stand und leichten Ascheanflugspuren meist unter dem Stand. Jeweils mit dem bekannten Dekor, der „Meninos del Palhavã“ oder „Real Colégio dos Nobres“ genannt wird. Dieser schließt ein großes Gefäß ein, das von zwei Soldaten flankiert wird, worüber ein ligiertes Monogramm zu sehen ist, welches als „PFV“ oder „JFV“ zu lesen ist.Die „Palhavã-Kinder“ waren die unehelichen Söhne des portugiesischen Königs João V (1689-1750), die in einem Dokument von 1743 als solche anerkannt wurden (obwohl dies erst 1752 veröffentlicht wurden, als der Herrscher bereits gestorben war). Sie wurden so genannt, weil sie im Palast des Markgrafen von Louriçal (heute die spanische Botschaft in Lissabon) in der Gegend von Palhavã lebten, die damals dem Markgrafen von Pombal gehörte. Sie waren: D. António (1714-1780), Sohn von Luísa Inês Antónia Machado Monteiro; D. Gaspar (1716-1789), Sohn der Nonne Madalena Máxima de Miranda; und D. José (1720-1801), Sohn der Nonne Mutter Paula de Odivelas. Gaspar da Encarnação - auch bekannt als Pater Govea oder Pater Reformator - war für ihre Ausbildung verantwortlich. Sie alle setzten später ihre Ausbildung im Kloster Santa Cruz in Coimbra fort und wurden jeweils Ritter des Christusordens, Erzbischof Primas von Braga und Großinquisitor. Die Zuschreibung des Services, zu welchem unsere Objekte eine Nachlieferung darstellen mögen, an die Jungen von Palhavã erscheint unwahrscheinlich und entbehrt jeder Grundlage. Der Palhavã-Palast war immer ein Wohnpalast und diente nie als Schule oder Kaserne, was nicht zu der Tatsache passt, dass die hier dargestellten Jungen als Soldaten gekleidet sind. Auch die Initialen des Monogramms - PFV oder JFV - entsprechen keinem der genannten Jungen. Das Königliche Kollegium der Adligen (Real Colégio dos Nobres) wurde am 7. März 1761 per pombalinesischem Dekret gegründet, um junge portugiesische Herren der Hocharistokratie auszubilden. Das Kolleg wurde im ehemaligen Noviziatshaus der Gesellschaft Jesu in der rechten Rua da Cotovia in Lissabon eingerichtet. Neben der traditionellen Ausbildung in den klassischen Geisteswissenschaften sollte sie auch die Lehre der exakten Wissenschaften umfassen, einschließlich einer starken experimentellen Komponente, was damals in Portugal etwas völlig Neues war. Zu diesem Zweck wurden ausländische Lehrkräfte eingestellt und die notwendigen Voraussetzungen für die Existenz eines modernen Physiklabor geschaffen.Trotz der unternommenen Anstrengungen schloss das Real Colégio nur ein Dreivierteljahrhundert nach seiner Gründung und nach Jahren der Verschlechterung der Bedingungen am 4. Januar 1837 seine Pforten, da man der Ansicht war, dass die Einrichtung nicht „...mit der politischen Verfassung der Monarchie in Einklang stand, da ihr Institut eine privilegierte Schule war“. Das Gebäude wurde von der Polytechnischen Schule von Lissabon geerbt, aber 1843 bei einem Brand zerstört, und das heutige Gebäude der Fakultät für Naturwissenschaften der Universität Lissabon wurde später an dieser Stelle errichtet. In seiner Studie aus dem Jahr 1987 begründet Nuno de Castro die Zuschreibung des Services an den Colégio dos Nobres in Lissabon mit verschiedenen Aspekten der Dekoration und der Inschriften auf den Stücken. Die Jahreszahl 1776 würde somit auf den 10. Jahrestag der Eröffnung des Kollegs verweisen, die am 19. März 1766 in Anwesenheit der gesamten königlichen Familie und des Hofes stattfand. Die Initialen des Monogramms könnten, je nachdem, ob sie als P.F.V. oder J.F.V. interpretiert werden, mit der Patronin Fidelissima Virgem - in Anspielung auf die Schutzpatronin der Einrichtung, Unsere Liebe Frau von der Empfängnis - oder mit José Faro e Veiga, dem Rektor und Inspektor der Königlichen Hochschule, in Verbindung gebracht werden. Anmerkung:Vgl. Objekte mit dieser Dekoration, die partiell aus dem Service stammen finden sich in bedeutenden internationalen Sammlungen. So etwa im Casa Museu Medeiros e Almeida (Inventar.Nr. FMA 439 - 442). Ein Teller aus dem Service wird im Victoria & Albert Museum in London verwahrt (Inventar.Nr. C.62-1951). Ein weiterer Teller im Metropolitan Museum of Arts in New York (Inventar.Nr. 51.86.322).Literatur:Vgl. Michel Beurdeley, Porcelaine de la Compagnie des Indes, Fribourg 1962.Vgl. Rómulo de Carvalho, História da Fundação do Colégio Real dos Nobres de Lisboa, Coimbra 1959.Vgl. Nuno de Castro, A Porcelana Chinesa e os Brasões do Império, Porto 1987.Vgl. Marques Rio-Maior, O Real Colégio dos Nobres, Lissabon 1942.Vgl. Abi´lio Mendes do Amaral, O „Padre Govea“ e os meninos de Palhavã, Lissabon 1970. Separata de Olisipo, Boletin do Grupo de Amigos de Lisboa, Nummern 127-128, Juli bis Dezember 1969.Vgl. José Roberto Teixeira Leite, As Companhias das Índias e a Porcelana Chinesa de Ecomenda, Salvador 1986.Vgl. João Rodrigues Calvão et al., Caminhos da Porcelana. Dinastias Ming e Qing, Lissabon 1998.Vgl. Simonetta Luz Afonso et al., Do Tejo aos Mares da China. Uma Epopeia Portuguesa, Ausstellungskat., Palácio Nacional de Queluz, 9. März-30. April 1992, Musée des Arts Asiatiques, Guimet, Paris, 19. Mai-31. August 1992, Paris 1992. (1330161) (13))

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Hampel Fine Art Auctions
Lot 571

Ossip Zadkine, 1890 Smolensk – 1967 ParisVerts PÂturages, vor 1945Gouache auf Papier.55 x 64 cm.Rechts unten signiert „O. Zadkine“.In Passepartout, hinter Glas gerahmt.Beigegeben ein Echtheitszertifikat des Zadkine Research Centers, Brüssel, vom 19. Januar 2016.Provenienz:Sammlung Gaston-Louis Marchal.Literatur:Gaston-Louis Marchal, Ossip Zadkine. La sculpture, toute une vie. Rodez 1992. (1340111) (18)Ossip Zadkine,1890 Smolensk – 1967 ParisVERTS PÂTURAGES, BEFORE 1945Gouache on paper.55 x 64 cm.Signed “O. Zadkine” lower right.Accompanied by a certificate of authenticity from the Zadkine Research Centers, Brussels, dated 19 January 2016.Provenance:Gaston-Louis Marchal collection.Literature:Gaston-Louis Marchal, Ossip Zadkine. La sculpture, toute une vie, Rodez 1992.

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Hampel Fine Art Auctions
Lot 147

Orazio Gentileschi, 1563 Pisa – 1639 London, zug./ Werkstatt desMaria LactansÖl auf Leinwand. Doubliert.135 x 105 cm.In altem rötlich changierendem Profilholzrahmen.Nur leicht changiert das Licht um die Hauptakteure dieses Gemäldes, das alles um sich herum außer Acht lässt und sich – von der Beleuchtungsinszenierung unterstützt – auf sich selbst konzentriert. Auf den querformatigen Versionen unterstreicht ein auf der Erde lagernder Josef das Elend, in dem das Paar und das Jesuskind auf der Flucht nach Ägypten ist. In dem vorliegenden Gemälde hingegen wird die Bedeutung der mütterlichen Hingabe an das heranwachsende Kind und dessen Versorgung herausgestellt. Während der caravaggeske Realismus etwa in dem Wiener Bild noch eine große Rolle spielt, tritt dieser zu Gunsten des toskanischen Schönheitssinns, in dem Gentileschi seine Heimat wiedererkennt, zurück und lässt die innige Liebe zwischen Mutter und Kind triumphieren. Er, der Vater der Artemisia Gentileschi, malte zunächst im manieristischen Stil, wurde dann in Rom von Caravaggio beeinflusst und zog dann erst nach Paris, wo er am Hof von Maria de Medici wirkte, und dann nach London, wo Charles I von England sein Auftraggeber war.Provenienz:Privatsammlung, Rheinland, Monogramm P.B.Privatsammlung, Südwestdeutschland.Anmerkung:Identische Maße und quasi identische Darstellung bei dem Gemälde, das bei der Fondazione Zeri unter 76304 als Orazio Gentileschi registriert ist und zuletzt 1956 auf dem deutschen Kunstmarkt vermerkt ist (Weltkunst 1956, Nr. 10, S. 18, O. Gentileschi, zug.). Besonders die gleichen Maße bei ähnlich guter Qualität lassen eine Zuschreibung an Gentileschi auch unseres Gemäldes angemessen sein. Eine weitere isolierte Version der „Ruhe auf der Flucht nach Ägypten“ mit Maria und dem Kind wurde am 4.12.1991 unter Lot 72 bei Christie’s in Rom verkauft (Maße: 107 x 102 cm).Als Vergleich kann auch das querformatige Gemälde Gentileschis „Ruhe auf der Flucht nach Ägypten“ herangezogen, werden, welches per Signatur für Gentileschi gesichert ist „HORATIVS GENTILESHVS FECIT“ und seit spätestens 1783 in der Wiener Gemäldegalerie nachweisbar ist. Man kann davon ausgehen, dass Gentileschi das vorliegende reizvolle Motiv auch isoliert – wie hier angeboten – anfertigte oder seine Werkstatt damit beauftragte.Die National Gallery in London verfügt ebenfalls über eine „Ruhe auf der Flucht nach Ägypten“ des genannten Künstlers, wobei Maria jedoch ein schlichteres Gewand trägt und dem Jesuskind ein üppigeres Haupthaar zugedacht wurde. Im Louvre wird vermutlich die jüngste Version verwahrt. Literatur:Vgl. Benedict Nicolson, Luisa Vertova, Caravaggism in Europe, Bd. I, Turin 1990, S. 113.Vgl. Benedict Nicolson, The International Caravaggesque movement, Oxford 1979, S. 52.Vgl. Raymond Ward Bissell, Orazio Gentileschi, University Park u.a. 1981.Vgl. Hermann Voss, Orazio Gentileschi. Four versions of his „Rest on the Flight into Egypt“, The connoisseur, November 1959, S. 163-165.Vgl. Orazio and Artemisia Gentileschi, Ausstellungskatalog, Metropolitan Museum of Art, New York, 14. Februar 2002-12. Mai 2002, Museo Nazionale del Palazzo di Venezia, Rom, 20. Oktober 2001-20. Januar 2002, Saint Louis Art Museum, Saint Louis, MO, 15. Juni 2002-15. September 2002, hrsg. v. Keith Christiansen und Judith Walker Mann, New Haven u. a. 2001. (1340072) (13)Orazio Gentileschi, 1563 Pisa – 1639 London, attributed/ workshop ofTHE NURSING MADONNA Oil on canvas. Relined. 135 x 105 cm.Provenance:Private collection, Rhineland, monogram P.B.Private collection, Southwest Germany.Notes:A painting listed at Fondazione Zeri under no. 76304 shows identical dimensions and a virtually identical depiction and is described as by Orazio Gentileschi and last noted on the German art market in 1956. (Weltkunst 1956, no. 10, p. 18, O. Gentileschi, attribution). It is particularly the identical dimensions and a similarly good quality which make an attribution to Gentileschi fitting for our painting. Another isolated version of “Rest on the Flight into Egypt“ with the Virgin and the Christ Child was sold on 4 December 1991 under lot 72 at Christie’s in Rome (dimensions: 107 x 102 cm).Gentileschi’s landscape format painting “Rest on the Flight into Egypt“ is also comparable, which is secured by a signature for Gentileschi (HORATIVS GENTILESHVS FECIT) and can be traced to the Vienna Picture Gallery since 1783 at the latest. It can be assumed that Gentileschi also produced this attractive motif in isolation – as is offered here – or instructed his workshop to do so.The National Gallery in London also holds a “Rest on the Flight into Egypt“ by the same artist, although the Virgin wears a simpler robe, and the Christ Child was given a lusher head of hair. The most recent version is probably held at the Louvre.Literature:cf. Benedict Nicolson, Luisa Vertova, Caravaggism in Europe, vol. I, Turin 1990, p. 113.cf. Benedict Nicolson, The International Caravaggesque movement, Oxford 1979, p. 52.cf. Raymond Ward Bissell, Orazio Gentileschi, University Park et al. 1981.cf. Hermann Voss, Orazio Gentileschi. Four versions of his “Rest on the Flight into Egypt“ The connoisseur, November 1959, pp. 163-165.cf. Orazio and Artemisia Gentileschi, exhibition catalogue, Metropolitan Museum of Art, New York, 14th February 2002-12th May 2002, Museo Nazionale del Palazzo di Venezia, Rome, 20th October 2001-20th January 2002, Saint Louis Art Museum, Saint Louis, MO, 15th June 2002-15th September 2002, ed. by Keith Christiansen and Judith Walker Mann, New Haven et al. 2001.

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Hargesheimer Kunstauktionen Düsseldorf GmbH
Lot 236

EIN MONTIERTES WAKIZASHI Japan, wohl 19. Jahrhundert Stahl usw.. L. mit koshira-e ca. 71cm. Das Schwert hat Konfiguration von Honzukuri und Irorimune mit O-Kissaki und flachem Toriizori. Das Schmiedemuster startet mit Muji Hada und beendet mit Choji Gunome Midare und Yakizume. Das Koshira-e besteht aus einer schwarzlackierten Saya, einer Tsuka mit Fuchi-Kashira aus Messing verziert mit Kranichen und Weinranken, Paar als Kranich geformten Menuki, einer eisernen Tsuba verziert mit Wasservögeln und einer Kozuka mit Adler. Mit Gebrauchsspuren. Provenienz: Aus einer norddeutschen Privatsammlung.

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Hargesheimer Kunstauktionen Düsseldorf GmbH
Lot 169

UTAGAWA KUNIYOSHI, DAIKAKU INUMURA Japan, um 1835 Farbholzschnitt, gerahmt und unter Glas. 36.5x24.5 cm (57x40.8 cm mit Rahmen). Aus der Serie "Kyokutei-o seicho Hakkenshi zui-ichi", signiert "Ichiyusai Kuniyoshi ga", publiziert von Nishimuraya Yohachi. Mit Altersspuren.

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Leo Spik KG Kunstversteigerungen
Lot 647

Albarello Apulien, Laterza, 1. H. 18. Jh. Majolika, braunbeiger Scherben. Bemalt in Blau und Mangan mit steigendem Löwen zwischen Bäumen auf Steinen. Strichelfries, rückseitig in Blau GSa ligiert. H. 24,5 cm (Glasurschäden). Vgl. Lauro Campanile, I vasi di farmacia, Mailand 1973, o. Abb. (60024)

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Leo Spik KG Kunstversteigerungen
Lot 378

Tanzbär mit Affe und Hirt mit Zicklein Deutsch, 18. Jh. Volkskunst. Holz, farbig gefasst. Auf Holzsockel montiert, mit Samt bezogen. H. o. S. ca. 19 / 17,6 cm. Sockel 4×25,5 cm. (Samt verschlissen, Krakelee und Farbabplatzungen, Hörner und Ohr abgebrochen). (60059)

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Leo Spik KG Kunstversteigerungen
Lot 234

Monogrammist O. D.Schulstraße bei Abbruch wohl Cottbus um 1874 Abbrucharbeiten im Vordergrund vor hohen Häusern, mit Blick auf den Turm der St. Nikolaikirche. Bleistiftstudie. Monogr. O. D., dat. 14.8.(18)74 u. betit. Ca. 12,5×18,5 cm (rücks. Montagepapierreste). R. Beigegeben: Schloss Bellevedere bei Weimar. Radierung. Ca. 7,5×12,5 cm. R. (59605)

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Adams
Lot 118

Grace Evelyn Gifford Plunkett (1888-1955) Twelve Nights at the Abbey Theatre: A Book of Drawings by Grace Plunkett. Printed for the Subscribers by Colm O Lochlainn at the sign of the Three Candles in Fleet Street Dublin 1929Signed by Plunkett and numbered 68 from a limited edition of 200

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Adams
Lot 24

George Russell AE (1867 - 1935)Children Playing in a Woodland GladeOil on canvas, 53.5 x 81.5cm (21 x 32")SignedProvenance: Collection of the Late President Erskine Childers, thence by descentThe Garden of Eden has haunted the imagination ever since the Book of Genesis gave us those descriptions of an idyllic world. In Eden grew ‘every plant’ and ‘every tree that is pleasant to the sight’. It’s a place imagined by artists through the centuries and behind many paintings of beautiful, natural landscapes shimmers that ideal garden where everything was once perfect and carefree. George Russell [Æ] born Lurgan, County Armagh in 1867, painted many ideal landscapes. The Russell family moved to Dublin when George was eleven years old and during summers spent with an aunt or with maternal grandparents in rural Armagh, Russell began to paint in watercolour. Educated at Edward Power’s school on Harrington St and at Rathmines School, as a talented thirteen-year old he was admitted to evening classes at Dublin Metropolitan School of Art and it was there that he met W.B. Yeats. When Æ died Yeats confided ‘Æ was my oldest friend. We began our work together.’Painter, poet, dramatist, novelist, critic, theosophist, mystic, economist and Irish nationalist, George Russell, a true polymath, worked as a draper’s clerk, later worked for the Irish Agricultural Organisation Society, established co-operative banks and he edited, from 1905 to1923, the Irish Homestead, a progressive journal of the Irish Co-operative movement, a journal, in Diarmaid Ferriter’s words, that was ‘generally optimistic about the potential for rural Ireland to develop, but only if the populace would organise in the manner of its European neighbours’. Russell, or Æ, also declared, in New York, that cities were ‘an actual danger to life itself’. ‘The decay’ he said, ‘of civilisation comes from the neglect of agriculture’. Æ believed that ‘[t]here is a need to create, consciously, a rural civilisation adding that ‘[y]ou simply cannot aid the farmers in an economic way and neglect the cultural and educational part of country life, or else the children will continue to leave for the city.’ During a tour of Canada, Kenneth Leslie, a Nova Scotia poet, thought Æ ‘as ready to talk of fat cattle and creamery butter as of Yeats and Lady Gregory’.Oil portraits by Æ included those of Iseult Gonne and Mary Colum, there are charcoal drawings of W.B. Yeats and he painted oil on plaster murals at the Theosophical Society of Ireland headquarters in Ely Place. But he is best known for his landscapes real and imagined. There are representational, atmospheric works such as Clouds Over The Hill, Evening In The Fields, Boglands, Swans at Coole, Landscape North of Muckish, County Donegal and Æ also painted visionary, mystical scenes inspired by his interest in the Tuatha Dé Danann, sea and tree spirits.Æ’s undated painting Children Playing in a Woodland Glade contains four young female figures in gold, red, white and blue dresses. Other undated idyllic sylvan scenes such as Figures in Woodland or Gathering Firewood include girls and women wearing bright colours - blue, red, orange, purple. This work features a woodland scene with figures in bright clothes. The smooth woodland floor is lit with brilliant, dappled sunlight and the tall tree trunks with their splashes of brightness are dazzlingly lit. Overhead, the delicate, young, green leaves suggest springtime and the eye is drawn beyond the figures in the foreground to wander among the slender and broader tree trunks. Compositionally, there is a lovely contrast between the still figure kneeling on the left and the “ring-a-ring-a-rosying” trio on the right. The blue and red dressed figures are older and taller, the girl in blue is quietly concentrating on the forest floor, the girl in red exudes an energy and her two companions in purple and white are totally absorbed in play. Details are deliberately vague. Faces are rendered impressionistically rather than realistically and none of the figures looks at the viewer. They are too caught up in their own joy. And their clothes are captured with a beautiful painterliness.  In The Opal and the Diamond, AE describes how he felt ‘one warm summer evening lying idly on the hillside, not then thinking of anything but the sunlight’. He knew at that moment that ‘the Golden Age was all about me, and it was we who had been blind to it but that it had never passed away from the world’. A painting such as this reminds us of such a sun-bright, golden world. It is a glimpse of Eden.His monogrammed signature, lower right, is the very same as on the autograph tree at Coole Park next to Yeats’s, Æ being an abbreviation of Aeon meaning ‘vital force’, ‘life’, ‘a lifelong quest’. [When Æ appears as a character in Ulysses, smarty-pants Stephen Dedalus borrows some money from him and quips A.E. I. O. U.]Æ married Violet North in 1898. They had three sons one who died soon after being born. After his wife died Æ moved to England. He died in Bournemouth and in an Obituary P.G. Browne wrote ‘his going leaves a blank not easy to fill. He had many friends (he had NO enemies) made during the course of his worldly activities’. Nicknamed The Hairy Fairy and Strayed Angel, Patrick Kavanagh called Æ ‘a great and holy man’. He is buried in Mount Jerome. There’s a commemorative bust by Jerome Connor in Merrion Square and his work is in many collections including the Hugh Lane, the NGI, the Abbey Theatre, Trinity College, University of Texas and Winnipeg Art Gallery, Canada.Niall MacMonagle, October 2022

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Tate Ward
Lot 124

Endless (British), 'Bronze Chapel Worship', 2020, mixed media, hand embellished with acrylic and spraypaint on 300gsm Art Paper, signed and numbered from an edition of 25 unique works in black ink; 141 x 99cm inc frameARR141 x 99cm inc frameEndless is a London-based contemporary, street artist, whose artworks tell a visual story and observation of the world he sees around him. Starting out using the walls of our nation’s capital as his canvas, a bold, street-art aesthetic is still prevalent throughout his works – infused with a mix of contemporary techniques. His work often comments on society’s reaction to the media, the influence of the advertising industry and the shift in modern priorities from religious worship, to the ‘new era’ religion, where the shops are our chapels, the magazines our bibles and the fashion icons are our gods. His career exploded in 2016 when he was asked to work with the legendary Gilbert and George and was followed by historic collaborations with brands such as Karl Lagerfeld, Fiorucci (FI-O-RU-CHY) and Liberty London.

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Tate Ward
Lot 125

Endless (British), 'Lizzy Vuitton Union Jack', 2021, mixed media, hand embellished with acrylic and spraypaint on 300gsm Art Paper, signed and numbered from an edition of 25 unique works in black ink; 141 x 99cm inc frameARR141 x 99cm inc frameEndless is a London-based contemporary, street artist, whose artworks tell a visual story and observation of the world he sees around him. Starting out using the walls of our nation’s capital as his canvas, a bold, street-art aesthetic is still prevalent throughout his works – infused with a mix of contemporary techniques. His work often comments on society’s reaction to the media, the influence of the advertising industry and the shift in modern priorities from religious worship, to the ‘new era’ religion, where the shops are our chapels, the magazines our bibles and the fashion icons are our gods. His career exploded in 2016 when he was asked to work with the legendary Gilbert and George and was followed by historic collaborations with brands such as Karl Lagerfeld, Fiorucci (FI-O-RU-CHY) and Liberty London.

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Amadeus-Auktionshaus GmbH
Lot 207

Rolex Datejust Turn o Graph Reference: 16263 Armbanduhr Datum Lünette Gelbgold 750/fein Stahl/Gelbgold, Jubileeband 750/fein, Gehäusedurchmesser 36mm | Rolex Datejust Turn o Graph Reference: 16263 wrist watch date bezel yellow gold 750/fine steel/yellow gold, jubilee bracelet 750/fine, case diameter 36mm

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Wokingham Auctions
Lot 104

A ladies mid-century wristwatch with Arabic numerals in a 9ct gold case and strap, hallmarked, 22g with mechanism; a 9ct gold-framed oval cameo brooch, 35mm x 25mm; two gem-set rings on 9ct gold settings, sizes O, L, hallmarked, 3.62g (4)

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Wokingham Auctions
Lot 10A

A 22ct yellow gold wedding band, 2.22g; a three-stone sapphire and diamond ring in an illusion setting, sapphire 7 x 4mm and a diamond gold ring, both 18ct gold, 6g, sizes P, M, O; two gold neck chains 48, 44 cm, two gold charms and a pair of earrings, all hallmarked 9ct gold, 14.5g

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Wokingham Auctions
Lot 16

A 22ct yellow gold wedding band, 2mm, 2.5g; another 18ct yellow gold, 3mm, both hallmarked and a yellow gold ring with woven design and fluted shank, stamped 750, both 7.6g, sizes, M, N, O (3)

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Wokingham Auctions
Lot 37

A 22ct yellow gold wedding band, 3.6g; a yellow gold solitaire diamond ring, the brilliant-cut diamond measuring approximately 0.20 carats, both hallmarked 18ct, and a four-stone graduated diamond ring, the central two round-cut diamonds each measuring approximately 0.10 carats, on a platinum and diamond setting, stamped 18ct PLAT, sizes I, J, O, 5g (3)

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Wokingham Auctions
Lot 47

A diamond solitaire in a gold and platinum claw setting, stamped 18ct PLAT, the round-cut diamond approximately 0.15 carats; a seed pearl and blue bead eternity ring on a yellow gold setting, some beads missing, unmarked, but tests for 18ct, both 4.62g; a gem-set gold ring and an oval opal ring in a gold basket setting, 15mm x 10mm, both unmarked but testing for 14ct gold, 5g, sizes L1/2, M, G, O (4)

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Wokingham Auctions
Lot 78

Three 18ct yellow gold solitaire diamond rings, the three claw-set round brilliant-cut diamonds measuring approximately 0.02 carats x 2 and 0.010 carats, 6.9g and a 9ct gold wedding band, 1.65g, sizes K1/2, O, M, M, all hallmarked (4)

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