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2001 Aston Martin DB7 Vantage Transmission: automaticMileage:47500Launched at the Geneva Motor Show in 1993, the Ian Callum styled DB7 began production in 1994 at a new factory in Bloxham, Oxfordshire. It was engineered in conjunction with Tom Walkinshaw's TWR group who built the new supercharged six-cylinder engine. In 1999, the new DB7 Vantage with a V12 engine was revealed. It didn't just bring a new powertrain but more aggressive styling with a bigger front grille, new fog, side and indicator lights and imposing 18" wheels.Presented in Canna Di Fucile, a Ferrari colourway commonly referred to as CDF, with a black leather trim and charcoal piping which matches the carpets and the dash is finished with walnut veneer, this 2001 Vantage boasts just 47,500 miles from new. The bodywork is described as very good with the wheels equally unmarked and a bonus in a classic car, the radio has been uprated to accommodate Bluetooth mobile phone connectivity.The history boasts a comprehensive Aston Martin dealer and specialist service history but for a few gaps in the earlier years when our vendor believers the car was SORN, also found in the file is the original Aston Martin communication confirming the desirable colour combination. Recent works include all 12 coil packs replaced in 2019 and in July 2020 the underside rust protection was renewed, front suspension overhauled, and lower wishbone bushes and road springs replaced along with the alternator, the spring pans, radius arm bushes and N/S/R and O/S/R outer fulcrum bearings. The Vapour management valves, and purge valves were replaced in November 2021 and the handbrake system was overhauled coupled to new shoes in September 2021. In October 2022, the idler pulley, tensioner belt drive, FEAD drive belt and flat Idler pulley were all replaced with the gear selector lever and assembly along with the front O/S subframe v-mounts and engine earth cable. Today the V12 DB7 is still an achingly gorgeous sportscar and this example is specified in an unusually subtle colour combination. Very attractively priced, this is a stunning example of a collectable Aston Martin.
WHITE METAL EISTEDDFOD CROWN inscribed 'Eisteddfod y Croglith, Penmaenmawr, 1926' beneath triskelion symbol in circular motif, engraved decoration throughout, 18cms diam / EISTEDDFOD FETEL GWYN Y GORON gyda'r arysgrif 'Eisteddfod y Croglith, Penmaenmawr, 1926' o dan y symbol trisgelion mewn motiff crwn, 18cmsProvenance: private collection DenbighshireAuctioneer's Note: Croglith is an older translation of Good FridayComments: in good condition
A BRITISH RAIL (WESTERN REGION) TOTEM SIGN FOR AFON WEN late 1950s / early 1960s, in regional colours of chocolate and cream livery, within black rim, 92.5 x 26cmsProvenance: deceased estate Criccieth, near Afon Wen in Gwynedd, north WalesAuctioneer's Note: Afon Wen station was opened in 1867 as part of the Cambrian Railway. later, it formed a junction between the Aberystwith Welsh Coast Railway and the Carnarvonshire Railway. The totem is believed to have been installed in the late 1950s by Western Region and retained by LMR when they took the station over in 1963, shortly before the station was closed in 1964, as a result of the Beeching Axe. The station enjoyed its heyday in the post-war years, especially in the summer months, as it brought holiday-makers to the nearby Butlin Camp. The station was commemorated in a 1989 song by Welsh language folk-singer Bryn Fon, titled 'Ar y Tren i Afonwen' (on the train to Afonwen). There is currently a campaign to reinstate a railway line from Bangor to the disused Afon Wen station as part of a wider campaign for a much needed improvement to the rail service between north & south Wales.''Ar y Tren i Afonwen''gan Sobin a'r Smaeliaid Er ei bod hi'n byw ChwilogMi deithiai bob dyddAr y tren i Benygroes, a'i gwallt yn chwifio'n rhydd.Mae'r ysgol ar ei hysgwyddMi deithia hi pob camLlyfra', 'fala, cocacola a brechdan gan ei mam.Ar y tren i Afonwen, mi gollais i fy mhenMi rois fy nghalon iddi hi.Oedd Twm Gwyn a PanshoYn teithio ar y tren, ond ni chai ddim i neud a nhwEr ei bod hi'n glen.A'r hogiau gyd yn r'ysgol, 'n glafeirio am ei chnawd,Ond gwenu gwnaeth a dweud 'helo'A trin pob un fel brawd.Ar y tren i Afonwen, mi gollais i fy mhenMi rois fy nghalon iddi hi.O ar y tren i Afonwen, mi gollais i fy mhenMi rois fy nghalon iddi hi.Roedd Llan yn chwara' Chwilog, yn y Gwynedd CupLawr i stesion Benygroes, 'Cm'on bois hurry up!'Mi neidiais fewn i'r cerbyd, di colli'n wynt yn lanOnd fe aeth fy gwynt yn gynt, pan welais pwy oedd o'm mlaen.O ar y tren i Afonwen, mi gollais i fy mhenMi rois fy nghalon iddi hi.Mae'r gwlad yn gwibio heibio, fel dwr glaw fewn i'r draenHeibio Bryncir a PantglasFe aeth y tren ymlaenMi raid fi ddeud y geiria'Ni'n Afonwen y nawrOnd codi wnaeth a neidio'i ffwrdd, i freichia ryw foi mawrO ar y tren i Afonwen, mi gollais i fy mhen,Mi rois fy nghalon iddi hi,O ar y tren i Afonwen, mi gollais i fy mhen,Torrodd fy nghalon, yn stesion Afonwen.
KAENDLER, Johann Joachim, (*1706 Fischbach o Seeligstadt†1775 Meißen) für Staatl. Porzellanmanufaktur Meissen, "Jagdpokal", polychrom, Baum in Sockel übergehend, mit Jäger und erlegtem Hirsch, vollplastische Äste mit bossierten Blättern und Früchten, gegratet, bombiert, gewellte Schale mit entspr. Deckel, mit Bekrönung einer vollpl. Hundemeute, Hirsch erlegend, blaue Schwertermarke unter Glasur, geritzte Formnummer 80543, 1. Wahl, min. 2 Blätter abgebrochen (eins anbei), Goldränder (leicht berieben), H 35 cm (Ausformung 2.H. 20.Jh.)
PAAR PASTETENHEBER,Amsterdam 1847, geschweift-gebogte ausgestellte Schaufel, zentral à-jour gearbeitet mit achsymmetrisch gespiegelten Arabesken, Muschelanstoß, rocaillähnlicher Henkel, leicht gwölbt und bombiert mit Rocaillegravur, L ca. 18 cm, dazu Saucenkelle, Niederlande 1844, rechteckig-ausgestellte bombierter Laffe, gebogt-geschweift bombierter Henkel mit Rocaillegravur, zus. 140g 833er-Silber, MZ, Beschau, je Eigentümergravur O. Hertel
BLAEU, Willem Jansz. (*1571 Alkmaar o Uitgeest †1638 Amsterdam),Kupferstich, Grenzkoloriet, Monasteriensis Episcopatus, Bugfalte, rechts oben Titelkartusche, unten links Legende, verso lateinischer Rückentext, Illustration zu Theatrum Orbis Terrarum, Amsterdam, um 1630, 37 x 49 cm, hinter Glas, Schrägschnittpassepartout, Holzleiste, altrestauriert, tlw Risse
Dambusters at War, three signed 617 sqn covers all limited editions of 12 signed by WW2 veterans W/O Thomas Nutley, Arthur Poore DFC, Jack Hager DFC. All are numbered 3 of 12 on and have biography card inside. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Rare 2008 WW2 617 Sqn multiple signed V1 Pas De Calais attack cover NINE autographs. Numbered 3 or 4 issued on back. Signed by Dambuster squadron veterans and Tirpitz Raiders. Wg Cdr John Bell MBE DFC, W/O Benjamin Bird DFM, Flt Lt Arthur Poore DFC, Flt Lt Murray Valentine, F/O Phillip Martin, Flt Lt Harry Humphries, W/O Leonard Rooke, W/O Colin Cole, W/O Gerrard Hobbs. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
LAURENT, MAX (1948-2007), 2 abstrakte Farbkompositionen, 1997/1999, 1)Tempera/Karton, l. o. monogrammiert und datiert, HxB: Blatt ca. 23,5x55,5 (ca. 25x57,5 cm mit Rahmen). Alters- und Beriebspuren. Pappe leicht wellig. VERSO in Bleistift bez.: 'Max Laurent Paris 1997 erworben'. Im Rahmen montiert (minimal besch.).2) Öl und Sand/Hartfaserplatte auf Holzleisten montiert, HxB: ca. 18,5x6 cm. Kaum Altersspuren. VERSO: datiert '14.4.97' und bez.: 'Max Laurent Paris'. PROVENIENZ: Privatsammlung Professor Dr. Karin von Maur, Stuttgart, ehemals stellvertretende Direktorin der Staatsgalerie Stuttgart.| LAUREN, MAX (1948-2007), 2 abstract color compositions, 1999, tempera/cardboard, upper left monogrammed and dated, hxw: sheet approx. 23.5x55.5 (approx. 25x57.5 cm with frame). Signs of age and rubbing. Cardboard slightly wavy. VERSO inscribed in pencil: 'Max Laurent Paris 1997 erworben'. Mounted in the frame (minimal damage).2) Oil and sand/masonite and wood, hxw: approx. 18.5x6 cm. Hardly any signs of age. VERSO: dated '14.4.97' and inscribed: 'Max Laurent Paris'. PROVENANCE: Private collection Professor Dr. Karin von Maur, Stuttgart, former associate director of the Staatsgalerie Stuttgart.
MEISTER, ULRICH (geb. 1947), "O. T.", 1997, Kreppband auf resopalbeschichteter Spanplatte, HxB: ca. 70x52 cm. Leichte Altersspuren. VERSO Aufkleber mit Signatur, Datierung und Werktitel. PROVENIENZ: Privatsammlung Professor Dr. Karin von Maur, Stuttgart, ehemals stellvertretende Direktorin der Staatsgalerie Stuttgart.| MEISTER, ULRICH (geb. 1947), "O. T.", 1997, crepe tape on Resopal coated chipboard, hxw: approx. 70x52 cm. Slight signs of age. VERSO label with signature, date and work title. PROVENANCE: Private collection Professor Dr. Karin von Maur, Stuttgart, former associate director of the Staatsgalerie Stuttgart.
TOIKKA, OIVA (1931-2019) für Iittala, Finnland, "Taube", 20. Jh Entwurf 1972, "Birds by Toikka"- Serie, mundgeblasener Glasvogel, hellbraun-ockerfarbener Korpus und Schnabel, blauer Kopf, an der Standfläche signiert „O Toikka, Nuutajärvi“ und mit Klebeetikett Iittalla Finnland, L 23, 5 cm. Altersspuren.| TOIKKA, OIVA (1931-2019) for Iittala, Finland, "dove", 20th century, designed in 1972, "Birds by Toikka" series, hand-blown glass bird, light brown-ochre-colored body and beak, blue head, signed on the base "O Toikka, Nuutajärvi" and with an adhesive label Iittalla Finland, L 23.5 cm. signs of age.
BLUE GEM SET AND DIAMOND RING set with a central old mine cut diamond flanked by blue zircon and smaller diamonds, in eighteen carat gold, size O3.7gGenerally worn. Central stone appears to be a later addition. Slight tint to the stone. Large inclusion visible to the naked eye. 4.5x4.1x3.5mm
* Quilt. A trapunto bedcover, early 18th century, white fine linen pieced bedcover, handworked overall in running stitch and back stitch using white thread, with strapwork design incorporating floral and foliate motifs, discoloured, a few small holes and darns, backed with linen (some marks), quilted overall with white thread, later handstitched tape to turn-over hem and forming 2 hanging loops at top edge, with remains of card label written in ink in a late Victorian hand 'Quilt abt 200 years old, sent by Miss [?]O. Spence, Leyburn', 178 x 129.5 cm (70 x 51 ins) QTY: (1)
Citrine yellow gold bar brooch, the oval mixed cut citrine measuring approx 21mm x 15.5mm, claw set, indistinctly stamped 14ct; together with a citrine white metal brooch, indistinct Scottish marks to the reverse; and a diamond 9ct yellow gold wishbone ring, ten small round eight cut and rose cut diamonds, ring size O (3)
Late 19th century 9ct gold heart shaped signet ring, the heart shaped head with engraved initials, the band with engraved scroll decoration, ring size O½-P; a late 19th century cross pendant necklace, the cross with engraved scroll decoration, length approx 2.5cm, fine chain with applied 9c pad, length approx 39cm; together with a rose metal chain with brooch attachment (3)
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176068 item(s)/page