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Click here to subscribeA Dismantled Hornby O Gauge Clockwork No 2 Locomotive Tender Bing Station and Other Items, the locomotive including most major components, largely stripped, with various smaller parts in boxes, P-F, together with a Bing Wayside Station, G, slightly faded, a Train Indicator board, P, lacks destination plates, playworn, two Chad Valley signals and a modest quantity of clockwork track, F (qty)
Hornby O Gauge Post-war Clockwork Goods Train Sets, including a LMS no 601 set with matt crimson 0-4-0 no 5600, tender and three wagons (all VG) in original set box with track and accessories, box G-VG, together with a no 45 tank goods set with BR black 0-4-0T locomotive, 3 wagons and track, (loco G-VG, remainder F-G), one curved rail missing (2 sets)
Hornby O Gauge Pre- and Post-war Clockwork Trains, including a boxed no 51 gloss BR green 0-4-0 no 50153 and tender, VG-E, boxed no 2 lumber wagon, No 3 Pullman coach, F, French Hornby 1st/2nd composite 'saucisson' coach, G, three LNER 4-wheel coaches, 5 wagons, boxed signal and other items, varying F-G (qty)
* DR ALASTAIR R ROSS RSA FRBS HFRIAS DArts RGI (SCOTTISH B 1941 - ), NUDE TORSObronze, signed on base of wooden plynthapprox 38cm highNote: A leading figurative sculptor in the UK and a multi award-winner, he has lectured in various art colleges and universities, both in Scotland and the USA. His work is displayed in a range of prestigious locations, including on-board the P & O Steam Navigation Company's superliner, Aurora, and the world headquarters of Rank Xerox International. Public, corporate and notable private collectors include: Dundee Art Galleries and Museums, Perth Art Gallery and Museum, City Chambers, Dundee, Dundee Education Authority, Royal Scottish Academy, Scottish Arts Council, University of Abertay Dundee, University of St. Andrews, University of Dundee, University of Stirling, Glasgow Caledonian University, Paisley Art Institute, Paisley Art Gallery, St. Andrews Community Council, Blackness Development Project, Dundee, Glasgow Art Club, St Vincent's Church, Edinburgh, Holokrome Co. Chicago, Illinois, U.S.A., Royal Calcutta Gold Club, India, Rank Xerox International H.Q., Marlow, Bucks, P & O Steam Navigation Co. Ltd., London State Street, Ernst & Young, Glasgow, Walter Scott & Partners Ltd., Edinburgh, J. Parr, Architect, Perth, Bonar Family Collection, Dundee, Keith-Hill Family Collection, Cornwall, Rt. Hon. The Earl and Countess of Airlie, Rt. Hon. The Earl and Countess of Erroll, Rt. Hon. The Earl and Countess of Dundee, Rt. Hon. Lord and Lady Fraser of Carmyllie, The Hon. Peregrine and Mrs Moncreiffe of Moncreiffe, HRH The Duke of Braganza, Sir Malcolm Innes of Edingight, R.C. Diocese of Dunkeld, Diocesan Headquarters, Dundee, St. Leonard's School, St. Andrews, Fife, Duncan of Jordanstone College of Art, Dundee (Gordon Matthewson Trophy), Glenfiddich/"Scotland on Sunday" (Spirit of Scotland Awards), Kirsty Wark, Sharleen Spiteri, J. K. Rowling, Ian Rankin, Sir Chris Hoy, Dame Katherine Grainger, Shirley Robertson, Walter Smith, Nicola Benedetti, David Tennant, Edwyn Collins, Nick Nairn, Colin Montgomerie, Sir Ian Wood, Alexander McCall Smith, Ewan McGregor, Paolo Nutini, Count Jakob von Eltz, Design Works, Glasgow, Court of the Lord Lyon, H.M. New Register House, Edinburgh, Royal Incorporation of Architects in Scotland Headquarters Collection, Edinburgh, Burg Eltz, Germany, Royal College of Ophthalmologists, London. Also work in Private Collections in Austria, France, Germany, Switzerland, Egypt, United States of America, Norway, Bahamas, Canada, Portugal and India as well as the U.K.
A 9ct gold gents signet ring set with plain carnelian, size O/P, 5.6g, together with a 9ct gold ring set with central circular garnet encircled by further garnet chips in heart shaped mounts, size P, 3.4g, and a gold ring set with three rubies and diamond chips, possibly 14ct but hallmarks rubbed, size K, 2.2g. (3)
A sapphire and diamond ring, the central royal blue emerald cut sapphire of approximately 1.5ct, 7.45 by 5.92mm, depth approximately 3.74mm, flanked by two diamonds each of approximately 0.4ct, approximately 4.63mm diameter by 3.3mm depth, set in platinum with an 18ct white gold band, size O, 5.1g total weight.
A Japanese Shibayama inlaid two handled vase and cover, Meiji period, (1868-1912), of compressed spherical shape with white metal and enamelled ho-o bird, shoulder handles and triple elephant head feet worked with two panels of pheasants and water birds in landscapes, domed cover with floral finial. signed, 20.5cm high x 17.5cm wide. CONDITION: Very poor condition; numerous inlaid materials missing. Finial detached, solder repair to one foot. Crack emanating from neck through shoulder into the inlaid panel.
An early Victorian 18ct gold and enamel mourning ring, the oval hollow head formerly with a glazed woven hair panel (now missing) within a black enamelled surround 'In memory Of' and similarly scroll-decorated tapering shoulders, inscribed inside 'John Reade Esq, died 7th July 1843 aged 73', and with hallmarks for London 1843, size O, 6.8 grams gross.
A Sgraffito Splashware Pottery Bowl,Persia, 10th/11th centuryThe earthenware body incised with leaf, scroll and geometric motifs radiating from the centre, enhanced with a splash application of green, brown and aubergine glazes.Diam. 19.3 cm.Note: Medieval Persian splashwares are characterised by their use of vigorous linear designs incised through the cream slip ground to reveal the dark body beneath. The dark contours are then counterbalanced with coloured glaze applications which bleed over and across the design in a way that appeals to a modern aesthetic. The relationship between early Islamic splashwares and Chinese sancai wares, which use a similar lead-glazed technology, has been much debated by scholars from Arthur Lane onwards (Lane, A., Early Islamic Pottery, London, 1947, pp.12-13), but the lack of direct correlation in terms of shapes and designs, and the notable absence of any cobalt blue in the Islamic wares, suggests that the traditions developed largely independently.Lit.: Art of the eastern world, Hadji Baba Ancient Art London, p.136 and 137, No 61. Hali: Tapetes orientales y arte islamico, Mexico, 1994, p.21, no.57.O. Pancaroglu, Perpetual Glory, Medieval Islamic Ceramics From The Harvey B. Plotnick Collection, The Art Institute of Chicago, 2007, p.86, no.44The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email Diam. 19.3 cm.
A pair of cloisonné enamel vasesJapan, Meiji periodOf rounded from with long slender neck tapering toward the rim, decorated to the body with Ho-o birds, fans and a cherry tree on a black ground, the neck is decorated with paulownia flower patterns on a white ground. H. 16 cm.The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email
Two cloisonné enamel vases and a jar with coverJapan, Meiji period and laterDecorated with Ho-o birds, flowers and butterflies. H. 18.5 cm and smallerThe absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email
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