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Seven assorted £1 notes, comprising P S Beale (March 1950), prefix T03C, BE54b, L K O`Brien (November 1955), prefix W45K, BE56f, four series `C` portrait issues (March 1960), L K O`Brien, prefix 25J, BE61c, J Q Hollom (February 1963), prefix J78R, BE64c, J S Fforde (February 1967), prefix R17D, BE72c, J E Page (1970-), prefix Z74E, BE78d and a series `D` pictorial issue (February 1978) J B Page, prefix B20, BE83c, all Unc
ROLEXTURN-O-GRAPH. RéF 6202.VERS 1953 Montre bracelet en acier. Cadran noir “nid d’abeilles”, inscrit “Rolex, Turn-O-Graph, Oyster Perpetual, Officially Certified Chronometer”, écriture dorée et graduation minutes. Seconde centrale d’origine avec indicateur en tête d’aiguille. Lunette noire bidirectionnelle graduée avec flèche rouge qui marque le zéro. Mouvement automatique. Couronne et fond vissés, bombé (intérieur : 6202, IV.53). Bracelet Rolex Oyster riveté élastique (Réf. 7206 et embouts 80) avec boucle déployante en acier. Signée et numérotée 953638.Diam. 35 mmA stainless steel self winding wristwatch by Rolex. Premier modèle Rolex de la catégorie professionnelle, considéré comme le prédécesseur de la première Submariner.Vantée par Rolex comme “la montre avec mille et une utilisations”, permettant de chronométrer un événement de moins d’une heure (division/5 minutes) comme “le temps d’un appel transatlantique, les pulsations d’un patient, la vitesse d’un train ou le déroulement d’un film”. Le modèle à l’époque n’a pas rencontré le succès escompté par Rolex, alors qu’il est aujourd’hui très recherché des collectionneurs. Le modèle Turn-O-Graph était présenté avec différentes configurations de cadrans, le cadran “nid d’abeille”, aussi disponible en blanc, était une version plus raffinée.Cet exemplaire concentre les attributs les plus recherchés du modèle.
THEATRE: Selection of signed printed 8vo and slightly smaller theatre programmes for various productions, mainly in London's West End during the 1940s and 1950s, including Jack Hawkins, William Hartnell, Bernard Lee, Alastair Sim, Gordon Jackson, Harry Andrews, Alec Guinness, John Gielgud, Edith Evans, Peter Ustinov, Laurence Olivier, Ralph Richardson, Mary Morris, Deryck Guyler, Miles Malleson, Peggy Ashcroft, Leslie Banks, Anna Neagle, Max Adrian, Felix Aylmer, Michael Redgrave, Wilfrid Hyde White, O. B. Clarence, Joan Greenwood, Barry Morse etc. Most are multiple signed. A few with some age wear, G to generally VG, 26
JAMES V: (1512-1542) King of Scotland 1513-42. L.S., James R, as King, at the foot, one page, small 4to (8 x 7.5), Stirling, 25th February 1529[30]. The manuscript letter, in a secretary's hand, is addressed to the Justice Treasurer and his deputy and clerks, being an order to cease proceedings against William Livingstone of Kilsyth, to 'dicist & ceise of all calli[n]g p[ro]cedi[n]g or adjurnei[n]g' against him, his tenants and household, 'his tena[n]tis or s[er]vandis or ony of yai[m] in o'approcha[n]d justiceair of Du[n]bartane for q[uhat]su[m]ever actionis or crymes yai be delaitit of bot yt ye cloise y[ou]r dittays unto o[u]r nyxt justiceaire of striveli[n]g.' Minor traces of a red wax seal alongside the King's signature. Some dust staining, only lightly affecting the text and signature (which all remain perfectly legible) and some minor wear and tiny splits in the folds at the edges, G Provenance: The Spiro Family Collection, Part I, Christie's, London, 3rd December 2003 (Lot 48)
[GOERING HERMANN]: (1893-1946) German Political & Military Leader, a leading member of the Nazi Party and Commander-in-Chief of the Luftwaffe. An unused 4to sheet of Goering's printed stationery featuring the black printed heading Der Reichsmarschall des Grossdeutschen Reiches in the upper left corner and his address at Leipziger Strasse, Berlin, and telephone number in the upper right corner. A couple of very light, extremely minor creases, VG Provenance: Accompanied by a statement of origin signed by Richard O. Rex stating that he personally removed the stationery from the Reich Chancellery in Berlin in July 1945 after having been flown in to help establish a medical dispensary for use during The Potsdam Conference. Also signed by a Notary Public as a witness. Together with copies of further supporting detailed documentation relating to Rex and his acquisitions.
John S. O`Connor (British, 1913-2004) Kensington Palace, London, 1938 11/25, signed, titled, dated and numbered in pencil (in the margin) woodcut 16.5cm x 22.5cm and `The White Fence`, 1951, woodcut, 29.5cm x 20cm, both unframed (2). John Scorror O`Connor attended The Royal College of Art (1934-37), and his teachers included Eric Ravilious and John Nash. After serving in the air force during the Second World War, he continued a teaching career, started at Birmingham College of Art in 1937, and at the Bristol College of Art (1938-41), becoming principle of Colchester School of Art (1948-64). He regularly exhibited at the Royal Academy, and had solo shows at the Zwemmer Gallery (1955-68), and the New Grafton Gallery (from 1970), as well as having retrospectives at the Mackintosh Museum, Glasgow and the John Russell Gallery in Ipswich.
Terry O`Neill (British, b.1938) Michael Caine & Bob Hoskins Raymond Revue Bar, London, 1985 4/50, signed and numbered photographic print on lambda archival paper 94.5cm x 94.5cm. Exhibited: Chris Beetles Ltd., London, Terry O`Neill in St. James`s: The Art of Photograph, February-March 2006. Provenance: with Chris Beetles Ltd., London. Terry O`Neill photographed on location at Raymond`s Revue Bar in Soho during the filming of Mona Lisa (1986). It was this role in Neil Jordan`s gangster film that propelled Hoskins to stardom.
Presentation Trophy, The Liverpool Spring Cup 1903 Estimate: £2,000-£4,000 A spectacular, Edwardian, horse racing trophy the "Liverpool Spring Cup" won by Fighting Furley 28th March 1903. The cup has a cast, trumpeting, winged figure of Nike, bearing a victory wreath, to the lid, the handles each in the form of a horse's head, each with a winged, female attendant, the whole richly decorated with a repousse, flowers cartouche, acanthus and classical motifs, the mopped pedestal with 's' scroll supports, the base gadrooned, maximum height 67cm, London 1902, maker's mark J.D. in a trefoil, engraved name of Dimmer, Liverpool, approximately 115oz. Run from 1848 until 1976, the Liverpool Spring Cup was an historic flat race for three year-olds and upwards, of 1 mile-3 furlongs, held during the three-day spring meet at Aintree, which included the Grand National. The prize money totalled 1,000 guineas. The winner's name, engraved on the cup was 'Fighting Furley' a dark bay, owned by Sir John Thursby. Sir John Ormerod Scarlett Thursby was a prominent Lancashire landowner, a Director of the Lancashire & Yorkshire Railway, the Manchester and County Bank, and President of the Lancashire and Cheshire Coal Association (1916). He was High Sheriff of Lancashire (1905) and Deputy Lieutenant of the county. His great passions were chess, having been elected president of the British Chess Federation and president of the National Chess Congress and of course, horseracing. His most famous horse was John o' Gaunt. In this race Fighting Furley was ridden by Otto Madden, who was Champion Flat Jockey in Britain in 1898, 1901, 1903 and 1904. The Liverpool Spring Cup was one of Fighting Furley's last major wins in England and in 1905 he was sold to Mr. Stephen Osborne for the Currandooley Stud in Australia. His fee was 12 guineas a mare which was considered 'uncommonly cheap' by The Sydney Mail in 1906 for "a horse that has five strains of 'Touchstone' as close as it is possible to get" in his bloodline - (Touchstone had been the leading sire in Great Britain and Ireland four times). Fighting Furley was sired by Colorado out of Bay Cecelia. Sadly, far from ending his days enjoying the life of a popular stallion, he died suddenly in Australia from a snake bite in November 1913.
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175434 item(s)/page