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Lot 1105

Otto Gleichmann1887 Mainz - 1963 Hannover - Tischgesellschaft - Mischtechnik/Karton (Schoeller). 43 x 61,5 cm (Passepartoutausschnitt). Sign. und dat. l. u.: O. Gleichmann / 1955. Bez. r. u.: No. 607. Auf der Rückseite des Rahmens mit Etikett der Kunsthandlung H. Sagert & Co., Berlin. Passepartout. Unter Glas gerahmt. Otto Gleichmann studierte an den Akademien in Düsseldorf, Breslau und Weimar. er lehrte in Erfurt und Hannover. Bekanntschaft mit Klee und Kandinsky. Viele seiner Werke hängen in deutschen Museen, u. a. im Sprengel-Museum Hannover.

Lot 1107

Hugo Friedrich Hartmann1870 Rosenberg/Westpreußen - 1960 Bardowick - Winterlandschaft mit Hof - Öl/Lwd. 47 x 65,5 cm. Sign. r. u.: Hugo F. Hartmann. Rahmen. Kl. Loch l. o. - Lit.: Th.-B., XVI, S. 80f. Maler und Grafiker. Studierte von 1890 bis 1897 die Dresdener Akademie.

Lot 1149

Eduard Ockel1834 Schwante bei Kremmen - 1910 Berlin - Flusslandschaft - Öl/Papier auf Karton. 12,8 x 21,7 cm (Passepartoutausschnitt). Monogr. l. u.: E. O. Passepartout. Unter Glas gerahmt.

Lot 1160

Otmar Alt1940 Wernigerode - lebt und arbeitet bei Hamm - "Mondgrillentaucher" - Folge von 10 Farbradierungen/Papier (davon 5 unter Glas gerahmt). 10/50. Je 76 x 53 cm (Blattmaß). Jeweils sign. und dat. r. u.: O. Alt (19)74. Mit einer aufgezogenen Druckplatte aus Metall sowie einer farbigen Zinkografie des Künstlers. Textblatt mit leichten Mängeln. Ohne Mappe. Blätter mit leichten Randmängeln.

Lot 1220

Otmar Alt1940 Wernigerode - lebt und arbeitet bei Hamm - Zwei Katzen - Farbserigrafie/Papier. 522/999. 33 x 28 cm, 47 x 34 cm (Sichtmaß). Sign. r. u.: O. Alt. Unter Glas gerahmt. - Katze und Huhn - Farbradierung/Papier. 1/180. 29,5 x 24,5 cm, 49 x 39 cm (Sichtmaß). Sign. r. u.: O. Alt. Unter Glas gerahmt. Alt studiert ab 1960 Kunst an der Hochschule für Bildende Künste in Berlin. 1965 Erste Einzelausstellung in der Galerie Schütze in Bad Godesberg. 1969 entstehen erste Plastiken. Seit Mitte der 60er Jahre erhält Alt für seine sog. Puzzlebilder Aufmerksamkeit. Er arbeitet auch für das Theater und betätigt sich als Designer und Grafiker. 2006 engagierte sich Alt in einer großen Kunstaktion für die Bewerbung der Stadt Essen und des Ruhrgebietes um die Europäische Kulturhauptstadt 2010.

Lot 1228

Lyonel Feininger1871 New York - 1956 New York nach - "Rathaus Swinemünde" - Farblithgografie/Papier. 182/200. 57 x 48 cm, 60,5 x 50 cm (Passepartoutausschnitt). Im Stein sign. l. o.: Feininger. Passepartout. Unter Glas gerahmt. Etwas stockfleckig im Randbereich.

Lot 1262

Wulf Nolte1939 - 2008 - "Symmetrie" - Farbserigrafie/Karton. 47/100. 56 x 55,5 cm, 62,5 x 62 cm. Sign. und dat. r. u.: Nolte (19)73. Betit. M. u. Das Blatt liegt lose. Leichte Knickspur l. o.

Lot 1278

Ossip Zadkine1890 Wizebsk - 1967 Paris - "La revolution du plancher" - Lithografie/Papier. 246/300. 60 x 40 cm, 76 x 56,3 cm. Sign. r. u.: O. Zadkine. Trockenstempel l. u.: Erker Presse St. Gallen. Das Blatt liegt lose. Leicht gebräunt. Leicht knickspurig.

Lot 128

3 MiniaturenIndien, wohl um 1900. Je grünes Glas, Metall (Gold o. vergoldet). 2: 4,8 x 5,8 cm (queroval); 1: 2,7 x 3,4 cm (queroval). Altersspuren, ber., ein Glaselement verso leicht best. Äußerst filigran gearbeitete Darstellungen.

Lot 1289

Johannes Haider1954 Eisenstadt - 2014 Oslip - "O blau", 2003 - Kaltnadelradierung, Strichätzung/Bütten. 13/21. 44,5 x 29,7 cm, 62,5 x 42 cm (Blattmaß). Sign. und dat. r. u.: J. Haider 2003. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. - Provenienz: Galerie Depelmann, Langenhagen.

Lot 1440

Horst Janssen1929 Hamburg - 1995 Hamburg - "Stefan is hier" - Radierung/Papier. 99/100. 17,3 x 17 cm. Monogr. und dat. r. u.: HJ (19)90. Betit. und bez. r. o.: Stefan is hier. Bobeh 3 5 90. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. Voll ansichtig unter Glas gerahmt. - Provenienz: Galerie Depelmann, Langenhagen. - Lit.: Horst Janssen. Schloss Gottorf, Stiftung und Besitz. Schleswig 1989. Janssen studierte von 1946-51 bei Prof. Mahlau an der Kunsthochschule in Hamburg. Er erhielt mehrere Preise für sein grafisches Werk, so 1964 den Kunstpreis der Stadt Darmstadt. Seine Arbeiten wurden international ausgestellt, und im November 2000 wurde das Horst-Janssen-Museum in Oldenburg eröffnet.

Lot 1535

Albrecht Dürer1471 Nürnberg - 1528 Nürnberg - Herkules tötet die Molioniden (Abzug um 1700) - Holzschnitt/Papier. 39,4 x 28,4 cm (gedruckter Bereich). 44,5 x 32,1 cm (Blattmaß). Monogr. M. u.: AD. Bez. M. o.: Ercules. Das Blatt ist vollständig / flächig auf Unterlegpapier aufgezogen, dieses ist an Passepartout fixiert. Unter Glas in altem Rahmen gerahmt. Gebräunt, fleckig, kleine Fehlstellen im Druck teils mit Tinte retuschiert, etw. ber., kleine Löchlein, teils kleine Randläsuren. - Bartsch 127, Meder 238 III c.

Lot 1568

Gustav Schmidt-Cassel1867 Kassel - 1954 Berlin - Tänzerin des Art Déco - Bronze. Goldbraun, braun u. grün patiniert. Elfenbein. Emaillie. Grüner Marmorsockel. H. o./m. Sockel: 29/37 cm. Rückseitig auf dem Sockel sign.: Schmidt cassel. fec. - Gutachten Nr. 2023/06 von Günther Heckmann, Hollenstedt und CITES-Bescheinigungen und Vermarktungsgenehmigung für Europäische Union Nr. 739/2023 liegen vor. Hochstilisierte Figur des Art Décos. Schmidt-Cassel studierte an der Berliner Akademie.1920er Jahre, Art Déco, Bronze, dancer, Tänzerin

Lot 1574

August Bischoff1876 Hanau - 1965 Frankfurt a.M. - Bogenschütze - Galvanobronze. Schwarzbraun patiniert. H. o/m Sockel: 53,5/64,8 cm. Auf der Plinthe bez: AUG. BISCHOFF. Sockel best. Am Bogen ber.

Lot 1575

Georgij Dmitrievic Lavrov (Georges Lavroff)1895 - 1991 Moskau - Panther (Panthère) - Bronze. Braun patiniert. Schwarzer Steinsockel. H. o./m. Sockel: 15,5/19,5 cm. L. o./m. Sockel: 38/43 cm. Auf dem rechten Hinterlauf sign.: G. Lavroff. Sockel best. Patina mit Schmutz- und Staubspuren.Art Déco, Bronze, Plastik, Skulptur, Tierbildhauer

Lot 1576

Francois Pompon1855 Saulieu - 1933 Paris attr. - Vogel - Bronze. Braungrün patiniert. Marmorsockel. H. o/m Sockel: 21/24 cm. Am Sockel sign.: Francois Pompon. Sockel best.

Lot 1577

C. Bauer. Bronzebildner des 19./20. Jahrhunderts- Elefantenmutter - Bronze. Schwarzgrün patiniert. Roter Marmorsockel. H. o./m. Sockel: 27/31,3 cm. Auf der Standfläche sign.: C. BAUER. Gießervermerk: C. LEYRER MÜNCHEN. Sockel best.

Lot 1579

Francois Pompon1855 Saulieu - 1933 Paris attr. - Vogel - Bronze. Braungrün patiniert. Marmorsockel. H. o/m Sockel: 20/23,5 cm. Am Sockel sign.: Francois Pompon. Sockel best.

Lot 1587

Salvador DalíFigueras 1904 - 1989 Figueras -"König David und die Wüste von Sinai"- Bronze, vergoldet. Marmorsockel. H. o./m Sockel: 13,5/24 cm. Beidseitig auf der Medaille sign.: Dalí. Rückseitig dat.: 1979.

Lot 1632

Künstler de 20. Jahrhunderts- Junge mit Blumen - Alabaster. Marmor. H. o/m. Sockel 24,5/34 cm. Rückseitig sign.: Römhild. Im Sockelboden eingearbeitete Plakette bez: Kochendörfer. Original Hofkunstanstalt Medaille F. Kunst München 1891. Best.

Lot 201

Paar Deckelvasen / Deckelurnen Größe 3Königliche Porzellan Manufaktur, Nymphenburg um 1912. - Volldekor: unregelmäßig rankende Rosen, Tulpen, Winden und Aurikeln vor einem quadratischen grauen Gitter - Porzellan, weiß, glasiert. Polychrom bemalt. Unter der Glasur grüne Rautenschildmarke mit Krone und Nymphenburg. 1. Wahl. Eingepresstes Rautenschild. In grün bez.: Prof. Wackerle 71 O H. 18,5 cm. - Lit.: Vergleiche Alfred Ziffer. Nymphenburger Moderne. Ausst. Münchener Stadtmuseum 1997/1998. S. 216 Abb. 302. Dekorentwurf von Josef Wackerle - Ausführung Hedwig Moosbauer.

Lot 518

Zwei Miniaturbücher mit Meissen-Plakette (Schwertermarke) im Deckel - sog. Kritzelbüchlein- 2 Werbeaufsteller - 2 Puttenköpfe Meissen, um 1989. Werner, Heinz / Gründel, Rita: Visionen aus "1001 Nacht" auf Meissener Porzellan. Leipzig o. J. 12°, Kunstledereinband, 223 S. Im Schuber. Signiert von Heinz Werner --- Werner, Heinz: Du Traum aus Meissener Porzellan. Ein Kritzelbüchlein. Leipzig o. J. 12°, Ldr., 207 S. Im Schuber. 2 Werbeaufsteller. Porzellan, weiß, glasiert. Unter der Glasur in Blau: Schwertermarke und Schriftzug Meissen. Unter der Glasur blaue Schwertermarke. 1. Wahl. H. 5,5 cm, B. 8 cm. 2 Puttenköpfe aus Porzellanmasse, ungebrannt. H. 3,5 cm.

Lot 714

Zwei Miniaturbücher mit Meissen-Plakette (Schwertermarke) im Deckel - sog. KritzelbüchleinMeissen, um 1989. Werner, Heinz / Gründel, Rita: Visionen aus "1001 Nacht" auf Meissener Porzellan. Leipzig o. J. 12°, Kunstledereinband, 223 S. Im Schuber. --- Werner, Heinz: Du Traum aus Meissener Porzellan. Ein Kritzelbüchlein. Leipzig o. J. 12°, Ldr., 207 S. Im Schuber.

Lot 957

Horst Janssen1929 Hamburg - 1995 Hamburg - Selbstbildnis - Bleistift/Papier. 28,3 x 18,8 cm. Monogr. und dat. M. u.: JH / 1970. Bez. M. o.: für / Pi Mäu(...). Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. - Provenienz: Galerie Depelmann, Langenhagen. Janssen studierte von 1946-51 bei Prof. Mahlau an der Kunsthochschule in Hamburg. Er erhielt mehrere Preise für sein grafisches Werk, so 1964 den Kunstpreis der Stadt Darmstadt. Seine Arbeiten wurden international ausgestellt, und im November 2000 wurde das Horst-Janssen-Museum in Oldenburg eröffnet.

Lot 1

A RARE SHELL-INLAID NANBAN LACQUER CABINETJapan, late 16th to early 17th century, Momoyama (1573-1615) to early Edo period (1615-1868)Of wide rectangular form with two side-hung doors, one with a keyhole, which open to reveal the interior typically fitted with ten drawers of varying size, arranged symmetrically in rows. The doors and sides richly decorated in gold hiramaki-e and mother-of-pearl inlays on the black-lacquered wood, the front with a shaped panel enclosing a ho-o bird amid dense leafy floral blossoms, reserved against by a minutely inlaid dotted ground, surrounded by a shippo-tsunagi (linked-cash) border, the sides similarly decorated with circular panels enclosing a rabbit and bird, respectively, each surrounded by a diapered border. The backs of the doors and fronts of the drawers similarly lacquered and inlaid with scrolling foliage and swirling ponds.SIZE 35.9 x 52.1 x 30.2 cmCondition: Good condition, commensurate with age. Extensive wear, age cracks, losses to inlay and lacquer, old repairs, touchups, nicks, scratches, some fittings possibly renewed.In the late sixteenth century, Japanese lacquer makers had a global clientele and vied to come up with innovative designs. They produced portable desks with drawers, such as this one, for the European, and especially the Portuguese, market. The style is known as nanban (literally, “southern barbarian”), meaning foreign.Crafted in Kyoto's lacquer workshops alongside quite different wares intended for elite Japanese clients, these kinds of Nanban coffers and cabinets decorated in gold hiramaki-e and shell were among the earliest Japanese artefacts to reach Asian and European markets, starting two or three decades after the first landfall by Portuguese adventurers in the mid-sixteenth century. Celebrated today for their lavish, innovative technique and dense ornamentation (inspired in part by wares from other parts of Asia), such pieces brought the Japanese genius for design to global attention and ensured that Japan would be synonymous with 'lacquer' until the present day.Auction comparison: Compare a related Nanban cabinet, also with two side-hung doors and depicting rabbits, of smaller size (24 cm x 29.2 cm x 22 cm), dated to the Momoyama period, at Bonhams, 6 November 2014, London, lot 279 (sold for 11,250 GBP). Compare also a related fall-front Nanban cabinet with similar decoration at Bonhams, 13 May 2021, London, lot 56 (sold for 25,250 GBP) and another at Sotheby's, 17 April 2019, Paris, lot 80 (sold for 20,000 EUR).

Lot 122

OHASHI SAN'EMON: A MASTERFUL PAIR OF BRONZE TAKAOKA SHO-FORM KORO (INCENSE BURNERS)By Ohashi San'emon (Sanzaemon, 1851-1895), signed Dai Nihon Teikoku Toyama Ken Takaoka Shi Ohashi San'emon seizoJapan, Takaoka, late 19th century, Meiji period (1868-1912)Each censer multi-tiered and set on a hexagonal base surmounted by six flared feet formed as baku. An open-worked structure with six roof tiles showing various beast masks, ho-o and shachihoko (dragonfish) supports the large container for incense in the shape of a sho (Buddhist reed instrument) with dragon handles and further decorated in masterful iro-e takazogan as well as shakudo and gold hirazogan with ho-o birds, various instruments and mon-emblems.Each with an incised inscription and signature to the base: Dai Nihon Teikoku Toyama ken Takaoka Shi OHASHI SAN' EMON seizo [Made by Ohashi San'emon, Takaoka City, Toyama Prefecture, Great Imperial Japan].HEIGHT each 49 cmWEIGHT 7,333 g & 7,565 gCondition: Very good condition with minor wear and traces of use.Provenance: Private collection in Massachusetts, Boston.Ohashi San'emon was born in 1851 and died in 1895, his most active period was between 1875-1895 and his contemporary metal artists were Kakuha Kanzaemon IX (Kakuha Zenjiro), Yokoyama Yazaemon II (1845-1903) and Kanamori Soshichi (1821-1892), who were pioneering doki (Japanese bronze ware) based in Takaoka, Etchu Province and Kaga Province, present-day Toyama and Ishikawa prefectures. They made many fine bronze items for domestic and foreign exhibitions and for the oversea markets.The history of casting copper alloys in Takaoka, the provincial capital of Etchu (present day Toyama Prefecture), is reputed to date to the early Edo period, the industry encouraged by the local feudal government as a source of income. Around 1830, new sales venues were developed, extending from Edo city to the northernmost part of the Japanese archipelago, eventually expanding to overseas export markets during the Bakumatsu era.Auction comparison:Compare an inlaid bronze vase by Ohashi Sanzaemon at Bonhams, Fine Japanese Art, 13 September 2017, New York, lot 1059 (sold for 16,250 USD). Also compare a pair of bronze Takaoka vases, by Yazaemon II, at Bonhams, Tradition, Travel, Transition - Japanese Art across the centuries, 4 November 2021, London, lot 139 (sold for 12,750 GBP).13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.

Lot 125

A TALL AND IMPRESSIVE PARCEL GILT BRONZE KORO (INCENSE BURNER) AND COVER, ATTRIBUTED TO THE MIYAO COMPANYJapan, Meiji period (1868-1912) The koro of rounded square form, fitted with a metal inset, the sides with two shaped panels in gold, copper, and shakudo takazogan to depict a rakan and oni conversing, the arhat wearing loose robes and holding a small figure of Kannon while the demon holds a staff, the reverse panel depicting pheasants and peony, the body cast with raised floral diaper and foliate designs against an archaistic scroll ground and flanked by two scrolling cloud-form handles. The cover similarly cast and surmounted by a boy wearing a gold-inlaid robe decorated with clouds and flowers, standing in a dynamic pose beside a red-capped crane with silvered body and plumage. The vessel is supported on four long legs issuing from fierce dragon heads atop a tiered base which is crisply cast with stylized butterflies surrounding a ho-o bird against a diapered ground, a superbly patinated and gold-inlaid figure of Kannon wearing a long flowing robe with deeply incised folds standing atop the base which is raised on four short feet decorated with gold-inlaid ho-o birds. Unsigned, however confidently attributed to the Miyao company of Yokohama.HEIGHT 91 cm WEIGHT 14.6 kg Condition: Very good condition with minor wear, minimal casting flaws, few minuscule nicks, occasional light surface scratches. Founded by Miyao Eisuke, the Miyao Company of Yokohama specialized in the manufacture of bronze sculptures, embellished with gold and silver as well as patinated copper alloys, that represent generic samurai warriors as well as more precisely identifiable characters from Japanese myth and legend. In addition, the company also made a smaller number of pieces in other formats such as incense burners, vases, and chargers.Auction comparison:Compare a related parcel gilt bronze censer, measuring 44.5 cm, also with rakan and oni motif and by the Miyao company, sold at Zacke, Fine Japanese Art, 4 June 2021, Vienna, lot 6 (sold for 17,696 EUR).13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.

Lot 132

INOUE: A SUPERB INLAID BRONZE DISH DEPICTING BOYS ON A DRAGON BOATBy Inoue company of Kyoto, signed Kyoto Inoue seiJapan, late 19th century, Meiji period (1868-1912)The shallow rounded sides rising from a short spreading foot to a gold-inlaid lobed rim with a masterful Komai-style lozenge design, encircling a central medallion finely decorated in iro-e takazogan with three boys dressed in Korean festive garments and standing in a dragon boat in a lotus pond with neatly incised blossoms and furled leaves, detailed in katakiri, all below a long-tailed ho-o bird in flight. One boy is standing in the back, holding a long staff with reishi terminal, beside a flag waving in the wind, above a second boy dancing and holding a drumstick and fan, wearing a peacock-feathered hat, the third boy standing behind the large dragon head holding a trumpet in his hand, all against a rich copper-brown patinated ground. The base with the gilt signature Kyoto INOUE sei [made by Inoue of Kyoto].DIAMETER 27.4 cmWEIGHT 1,234 gCondition: Very good condition with minor wear.13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.

Lot 136

HATTORI: A RARE SILVER AND MIXED METAL KOGO (INCENSE BOX)By the Hattori company, signed jungin Hattori seiJapan, c. 1933Of circular form, the cover of shibuichi engraved with white flowers and details in gold and katakiribori, surmounted by a silver knop in the form of a pine cone, the inside of the cover inscribed around the side Shibusawa Seien-o dozo kensetsu kinen [Commemoration of the erection of a bronze statue of Mr Seien Shibusawa] the body carved in low relief with a rattan design, stamped on the base jungin HATTORI sei [pure silver, made by Hattori).DIAMETER 8.2 cmWEIGHT 78 gCondition: Excellent condition, minor wear.Provenance: Belgian private collection, purchased at Bonhams, Fine Japanese Art, 11 May 2017, London, lot 398.Shibusawa Eiichi, 1st Viscount Shibusawa (1840 -1931) was a Japanese industrialist widely known today as the "father of Japanese capitalism", having introduced Western capitalism to Japan after the Meiji Restoration. In 1926 Shibusawa was nominated for the Nobel Peace Prize by the prime minister of Japan.Kintaro Hattori founded the Hattori Clock and Jewelry store in 1881. The company produced and retailed luxury goods such as silverware for export and sold them in their department store in the Ginza area of Tokyo. In 1924 Hattori founded a watchmaking factory called Seiko which became the world's largest watch manufacturer.

Lot 141

A MASTERFUL SILVER AND CLOISONNÉ ENAMEL KORO (INCENSE BURNER AND COVER), ATTRIBUTED TO HIRATSUKA MOHEIAttributed to Hiratsuka Mohei (born 1836), unsignedJapan, late 19th century, Meiji period (1868-1912)The cup-form body set on a spreading foliate foot and rising to a tapered shoulder, flanked by two scroll-form handles, the interior fitted with a removable silver liner, surmounted by a domed cover with a floral finial. The body decorated with two shaped panels pierced and carved in high relief and worked in bright enamels and silver wire with a rooster and hen amid leafy chrysanthemums and peony to one side and two butterflies fluttering amid chrysanthemums and aster to the other, the cover similarly decorated with a single beatle amid chrysanthemum, prunus blossoms, and other flowers. The foot, handles, and shoulder worked in translucent enamels and silver wire with butterfly, floral, cloud, and geometric designs.HEIGHT 14.7 cmWEIGHT 516 gCondition: Very good condition with minor wear and manufacturing irregularities, few tiny dents, few light surface scratches.The enamel work on this piece is by Hiratsuka Mohei (b. 1836), who contributed similar decoration to several silver pieces in the Khalili and other collections (see Literature comparison).Literature comparison: For two similar examples of a metal koro and cover by Hiratsuka Mohei, see O. Impey, M. Fairley (eds.), Meiji No Takara: Treasures Of Imperial Japan: Metalwork Vol I, London 1995, nos. 61 and 62, in the Nasser D. Khalili Collection, and for two more examples of a similar koro and cover, see the Sano Museum (ed.), Kindai Shippo no Hana, Meiji no Shippo, p. 98, nos. 144 and 145.Auction comparison: Compare a related silver and cloisonné enamel incense burner by Hiratsuka Mohei, 12.1 cm high, at Bonhams, 12 September 2018, New York, lot 1214 (sold for 23,750 USD).

Lot 146

A CLOISONNÉ ENAMEL VASE AND COVER WITH DRAGONS AND HO-OJapan, Meiji period (1868-1912)Of elegant shape, the bulbous body resting on a stem with circular base, the cover with a large knop in the form of a sacred tama jewel. The circular base is decorated with cresting waves, the main body with three sinuous dragons grasping sacred jewels against a yellow ground, and the cover with ho-o birds and floral crests.HEIGHT 35 cmWEIGHT 1,137 gCondition: A loss to the lid and to the lower part of the body. Otherwise, good condition with minor pitting and manufacturing flaws.

Lot 149

MAKUZU KOZAN: A SUPERB PAIR OF PHOENIX-FORM EARTHENWARE CANDLESTICKSBy Makuzu Kozan (1842-1916), signed MakuzuJapan, late 19th century, Meiji period (1868-1912)Each well-modeled in the form of a ho-o (phoenix) supporting a candle holder suspending mock rings on its back, its stout feet and elegantly curved tail forming the base, finely decorated in gilt and polychrome enamels with lotus, foliate, tasseled shippo, diapered brocade, and pendent lappet designs as well as sinuous three-clawed two-horned dragons, the base with the impressed signature MAKUZU.HEIGHT 18.9 cmCondition: Excellent condition with minor wear and minimal firing irregularities.Provenance: From a private collection in New York, USA.Makuzu Kozan (1842-1916), also known as Miyagawa Kozan, was a potter who moved his ceramics studio from his hometown of Kyoto to the port city of Yokohama in 1870. His early works copying styles and forms derived from earlier Japanese and Chinese ceramics soon found favor with Western buyers and his business quickly expanded. Kozan's work was also much admired within Japan and achieved special notoriety after the Meiji Emperor touched one of his vases at the First National Industrial Exhibition in 1877.Museum comparison: Compare a closely related phoenix-form candlestick by Makuzu Kozan, dated circa 1870-1880, 20 cm high, in the Kruizenga Art Museum, Hope College, object number 2013.6.2.

Lot 180

A FINE MINIATURE SUIT OF ARMOR FOR THE TANGO NO SEKKU FESTIVALJapan, Meiji period (1868-1912)Constructed in the same manner as a full-sized armor with the components laced in predominantly orange silk and mounted with silver hardware superbly carved and finely incised with shishi and peony. Comprising a twenty-four plate russet-iron za-boshi kaburo with a partly gilt three-tiered chrysanthemum-form tehen kanamono, the mabizashi and fukigaeshi with applied and finely patterned textile, the gilt maedate in the form of a kenkatabami mon (wood sorrel and ken sword crest), repeated on the shikoro-lame below the fukigaeshi, further with a five-lame shikoro; a russet-iron menpo with horsehair mustache and gilt teeth as well as two sets of two-lame yodarekake; the do (cuirass) fitted with four sections of five-lame kusazuri; two kote of elaborate silk brocade with sukari; kyubi no ita and sendan no ita; two o-sode; two kawara haidate; russet-iron suneate with applied silver butterflies and gilt kenkatabami mon; and a pair of kegutsu.HEIGHT 77 cm (total, mounted on box and stand)Condition: Very good condition with minor surface wear and few minor dents.The wood storage box supported on six tall black-lacquered legs, all with elaborately chased metal fittings with floral and foliate designs.During the 17th century, samurai families used to display a set of helmet and armor, weapons and banners outdoors on the Tango-no-Sekku Festival (The Boy's Festival), held on the fifth day of the fifth month, designated as an important ceremonial day by the Edo Shogunate Government. Later in the Edo period, these items, except for the banners, were moved indoors and displayed in rooms facing the street. The armors gradually became miniaturized, thus keeping splendid decorations on, as such armors and helmets were also to display the prosperity of their household.

Lot 249

MOTOTOSHI: A FINE SHIBUICHI FUCHI AND KASHIRA WITH MONGAKU SHONIN AND FUDO MYO-OBy Katsukawa Mototoshi, signed Katsukawa Mototoshi tsukuruJapan, 19th century, Edo period (1615-1868)Of shibuichi and superbly worked in iro-e takazogan with rich gold and silver, depicting Fudo Myo-o on the kashira and with his two attendants Kongara Doji and Seitaka Doji under the icy Nachi Waterfall on the fuchi. Signed underneath KATSUKAWA MOTOTOSHI tsukuru [made by Katsukawa Mototoshi].LENGTH 3.9 cm WEIGHT 42 gCondition: Very good condition, minor wear.

Lot 394

KANSAI: A RARE LACQUERED AND METAL-INLAID STAG ANTLER MANJU NETSUKE DEPICTING HO-O AND KIRIBy a member of the Koma Kansai lineage, signed Kansai 寛哉Japan, 19th century, Edo period (1615-1868)The two-part manju netsuke carved from antler or bone and inlaid to the front with a ho-o (phoenix) flying above a kiri (paulownia) blossom with leaves, both inlaid in shibuichi, and surrounded by gold-lacquered takamaki-e vines. The back with a central himotoshi, the cord attachment within, and signed KANSAI.DIAMETER 3.4 cmCondition: Good condition, minor wear to lacquer, some natural age cracks.Provenance: From the collection of Gaston Lazard (1878-1956) and his wife Jane Levy (1886-1985) and thence by descent within the same family.Both the ho-o bird and the paulownia (kiri) tree are imperial symbols of Japan. According to legend, the ho-o, a bird similar to the phoenix that represents the eternal rebirth of the soul, only settles on the kiri tree. In the hope of attracting this auspicious bird that blesses people with wisdom, health, and happiness, the trees are planted in courtyards and gardens.

Lot 53

A RARE GILT AND POLYCHROME WOOD FIGURE OF IZUNA GONGENJapan, 16th-17th century, late Muromachi (1336-1573) to early Edo period (1615-1868)Well carved and finely painted to depict the blue-skinned winged tengu-like deity with wrathful expression standing atop a plump fox over a compressed globular base with openworked foliate design raised on a naturalistically carved gilt-lacquered rockwork base further supporting a small gilt-lacquered stupa as well as a metal candle stick with a small wax candle. The deity is holding a gilt sword in his right hand and a metal wire rope with two glass beads in his left. He is wearing long flowing robes decorated with foliate and diapered designs as well as a metal necklace suspending glass beads. His face is well-detailed with narrowed eyes, thick furrowed brows, and a long beak. He is backed by red-painted metal flames which subtly convey the beak and comb of a chicken.HEIGHT 32.8 cmCondition: Good condition with some wear, minor flaking and small losses to lacquer and pigments, few minor age cracks, minor dents to flame. The stupa and candlestick are later-mounted attributes for worship.Izuna Gongen, also called Izuna Myojin and enshrined in Izuna Shrine in Nagano, represents the kami of Mount Iizuna. Iconographically, Izuna Gongen is usually depicted in the form of a tengu riding a white fox. This depiction resembles that of Akiba Daigongen, the god of fire prevention at Akibayama Sanjakubo, located in Shuchigun, Totomi Province, and associated with Fudo Myo-o. Another tengu depicted atop a white fox (and thus probably linked to Dakiniten-Benzaiten) is Doryo Daigongen, who was a mountain ascetic before becoming a Soto Zen monk. He was eventually appointed as head cook and administrator at Daiyuzan Temple in Kanagawa Prefecture. After his death in 1411, legend says he transformed into a tengu and became the monastery's guardian. According to Duncan Williams in The Other Side of Zen: A Social History of Soto Zen Buddhism in Tokugawa Japan (2005), “[upon his death] his body was engulfed in flames as he appeared transformed and stood on a white fox to promise a life free from illness and full of riches for those who sincerely worshipped him.”

Lot 63

A LARGE BUTSUDAN (BUDDHIST ALTAR) FOR AMIDAJapan, 19th centuryOrnately crafted, the black-lacquered exterior with gilt metal fittings, with three drawers and two sets of doors, the inner doors with thin lining of silk to enable a respectful view of the Buddha, opening to reveal a beautiful shrine with rich gold lacquer and a standing figure of Amida in front of three miniature hanging scroll paintings depicting Amida in the center and two praying figures. The interior of the shrine is further decorated with carved relief panels with ho-o (phoenixes) and with two open-worked metal lanterns suspended from either side of the Buddha figure.HEIGHT 137 cmCondition: Very good condition. Some scattered losses here and there. Presents beautifully.Provenance: From a French private collection.A Butsudan (仏壇, lit. "Buddhist altar"), sometimes spelled Butudan, is a shrine commonly found in temples and homes in Japanese Buddhist cultures. A butsudan is either a defined, often ornate platform or simply a wooden cabinet sometimes crafted with doors that enclose and protect a Gohonzon or religious icon, typically a statue or painting of a Buddha or Bodhisattva, or a calligraphic mandala scroll.The Butsudan's primary use is for paying respects to the Buddha, as well as to family members who have died.Auction comparison:Compare a very large Butsudan, lacking the interior figures and paintings, at Lempertz, Asian Art, 27 June 2020, Cologne, lot 42 (sold for 4,750 EUR).

Lot 65

A VERY RARE AND EARLY JAPANESE HANGING SCROLL PAINTING OF AN IMMORTAL, 14TH-16TH CENTURYJapan, 14th -16th century, Kamakura (1185-133) to Muromachi period (1336-1573)Painted with polychrome pigments and applied gold leaf on silk, depicting an immortal seated in dhyanasana above clouds, his hands lowered in dhyana mudra, surrounded by a halo, with long curly hair and a mustache, his expression painted sensitively with downcast eyes and red painted lips. Mounted as a hanging scroll with a clearly treasured blue silk brocade mounting with intricate geometric designs, ho-o (phoenix) and dragon medallions, as well as clouds, manji designs. With incised gilt brass fittings and roller ends.SIZE (image only) 90.5 x 39 cm, SIZE 190 x 63 cm (total)Condition: Old, worn condition with rolling and handling creases, scattered losses and possibly some minor touch-ups, light foxing and staining.Provenance: From a private collection in Dallas, Texas, USA.

Lot 83

ICHIEISAI YOSHITSUYA (1822-1866): TRIPTYCH OF YORIMITSU TRIES TO CAPTURE HAKAMADARE BY DESTROYING HIS MAGICBy Ichieisai Yoshitsuya (1822-1866), signed Ichieisai YoshitsuyaJapan, dated 1858Color woodblock print on paper. Oban Triptych. Signed Ichieisai Yoshitsuya with censor's seal Horse 4. The print was published by Tsutaya Kichizo (Koeido), 4th month 1858. Titled Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su (Yorimitsu tries to capture Hakamadare by destroying his magic).The triptych depicts the confrontation between Minamoto no Yorimitsu and the magician Hakamadare Yasumasa from the Taiheiki (Chronicle of Great Peace), which is a Japanese historical epic written in the late 14th century and covers the period from 1319 to 1367. Lord Minamoto Yorimitsu (also known as Raiko) and three of his four top retainers pursue the notorious thief Hakamadare, who attempts to evade capture by using magic to create a distracting illusion of a fight between a bear and an enormous snake.OBAN 24.5 x 37 cm; 25.5 x 36.8 cm; 24.9 x 37.3 cmCondition: Excellent condition with vivid colors and fine impression. Very minor creasing.Ichiesai Yoshitsuya (1822-1866) was a Japanese ukiyo-e artist who worked primarily in the mid-19th century. He was a student of Utagawa Kuniyoshi and specialized in creating prints featuring kabuki actors and historical subjects. Yoshitsuya was known for his dynamic and dramatic compositions, as well as his use of bright colors and intricate details. He collaborated with other prominent artists and publishers of his time and created a large body of work that continues to be highly regarded. Yoshitsuya died at the young age of 44.Museum comparison:An identical print is in the collection of the Museum of Fine Arts, Boston accession number 11.39705a-c.Auction comparison:Compare with an identical triptych, sold at Christie's, From Artist to Woodblock: Japanese Prints, 4 July - 11 July 2019, Online, Lot 100 (sold for 6,875 GBP). Compare with another identical triptych, sold at Christie's, From Artist to Woodblock: Japanese Prints, 11 June - 18 June 2020, Online, Lot 72 (sold for 5,000 GBP).

Lot 248

ASSORTED HORNBY TINPLATE including HORNBY O GAUGE TINPLATE METROPOLITAN 'BO-BO' ELECTRIC LOCOMOTIVE 0-4-0-, maroon livery, gilt 'metropolitan' and coats of arms to either side, PAIR PRE-WAR HORNBY TINPLATE ELECTRIC METROPOLITAN COACHES, comprising break/3rd class coach and 1st class coach, PAIR PRE-WAR HORNBY TINPLATE ELECTRIC METROPOLITAN COACHES, comprising break/3rd class coach and 1st class coach (5)

Lot 159

Backhouse, E.; J. O. P. Bland. Annals & Memoirs of the Court of Peking, first edition, London: William Heinemann, 1914. Small quarto, publisher's cloth, illustrated with plates, internally good & bright, pale spotting to endleaves & in places, gift inscription for Xmas 1920, cloth marked & bumped at corners. Together with The Duab of Turkestan, by W. Rickmer Rickmers, first edition, Cambridge: University Press, 1913, illustrated, folding map at rear, quarto, publisher's cloth, internally clean & bright, binding discoloured & worn at edges of spine (2)

Lot 140

Medicine/Medical Interest. Pomarius, Petrus. Enchiridion Medicum: Containing An Epitome of the Whole Course of Physicke: With the Examination of a Chyurgeon, by way of Dialogue between the Doctor and the Student, stated second impression, London: Printed by N. O. for John Royston & William Bladon, 1612. Small quarto, pp. [iv], 172, 136, including an additional title for Examination, nothing after p.136 of second part, worn calf, sold with all faults

Lot 209

Postcards. A collection of 84 postcards of ships to include one P & O shipping card, undivided back, P/U Marseille, 1903; one of SS Naldera, P/U, 1925; one of Viceroy of India, and others, 1903-1959, plus a small quantity of photos, housed in a modern album

Lot 1000

McNeill Whistler, James Abbot (1834-1903) "The Bridge" 1879/80, Radierung, u. sign., verso Slg.-Stempel, 29,3x19,8cm (m.R. 46x35,5cm), l. Lichtrand, min. fleckig, am o. Rand kleine Falte, ehem. Slg. Otto Gerstenberg

Lot 204

4 Diverse Hamburger Löffel mit abgerundetem Griff und Brightcut Medaillon, MZ: Nicolaus Fromm (im Amt ab 1786), um 1800 (Jahresbuchstabe O), Silber, 212g, L. 22,5cm, leichte Druckstellen und Gebrauchsspuren, kl. Defekte

Lot 232

4 Teile Wiener Jugendstil Besteck mit vegetabilem "Peitschenhieb" Dekor und graviertem Monogramm "PS", MZ: J.C. Klinkosch (k.u.k. Hof- und Kammerlieferant) und "MS", Österreich-Ungarn 1872-1922, Silber 800, 163g (o. Messer), in Original Etui, L. 15-21,5cm, etw. berieben und defekt

Lot 233

88 Teile Silber Besteck „Bremer Lilie“ mit Monogramm „H“ für 6 Personen, Entw.: Hugo Leven für Koch & Bergfeld, Silber 800, 2540g (o. Messer), bestehend aus: je 6 große Gabeln, Löffel, Messer, je 6 mittlere Gabeln, Löffel, Messer, je 6 Fischmesser und -gabeln, Obstmesser und -gabeln, Kuchengabeln, 11 Teelöffel und 11 diverse Vorlegeteile, gepflegter Zustand, Gebrauchsspuren

Lot 286

Ovale Silber Tabakdose mit Guilloché und Brightcut Dekor auf Deckel und Boden, innen graviert: "Schiffbauer Heinrich Stapelmann Meiderich bey Ruhrort 1836", MZ: Cornelis Snel, Schoonhoven/Holland, Jahresbuchstabe "A" und Steuermarke "gekröntes O" für 1807, Silber punziert, 177g, 14,2x7,6cm,

Lot 894

Behrens-Hangeler, Herbert (1898-1981) „Sitzender Akt" um 1927, Bleistift, verso Nachlassangabe und -signatur, Prunkrahmen (kleine Defekte), BM 37,7x27,8cm (m.R. 76x61cm), o. Mitte altes Montageloch, min. fleckig

Lot 94

NO RESERVE - A DIAMOND THREE STONE RING in yellow gold, set with three old cut diamonds, no assay marks, size O / 7.25, 2.3g. 

Lot 120

A PEARL AND DIAMOND CLUSTER RING in 18ct white gold, set with a pearl in a cluster of round brilliant cut diamonds, AOV maker's mark, stamped 750, size O / 7.25, 4.2g.

Lot 167

NO RESERVE - AN AQUAMARINE RING in silver, set with an oval cut aquamarine, full British hallmarks, size O / 7.25, 4.5g. 

Lot 181

A DIAMOND TOI ET MOI RING in 18ct yellow gold and platinum, set with two old cut diamonds, stamped 18CT & PT, size O / 7.25, 2.4g. 

Lot 115

An 18ct gold ruby and diamond band ring, An 18ct gold ruby and diamond band ring, the square shape ruby and princess cut diamond line within a channel setting, hallmarks for London, ring size O, gross weight 2.4g.Overall condition good to fairSome abrasion to rubies, visible with magnificationSponsor's marks T.O.DDiamonds fairly well matched, some inclusions visible with magnification

Lot 130

A diamond cluster ring, A diamond cluster ring, the brilliant cut diamond within a similarly cut diamond surround, total diamond weight 2.30cts, estimated colour K-L, estimated clarity SI, stamped 750, ring size O, gross weight 6.2g.

Lot 143

An emerald and diamond cluster ring, An emerald and diamond cluster ring, the circular shape emerald within a rose cut diamond surround, stamped 18ct, ring size O, gross weight 3.1g. Overall condition fair to goodEmerald with abrasion to facet edges, visible with the unaided eye, with light and dark inclusions visible with the unaided eyeA couple of diamonds chipped, visible with magnificationMarks worn but legible

Lot 150

An aquamarine and diamond dress ring, An aquamarine and diamond dress ring, the rectangular shape aquamarine weighing approx. 1.75cts with brilliant cut diamond stepped sides, estimated total diamond weight 0.50ct, stamped Plat, ring size O, gross weight 5.3g.Overall condition goodScratches and light discolouration in keeping with occasional wearDiamonds with scattered inclusions, visible only with magnification

Lot 33

Medicine.- Pomarius (Petrus) Enchiridion Medicum: containing an Epitome of the Whole Course of Physicke, 2 parts in 1, 'the second impression', some staining, especially towards end, upper edge trimmed occasionally affecting headlines or pagination, modern calf 'antique style', [STC 24578; Wellcome I, 5149], 4to, Printed by N[icholas] O[kes and Thomas Snodham] for John Royston, and William Bladon, 1612.⁂ Uncommon at auction. Snodham printed 2A-2Y; Okes printed the rest (STC). "The examination of a chyrurgion .. by S[tephen]. H[obbes]." has separate dated title-page; "A particular practise of phisicke" (caption title) begins new pagination on 2A1. The first edition appeared in 1609.

Lot 10

MORRIS REV. F. O.  A History of British Birds. Vols. 1, 2, 3, 4 & 6. Many col. plates. Large 8vo. Worn orig. cloth gilt. 1860-1862; also Morris' Nests & Eggs of British Birds, 3 vols., col. plates, orig. cloth gilt, 1861.  (7).

Lot 213

AN EARLY 20TH CENTURY DIAMOND RING, CIRCA 1920, composed of five graduated old European-cut diamonds, mounted in 18K gold, diamonds approximately 0.70ct total, ring size O½Condition Report: Diamonds: bright and livelySome minor wear on the settingEngraved "H B to M.A 29/12/21" inside hoopNormal signs of wear, overall in good condition

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