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Lot 912
BANKSY (geb. 1974 in Bristol / UK), Farblithographie: "Girl with Red Heart Balloon", auf Bütten, unten rechts mit Bleistift handsigniert und limitiert 519/600. Bütten mit zwei Blindstempeln, die Limitierung in der kreisförmigen Prägemarke "P. O. W. Printmaking" (Pictures on Walls Printmaking, London). Revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Blattgröße 70 x 50 cm. Dabei: Zertifikat in englischer und italienischer Sprache. Farbfrischer Druck in gutem Zustand.
Lot 913
BANKSY (geb. 1974 in Bristol / UK), Farblithographie: "Pulp Fiction", auf Bütten, unten rechts mit Bleistift handsigniert und limitiert 101/150. Bütten mit zwei Blindstempeln, die Limitierung in der kreisförmigen Prägemarke "P. O. W. Printmaking" (Pictures on Walls Printmaking, London). Revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Blattgröße 50 x 70 cm. Dabei: Zertifikat in englischer und italienischer Sprache. Farbfrischer Druck in gutem Zustand.
Lot 916
BANKSY (geb. 1974 in Bristol / UK), Farblithographie: "Dirty Funker - Let's Get Dirty (Kate Moss)", auf Bütten, unten rechts mit Bleistift handsigniert und limitiert 90/150. Bütten mit zwei Blindstempeln, die Limitierung in der kreisförmigen Prägemarke "P. O. W. Printmaking" (Pictures on Walls Printmaking, London). Revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Blattgröße 70 x 50 cm. Dabei: Zertifikat in englischer und italienischer Sprache. Farbfrischer Druck in gutem Zustand.
Lot 931
BANKSY (geb. 1974 in Bristol / UK), Farblithographie: "Very little helps (in Tesco we trust)", auf Bütten, unten rechts mit Bleistift handsigniert und limitiert 57/150. Bütten mit zwei Blindstempeln, die Limitierung in der kreisförmigen Prägemarke "P. O. W. Printmaking" (Pictures on Walls Printmaking, London). Revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Blattgröße 50 x 70 cm. Dabei: Zertifikat in englischer und italienischer Sprache. Farbfrischer Druck in gutem Zustand.
Lot 933
BANKSY (geb. 1974 in Bristol / UK), Farblithographie: "Monkey Queen", auf Bütten, unten rechts mit Bleistift handsigniert und limitiert 132 /150. Bütten mit zwei Blindstempeln, die Limitierung in der kreisförmigen Prägemarke "P. O. W. Printmaking" (Pictures on Walls Printmaking, London). Revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Blattgröße 50 x 70 cm. Dabei: Zertifikat in englischer und italienischer Sprache. Farbfrischer Druck in gutem Zustand.
Lot 935
BANKSY (geb. 1974 in Bristol / UK), Farblithographie: "Happy Choppers", auf Bütten, unten rechts mit Bleistift handsigniert und limitiert 28 /150. Bütten mit zwei Blindstempeln, die Limitierung in der kreisförmigen Prägemarke "P. O. W. Printmaking" (Pictures on Walls Printmaking, London). Revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Blattgröße 50 x 70 cm. Dabei: Zertifikat in englischer und italienischer Sprache. Farbfrischer Druck in gutem Zustand.
Lot 936
BANKSY (geb. 1974 in Bristol / UK), Farblithographie: "Pitbullpudel", auf Bütten, unten rechts mit Bleistift handsigniert und limitiert 66 /150. Bütten mit zwei Blindstempeln, die Limitierung in der kreisförmigen Prägemarke "P. O. W. Printmaking" (Pictures on Walls Printmaking, London). Revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Blattgröße 50 x 70 cm. Dabei: Zertifikat in englischer und italienischer Sprache. Farbfrischer Druck in gutem Zustand.
Lot 942
BANKSY (geb. 1974 in Bristol / UK), Farblithographie: "Mobile Lovers", auf Bütten, unten rechts mit Bleistift handsigniert und limitiert 72 /150. Bütten mit zwei Blindstempeln, die Limitierung in der kreisförmigen Prägemarke "P. O. W. Printmaking" (Pictures on Walls Printmaking, London). Revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Blattgröße 50 x 70 cm. Dabei: Zertifikat in englischer und italienischer Sprache. Farbfrischer Druck in gutem Zustand.
Lot 974
BANKSY (geb. 1974 in Bristol / UK), Farblithographie: "Smiley Copper", auf Bütten, unten rechts limitiert 93/150. Bütten mit zwei Blindstempeln, die Limitierung in der kreisförmigen Prägemarke "P. O. W. Printmaking" (Pictures on Walls Printmaking, London). Revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Blattgröße 70,2 x 50 cm. Druck in gutem Zustand. Dabei: "Certificato di Autenticita".
Lot 14
§ ‡ Alan Davie C.B.E., R.A., H.R.S.A. (British 1920-2014) Flutter By Night, 1962 signed, titled, dated and inscribed Opus O.445 (verso) oil on canvas Dimensions:122cm x 152.4cm (48in x 60in) Provenance:Provenance Gimpel Fils, London, where acquired by Mrs Charles Benenson, August 1963 Gimpel Fils, London, where acquired by the present owner, November 2007Literature Alan Bowness, Alan Davie, Lund Humphries, London, 1967, cat. no.381, Note: Alan Davie once noted: ‘Painting is a continuous process which has no beginning or end. There never really is a point in time when painting is NOT’. This sentiment remained his guiding principle across a career spanning over 70 years. Difficult to pin-down as an artist, he worked across disciplines throughout his life: as well as exhibiting his paintings and printmaking internationally, he also designed and made jewellery, wrote poetry and performed as a professional music, most notably as a jazz saxophonist, but also as a cellist and pianist. Davie felt that all these interests and outputs supported and evolved across each other, rather than existing as distinct entities. Davie was equally as diverse in the sources of his inspiration, seeking it across space and time. He, like many artists of his generation, had a specific interest in Jungian ideas of the ‘collective unconscious’, aiming to paint without thought and consideration and to utilise symbols that had recurred across time periods and distance, a method similar to that of improvisation in jazz. Yet, as was so concisely put in the artist’s obituary, published in The Guardian, ‘the miracle was that out of an eclectic art that was part Celtic, part tribal Hopi, part Hindu or Jain or Tibetan Buddhist, part African and part pre-Columbian, with a hint of William Blake, there came painting of power and individuality.’ Despite such wide-ranging influences and inspirations, Davie’s art is always unmistakeably his and this is particularly clear in an example like the present work. Flutter by Night dates from 1962, an interesting moment in Davie’s artistic life. With the benefit of hindsight and the awareness of the longevity of his career, it feels like a relatively early work but is in fact from a period in which he had already gained significant momentum as an artist. It follows his visit to the U.S.A. in 1956 where he exhibited (with the ground-breaking Catherine Viviano Gallery) and also met artists including Willem de Kooning, Robert Motherwell, Jackson Pollock and Mark Rothko. It also follows a significant retrospective at the Whitechapel Gallery in London in 1958. Another retrospective took place at the Stedelijk Museum in Amsterdam, in the same year as this painting was made. It is easy to feel a sense of this inspiration and energy in Flutter by Night; expressive and energetic, the gestural brushwork and bright colour break their way through the swathes of grey. Davie was said to have developed his understanding of the role of the artist from Paul Klee: ‘he neither serves nor rules – he transmits.’ In Flutter by Night Davie succeeds in this quest, his painterly improvisation viscerally conveying his vigorous vision, reaching across time and space all the way out to reach us, in the here and now.
Lot 277
West Indies.- East Indies.- Raynal (G.T.F., Abbé) A Philosophical and Political History of the Settlements and Trade of the Europeans in the East and West Indies, 8 vol., translated by J. O. Justamond, engraved portrait frontispiece to vol. 1, 7 engraved folding maps, one with short tear, occasional off-setting, scattered very faint spotting, Q2 vol. 5 with small hole affecting odd letter, previous owner's ink signature to titles, bookplates, contemporary calf, a little rubbed, small loss to spine extremities, 8vo, 1783.
Lot 46
Africa.- Middle East.- Gadsby (John) My Wanderings being Travels in the East in 1846-47, 1850-51, 1852-53, 2 vol., illustrations, folding hand-coloured map, short tear at gutter with neat repair, vol. 1 with previous owner's ink inscription, vol. 2 with ?author's ink inscription to front pastedown, scattered faint spotting, contemporary half-calf, a little rubbed, slight bumping to corners and extremities, 1859-[60] § Olufsen (O.) Through the Unknown Pamirs, half-title, plates (2 folding), folding map at end, faint spotting to first few leaves, original cloth, sunned spine, slight bumping to corners and extremities, 1904 § Myers (Arthur B. R.) Life with the Hamran Arabs, frontispiece, plates, publisher's advertisements at end, ex-library with ink-stamps to title, original pictorial cloth, gilt, slight bumping to corners and extremities, 1876; and others similar, 8vo (12).
Lot 96
POTTER BEATRIX. Copy inscribed by author. The Tale of Johnny Town-Mouse. Col. frontis, title vignette & col. plates. Orig. grey brds. with illustration, some wear, splitting to back but generally very clean internally. 1st ed., prob. 2nd imp. with the n in London present, dots in the letters O on upper brd. Copyright 1918 by Frederick Warne & Co. Inscribed in ink by Beatrix Potter "To Ethel Green from Mrs Heelis, Dec 24` 1918, Wishing her a Merry Christmas". In the 1921 census Ethel Green is recorded as a farm-worker for Mrs Heelis at Hill Top when she was living with her parents, younger sister & niece.
Lot 97
POTTER BEATRIX. Copy inscribed by author. The Tale of Johnny Town-Mouse. Col. frontis, title vignette & col. plates. Orig. grey brds. with illustration, some wear, loss to much of backstrip. 1st ed., prob. 2nd imp. with the n in London present, dots in the letters O on upper brd. Copyright 1918 by Frederick Warne & Co. Inscribed in ink by Beatrix Potter "To Harry Byers from Mrs Heelis, Dec 25 18, Wishing him a Merry Christmas"; also The Tale of Benjamin Bunny, poor cond., frontis. torn with loss, tape reps. to several leaves, loose throughout but complete, pict. brds. det. but present, lacking backstrip, 1st ed., 1904, inscribed in a contemporary hand but prob. not that of the author "From Miss Potter, Xmas 1904" with Harry Byers` ownership inscription to reverse of torn frontis leaf. (2). Harry Byers was Beatrix Potter`s gardener.
Lot 8147
Victorian 15ct gold three stone opal and seed pearl ring, Birmingham 1880, 15ct gold single stone garnet ring and a French 18ct gold diamond and pink stone set brooch, Eagle hallmarkCondition Report:15ct approx 6.1gm, opal with a chip to edge, size N-O, shank thinning to base, other size N, shank good, hallmark rubbed, 18ct approx 1.8gm pin with Eagle hallmark
Lot 8003
18ct white and yellow gold single stone emerald ring, with channel set baguette diamond shoulders, stamped 750, emerald 4.83 carat, total diamond weight 0.60 caratCondition Report:Approx 7.35gm, tested 18ct also, size N-O, emerald good colour vivid with some inclusions, diamonds very good colour =bright well matched, good condition
![A Hallmarked Silver Yard-O-Led Pencil, allover engine turned decoration, in original case. [668098]](https://cdn.globalauctionplatform.com/6cd5ebfc-a0d5-4834-8e56-b08900e4604c/7b98c49e-7228-44b1-b8b5-b09a010db44a/468x382.jpg)
Lot 263
Rev F O Morris (Ed) "A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland", London, William Mackenzie, circa early to mid 19th Century, vols 2 to 6 (5) plentiful colour plates as called for, orig decorative gilt tooled full calf; together with "Facsimile of Autographs of Subscribers to the Picturesque Views of Seats of Noblemen and Gentlemen", London, A Clarke, gilt full calf, front boards separated (a/f)
Lot 22
Four various German language vols viz Muller/Rudiger "Katzchens Geburtstagsfeier", 1948 first edition; C O Petersen "Rein Und Raus", 1946 first edition plus T P F Baumgarten "Ich Seh'Etwas, Vas Du Nicht Seihst!", 1946, first edition and Annemarie Granberg "Aus Dem Himmelsgarten", 1945 first edition
Lot 1166
1922 Malaya-Borneo Exhibition, first setting, study on pages with used set, misplaced overprints (16), mint singles and multiples with varieties including no stop 1c, small second "A" 1c - 4c, raised stop 1c - 25c, raised "IBITION" 1c - 10c, oval second "O" 1c - 10c and 50c, thin first "I" 1c - 10c and 50c, also forgeries (18), and registered cover bearing 1c - 10c, mainly fine. S.G. 41/8, £1,100+. (124 + cover).
Lot 320
Ceylon. 1941-44 Forms (3) comprising very scarce Swiss Red Cross enquiry form (number 189) sent to Alice Fuller (via the Red Cross office in Paris) on behalf of her husband Gunner F.D Fuller with reply on the reverse dated 21 June 1941, and two German forms sent by Alice Fuller to her husband, a 1943 (Apr. 5) form sent c/o R.C.M Bureau 35 in London, a 1944 (Jan. 10) form sent to R.C Office, Ceylon Branch, Colombo. Also a 1943 3c postal stationery postcard to L/Bdr Fuller, 23rd Lt. A.A Regt, Base Post Office, Colombo, from the Red Cross Office in Colombo with printed message acknowledging receipt of a Red Cross Message for despatch to enemy occupied territory. A scarce and unusual correspondence. (4).
Lot 590
1862 Provisional Issue 2c black on yellow used, stamps 3/1 with "C" for "O" in "TWO" and narrow "T" in "CENTS", 3/6 with italic "T" in "TWO", and 3/4 with italic "S" in "CENTS" and a vertical bar before "CENTS", the last with roulettes on three sides but cut into at right, all thinned. S.G. 120b,d,f, £2,700. (3). Photo on Page 76.
Lot 1597
Rhodesia - Nyasaland Field Force. 1916 (Dec. 21) Stampless cover with enclosed letter, from Acting Capt. James H.L Vaughan, British South Africa Police, to his wife in Portugal, with "F.P.O / 1" c.d.s used at Old Njombe, censored, delivered without charge. The enclosed letter, headed "B.S.A Police, c/o Army Post Office, Broken Hill" (suggesting mail for the Rhodesia Column was still being forwarded via A.P.O 1 in Broken Hill) includes "Our aeroplane has just arrived, tremendous excitement, especially amongst the native troops as they have never seen one before, as a matter of fact many of my men have not either. Just as he passed over our camp he looped the loop, excitement was intense then, natives could not understand it. They say a bird can't do it, how then can a white man". An interesting letter, to an unusual destination.
Lot 1393
Mainly mint selection on stockcards, many with varieties including 20c "X" virtually missing (2), 2c and 4c no stop (both within blocks of twelve), thin "I" and broken second "A" (5), broken "R" (2), oval "O" (11), raised stop (19), small "A" (17), $3 with faulty "B", etc. (185). Photo on Page 184.
Lot 314
1941-45 German forms from Guernsey (43) or Jersey (9) to members of the British forces, including forms to T.D Luscombe on H.M.T Welland c/o G.P.O London (21, also four forms to Luscombe at R.C.M.B 201, St. James's, London), 28 with cachets on reverse explaining that the form was not to be used for a reply (in two types, four or six lines), unusual. (52).
Lot 1167
1922 Malaya-Borneo Exhibition, first setting, 21c mint reconstructed block of thirty, rows 7-12, each row separated and rejoined with hinges, including varieties feather in hat (strangely unlisted by S.G. on this stamp), oval "O" (4) and raised stop (3); and 25c mint reconstructed block of 34, rows 5-8, 9/4-5, 10/4-5 and rows 11-12, comprising three blocks of ten and a block of four rejoined with hinges, including varieties feather in hat, oval "O" (4) and raised stop (3). S.G. 42/3, £3,855+. (64).
Lot 1523
1938 (Mar. 2) Singapore to England first all-up flight at the 8c rate, cover to Capt. "E. J. Finnegan c/o Imperial Airways Bahrein, Bahrein Island, Persian Gulf", with Calcutta c.d.s. and Imperial Airways Bahrain cachet, endorsed "Returned addressee not here" and returned on IE 640 with Singapore arrival c.d.s (Apr. 8), finally forwarded to London. A rare intermediate stage flight.
Lot 1764
1879-96 Mint and used collection with 1879 1d - 5/-, 1880 ½d - 1/- and all 1882-96 issues complete mint and used (except 1879 3d, the 1879 5/- used possibly a forged cancel), also varieties including 1879 6d and 1880 4d inverted watermarks both used, 1883 2½d surcharge long tail to "2" mint and used, malformed "CE" on 1882 4d green used (2, one thinned), 1885 4d grey mint and used (2), 1891 ½d on 4d and 2½d on 4d both mint, Slash flaw on 1882 2½d (2) and 1885-96 1d used, wide space in surcharge varieties including 1896 ½d on 4d used, broken "O", stop after "G" and "G" joined to circle plate flaws, misplaced surcharges, Crown CA fiscal issues with apparent postal use and £1 mint, 1896 ½d on 4d used on cover, etc. A few faults though most are fine, a good collection. S.G. £12,000 (approx). (223 + cover). Photo on Page 238.
Lot 947
Orchha. 1939 (Nov. 6) Registered cover with Palera registration handstamp, franked on the reverse with 1939-42 1a pair and strip of three (S.G. 34) cancelled by "O" within a circle of bars obliterators and datestamps of Tikamgarh, a Palera c.d.s alongside, a little light creasing, otherwise fine and attractive. Photo on Page 132.
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