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Lot 258
Three: Private J. Boyce, King’s Own Scottish Borderers Egypt and Sudan 1882-89, undated reverse, 1 clasp, Gemaizah 1888 (2573 Pte. J. Boyce. 2/K.O. Sco: Bord.); India General Service 1895-1902, 3 clasps, Relief of Chitral 1895, Tirah 1897-98, Punjab Frontier 1897-98 (2573 Pte. J. Boyce 2nd Bn. K. O. Sco. Bord.); Khedive’s Star, undated, unnamed as issued, edge bruising and contact marks, otherwise about nearly very fine (3) £300-£400 --- Sold with copied medal roll extracts and muster details.
Lot 56
Seven: Warrant Officer E. C. Fryett, Manchester Regiment, later Royal Air Force British War and Victory Medals (58012 Pte. E. C. Fryett. Manch. R.); 1939-45 Star; Africa Star; Defence and War Medals 1939-45; Royal Air Force L.S. & G.C., G.VI.R., 1st issue (W/O E. C. Fryett (506709) R.A.F.) mounted for wear but possibly a father and son family medal group, the first two heavily polished with edge bruising and contact marks, hence good fine; the rest better (7) £100-£140 --- Edwin Charles Fryett was born in Middlesborough in 1876 and served in 2nd Battalion, Manchester Regiment during the Great War. He died at Middlesborough in 1946. His son, also Edwin Charles Fryett, was born at Middlesborough in 1901 and died in 1968. In the 1911 census they are both listed as residing in the family home at North Ormesby, Middlesborough.
Lot 110
Group of military interest items from the same family to include: a painted crest 'C O 4th North Staffs, Regiment' with Prince of Wales feathers and Staffordshire knot motif, mounted portrait of a gentleman, two coloured prints, one believed to be said C O, an Eton Crew photograph from 1867 and a military battalion photograph. (6) (B.P. 21% + VAT)
Lot 98
DIAMANT-ARMBAND. Datierung: Um 2000. Material: 750/- Rotgold, Punze. Gesamtgewicht: ca. 32,5 g. Maße: Länge 18,5 cm. Diamanten: 23 Brillanten zus. ca. 6,4 ct., M-O, cognac- bis braun-farben/VS-SI ca. 368 winzige Brillanten zus. ca. 0,4 ct. Voraussichtliche Versandkosten für dieses Los: Deutschland: 100,00 Euro inkl. 15,97 Euro MwSt EU: Absprache nach der Auktion. Weltweit: Absprache nach der Auktion. zzgl. Versandversicherung Schmuck Moderner Schmuck Armband Rotgold Diamant 10ct +Erläuterungen zum Katalog
Lot 58
DIAMANT-SAPHIR-RING. Herkunft: Deutschland. Datierung: Um 1950. Material: Platin, getestet. Gesamtgewicht: ca. 3,5 g. EU-RM: 56. Diamanten: 1 Brillant 3,65 ct. N-O/VVS2, Proportionen: gut, Symmetrie: gut, Politur: gut. Edelsteine: 2 kleine dreieckige, facettierte Saphire. Beschreibung: DPL Idar-Oberstein Expertise von 03/2024 anbei. Voraussichtliche Versandkosten für dieses Los:Absprache nach der Auktion. Schmuck Moderner Schmuck Ring Platin Diamant 3ct + DeutschlandErläuterungen zum Katalog
Lot 104
DIAMANT-RING. Herkunft: Deutschland. Datierung: Um 2000. Material: 750/- Gelbgold, Punze. Gesamtgewicht: ca. 15,5 g. EU-RM: 56. Diamanten: 1 Brillant ca. 5,0 ct., O-P/P1, 74 Brillanten zus. ca. 1,6 ct., I-K/VS. Beschreibung: Karatzahl des mittigen Diamanten eingraviert in Ringschenk. Voraussichtliche Versandkosten für dieses Los:Absprache nach der Auktion. Schmuck Moderner Schmuck Ring Gelbgold Diamant 5ct + DeutschlandErläuterungen zum Katalog
Lot 161
A duo, one featuring dark blue swirls within the interior, while the other displays cyan swirls within. Kosta Boda manufacturing sticker. Marked Kosta Boda. Signed O Brozen. Dimensions of the largest item: 4.75"L x 1.75"W x 2"H. Manufacturer: Kosta BodaCountry of Origin: SwedenAge related wear.
Lot 55
Salvador Dalí (1904-1989)Cinco o seis por lo menos, from Les Caprices de Goya de Dalí (Field 77-3; M&L 906a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)
Lot 223
AFTER ANTONIO CANOVA (1757-1822) A MARBLE FIGURE OF HEBE MID 19TH CENTURY Set on original stone pedestal Figure 163.5cm high, 250cm high overall Hebe is among Antonio Canova's most successful and recognisable models. From its conception in 1795 it was praised for its originality with the composition and depiction of a classical subject not based on an antique model but invented by Canova himself. Canova let Hebe glide down from the clouds, pouring the wine she served to the gods. It is possible that in its original state- this figure may have been holding a ewer in her right hand and cup in her left. The presence of the tree trunk indicates it is taken from the third state onwards of Canova's composition- akin to the Chatsworth example from 1808. However the presence of the necklace and diadem indicates the sculptor has knowledge of the fourth version executed for the Countess Veronica Guarini di Forli in 1816/1817. The quality of this example would suggest that it was made not long after the sculptor's death and it still bears the marble strengtheners between the fingers which would normally be filed off after transport from Italy to the U.K. RELATED LITERATUREG.C. Argan, Canova all'Ermitage. Le sculture del museo di San Pietroburgo, exh. cat. Palazzo Ruspoli, Rome, 1992, pp. 92-94; O. Stefani, Antonio Canova. La statuaria, Milan, 1999, pp. 84-88, no. 7 Condition Report: Weathering with some sugaring and loss of detailing to surface. Colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some natural flaws, inclusions. patches of lichen growth and small darker flaws scattered throughout. Webbing still between fingers- hole to inside of right arm that would have anchored urn she carried- both urn and cup missing. Edge chips to base and scuffing wear to base Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 361
SOUTH AFRICA, two hand coloured engraved maps, Afrique Meridionale et Gouvernmt. du Cap, a Paris chez Binet 21cm x 25.5cm; De Kaapkolonie, Transvaal en aangr. landen, lith. Emrik & Binger, 20cm x 24cm; an engraved print with text fom The Great and Small Voyages of Theodor de Bry (1580-1634), 25.5cm x 18.3cm; and O. de Vries after De Seve, La Grande Gerboise, from a work by Comte De Buffon, foxed, 22cm x 17cm (4)
Lot 115
PEDRO CHORÃO - NASC. 1945, "Entre o Céu e a Terra", oil on canvas, signed and dated 1996, on the back. Notes: it was part of the exhibition "60 Years 60 Artists Modern and Contemporary Art", held between November 24th and December 4th, 2011 at the Mystetskyi Arsenal Museum in Kiev, according to the label pasted on the back., Dim. - 130 x 162 cm
Lot 23
MARTINS CORREIA - 1910-1999, “O Centauro e as Sereias”, oil on chipboard, small moisture stains, signed, signed and dated on the back 1979. Notes: Private collection. Reproduced on the cover of the Valbom Gallery catalogue/Laboratórios Atral-Cipan, "Martins Correia", Maiy, 2001and also on p. 79., Dim. - 84 x 133 cm
Lot 90
A group of jewellery, to include a 22ct yellow gold wedding band, UK hallmark, Birmingham, 6.03 grams, size O 1/2; an engraved patterned wedding band, hallmarked, Birmingham, carat of gold not stated or tested, 3.77 grams, size I; and a 9ct yellow gold bar brooch with a central flower design set with a circular-cut garnet, UK hallmark, 1.08 grams, (3).
Lot 58299
Meissen - Figur "Schafhirte"Porzellan farbig unterglasur bemalt, gehender Schafhirte mit Bock und zwei Schafen auf querovalen Natursockel, auf dem Sockel geprägte Künstlersignatur "O. Pilz", rückseitig am Sockel unterglasurblaue Manufakturmarke (gekreuzte Schwerter mit Punkt), im Boden geritzte Modellnummer "Y 155", B 39,5 cm H 33 cm, Entwurf Otto Pilz (1876 - 1934) 1908, Meissen 1924 - 1934, 1. Wahl, ein Horn und eine Stricknadel bestoßen, ein Horn und eine Stricknadel alt restauriert 7204
Lot 58204
Modersohn, Otto (Soest 1865 - 1943 Rotenburg/Wümme)Gemälde "Sommermorgen", Öl auf Leinwand, sommerliche Wümmelandschaft mit Spaziergängern, unten links signiert und datiert "O. Modersohn 36.", 50 x 70 cm, sauber alt/original gerahmt (65 x 84 cm), rückseitig von der Tochter Mathilde (Tille) Modersohn bezeichnet "Persönliches Geschenk von Vater Weihnachten 1940" sowie "Unverkäuflich Geschenk von Vati", zusätzlich weitere, spätere Eigentumsvermerke, sehr guter, scheinbar unberührter Originalzustand, dabei schriftliche Bestätigung des Otto Modersohn Museums Fischerhude 6206 Das Gemälde ist im Archiv des Otto Modersohn Museums Fischerhude unter "WV - OM - SW - 1936, Nr. 92" registriert Prov.: Atelier des Künstlers, Mathilde (Tilde) Modersohn (1907 - 1998), Geschenk an das Ehepaar Karl und Irmgard Wilms Bremen, Privatbesitz Delmenhorst
Lot 58101
Deutscher Maler des 16./17. Jhd.Frontispiz eines großen Johannis - Evangeliums, Deckfarben und Gold auf Pergament, frontal große Malerei, mittig Medaillon mit der Darstellung des schreibenden Evangelisten Johannes mit dem Adler in Landschaft, das Medaillon umgeben von Karyatiden, Putten und Maskarons zwischen Roll- und Blattwerk, Schuppenborten sowie Rocaillen, umlaufend breiter Rahmen mit der Hl. Maria und weiteren Heiligen in Rollwerkkartuschen begleitet von Maskarons zwischen Roll- und Blattwerk, oben Rollwerkkartusche mit Datum "ANNO DoMINI 1595" (das "o" in das "D" gestellt), unsigniert, Darstellung 50,5 x 35 cm, rückseitig große bekrönte (Grafen- bzw., Markgrafenkrone), von Putten, Maskarons, Blattwerk und Festons begleitete Rollwerkkartusche mit großer, mehrfach gespiegelten "Französischen Kreuzblume" vor blau geschupptem Hintergrund, unsigniert, Darstellung 46 x 29 cm, Pergamentbogen ~61 x 41,5 cm, Deutschland 1595, insgesamt guter Zustand mit geringen Altersspuren, materialbedingt insgesamt leicht wellig, an den Wellenrücken teils leicht berieben, teils leicht wasserfleckig, Bogen an einem Seitenrand mit alten Montierungsspuren, sauber gerahmt und beidseitig verglast mit frontalem Pp (73 x 54 cm) 6101 Aufgrund der bedeutenden Größe, der Verwendung von Pergament und der erstklassigen Illumination handelt es sich bei dem vorliegenden, beidseitig bemalten Frontispiz eines Johannes - Evangeliums sicherlich um eines der schönsten Beispiele nachmittelalterlicher Buchmalerei Prov.: Gräflich- oder Markgräflicher Besitz, erworben in den 1970er Jahren im Auktionshandel, Privatbesitz Ostwestfalen Aufgrund der Größe und der beidseitigen Verglasung Versand nur nach Absprache per Spedition
Lot 174
In celebration of their 10th anniversary this glass is part of their O series. Sleek, clear rounded glass perfect for Cabernet or Merlot wine. Riedel Glass Co. sticker. This item has its original box: 8"L x 10"W x 4"H. Issued: 21st centuryDimensions: 5"H x 3"dia.Manufacturer: Riedel Wine Glass Co.Country of Origin: GermanyCondition: Age related wear.
Lot 677
David II (1329-1371), Second coinage, Class B, Groat, late class B, Edinburgh, mm. cross fourchée on both sides., second intermediate bust, tressure of six-and-a-half arcs, nothing in spandrels, saltire stops, mullet after scotorvm, small d under rgh, plain a both sides, 4.26g/7h (SCBI 35, 373, same obv. die; cf. B fig. 261 rev.; S 5097). Better than fine but weak in centres, extremely rare £150-£200 --- Provenance: Bt eBay September 2020 This coin belongs to an unpublished ‘Cross-Fourchy’ sub-group of David II coins (Groats, Halfgroats and Pennies) which seems to have been produced between the end of Class B and the beginning of Class C. Extensive research by the vendor, done over a number of years and based mainly on letter forms and fonts, places these coins with their forked initial crosses in the period c. 1364. It is clear that Groups A and B and Groups C and D form two distinct and discreet groups, with no overlap in portrait, crown or letter punches. This corresponds with the change of mintmaster in Edinburgh, with James Mulekyn leaving and being replaced by Bonagius of Florence who probably left his post at the English mint at Durham in 1363. During this changeover period, the Cross Fourchy coins seem to have been produced at a time when a person or persons unknown were overseeing coin production, apparently on fairly ad-hoc basis. Old dies were used or re-used, new dies were somewhat carelessly made from a large number of varied letter punches. Reverses so far identified include some early class A dies, 3 normal class B dies and 12 marked with the fourchy mint mark. These pair with Burns 1st Intermediate obverse dies 268 and 271a, B.271 being an example; four new Cross Fourchy obverse dies with varied portraits, three of these having a mullet after the legend leading Burns to include B261 in Class A; and the Burns 254a obverse, previously thought to only have been used at Aberdeen but now known to have been used in a somewhat dilapidated state at Edinburgh only during the Cross Fourchy series with a Cross Fourchy reverse die and an old, reused Class A reverse. Some lettering from Class B is found on the Cross Fourchy dies, the T and O positioning this group after the final Class B dies, but other letter punches unique to this small series vary almost on a die-to-die basis.
Lot 604
William the Lion (1165-1214), Short Cross and Stars coinage, Phase B, Sterling, Phase B, class I, no mint name, Hue Walter, crude bust left with crescent hair and pellet crown, le rei wila+, rev. hve walt : o, short voided cross, three stars of six points, one of five in angles, 1.28g/6h (cf. SCBI 35, 70; B 11 and fig. 48, same dies; S 5029). Nearly very fine £150-£200 --- Provenance: Bt M.R. Vosper April 2013
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