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An early 19th century 18 carat gold, diamond and sapphire half hoop ring, Birmingham 1915, the three graduated circular cut sapphires with two pairs of single cut diamonds between, in a raised open gallery, finger size M1/2; another, of the same date and similar design, finger size O1/2; and another, the central circular stone with a diamond chip surround, finger size O
Three 9 carat gold. sapphire and diamond rings, the first, London 1986, the central pendeloque cut sapphire with a diamond surround, finger size O 1/2; the second with oval cut central stone, and diamond set shoulders, finger size N; the last, London 1987, with a step cut central stone, finger size O1/2; together with two diamond set rings, 11g gross
An assortment of jewellery to include a French 18 carat gold and diamond clasp and three further clasps of various designs, a three strand cultured pearl necklace to a marcasite clasp, another single strand example, an Aurora crystal necklace, and other items; together with a silver `Yard-o-Led` pencil
A collection of jewellery, including a seed pearl necklace, a Victorian 18 carat gold and smoky quartz ring, Chester 1885, the central step cut stone with seed pearls at the cardinal points, the shank engraved with flowers, finger size O; a pair of Victorian gold and turquoise earrings, the hoop enclosing an articulated ball, with dome top; a large Victorian mourning brooch with central swivel panel, a lock of hair on one side and a carved ivory panel depicting a horse on the reverse, with gilt metal scalloped border; a cased set of Edwardian mother-of-pearl and enamel studs; a silver hinged bangle, Birmingham 1962; a paste and tortoiseshell hair comb; and other items
A three stone sapphire and diamond ring, the central brilliant cut diamond illusion set and flanked by two circular cut sapphires, with diamond set shoulders, the white shank stamped 18ct, finger size M; an 18 carat, ruby and diamond half hoop ring, with alternating calibre cut rubies and brilliant cut diamonds, finger size O; two diamond set eternity rings and two further half eternity rings; together with a strand of simulated pearls
MEMORABILIA: The Roy Young Band, collection of material including reel reel tapes and promotional items etc. Young met Laurie O’Leary who recognized his talent and persuaded him to form The Roy Young Band. The band released numerous albums throughout the seventies . Roy Young influential piano player. In the spring of 1962, he was offered the very first contract to appear at Hamburg’s famous Star-Club where Young and Sheridan formed the Star Combo and became the Star Club’s first house band. As well as performing, Young was hired by the club to enlist the talent, and he did, of such acts as The Beatles, Ray Charles, Little Richard, Chuck Berry, Fats Domino, Gene Vincent, Bill Haley and Jerry Lee Lewis among others. It was here that a dynamic friendship began between Roy and The Beatles and before long they enlisted Young to play keyboard and sing back-up vocals with the band. From the collection of Laurie O`Leary
"ALFRED AUGUSTUS GLENDENING "Grasmere in the Lake District" and companion "Windermere", a pair of landscapes, Grasmere with a stone bridge and mature trees in full leaf, Windermere with still calm water, a dinghy in the foreground and hills behind, O" ils on Canvas, signed, 24cm x 44cm, each in period gilt gesso frame with gilt filet
Bernhardt (Sarah actress 1844-1923) Autograph Letter signed to “Monsieur le President” in French 8vo n.p. [Paris] n.d. [1904] apologising that she cannot attend these proceedings as she is playing each night in Sardou`s play La Sorcière and is rehearsing each day from midday to 6 o`clock folds.
[Pattenson] The image of bothe churches (Matthew)?] P.D.M. The image of bothe the churches Hierusalem and Babel unitie and confusion. early inscriptions SI Oxon and JHJ Oxon on title edition with reading more on p. 81 line 2 (the other edition reading mere is a different setting throughout) with the leaf at the end of author`s apology old vellum [A&R 588 much rarer than the other setting 589] Tournai Quinque 1623 § [Challoner (Richard)] R. C. The morality of the Bible 2 parts in 1 vol. separate title to NT (not called for by ESTC or Blom 609) minor marginal worming in first few leaves contemporary calf worn London printed in the year 1762 first editions; and 2 others one said to have belonged to Daniel O`Connell the liberator 8vo (4)
(Sir Francis) Letters...written during the Reign o (Sir Francis) Letters...written during the Reign of King James the First errata/advertisement f. at end without the dedication f. A2 as normal (cancelled due to the death of William III before the publication of this work) contemporary panelled calf rebacked a little worn but holding firm for Benj. Tooke 1702 § [Oldmixon (John)] Clarendon and Whitlock Compar`d initial advertisement f. 7pp. advertisements at end contemporary panelled calf gilt spine in compartments joints split water-stained for J. Pemberton 1727; and another defective 8vo (3)
O`Bryan (Henry Ross) Sandy-Brow a Poem only edition some foxing and browning ink signature of Aircraftsman A.W. Bowyer of the RAF based at Bedford and with pencil notes of various towns in the UK dated 30 January 1945 a few pencil sketches on blank ff. at end later morocco-backed cloth [no other copy traced] 8vo Manchester Printed at the Observer Office... And Published by the Author 1819. *** A radical poem of the large gathering at Sandy Brow in Stockport on 28 June 1819 where Sir Charles Wolseley addressed the crowd in the cause of liberty. The protest was convened just over a month before the Peterloo Massacre in Manchester.
Gill.- Maritain (Jacques) The Philosophy of Art translated by Rev.John O`Connor one of 400 copies wood-engraved title-vignette and tail-piece by Eric Gill book-label of Evan Gill with pencil notes in his hand and a few corrections to text original printed wrappers uncut a little rubbed lower edge of wrappers creased and slightly frayed where protruding beyond text 8vo Ditchling St.Dominic`s Press 1923. *** Evan Gill`s notes on front endpaper: Eric Gill`s Diary 1922: Feb.18 `Began writing preface for Art and Scholastism in afternoon 1? h.` March 4 `...wrote preface for “Art & Scholastique”.`...Corrections made from Fr. John O`Connor`s copy. E.G.
Close-up Magic. Mini Switch-It Wallet by Jerry O`Connell; Signed Card to Wallet by Mark Leveridge; Signed Card in Sealed Envelope in Sealed Wallet by Flying Carpet Magic; a Royal Magic 3-Way Colouring Book; Tommy Wonder`s Lighter to Matches; Don Alan`s The Invisible Deck; Coin under the Card all with instructions; various other packs of cards a set of three metal cups; various eggs some in old carboard “Valuable Eggs With Care” box; silks and various other props some in small stars and stripes suitcase with protective cover various sizes (a quantity)
[MAFFEI (Francesco)] De Gli Anfiteatri e Singolarmente del Veronese Libri Due, Verona 1728, 12mo, 15 folding plates as required, rebacked calf; LE MUET Reigles des Cinq Ordres D`Architecture de Vignolle, Paris: chez Pierre Mariette 1632, 12mo, added engraved title and 101pp, some age soiling, old vellum (recased) (2) AVVENTI (F) Il Servitore di Piazza Guida per Ferrara, Pomatelli Tipografo 1838, 8vo, folding plan frontispiece and 13 engraved plates, uncut, paper wrappers bound in, 20th century boards; ROISECCO (Gregorio) Roma Antica e Moderna o sia Nuova Descrizione, in 3 vols, Rome 1750, 8vo, 19 folding plans and plates (6)
Scotland - History. Six volumes including HILL (O) Scottish Castles, 1953, in dust wrapper; REID (G) Twelve Sketches of Scenery and Antiquities, 1883, soiled worn cloth; MILLER (H) Memoir of William Forsyth, 1839, morocco (repaired); A History of the Witches of Renfrewshire, Paisley 1809, 8vo, untrimmed in boards; etc (7)
G. WESTWOOD (J O) Palaeographia Sacra Pictoria: Being a series of illustrations of the ancient versions of the Bible, London: William Smith 1843-1845, coloured plates with gilt, cracked worn binding, a.e.g; HUMPHREYS (H N) Illuminated Illustrations of Froissart, London 1845, hand coloured plates with gilt, cloth boards; LACROIX (P) Manners, Customs, and Dress During The Middle Ages, London: Chapman and Hall 1876, chromolithographs and engravings, cloth; with, The Poems of Oliver Goldsmith, London: Routledge and Co,1859, coloured illustrations, a.e.g, decorative binding (slightly worn) (4)
Illustrated. RINDER (F) D Y Cameron, 1912, 4to, No.156/200, with signed frontispiece etching, vellum backed; LANCASTER (O) Facades and Faces, first edition 1950, dust wrapper; INWARDS (R) The Temple of the Andes, 1884, 4to, Authors inscription, spotting; 4 vols by Gertrude or James Bone and a few others (18)
G. HUDSON (W H) Birds of LaPlata, 2 vols., 1920, 22 colour plates by Gronvold, ex library, cloth; BREE (C R) A History of the Birds of Europe, 4 vols., 1863, ex library with stamps to all colour plates, later cloth; GOLDSMITH (O) A History of the Earth and Animated Nature, 2 vols, no date, coloured plates, half calf, a.e.g (8)
G. WOOD (W) Zoography, 3 vols, London 1807, 8vo, illustrated after William Daniel, sepia aquatint plates (lacks 4 plates), later cloth; Lloyd`s Natural History, 7 vols (Game Birds, Butterflies and Moths), circa 1896, 8vo, colour plates, somewhat faded cloth; GOLDSMITH (O) A History of the Earth and Animated Nature, 2 vols, no date, coloured plates, worn half calf (12)
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175434 item(s)/page