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Lot 146
A ladies 18ct white gold diamond set Omega wristwatch quartz movement, with 18 x 15mm. fancy shaped rectangular frosted silver dial mounted with a single brilliant cut diamond at 12 o`clock, surrounded by twenty-four 0.06ct. brilliant cut diamonds, on a mesh link bracelet, case no. 1353, clasp no. 891 0065, in the original red suede case.
Lot 458
Thirteen Hornby O Gauge wagons & coaches 1930s, eleven boxed comprising two Trolley Wagons, one with BI cable drums, a No.2 Lumber Wagon, a No.1 Side Tipping Wagon, a Barrel Wagon, an NE No.2 Cattle Truck, an NE Fish Van and three M1/M2 Pullman Coaches, together with three unboxed wagons including a Meccano Rotary Tipping Wagon (13).
Lot 378
SEVEN ONE POUND NOTES, all fine condition 1930s, pre-fix S27B serial no. 568790, pre-fix M59B serial no. 651162, one pre-fix U07C serial no. 715578, all P S Beale, pre-fix 61B serial no. 252728, pre-fix A03B serial no. 351484, both K O Peppiatt, pre-fix W89J serial no. 856456, pre-fix Y12K serial no. 095198, both L K Obroen
Lot 328
“Tom Merry”. O! What a Surprise! a shocked Lord Salisbury gingerly lifts the corset of Fair Trade from the briefcase of Conservative Programme chromolithograph 490 x 295mm. central fold framed and glazed St Stephen`s Review Presentation 1887; with another similar of Gladstone auctioneering the empire(2)
Lot 1390
5 bottles Madeira comprising: 1 bottle Henriques and Henriques 3 y/o Special Dry Maderia; 1 bottle Henriques and Henriques 3 y/o Monte Seco Extra Dry; 1 bottle Henriques and Henriques 3 y/o Medium Dry; 1 bottle Henriques and Henriques 3 y/o Medium Rich;1 bottle Henriques and Henriques 3 y/o Full Rich.
Lot 83
A VICTORIAN PARCEL-GILT-SILVER CONDUCTOR`S CEREMONIAL BATON, RICHARDS & BROWN, LONDON, 1862 the gilded terminal of a lion surmounting a gem-set crown, the silver section engraved with the front elevation of the 1862 International Exhibition building flanked by the following biblical texts: `O Lord both riches and / honour come of thee, / and in thine hand / it is to make great.` and `The wise and their works / are in the hands of the / Lord.`, dated above `1862` and later inscribed `John Whitaker 1878`, with gilt and gem-set collar above a section of beechwood and plain silver ferrule -- 58cm long, in a leather case with interior gilt label `Lambert/Silversmiths & Jewellers/to the Queen` This conductor`s baton was probably used for the opening ceremonies of the London 1862 International Exhibition. The biblical texts, flanking the view of the double domed Exhibition building engraved on the baton, refer to those used to decorate the interior of the building. According to The Times (31 March 1862, p.10) `the interior decoration of the domes ... deservedly elicits the warmest approbation. The inscriptions in white letters on a rich blue ground round the belt of the western and eastern domes are ... both from the 1st Book of Chronicles, that round the east dome being ,"O Lord, both riches and honour come of thee ..."` Queen Victoria had expressed a wish that the opening of the exhibition be a national ceremony. The Duke of Cambridge represented the Queen (she had gone into deepest mourning since the recent death of the Prince Consort) before a huge crowd of international heads of state, European royalty, exhibition directors etc. Choral music was performed under one of the domes by a choir of almost 2500 together with a 408 piece orchestra. Music written especially for the occasion was supplied by both Verdi and Meyerbeer, as well as Professor Sterndale Bennett`s accompaniment to an ode by Tennyson. According to The Times report of the ceremonies (2 May 1862, p.11) the conductor Mr Costa `yielded the "baton" to M. Sainton ... while that gentleman directed the performance of the Ode which our poet laureate and our Cambridge Professor of Music conjointly furnished for this memorable occasion. ... The execution of the work was happily all that could have been wished.` The building`s twin domes were the largest in the world at the time, but were almost dwarfed by the length of the main facade on the Cromwell Road at 1152 feet. Parliament declined the Government`s wish to purchase the building and the materials were sold and used in the construction of the Alexandra Palace in north London. The later inscription `John Whitaker/1878` probably refers to a later ceremonial use of the baton, possibly connected with International Exhibition in Paris that year.
Lot 1203
Marryat Works, Volumes 1-14, (volume 13 missing), half calf bound with marble boards and gilt lettered spines, The Newcomes, Volumes 1-4, half calf bound with marble boards, by W M Thackeray, Poetical Works of Sir Walter Scott, complete in one volume, Francfort O. M. printed by and for H L Broenner, 1826, twelve volumes Knights Cabinet, Shakespeare, red cloth bound with gilt lettering, with numerous other literature and poetry books to include Sir Walter Scott, Lew Wallace, Longfellow and others
Lot 1855
Thomas Peters, for The Sheffield Arts & Crafts Guild, an oak headboard and footboard, the headboard with two painted panels of Pre Raphaelite figures flanking a central cast metal plaque inscribed `We Praise Thee O God` below a frieze carved `Work Whilst it is Day` and an angel head inscribed `Sleep Doubtless and Secure`, The footboard dated 1906 over the inscription `The Night Cometh`, 137cm wide, 185cm high
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