(x) CanadaCanadian Contingents in the Boer War, 1899-1902The John Wannerton Collection, Part 1The First Contingent, 2nd. (Special Service) Battalion, Royal Canadian RegimentThe Units1900 (6 Aug.) unstamped envelope "From Hospital: Sgt. J.L.F. Roue R.C.R." at Norval's Point to Halifax, Canada, incorrectly sent to Halifax, England (25.8) and with Halifax, N.S. arrival c.d.s. (8.9) on reverse, and 1900 (17 Aug.) envelope (complete with original letter) from Douglas Street in Ottawa to his brother Cpl. Louis J. Street of "D" Company c/o the Office of the Director of Railways at Johannesburg with additional manuscript "Railway Dept. Johannesburg" in blue crayon, franked at 4c., the reverse (flap missing) with Dead Letter Branch Ottawa oval datestamp (10.11) in blue; a few faults though an unusual pair Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
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A collection of jewellery, to include a jet necklace of multi-faceted graduating circular and rectangular beads on an Albert clasp. Length approx 30cm. Weight approx 27gms; a red resin necklace, of graduating oval and half-oval beads on a bolt ring clasp. Length approx 28cm. Weight approx 28.4gms; an 18ct white gold and green stone ring, the five graduating round cut green stones four claw set in closed mounts between moulded heart shaped shoulders on a plain band. Stamped 18K. Ring size L; a sapphire and diamond ring, the round cut sapphire claw set in a star shaped mount between two brilliant cut diamond highlights claw set in star-shaped mounts, set between moulded scroll design shoulders on a plain band. Stamped 375. Ring size O; a Victorian bar brooch of seven interlocking circles with brooch pin fitting. Stamped 9CT. Length approx 4cm. Weight approx 3.1gms; a sapphire and diamond bar brooch, the round cut collet set sapphire set between two brilliant cut collet set diamond highlights , all set between two moulded beads in a shaped mount between moulded brooch bars. Brooch pin fitting. Stamped 15CT. Length approx 5cm. Weight approx 2.9gms; and a Victorian locket brooch, set with a single rose cut diamond highlight to the centre in a star shaped mount on a raised oval mount to the centre of a moulded plaque with engraved and applied scroll work and foliage detailing with beading to the outer edge. Glass locket to reverse. Brooch pin fitting. Stamped 375. Makers mark C & Co. Length approx 4cm. Weight approx 2.4gms.
An Edwardian sapphire and diamond cluster ring with diamond set shoulders, an oval Swiss cut sapphire, claw set at the centre, surrounded by seven old European cut diamonds to a scalloped gallery. An old European cut diamond grain set to each shoulder. Sapphire possibly synthetic.Finger size O« CONDITION REPORT: Sapphire possibly synthetic.Extensive wear and scratches to the table and facet edges prohibit proper identification.Diamonds bright and lively.Wear to the claws. 4.8g approximatelyTotal diamond weight estimated as approximately1.45ct
A late Victorian hessonite garnet and diamond cluster ring, a cushion shaped, mixed cut garnet, rub set to the centre, surrounded by cushion shaped Swiss cut diamonds, all grain set to a scalloped edge. Solid tapering shoulders to a plain `D` section shank. Tested as approximately 15ct gold. Later sizing in a lower carat gold. Finger size O« (approximately) CONDITION REPORT: Slight wear to the crown facet edges of the garnet.Diamonds bright and lively.Has been sized in the past.No obvious faults.
An early Victorian ruby and diamond cluster ring,with a circular Swiss cut ruby, claw set to the centre, surrounded by cushion shaped, old Swiss cut diamonds. Polished bead detail between each diamond, to a cushion shaped, Swiss cut ruby to each shoulder, split shoulders to a plain shank.Finger size O (approximately) CONDITION REPORT: Shoulders and shank possibly replacement.Possibly had a glazed cover to the underside of the head.Settings appear secure.
A late Victorian, 18ct gold, ruby and diamond cluster ring, with a central Swiss cut ruby, surrounded by old European cut diamonds. A larger cushion cut diamond to each end, all grain set to a tapering head. Chester 1886. Finger size O LE CONDITION REPORT: Requires cleaning.Wear to the table facet edge.Surface marks visible to the head, under 10x magnification.Hairline to the underside of one shoulder.
A gentlemen`s 18ct gold Jaeger Le Coultre mechanical watch, on a later 9ct gold bracelet, the circular silvered dial with Arabic numerals at the quarter points, raised batons, sword hands and subsidiary seconds dial. A later 9ct gold Milanese bracelet, with damage at the 12.00 o`clock, with a ladder snap clasp, Birmingham 1967. Case no. 373290, movement no. 456970 CONDITION REPORT: Light surface scratches throughout.Scratches to the glass.Deterioration to the dial and hands.Tearing and losses to the bracelet at the 12 O`Clock position.Distortion to the bracelet.Clasp secure.Winds and ticking.Glass width 28mm diameter.
An 18ct white gold and black ceramic Chanel J12 Ultra ring, with a central row of black ceramic panther links to 18ct white gold outer rows. Signed Chanel 20R 01046 T55. Marked 750 with a convention mark. Finger size O (approximately) CONDITION REPORT: Light surface scratches throughout.No obvious faults.
A single stone diamond ring, with a brilliant cut diamond, estimated as approximately 2.25ct, six claw set to a sea scroll collet, open shoulders to a plain shank. Tested as platinum. Diamond assessed as approximately. Colour: L/M Clarity: P1/P2 Finger size O CONDITION REPORT: Light surface scratches throughout.The claws all intact and the diamond secure, although beginning to wear.The head and shoulders bent to one side.
A ladies` Breitling bicolour cockpit chronometer, c.2007, with blue diamond set dot dial, centre second sweep and date, bicolour bezel with a cabochon sapphire at the 12 o`clock position. Bicolour bracelet with two spare links and an optional leather strap with Breitling buckle. No. B71356 1040298. Box and some paperwork for W Bruford, East Sussex CONDITION REPORT: Light surface scratches throughout. Appears to be in working order.A genuine Breitling, with box and some paperwork, as catalogued.
Aloysius C. OÂ’Kelly (1853-1936) MOTHER AND CHILD oil on canvas 16 by 12in. (40.64 by 30.48cm) Family of the artist O`Kelly loved painting children and did so throughout his artistic career. Charming Irish, English, French, North African and American children recur in his work. There are thus examples in all phases and styles of his long career, executed in a Realist mode in Ireland and England, Naturalist in France and America and Orientalist in North Africa. Many include a maternal figure, sitting by a window and engrossed in sewing, knitting or tatting. This painting would appear to be an early work, before he came under the influence of Jules Bastien-Lepage in Brittany in the early 1880s.Professor Niamh O`Sullivan, Dublin, October 2014Inaugural Curator, Great Hunger Museum, Hamden, Connecticut (USA) and Professor Emeritus of Visual Culture, National College of Art and Design, Dublin, author of Aloysius O`Kelly: Art, Nation, Empire, Field Day Publications, 2010.
Aloysius C. OÂ’Kelly (1853-1936) THE DESERT CHARGE oil on canvas 18 by 30in. (45.72 by 76.20cm) Family of the artist Indicative of a broader plan to destabilise Britain in Ireland, in 1883 Aloysius O`Kelly and his brother James went to Sudan to report on the British campaign against the Mahdi, James as correspondent for the Daily News and Aloysius as illustrator for the Pictorial World. With them were a number of French revolutionaries and socialists who had forged alliances with Irish militant and cultural nationalists during O`Kelly`s sojourn in Paris in the 1870s. British involvement in the region was ostensibly to end the slave trade but, in reality, to extend Anglo-Egyptian influence further south.In 1881, Muhammad Ahmad ibn Abdallah declared himself the prophesied Mahdi and called for a jihad to purge Islam of the infidel and rout the foreign forces from Sudan. His fearsome reputation as a violent anti-colonialist grew over the next three years.The jihad had strong resonance for Fenian opponents of the British regime in Ireland. If `England is engaged in a great war that will strain her resources to the utmost`, wrote James O`Kelly to Michael Davitt, `seizing some critical moment [if we] attack her with all our power... we help ourselves by promoting the long wished for opportunity"".` There was much at stake; according to the Victorian domino theory, Irish demands for Home Rule constituted the beginning of the disintegration of the empire. The mantra, that Britain`s pain was Ireland`s gain, was given powerful visual expression by O`Kelly. This work is part of a unique series of paintings and illustrations of these events. Most war artists acted, in effect, as public relations personnel for Britain`s colonial projects overseas. O`Kelly`s decision to cover the colonial war from behind the battle lines of Britain`s enemy was thus an act of remarkable audacity.O`Kelly painted many scenes in the Orientalist manner of his master, Jean-Léon Gérôme. But desert skirmishes, such as this, full of colour and movement, gave rise to several virtuoso paintings by O`Kelly that are unusual in that they demonstrate an early application of Impressionist technique to an Orientalist subject, a further indication of O`Kelly`s originality. O`Kelly was at his best when adapting an aesthetic subversion to a political one.Professor Niamh O`Sullivan, Dublin, October 2014Inaugural Curator, Great Hunger Museum, Hamden, Connecticut (USA) and Professor Emeritus of Visual Culture, National College of Art and Design, Dublin, author of Aloysius O`Kelly: Art, Nation, Empire, Field Day Publications, 2010.
Aloysius C. OÂ’Kelly (1853-1936) FISHING BOATS AT CONCARNEAU, FRANCE oil on canvas signed lower right 17 by 21¾in. (43.18 by 55¼cm) Family of the artist The most prolific subject of O`Kelly`s career was Brittany. This painting was set in Concarneau, the most important fishing village of Cornouaille, just outside the fortified walls of the Ville Close, to which O`Kelly returned over and over from the 1880s to the 1920s. He was drawn time and again to the working harbour, and his paintings of Breton peasants display empathy with the hardworking fishermen and sardine factory workers of the region, just like his paintings of Irish peasants of the west of Ireland. This painting exudes spontaneity, especially in the handling of the blue and madder sails, and the reflections in the translucent water; it is nonetheless carefully structured on the axis of the foreshortened fishing boats.Professor Niamh O`Sullivan, Dublin, October 2014Inaugural Curator, Great Hunger Museum, Hamden, Connecticut (USA) and Professor Emeritus of Visual Culture, National College of Art and Design, Dublin, author of Aloysius O`Kelly: Art, Nation, Empire, Field Day Publications, 2010.
Jack Butler Yeats RHA (1871-1957) PROFILE OF A SMARTLY ATTIRED MAN watercolour over pencil with Certificate of Authenticity on reverse 4.90 by 3½in. (12.45 by 8.89cm) Collection of Ernie O`Malley (1897-1957);Thence by descent;Whyte`s, 4 October 2010, lot 18;Private collection This work and lot 17 were once part of a complete collection of works from a sketch book by Jack Butler Yeats RHA, dated, 1899, Gort, Co.Galway. The sketchbook was gifted by Yeats to his friend and patron Ernie OÂ’Malley (1897-1957) and is listed in Hilary PyleÂ’s Jack B. Yeats, His Watercolours, Drawings and Pastels, Irish Academic Press, Dublin, 1993, p.184, nos. 15-17 [Three sketchbooks in the Ernie OÂ’Malley Collection].
Jack Butler Yeats RHA (1871-1957) TREES REFLECTED IN COOLE LAKE watercolour over pencil with Certificate of Authenticity on reverse 3½ by 4.90in. (8.89 by 12.45cm) Collection of Ernie O`Malley (1897-1957);Thence by descent;Whyte`s, 4 October 2010, lot 18;Private collection This work and lot 16 were once part of complete collection of works from a sketch book by Jack Butler Yeats RHA, dated, 1899, Gort, Co.Galway. The sketchbook was gifted by Yeats to his friend and patron Ernie OÂ’Malley (1897-1957) and is listed in Hilary PyleÂ’s Jack B. Yeats, His Watercolours, Drawings and Pastels, Irish Academic Press, Dublin, 1993, p.184, nos. 15-17 [Three sketchbooks in the Ernie OÂ’Malley Collection].
![Arthur Armstrong RHA (1924-1996) STILL LIFE WITH LAMP oil on board signed lower right; titled and numbered [28] on reverse 2](http://lot-images.atgmedia.com/SR/10092/2915938/54-20141110171433_468x382.jpg)
Arthur Armstrong RHA (1924-1996) STILL LIFE WITH LAMP oil on board signed lower right; titled and numbered [28] on reverse 24 by 30in. (60.96 by 76.20cm) Arthur Armstrong (1924–1996) was a painter from County Antrim, who often worked in a Cubist style and produced landscape and still life works. Armstrong was born in Carrickfergus on 12 January 1924. He was the son of a house painter and attended Strandtown Primary School. Later he studied architecture at Queen`s University Belfast, but after two years he moved to study art at Belfast College of Art. The influence of Cubism and the School of Paris can be clearly seen in his work, which took him to England, France and Spain. He also travelled and painted in the West of Ireland with fellow artists and close friends Gerard Dillon and George Campbell. Connemara inspired some of his best work. In 1950 his work was exhibited in the Grafton Gallery in Dublin, and subsequent exhibitions took place in England, Spain and the United States, as well as in Belfast and Dublin. In 1957 he was awarded a travelling scholarship from the Council for the Encouragement of Music and the Arts (a forerunner of the Arts Council of Great Britain) and went to Spain. He eventually settled in Dublin in 1962 and began showing work at the Royal Hibernian Academy.In 1968 he was awarded the Douglas Hyde Gold Medal at the Oireachtas Exhibition. In 1969 he designed sets (with George Campbell and Gerard Dillon) for the Seán O`Casey play, Juno and the Paycock, at the Abbey Theatre in Dublin. He became a member of the Royal Hibernian Academy in 1972 and in 1973 he was awarded the Art in Context prize from the Arts Council of Northern Ireland. He became a member of Aosdána in 1981, the same year that a retrospective exhibition of his work from 1950 to 1980 was held by the Arts Council of Northern Ireland.
Louis le Brocquy HRHA (1916-2012) THE TÁIN. DEER AMONG DOLMENS, 1969 lithographic brush drawing; (no. 26 in the series); (no. 53 from an edition of 70) signed, numbered and dated lower right 21 by 15in. (53.34 by 38.10cm) Printed by Frank O`Reilly, Dublin as part of The Táin Portfolio, which contained a series of prints or lithographic brush drawings"", illustrating the epic Ulster cycle of heroic tales.
Louis le Brocquy HRHA (1916-2012) THE TÁIN. METAMORPHOSIS, 1969 lithographic brush drawing; (no. 10 in the series); (no. 53 from an edition of 70) signed, numbered and dated lower right 21 by 15in. (53.34 by 38.10cm) Printed by Frank O`Reilly, Dublin as part of The Táin Portfolio, which contained a series of prints or lithographic brush drawings"", illustrating the epic Ulster cycle of heroic tales.
Louis le Brocquy HRHA (1916-2012) THE TÁIN. THE BULL OF CUAILNGE, 1969 lithographic brush drawing; (no. 33 in the series); (no. 53 from an edition of 70) 15 by 21in. (38.10 by 53.34cm) Printed by Frank O`Reilly, Dublin as part of The Táin Portfolio, which contained a series of prints or lithographic brush drawings"", illustrating the epic Ulster cycle of heroic tales.
Louis le Brocquy HRHA (1916-2012) THE TÁIN. ULSTER RISES FROM ITS PANGS, 1969 lithographic brush drawing; (no. 5 in the series); (no. 53 from an edition of 70) signed, numbered and dated lower right 15 by 21in. (38.10 by 53.34cm) Printed by Frank O`Reilly, Dublin as part of The Táin Portfolio, which contained a series of prints or lithographic brush drawings"", illustrating the epic Ulster cycle of heroic tales.
Hughie OÂ’Donoghue (b.1953) OLD TIME MUSIC NO. 1 & 2, 2007 (A PAIR) oil on paper; (2) first signed lower center; second signed lower right; both titled, numbered and dated on reverse; both with Purdy Hicks Gallery [London] label on reverse 11 by 15in. (27.94 by 38.10cm) With Purdy Hicks, London, 2007;Private collection Both of equal dimensions. Uniformly framed.
![Michael Canning (b.1971) ASSEMBLY, 2008 oil and wax on canvas signed, dated, numbered [VPII.08] and inscribed with title on](http://lot-images.atgmedia.com/SR/10092/2915938/92-20141110171535_468x382.jpg)
Michael Canning (b.1971) ASSEMBLY, 2008 oil and wax on canvas signed, dated, numbered [VPII.08] and inscribed with title on reverse; with exhibition label also on reverse 48 by 36in. (121.92 by 91.44cm) Vangard Gallery, Cork;Private Collection. `Paintings and Drawings, Vangard Gallery, Cork, 15 February- 8 March Michael Canning was born in Limerick in 1971. After studying at the Limerick School of Art and Design he studied in Greece at the School of Fine Arts in Athens 1992 to 1993, and in 1999 he received his Masters Degree in Fine Art from the National College of Art & Design in Dublin.Michael CanningÂ’s paintings of hedgerow plants confront certain traditions of northern European painting. Neither landscapes, nor still lifes, they convey an atmospheric quality laden with spiritual undertones. Heavy mists shroud the rolling hills of the Irish landscape which part only for the wild plants. The plants are rendered directly from observation. Each paintings is built up in layers, using oil paint and wax. They sometimes include the very substance which the painting depicts; ground earth and ash. Michael finds the plants on daily walks near his home in County Limerick. The names of the plants are not important to him, many are known simply by their local names, some of which are known to be poisons or remedies. The idea that these plants may have healing or adverse properties interests Michael, but it is the not knowing which offers which, that lends the paintings their air of mystery and suspense.Michael has exhibited extensively throughout Ireland and The UK. Including group events with Jonathan Swift Gallery, Highlanes Gallery Drogheda, Eigse International Arts Festival,Carlow, Boyle Arts Festival, Mermaid Arts Centre, Crawford Municipal Gallery, Limerick City Gallery, Galway Arts Centre and several RHA Annual exhibitions. His work is included in many private and public collections including: AIB, McCann Erickson, AXA, Butler Gallery, University of Limerick and OPW Ireland. He won the Hennessy Craig Scholarship and Whyte`s Prize in 2003 and the Fergus O`Ryan Memorial Award in 2006, all at the RHA, Dublin.
Louis le Brocquy HRHA (1916-2012) THE TÁIN. MEDBH RELIEVING HERSELF, 1969 lithographic brush drawing (no. 1 from an edition of 70) signed, numbered and dated lower left 21 by 15in. (53.34 by 38.10cm) Collection of Eugene and Mai Lambert Printed by Frank O`Reilly, Dublin as part of The Táin Portfolio, which contained a series of prints or lithographic brush drawings"", illustrating the epic Ulster cycle of heroic tales.The Lambert Puppet Theatre was established in 1972 by its director Eugene Lambert (1928-2010). Located in Monkstown, County Dublin, it is the only purpose built puppet theatre in Ireland. With the rise of television in 1960`s the Lambert Puppet Theatre became a fixture in Irish broadcasting with their very first show Carta Húdaí which aired in 1962 for which Mai Lambert made the costumes and their ten children acted as puppeteers. The Lamberts continued to produce shows such as Murphy agus a Chairde 1963-1968, Wanderly Wagon 1968-1982 and Bosco 1978-1987. Eugene and Mai Lambert were keen art collectors, expressing particular interest in works which relate to entertainment such as lot 177 by Brian Bourke and lot 183 by Harry Kernoff, and puppetry images, lots 190-194.
A good collection of railway related catalogues. Including Arnold N gauge, Milbro, Lehmann LGB, Lima, Graham Farish, Roco, Airfix, GMR, Airfix Kits, Cade?s, Merit, Pola N, Dapol, Beatties, Ratio, Lone Star Treble-O-Electric, Leeds Model Company, Marklin, Faller, Mainline, Fleishmann, Tri-ang and Hornby etc. Mostly GC-VGC
Disney Pixar Toy Story Toys. Tyco Super-Show Projector and View Master. GCP Colour Workshop Velvet Art set. Thinkway Buzz Lightyear Talking Action Figure. Embroidered black bag containing assorted items Mouse Works Little Green Army Men and board book. Dekkertoys Plaster & Paint. Thinkway Bucket O Soldiers bucket. A selection of soft toys. Cole & Mason 3 piece plate, bowl and mug set. Woody & Buzz salt & Pepper set. Mattel See?nSay game. Dekkertoys felt pictures. 10 various books. A selection of watches, Windows CD Rom ? Screen Scenes, Activity Centre and a Power Play Video Game. Various other CD?s etc. Plus a few other items. All VGC-Mint. See the-saleroom.com
13 Bassett-Lowke railway and other catalogues and literature including Gauge O Scale Model Railways catalogue 1941/2, Model Railway Handbook 4th/8th/9th editions, Everything for Models catalogue with technical notes September 1929, Model Railways mini-catalogue with technical notes undated, Twin Train Table Railway mini-catalogue leaflet November 1936, Model Engines catalogue December 1936. Presented in see-through plastic sleeves, GC for age, a few tears and pencil notes.
9 Corgi Circus vehicles including Scammell Highwayman Trailer & Caravan Chipperfield?s, Scammell Highwayman Ballast with Trailer & Caravan Carters, Bedford O Articulated Truck Chipperfield?s, 4-vehicle Chipperfield?s set and 4 smaller vehicles. All boxed, minor wear, some need cleaning, vehicles VGC.
12 Bassett-Lowke railway and other catalogues and literature including Scale Model Railways catalogue November 1934, Gauge O catalogue Autumn 1952 with price guide, Model Railway Handbook 3rd edition, Scale Models Section A catalogue November 1920 with insert Clearance Lines, Rail Formations tinplate large radius no. 0 track plans booklet undated, Railway Thrills! folding leaflet undated, Run Your Own Train Service booklet undated, The 6.30 Down booklet undated, Model Ships catalogue May 1937. Presented in see-through plastic sleeves, GC for age, a few tears and pencil notes.
A quantity of model railways scale metal figures by Britains etc. Including Station Master, porters, guards, passengers, children, sitting on luggage, workmen, trolleys, etc. Plus Belisha beacons, and bus stops. Also in lot a quantity of assorted catalogues ? Bayko, Britains, Brumm, Wills Finecast, Hobbies Ltd Dereham Norfolk etc. ? Hornby O gauge platform ramps, ?Wembley?. Plus 3 plastic buildings. QGC-VGC some age wear.
A good quantity of of O gauge etc model railway scale figures and station and lineside accessories. Original boxed ?Hornby Trains 12 Milk Cans?, one unopened. Plus turnstiles, weighing machines, privy, seats, barrows, lamps, trolleys, hoardings, workman?s hut, various figures including porters, station master. Plus a selection of useful clockwork keys. Plus trees and shrubs, spare wheels for locos and coaches. Hornby O gauge ?Twelve Connecting Plates?. Quantity of very small scale vehicles, Peco Petite People kits. Etc. Viewing recommended. QGC-VGC some wear to loose items.
A good quantity of O gauge items. A large number of parts, spares and accessories. Including the major parts of a Hornby LMS 0-4-0 tender locomotive (no tender). An early (ML Ltd) composite 4 wheel coach, GNR. ?Meccano? hessian sacks, many parts including ? Bonds rail chairs, conductor chairs. Plus fish plates, lamp brackets, cab and tender grab rails, repro Hornby pre-war railway lamps, smoke box doors, brass coach seats, etc. Also sundry other parts. QGC-VGC viewing recommended. £80-100
A good quantity of O gauge items. An electric Great Central style inside cylinder 4-4-0 tender locomotive, probably by LMC (Leeds Model Company) presented as LNER ?The Lady of The Lake? RN 6397. A Hornby LNER 0-4-0 tank engine RN 460. Plus 4 bogie passenger coaches and a Royal Mail coach. Plus a Lima bogie coach. Together with an LMS bogie van. Plus 16 freight wagons by various makers including Hornby and Bassett-Lowke. A Hornby No.2 bogie GWR High Capacity Wagon. An A.S. Wagons-Lits with clerestory roof. And a quantity of signals, buffer stops and spare parts. AF-QGC some age wear and damage.
A good quantity of O gauge items. Rolling stock includes ? freight wagons by Hornby, Bassett-Lowke, LMC, Bing and kit built, including Bing Explosives van. Plus an LMS van, LNWR van, 10 ton crane wagon, bogie bolster wagon, Esso tank wagon, side tipping wagon, 6 wheel siphon van, NE brake van, hopper wagon, a number of Hornby flat wagons with secured Insul Meat containers etc, all loose. Plus ?The Big Big Train? series ? 4 BR Inter-City Mk2 coaches, plus 2 BR Hymek diesel locos and a Lima LMS tank locomotive, all boxed. Plus a quantity of accessories including signals, water towers and various line side items. 30 plus wagons. QGC-GC some age wear/a few AF.
A quantity of O gauge items. Bassett-Lowke electric LNER 0-4-0 tender locomotive RN 90 in lined black livery. Plus freight wagons by Hornby, Bing, Stedman etc including - open wagon, Steadman, NE cattle wagon, fish van, plus POOL, Manchester oil, National Benzole and Redline tank wagons. BR goods van. LNWR & LMS freight vans etc. QGC-VGC some age wear to most. £80-120
A quantity of O gauge items. An electric 3-rail LNWR Bowen-Cooke G class 0-8-0 tender freight locomotive in lined black livery, RN 1384. Plus 17 assorted freight wagons by Hornby including an NE fish van, 2x Shell tank wagons, LMS open wagon, Meccano open wagon, LMS cement wagon, Southern milk traffic van, Fyffes banana van, McAlpine hopper wagon and an LMS brake van, etc. QGC-VC some repainting to a few. Locomotive a nice example.
A quantity of O gauge items. A repainted clockwork Bassett-Lowke 4-4-0 tender locomotive, presented as Southern Railway RN 1487. Plus 6 wooden bogie passenger coaches probably all by LMC, in GWR, LNWR and Southern livery. All non-corridor coaches and including 2 passenger brakes. QGC-GC some age wear to most coaches. Loco GC minor wear/light rusting. Tender non matching
A quantity of O gauge items. The body only of a Bassett-Lowke 4-4-0 Duke of York locomotive. Plus 12 various bogie passenger coaches by LMC, Exley etc, including ? an LMS- 12 wheeled dining car, 3rd class passenger brake, 3rd class suburban passenger brake, 3rd class corridor coach, composite through corridor coach, full passenger brake. LNWR composite non corridor coach. A six wheeled TPO wagon with extending net etc. AF-GC some age wear/parts missing/loose.
Small quantity of O gauge railway. An LMS electric 0-6-0 tank locomotive, RN 8415. A Bonds clockwork industrial 0-6-0 peckett saddle tank ?Bonzone? RN 1 in original orange livery. Plus 4 coaches ? 3 by Exley ? bogie corridor coaches including 2 passenger brakes. Plus a Bing GWR bogie passenger brake. QGC-GC some age wear, re-touching to coaches.
A Bassett-Lowke O gauge 3-rail electric standard BR 0-6-0T locomotive. RN 41611. In red-lined gloss black livery. Together with 3 Bassett-Lowke corridor coaches, in Carmine & Cream livery. Also in Lot is a 3-rail electric LMC 0-4-0ST, finished in BR livery, RN 40058. GC, some age wear & cleaning required. One hand-rail missing to RN 41611.
A DB 24 bore O&U percussion ?howdah? pistol, 13½? overall, barrels 8? with London proofs and swivel ramrod, the back action scroll engraved locks signed ?I Hollis & Sons, London?, the left hand lock drilled for attachment of belt hook (now missing), with chequered walnut butt, engraved flat brass butt cap with hinged steel trap, and lanyard ring. GWO & QGC )
Bassett-Lowke O gauge 3-rail electric LMS Royal Scot class 4-6-0 tender locomotive ?Royal Scot?. Re-named ?Royal Welch Fusilier? RN 6118. In lined Crimson Lake livery. Fitted with a parallel boiler and a Stanier tender. Boxed, some age wear & damage. Locomotive VGC for age, minor wear. Plate 2
Bing O gauge clockwork LNER 0-4-0 tender locomotive. An outside cylinder engine ?Apollo? RN 504 in yellow and black lined green livery. Equipped with a Salter type safety valve, flowerpot style chimney. Together with a six wheel coal-rail tender. VGC overall, minor wear only. In GWO. Plate 2
An O gauge 3-rail electric finescale LB&SCR 4-6-2 tank locomotive. ?Abergavenny?. RN 325 painted in yellow lined dark brown livery. Fitted with vacuum pipes, lamp irons and Westinghouse pump. GC-VGC one buffer loose, simplistically lined, minor wear. Name painted to one side-tank only Plate 2
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175434 item(s)/page