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Lot 1285
Teekanne von Emil LettréSilber. Auf drei Füßen kompakter, birnförmiger Korpus mit geschwungener Tülle und Elfenbeinhenkel. Der aufgewölbte Scharnierdeckel mit Muschelknauf. Marken: MZ Emil Lettré (Fischmarke), Berlin 1905 - 1952. H 12 cm, Gewicht 347 g.Berlin, Emil Lettré, 1920er Jahre.GutachtenVermarktungsgenehmigung für den EU-Binnenmarkt vorhanden.LiteraturDie Fischmarke verwendete Lettré bei seinen frühen Arbeiten; in späteren Jahren ersetzt er dieses Zeichen durch ein einfaches "L". Vgl. Kat. Emil Lettré, Andreas Moritz, zwei deutsche Silberschmiede im 20. Jahrhundert, Köln 1976, o. S. Vgl. hierzu auch ebd., Kat. Nr. 33 mit Abb. 16.Dieses Objekt wurde unter Verwendung von Materialien hergestellt, für die beim Export in Ländern außerhalb der EU eine Genehmigung nach CITES erforderlich ist. Wir machen darauf aufmerksam, dass eine Genehmigung im Regelfall nicht erteilt wird.
Lot 1494
Zwei FlaschenkühlerPorzellan, farbiger Aufglasurdekor. 1. Höchst, mit braunem Randstreifen. Blaumarke Rad mit Kurhut, geritzt IN. Kratzer innen. H 12,8 cm.2. Frankenthal. Modell Ozier, mit Goldrand. Blaumarke ligiertes CT mit Kurhut und 7, in Purpur 8 und ja, Presszeichen o und 2. Brandrisse. H 17,5 cm.1770er Jahre.
Lot 557
Diamantbrosche mit farbiger Perle14 kt Gelbgold. In Entourageform gefasst mit einer braunen leicht barocken Perle in Boutonform (ca. 10,07 x 10,17 mm, im gefassten Zustand nicht zertifizierbar) carmoisiert mit 29 Altschliffdiamanten zus. ca. 5,70 ct (O/P, vs-si: 15 x ca. 0,30 = 3,6 ct; 14 x ca. 0,15 = 2,1 ct). Diamanten zus. ca. 5,70 ct. Originale Broschierung zum Abschrauben. Mit Haken zum Einhängen in eine Kette und scharnierter Anhängeröse. Nicht gestempelt. Minimale Zinnlotreparaturen. Haken später. Durchmesser 2,4 cm. Gewicht 9,95 g.Deutschland, um 1920.
Lot 674
Ring mit Diamantsolitär18 kt Weißgold. Krappengefasst mit einem Diamant im Brillantschliff 3,59 ct (10,01 - 10,09 mm x 5,91 mm, N/O, vvs2, leichte Fluoreszenz). Gestempelt: Feingehalt 750, nummeriert 3.963. RW 52,5. Gewicht 3,49 g.GutachtenDiamant-Befundbericht Nr. TZ446 des DPL, Idar Oberstein, vom 04.10.2023.
Lot 1007
ROLEXDatejust Turn-o-graph. Art der Uhr: Armbanduhr. Herkunft: Schweiz, Genf. Werk: Automatik, Cal. 3135. Gehäuse/Armband: Stahl, Gelbgold, President-Armband mit Crownclasp, Zffbl. grau lackiert, Indizes golden, Zeiger golden, Leuchtmasse. Gesamtgewicht: ca. 136 g. Größe: Ø 35 mm, Länge 19 cm. Gehäuse-Nr.: F995203. Referenz-Nr.: 116263. Werk-Nr.: 0683865. Beschreibung: 3-Zeiger-Armbanduhr mit rotem Sekundenzeiger und roter Datumsanzeige bei "3" Uhr. Orig. Box mit Umkarton, Garantie und Booklet anbei.Erläuterungen zum Katalog Bewertungssytem Armband und Taschenuhren
Lot 2602
1930s silver mounted cigarette box, of rectangular form, with blue guilloche enamel sunburst decoration to hinged cover, opening to reveal a softwood lined interior, hallmarked William Neale & Son Ltd, Birmingham 1930, H4cmCondition Report:General wear commensurate with age and use, in the form of surface scratches, nicks and small knocks. Some larger knocks to body. Small deeper scratches to enamel and loss t o one corner. Hallmarks with wear, some elements indstinct.
Lot 12
Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Rev. F O Morris, published Mackenzie, circa 1880 in six volumes. Red Morocco with gilt titles and decoration, raised bands to spine. Marbled end papers, all edges gilt. Rubbing to corners and wear to spines. Highly decorative front and rear covers. Each volume has approx. 40 country houses with coloured plate for each. (cr) Provenance: Sudeley Castle & Gardens, Winchcombe, Gloucestershire. Condition ReportFront board to VI detached. Foxing to first volume and some damp to prelims. Some light foxing throughout. Bottom section of I spine is becoming loose to one side. Top section to II spine becoming loose. IV front board becoming loose to bottom edge.
Lot 1000
THREE SMALL JAPANESE BLACK AND GOLD LACQUER PIECES EDO PERIOD, 17TH/18TH CENTURY Comprising: a cup and saucer decorated with pavilions in river landscapes, with tall trees beside them, the dish with a band of cash to the rim; and a miniature teapot and cover, the bulbous body and flat lid painted with flowerheads and scrolling tendrils; 11.2cm max. (4)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022). Cf. O Impey & C Jörg, Japanese Export Lacquer (1580-1850), p.46 where similar cups and saucers are illustrated and discussed.
Lot 1018
A SMALL JAPANESE CLOISONNE ENAMEL VASE BY NAMIKAWA YASUYUKI (1854-1927) MEIJI ERA, c.1905-10 The tall and slender body elegantly decorated with a small bird, possibly a Java sparrow, perched on a flowering branch of prunus, the design rendered in polychrome enamels and gold wires on the deep aubergine ground, the rims with shakudo rings and the base with a square silver tablet inscribed Kyoto Namikawa, 14.2cm.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).Cf. The Nasser D. Khalili Collection of Japanese Art: Meiji no Takara, Treasures of Imperial Japan, vol.III Enamel, fig.28, and O Impey and M Fairley, The Dragon King of the Sea, no.19 for other miniature vases by Yasuyuki with related cherry blossom decoration. Also, see the Victoria & Albert Museum, London, access. no.FE.79-2011, for another example.
Lot 1020
KUSUMI MORIKAGE (C.1620-90) SEKKO (DATES UNKNOWN) KANO RYOMIN TAKANOBU (ACT. 1716-48) AND UNIDENTIFIED EDO PERIOD, 17TH CENTURY AND LATER Three Japanese scroll paintings, one depicting a white magnolia spray, signed Sekko and inscribed Kanro gannen, Mokutoku o motte osu (The emperor’s virtue rules the country with good heavenly decree); another with Chinese figures and a pavilion in a mountainous river landscape, with a seal reading Morikage; the third with Daikoku standing on a hay bale, signed Kano Ryomin Takanobu hitsu, 123cm x 25cm max. (3)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
Lot 1030
A RARE JAPANESE KO-IMARI JAR EDO PERIOD, C.1660-70 The cylindrical body decorated in iron-red, green, black and yellow enamels, with panels of flowers and bamboo alternating with brocade patterns and shippo-tsunagi cash designs, the shoulder with a band of lappets and the neck rim and foot with several concentric rings, a label reading 'OCS 2006, THE WORLD IN COLOURS, no.66', 20.3cm.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022) Exhibited: The Oriental Ceramic Society, The World in Colours, 2006, no.66. See Sotheby's, London, Fine Japanese Art, 15 May 2020, lot 52, for a comparable jar. Also, see O Impey, C J A Jörg, C Mason, Dragons, Tigers and Bamboo: Japanese Porcelain and Its Impact in Europe: The Macdonald Collection, p.98 for another example of a ko-Imari flask with iron-red decoration.
Lot 2038
18ct gold black rhodium plated turquoise leaf and round brilliant cut diamond ring, stamped 750Condition Report:Approx 12.6gm, tested also 18ct, the base of the ring at the back is N-O, the top of the ring at the back is M ¼, diamonds bright well matched, some scratches to gold otherwise in good condition, max depth = 18mm
Lot 2048
Early 20th century 18ct gold oval cut ruby and old cut diamond cluster ring, stamped, ruby approx 0.45 carat, total diamond weight approx 0.35 caratCondition Report:Approx 2.95gm, tested 18ct, size N-O, head = 10mm x 9mm, diamonds bright well matched, good clarity, approx L-M colour, a couple of claws receding back, ruby with some light surface nibbles to facets, good colour
Lot 119
A SINGLE STONE DIAMOND RING The old mine cut diamond weighing 3.56 carats in a two colour claw setting, to tapering polished shoulders, the shank stamped 18 Size/dimensions: finger size O 1/2 Gross weight: 4.8 grams Condition Report: The diamond colour is estimated L, clarity SI3 /I1, some small mineral inclusions under the table, there is some light wear to the settings, some thinning to the claws, one of the claws is missing its tip. Medium plus blue fluorescenceCondition Report Disclaimer
Lot 199
POMELLATO, NUDO, A LEMON QUARTZ DRESS RING SHEFFIELD 2012 The facetted cushion shaped lemon quartz in a gold closed back setting, the shoulder signed Pomellato, to a polished shank, numbered P120002285, stamped 750 with Italian control marks Size/dimensions: finger size approximately O Gross weight: 8.3 grams
Lot 201
POMELLATO, NUDO, A CITRINE DRESS RING The facetted cushion shaped citrine in a gold coloured closed back setting, the shoulder signed Pomellato, to a polished shank, numbered C130026120, stamped 750 with Italian control marks Size/dimensions: finger size approximately O 1/2 Gross weight: 8.2 grams
Lot 79
Small group of dress rings comprising a crossover illusion set diamond ring, stamped '9ct Plat', size K½ approx, two single stone diamond rings, each stamped '18ct Plat', sizes J approx and O½ approx respectively, and a single cultured pearl and diamond ring, stamped '375', size P½ approx, 7.7g gross approx (4)
Lot 706
A JAPANESE BLUE AND WHITE MOULDED DISH EDO PERIOD, 17TH CENTURY The foliate body painted with a central medallion enclosing two large peaches on a leafy branch, with a brown rim and three concentric rings to the reverse, the base with a fuku mark, 21.3cm.Provenance: from the collection of David and Margaret Mellis, Presbyterian missionaries in China, c.1900-14. Cf. O Impey, C J A Jörg and C Mason, Dragons, Tigers and Bamboo, Japanese Porcelain and its Impact in Europe, p.77, fig.28 for another dish with the same decoration. The authors suggest these dishes may be early examples of the Kakiemon workshop.
Lot 708
TWO JAPANESE IMARI DISHES EDO PERIOD, C.1700 Both with a foliate rim and decorated in underglaze blue, gilt and polychrome enamels with a spray of chrysanthemum to the centre, framed by alternating panels enclosing ho-o birds, plants and scrolling tendrils; each with a band of karakusa scrolls to the reverse, 27.8cm and 28.5cm respectively. (2)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 712
A JAPANESE KAKIEMON-STYLE DECAGONAL DISH EDO PERIOD, 17TH CENTURY The foliate body brightly decorated in polychrome enamels on the bright nigoshide body, with a curled-up dragon to the well and a continuous design to the cavetto depicting a minogame (flaming tortoise), two cranes, pine, prunus and bamboo; the reverse left undecorated, 22.3cm.Provenance: from the collection of David and Margaret Mellis, Presbyterian missionaries in China, c.1900-1914. Cf. J Ayers, O Impey, JVG Mallet, Porcelain for Palaces, The Fashion for Japan in Europe 1650-1750, p.153, no.123 for a dish with the same decoration.
Lot 715
A PAIR OF JAPANESE ARITA MODELS OF HENSEDO PERIOD, 1670-1730Both crisply moulded with long tail feathers painted in underglaze blue, gilt, red, cyan and black enamels; each standing on a rocky outcrop with a russet-brown glaze, and with green fungi and leaves applied to the sides; the chickens depicted standing in opposite directions, 23.8cm and 23.5cm respectively. (2)Cf. see J Ayers, O Impey, JVG Mallet, Porcelain for Palaces, The Fashion for Japan in Europe 1650-1750, p.188, no.177 for a similar model of a hen from a private collection, on loan to the Fitzwilliam Museum, Cambridge.
Lot 716
A RARE JAPANESE KAKIEMON 'HAMPTON COURT' VASE AND COVER EDO PERIOD, 1670-90 The slender hexagonal body with tapering sides and a short straight neck, each side painted with tall sprays of iris painted in yellow, cyan, iron-red, navy-blue and black overglaze enamels; the shoulder and cover with matching patterns of karakusa scrolls and red peony flowerheads; the neck with a key fret border and the bud-shaped knop both in underglaze blue, 37.5cm. (2) Cf. J Ayers, O Impey, JVG Mallet, Porcelain for Palaces, The Fashion for Japan in Europe 1650-1750, p.173, no.153, for another jar and cover with similar decoration from a private collection, which is described as 'almost unique'. When first produced in Arita for the Western market in the 17th century, these brightly-coloured porcelain pieces caused considerable delight: after centuries of blue and white China, they offered a bright touch to the fashionably dark interiors of the time. The earliest mention of this type of jar dates from an account of a sale in Holland in 1680: The red assortment was much desired. 36 show pots for cabinets, cost price 2 florins, nine s. sold at Enkuisen for 140 florins (the ‘red assortment’ was the term used then for vases with polychrome decoration).Hexagonal vases of the same distinctive form and decorated in the Kakiemon palette are known as 'Hampton Court' jars, after similar examples that survive at Hampton Court Palace, access. no. RCIN 1094.1-2, 1178.1-2, 1050.1-2, 1047.1-2, 1110.1-2. These vases were originally in the collection of Mary Stuart and William II of Orange. After marrying the Dutch Stadtholder in 1677, Mary became patroness of the Delft porcelain factories and a keen collector of ceramics. Together with Huguenot architect Daniel Marot (1661-1752), they created a new style of interior at the Palace of Het Loo in Apeldoorn, with her collection in pride of place. Paintings were hung between pilasters decked with porcelain on gilt brackets, and a pediment-shaped pyramid of ceramics took centre stage over the fireplace. The publication of Oeuvres du Sr. D Marot (c.1703 or 1712), including engravings illustrating this type of interiors, helped to popularise the William and Mary style and the fashion of collecting porcelain. Jars from the original collection of William and Mary are still housed today in several royal palaces, including Buckingham Palace and Windsor Castle. Some of the pieces were also dispersed, since after Mary's death a proportion was left to Arnold Joost van Keppel, 1st Earl of Albermarle; others are said to have descended from William IV to his illegitimate daughter Lady Augusta Fitzclarence (1803–65). Colourful Japanese porcelain made its way into other European courts, including the collection of Augustus the Strong, King of Poland and Elector of Saxony, in Dresden. Fashionable ladies trying to emulate the royal taste would also spend huge amounts of money on porcelain collecting, so much so that some were said to have ruined their families and estates. Colourful 17th century Japanese porcelain can still be seen today at Burghley House, Woburn Abbey and other grand houses around Europe. The ‘Hampton Court’ jars feature a variety of patterns. However, this style of decoration is particularly rare as it seems to be known on only two pieces: the other jar is illustrated in J Ayers, et. al., ‘Porcelain for Palaces, The Fashion for Japan in Europe 1650-1750’, p.173, no.153. The use of blue enamels for the scrolls around the shoulder is also less common than most other examples which tend to feature iron-red and green. Due to their popularity, pieces decorated in the Kakiemon palette became extensively copied, first at Meissen in Germany, and then at many other early porcelain factories across Europe.
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