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Lot 177

A ladies platinum dress ring set with three graduated diamonds, the centre stone, (approx 0.4 carats), flanked by two further stones, (approx 0.25 carats each), size O (ILLUSTRATED)

Lot 434

A very rare SPIERS Plane-o-Ayr coffin smoother with twin thread adjustment 30% orig Stewart Spiers 2" iron remains G+

Lot 737

A USA STANLEY No 8 jointer in orig box replaced adjustment screw o/w G+

Lot 742

A steel smoother with brass lever by BAYFIELD with rosewood infill mouth worn o/w G+

Lot 818

A probably unused MARPLES No 4 smoother with 2" Marples iron and trade decal on handle, minor discolouration to metal o/w F

Lot 833

A SPIERS `Plane O Ayr` smoother with orig Spiers iron G

Lot 259

English silver lever Chrono-Micro Meter pocket watch, hallmarked Birmingham 1890, by the English Watch Co. Birmingham no.131047, the top plate stamped with trademark and applicable patent, the dial with reverse running seconds, sweep centre seconds and reverse elapsed minute dial at 12 o`clock, plain outer case with inscribed presentation inscription `DD Whittaker Second Prize Road Race 1894, Warwick SCC`, 52mm`

Lot 2

Anne Robertson 1970 Caithness glass souvenir rummer engraved "Tam O`Shanter" verse and scene, No 3/12, 15cm high

Lot 387

A Royal Doulton figure HN1834 "Top O` The Hill", an Imari decorated vase, a Wedgwood blue jasperware lighter and a boxed Wedgwood plate (4).

Lot 446

A Royal Doulton figure HN1849 "Top O` The Hill", height 18.5cm.

Lot 452

Five Royal Doulton figures; HN1834 "Top O` The Hill", HN2287 "Symphony", RN3221 "Country Rose", HN3340 "Kay", and HN2362 "The Wayfarer".

Lot 808

O. Melzer; oil on canvas, seascape with tree in foreground, signed lower left, 39 x 79cm, framed.

Lot 1093

A 14ct white gold ruby and diamond ring, the large circular ruby set within a border of diamonds with further diamonds to the shoulders, size O.

Lot 235

Hawaii ([Lot of 7 - Views of Hawaii]), ca. 1781-1850. x ”. This attractive lot of seven scenes and views of Hawaii includes: A. 2 of Habitations and People of the Island of Atooi, by Royce, from Banke`s New System of Geography, circa 1787, 1 hand color/1 black & white (12.8 x 8.2"). B. Honolulu, by Verleger, circa 1850, hand color (6.3 x 4.7"). C. A View of a Morai at O`whyee, by G. Robinson, 1781, hand color (6 x 4"). D. Truncated Mountain, with the Focus of an Extinguished Volcano, in the Island of Owyee., by Craig & Deeble, from The Gallery of Nature and Art, published 1815, hand color (6.2 x 4.2"). E. External View of a Morai, or Burial Place, in Atooi, one of the Sandwich Islands., by Webber & Wooding, circa 1817, hand color (7 x 5.3"). F. Internal View of a Morai, or Burial Place, in Atooi, one of the Sandwich Islands., by Webber & Wooding, circa 1817, hand color (7.8 x 5.3"). The views range from very good to near fine with light toning and a few faint spots. (+B)

Lot 275

New Mexico (Map of the Territory of New Mexico, made by order of Brig. Gen. S. W. Kearney… [with] Report of Lieut. J. W. Abert, of his Examination of New Mexico, in the Years 1846-47), Abert & Peck, HR. Ex. Doc. 41, 30th Congress, 1st Session, Washington D.C., 1846-47. 19.5 x 25”. (BW) During the War with Mexico, Lieutenants Abert and Peck were enroute to the Pacific with Lieut. Emory as part of General Kearny`s Army of the West, but the two were left behind due to illness. They took the opportunity to continue their survey efforts earlier started on Fremont`s third expedition. The resulting map is a very detailed look at the Rio Grande Valley and some adjacent areas including the pueblos of Laguna and Acoma. This important map, illustrated in Wheat, is roughly centered on Santa Fe. It details the territory along the Rio Grande from above Taos south to well below Socorro and San Antonio to the ruins at Valverde. Excellent detail of the topography and watershed to either side of the river with the mountains shown via hachure. Filled with place names including numerous villages and small towns, and the Comanche Route from Arkansas. Blank areas to the west and north are labeled Navajo Indians and Utah Indians. This map was issued with Emory`s Notes of a Military Reconnaissance in 1848. 10,000 copies were produced for this House of Representatives edition. This lot includes the unbound Abert`s report which includes 24 plates. Unbound, title page, pages 417 - 548, 24 plates, 7.3 X 4.3" The plates include: Santa Fe; O-CUM-WHO-WUST; Old Bark`s Son AH-MAH-NAH-CO and Squaw; Las Cumbres Espanolas; San Miguel; Ruins of Pecos; The Gold Mountains near Tuerto; Fort Marcy and the Parraquia - Santa Fe; San Felippe; Pueblo de Santo Domingo; Pueblo de Santa Ana; Moquino; Acoma, No. 1; Acoma, No. 2; Acoma, No. 3; View near Rito; El Canon Inferno; Ruins of Abo; Bosque de Apache; Valverde, and four more. Historical and important map complete with its report. Ref: Wheat (TMW) 532; Wagner-Camp-Becker 148.5; Howes E145 Map has been backed with tissue to reinforce and repair a few minor tears and splits along the folds. There is toning along the folds where cello tape, now removed, had previously reinforced the map. Report is disbound with the first few pages loose from text block. Map and report are housed in an attractive, contemporary brown clamshell folder. (+C)

Lot 322

Staunton, Virginia ([Lot of 2] Gray`s New Map of Staunton Augusta County Virginia - North Part [and] South Part), Gray, Philadelphia, 1877. 27.5 x 16”. (HC) This is a matched pair of maps of Staunton, Virginia. On a scale of approximately 250 feet per inch the plan shows individual streets and buildings, as well as landowners. The "Institution for the Education of the Deaf, Dumb and Blind", "Western Lunatic Asylum", "C. and O. Round-House", "Thorn Rose Cemetery" and "Baldwin Augusta Fair Grounds" are among the many large properties identified. Original color with light staining and offsetting with the lower corners of both sheets damp stained. Narrow side margins and centerfolds have been reinforced with archival material on verso. (B)

Lot 327

United States & Mexico (Etats-Unis Region des Territoires), Dufour, Paris, ca. 1858. 10 x 12”. (HC) This is an interesting French map of the western territories depicting several incorrect boundaries, suggesting an older map than we have here. Nouveau Mexique is shown with the approximate boundaries of the old Spanish territory. The huge Utah Territory encompasses all of present day Nevada, Utah, Arizona and parts of Colorado and New Mexico. Its boundary with California lies along the Sierra Nevada range. A small settlement of Arizona lies in the southern portion near the Mexican border. Nebraska Territory occupies the region between the Platte River and Canada, and from the Rocky Mountains to the Missouri River. Kansas Territory takes in present day Kansas, Nebraska and part of Colorado. The map shows the Gadsden Purchase boundary between the U.S. and Mexico. This map also notes a large German colony in the area of Fredericksburg, in central Texas. Fredericksburg was founded by German immigrants under the auspices of the Society for the Protection of German Immigrants in Texas. In 1846 John O. Meusebach led 120 fellow Germans into the area between the banks of the Llano and Colorado Rivers. Meusebach named the colony for Prince Frederick of Prussia. Beneath this colony is located a French colony. Both colonies are rarely seen on maps. An unusual map with some interesting territorial borders. There is one tiny spot in the upper neatline and some minor foxing confined to the blank margins. (A)

Lot 378

Northern South America (Carta del Corso del Maragnone O sia del gran Fiume Dell` Amazzoni…), Rossi, Gazzettiere Americano, Rome, 1763. 12.5 x 8.5”. (BW) This interesting map of the Amazon region is based on astronomical observations conducted by Charles-Marie de La Condamine, a French explorer, geographer, and mathematician. After traveling to Ecuador in 1735 to test Isaac Newton`s hypothesis that the Earth was not a perfect sphere, La Condamine was unable to travel back to France directly due to insufficient funds. Instead, he traveled eastward down the Amazon River from 1743-44, and performed the first scientific exploration of the great river. This map depicts the Amazon River from its mouth in the Atlantic west to its tributaries in Colombia, Peru and Ecuador, with La Condamine`s route depicted with dotted lines. Issued folding. A fine impression with wide margins and just a hint of toning along centerfold. (A)

Lot 384

Guyana, Suriname, French Guiana (Partie de Terre Ferme ou sont Guiane et Caribane. Augmentee et Corrigee Suivant les Dernieres Relations), Sanson/Mariette, Cartes Generales de Toutes les Parties du Monde…, Paris, 1656. 21.1 x 16”. (HC) This map of present-day Guyana, Suriname, French Guiana, and part of Brazil depicts several conjectural lakes and rivers. The mythical Lac Parime is prominently shown in a rectangular shape, with the fabled Manoa o el Dorado (City of Gold) on its western shore. The Orinoco River flows in a southern, rather than western, direction and connects to another conjectural lake, Cassipa Lacus. The map extends to include Trinidad, Tobago, and Isla de Margarita in the north and the mouth of the Amazon River in the south. A large, decorative cartouche fills the otherwise blank ocean. Ref: Pastoureau, Sanson V-A [92]. Original outline color on watermarked paper with light toning along centerfold and a spot of printer`s ink residue at bottom left. (+B)

Lot 399

Central South America, Paraguay (Paraguay, o Prov. de Rio de la Plata cum Regionibus Adiacentibus Tucuman et Sta. Cruz de la Sierra), Blaeu, Amsterdam, ca. 1640. 19 x 14.8”. (HC) Superb map of the region including the Paraguay River basin and the Peru-Chilean coast with Lake Titicaca. The Rio de la Plata is boldly shown with many large islands in the broad river. The mythical Lago de los Xarayes is featured on the map, which was believed to connect the Rio de la Plata and Amazon River systems. Several towns are named including R. Ianeiro, S. Paulo, Buenos Ayres, Corduba, Medoca, Arica, Potosi and Cusco. A large decorative title cartouche incorporates the distance scales, while a smaller cartouche features an armillary sphere. A fine, large compass rose with fleur-de-lys also adorns the sheet. Dutch text on verso. Old color and wide margins with light damp stains that just enter map border at bottom & a couple tiny tears in wide original margins, none affecting the map. (+B)

Lot 877

Medieval Manuscripts ([Illuminated Leaf]), Anon., ca. 1460. 4.8 x 6.3”. (HC) A very pretty leaf from a Parisian Book of Hours, written on a fine sheet of buttery, white vellum in black ink. Both sides of the leaf are decorated with initials and line fillers illuminated in red, blue, white and burnished gold leaf, as well as decorative panels painted with gold leaves on hairline stems with colorful flowers and fruits. Among the smaller initials are three X`s, which are quite rare, and three of the line fillers are flowers. The text on recto begins: Agnus dei qui tollis peccata mundi exaudi nos domine. Agnus dei qui tollis peccata mu[n]di miserere nobis. Xriste audi nos. Xriste exaudi nos. Kyrie eleison. Xriste eleison. This translates as: Lamb of God that takest away the sins of the world, hear us graciously, O Lord. Lamb of God that takest away the sins of the world, have mercy upon us. Christ, hear us. Christ, graciously hear us. Lord, have mercy upon us. Christ, have mercy upon us. Marginal soiling and one minute worm hole only visible when held to light. (A)

Lot 890

Early Printing ([Illuminated Leaf]), Hardouin, Paris, ca. 1518. 4.5 x 7.3”. (HC) This leaf is from a Book of Hours printed on vellum by Gilles Hardouin for Germain Hardouin librayre demourant entre les deux portes du Palays en l’enseigne Saincte Marguerite (bookseller living between the two gates of the Palace at the sign of Saint Marguerite) of Paris. This leaf is from the transitional period when the new technology of printing with movable type was combined with the more labor intensive methods of hand painting. Illuminated manuscript books of hours were costly to make, and early printers realized the commercial value in printing larger quantities of illustrated books of hours at a lower cost. These printers tried to make their books of hours appear as similar to the manuscript books as possible, even going so far as to mimic the red lines scribes used to keep their text uniform. This exquisitely crafted vellum leaf is highlighted by illuminated capitals painted in red, blue and liquid gold. Starting from the third line on the recto, the text translates as: Thou, O Lord, wilt open my lips. And my mouth shall declare thy praise. Incline unto my aid, O God. O Lord, make haste to help me. Glory be to the Father. (+A)

Lot 1462

A base metal cased keyless wind openfaced Goliath style watch, the winder at 6 o`clock, a gentleman`s gilt metal cased half hunting cased pocket watch, a gentleman`s silver circular cased wristwatch, with an enameled dial, Birmingham 1938, on an expanding metal bracelet, a gentleman`s Rotary wristwatch on a black leather strap and another gentleman`s wristwatch.

Lot 778

*Four: Captain J. O`Neill, Army Cadet Force, Cadet Forces Medal, E.II.R. (Capt J O`Neill ACF), National Service Medal, Suez Canal Zone Medal, Vierdaagse Cross 1959-1976, bronze type with 4-Daagse Nijmegen riband bar, extremely fine, mounted for wearing, with miniature dress awards for first and fourth, pips, `A.F.C.` collar badges and Royal Artillery beret ()

Lot 818

*A Victorian Officer`s Jacket of the VIII Lancashire Artillery Volunteers, blue with scarlet facing and trimmed with silver cord, silvered regimental ball buttons by `O. Bell, Liverpool`, few moth holes but condition generally good. The Lancashire Artillery Volunteers were raised in 1859 as twenty-three artillery companies. (1)

Lot 823

*A Boer war period uniform tin, inscribed to G. F. Daniels, Skinners Horse, with further inscription `not wanted on voyage`, `Capt. G. F. Daniels, Calderwood, Montpellier Parade, Cheltenham, Glos., c/o Agent POD UK`, 87cm wide (1)

Lot 22

*Handley Page. A miscellaneous and interesting collection of manufacturer`s, press, publicity, Air Ministry and private photographs, most copies of originals, inscribed or labelled verso, unusual views include an O/400 on arrival in India, a fine air-to-air portrait of `Heyford` K3500, a `Harrow` with sharks-teeth decorated nose, 50 Squadron air and ground crews with their aircraft, `Hampden` formations, fine air-to-air views of `Halifax` aircraft and much of historic interest, approx. 90 images contained in four folders (4)

Lot 262

Miscellaneous aviation ephemera. The Schlesinger African Air Race from England to South Africa, September, 1936, 20 pp., b & w illusts. and ads., signed by several competitors, including Captain Max Findlay and Kenneth Waller (Air Speed Envoy), C.G.M. Alington and Lieutenant P.D. Booth (BA `Eagle`), F/O A.E. Clouston (Miles Hawk VI), Victor Smith (Miles Sparrowhawk), Major A.M. Miller and Captain S.S. Halse (Percival Mew Gull), Flt.-Lt. T. Rose (B.A. 4 Double Eagle), C.W.A. Scott, D.W. Llewellyn and two others (Percival Vega Gull), final two pages stuck together with some minor damage, two b & w photographs loosely inserted, orig. printed wrappers, oblong 8vo, together with The Modern Light Aeroplane, pub. Shell-Mex and B.P. Ltd., [1933], four col. plts. with moveable flaps, orig. printed stiff wrappers (designed by Maurice Beck) and ten other items of aviation ephemera, including Programme of the Royal Air Force Display, Hendon, 1934, (lacking rear cover), three orig. weekly issues of Flight, 1911 & 1917, and a small WWII-period typescript booklet, `Advice to Air Crews forced to land in the Desert`, etc. (13)

Lot 330

*WWII RAF Battle of Britain. A quantity of memorabilia to P/O R. Jones, including Officer`s peaked dress Cap, P/O R. Jones to band, together with pair of gilt RAF cufflinks, sweetheart`s propeller pendant on RAF ribbon, RAF Badges cigarette cards by John Player in album c. 1930s, RAF Battle of Britain 40th Anniversary HM silver engraved commemorative plaque, signed facsimiles of serving pilots (45/46) and loose cigarette cards, sundry commemorative colour prints, orig. Battle of Britain sector maps, RAF editions sheets 11 and 12, dated 1938 & 1936, First Day Covers variously signed, Battle of Britain 22-31st July 1940 signed by many pilots including 2 VCs (Bill Reid & Allan Deere), and R.L. Jones etc. (-)

Lot 349

R.C.A.F. WWII Pilot`s Flying Log-Books to W/o R.C. Granger, 1941-58, a continuous service record during World War II and post-war peace-keeping, test flying, ferrying and training etc., commencing as qualified pilot in September 1941 on Vultee BT-13A, Walrus and Sea-Otter, further training dual and solo in Canada transferring to Britain June 1942, variously flying Magister, Lysander, Master & Spitfire from Debden, Twinwoods & Elstreet Aerodromes, further training including formation-flying, aerobatics, camera-attack night-flying, qualified assessment 22nd March 1943 `Average`, entries continue from Martlesham flying `searches` with Spitfire and Walrus types around coasts captioned `Heavy landing: carelessness - 7 extra duties!`, thence transferred to Greece (Heliopolis) flying Master, Walrus, Wellington, various patrols March 1944 with 297 Sqdn, finally back in Britain January 1945 patrols in Channel, Spitfire and Oxford types captioned `Mighty Cheesed - could not find target!`, continual service post war on many types including Spitfire, Tiger Moth, Chipmunk, Brigand, Balliol, Valetta, Vampire, Meteor, Canberra, signed off June 1958 still classified `Average`! (2)

Lot 1

WATERCOLOUR, HENRY CHARLES FOX, `CHANGING PASTURES` DEPICTING SHEPHERD AND SHEEP, EXHIBITED `O`ER LAND AND SEA` MAY 1977 APPROX. 15 X 11 INS.

Lot 293

SILVER PROPELLING PENCIL INSCRIBED WALSALL MUTUAL BUILDING SOCIETY CENTENERY FEBRUARY 1963, AND A GOLD COLOURED YARD-O-LED PENCIL IN FITTED CASE

Lot 1

Kitty Wilmer O`Brien RHA 1910-1982 CROAGH PATRICK, FROM NAPPER, CO. MAYO Oil on board, 17" x 21 1/2" (43 x 54.5cm), signed. Provenance: Dawson Gallery, Dublin ( Inscribed label verso)

Lot 11

Daniel O`Neill 1920-1974 GIRL IN A LANDSCAPE Oil on board, 10" x 12"(25.5 x 30.5cm), signed.

Lot 22

Roderic O`Conor (1860-1940) FLEURS DANS UN VASE Oil on card laid down on board, 16" x 13" (40.5 x 33cm), signed. Provenance: Loudmer Poulain SCP, Palais d`Orsay, Paris, 29 December 1977, lot 122 (according to a label on the reverse) Private Collection, Virginia, USA

Lot 24

Daniel O`Neill 1920-1974 TRAMCAR DWELLING Oil on board, 18" x 24" (46 x 61cm), signed; inscribed artists label verso. The last Belfast tram left Harland & Woolf on the 27th of February 1954. After they went out of commission several of them were acquired and set up on Tyrella Beach as holiday homes. This charming and Bohemian scene shows a family going about their various everyday chores. The palette is typical of O`Neill, with its electric blues and intense reds alongside rich creamy whites. The figures are simplified but with a slightly more distinct sense of individual identity than is often the case in O`Neill`s multi figure compositions.

Lot 61

Peter Lanyon 1918-1964 THE MARKET, BRUGES Oil on board, 13" x 16" (33 x 41cm), signed, inscribed artists label verso. Lanyon was born in St Ives, Cornwall . A major school of art grew up amongst a large group of painters who lived in St. Ives and the surrounding area. Fellow artist`s that Lanyon befriended included Ben Nicholson and Barbara Hepworth . Tony O`Malley lived amongst them for many years and was greatly influenced by Lanyon. This early work of the "Market at Bruges" came for the collection of Mary "Boots" Redgrave, whom was a well known figure amongst the St Ives artistic community and was on friendly terms with many of them. Lanyon was a gliding enthusiast and he was to die prematurely following a gliding crash.

Lot 69

Patrick O`Reilly b. 1957 AGAINST THE DARK Bronze, 53" high (135cm), signed. Unique.

Lot 71

Tony O`Malley HRHA (1913-2003) WINDOW EDWARD HAIN HOSPITAL , ST IVES (1961) Mixed media on paper, 10" x 13 1/22 (25.5 x 34cm), signed and inscribed. Exhibited: Coram Gallery, London. Literature: `TONY O`MALLEY`; Edited by Brian Lynch (illustrated p.99)

Lot 76

Geraldine O`Brien b.1922 STILL LIFE - SUMMER FLOWERS Oil on canvas, 14" x 18"(35.5 x 45.5cm), signed and dated `50

Lot 81

Breon O`Casey 1928-2011 UNTITLED Oil on paper, 20" x 27" (51 x 68.5cm), signed.

Lot 82

Breon O`Casey 1928-2011 AESOP`S CROW Bronze, 11" x 17" (28 x 43cm), signed on base, ed. 3/5

Lot 83

Breon O`Casey 1928-2011 LEVEL BIRD 2004 Bronze on wooden base 22" x 31" (56 x 79cm), ed. 2/5

Lot 85

Eamonn O`Doherty 1939-2011 JAMES JOYCE Bronze, 31" high (79cm), signed, ed.4/6

Lot 98

Jane O`Malley b.1944 STORMY DAY,ARRIETA, LANZAROTE Mixed media, 22" x 29 1/2" (56 x 75cm), signed and dated 1991

Lot 98A

Tony O`Malley HRHA (1913-2003) SMALL SPRING LANDSCAPE Oil on board, 4 1/2" x 17 1/2" (11.5 x 44.5cm), signed with initials and dated 5/89, signed, inscribed and dated verso. Provenance: Taylor Galleries, Dawson Street (Label verso)

Lot 99

Patrick O`Reilly b. 1957 HORSE Bronze, 19" high (48.25cm), signed and dated 2006,Ed. 1/1

Lot 112

Hughie O`Donoghue b.1953 RETURN OF ULYSSES 2006-07 Oil and mixed media on wooden construction,19" x 27 1/2" (48 x 75cm) signed inscribed and dated verso. Provenance: Private Collection, London.

Lot 113

Hughie O`Donoghue b.1953 MEDUSA STUDY 3 (2006) Oil and mixed media on paper, 22 1/2" x 30" (57 x 76cm), signed. Provenance: Private Collection, London.

Lot 114

Tony O`Malley HRHA 1913-2003 POND (A PAIR) Oil on canvas, Each 10" x 8" (25 x 20cm), signed with initials, inscribed and dated 1994 verso Opus No.5974

Lot 142

Dermod O`Brien PPRHA 1865-1945 LANDSCAPE AT RATHGONAN, CO. LIMERICK Oil on board, 9 1/2" x 12" (24 x 30.5cm) Provenance: Cynthia O`Conor Gallery (label verso) Letter of authentification from the artist`s son verso.

Lot 154

Mark O`Neill b.1963 THE COBBLER Oil on board, 8" x 10 1/4" (20 x 26cm), signed and dated 2011.

Lot 81

Enzo Plazzotta, Italian, 1921-1981 Dieter’s Foal Bronze Signed and numbered 6 from an edition of 9 with Foundry stamp 155cm.; 61ins high by 131cm.; 51½ins long Enzo Plazzotta was born in Maestre, near Venice in 1921 and died aged 60 after having worked in London for more than half his life. He always maintained his links with Italy and had a home in Pietrasanto in Tuscany from 1967. Initially a student of architecture and sculpture, he decided to specialize in sculpture and studied at the Accademia di Brere in Milan. He gradually established himself as a portrait sculptor and also, like Degas, . Developed an interest in the portrayal of ballet dancers. Nureyev, Fonteyn, Sibley and Dowell were among the many dancers who came to his studio. This fascination with the human form manifested itself in a number of interpretations of the naked female form. His works can be found in many public and private collections including the Vatican. It has also been widely exhibited by many galleries including Wildenstein and Co and most recently in 2007 at the Robert Bowman Gallery in London. See Enzo Plazzotta A catalogue Raisonne, Copyright Carol Plazotta and Richard O Conor, 1986.Pges 142 and 167

Lot 3

Ladies` diamond cluster ring, comprising old cut stone to centre in illusion setting, surround of eight old cut diamonds in illusion settings, total diamond weight approx 0.22 carats, white gold settings, yellow gold shank, 18ct h/m, size O or 7.1/4 US (3.0g)

Lot 16

Ladies` large cluster ring, approx. 20mm diameter, comprising nineteen round cut rubies, some with slight surface imperfections, set in round tier formation, outer frame of scalloped twisted wire & leaves, tested 9ct gold, size O or 7.1/4 US (5.1g)

Lot 74

Ladies` ornate cluster ring, comprising two mid-blue pear shaped sapphire to centre with fancy surround of twelve early brilliant cut diamonds & twelve baguette cut diamonds, total weight approx. 0.90 carats, all in white gold, tested 18ct, size O or 7.1/4 US (4.7g)

Lot 83

Ladies` antique five stone ring, comprising three rubies & two old cut diamonds, traditional style setting, 18ct gold h/m Chester 1898, size O or 7.1/4 US (3.5g)

Lot 89

Ladies` garnet ring, comprising oval garnet in rub-over setting within an ornate frame, split scrolled shoulders, stamped 9ct gold, size N or 6.1/2 US (3.3g) & a ladies` marquise shaped ring, centre stone missing, surround of seed pearls, three stones missing & one stone damaged, stamped 18ct gold, size O or 7.1/4 US (2.6g) (2)

Lot 91

Ladies` diamond set ring, comprising tapered band of pave set stones, yellow gold cross to centre, total diamond weight 0.25 carats, 9ct h/m, size O or 7.1/4 US (3.4g)

Lot 96

Ladies` cluster ring, approx. 18mm diameter, comprising round cut amethyst to centre with surround of eight round cut opals, in raised crown setting, 9ct gold h/m, size O or 7.1/4 US (4.6g)

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