MAZZINI, Franco, L'armeria reale di Torino (1982); BOCCIA, Giorgio Lionello, Il Museo Stibbert, a Firenze, Volume Terzo: l'armeria europea (1975); BOCCIA, Giorgio Lionello, Il Museo Stibbert, a Firenze, Volume Terzo: l'armeria europea (1975); COLLURA, Domenico, DELL'ACQUA, Gian Alberto & MOLFINI, Alessandra Mottola, Armi e armature Museo Poldi Pezzoli (1980); DI CARPEGNA, Nolfo, Antiche Armi dal sec. IX al XVIII, già Collezione Odescalchi (1969); FRANZOI, Umberto, Armoury of the Doges Palace in Venice (1996); GIORGETTI, Giovanni, A Guide to the Arms And Armour Collection In Cesta Castle, San Marino (1969); MANN, James G., The Lost Armoury of the Gonzagas (2005); MAURO, Maurizio, Armeria della Rocca, Mostra di Armi Antiche (1989); NEBBIA, Ugo, Le Sale D'Armi del consiglio dei dieci nel Palazzoz Ducale di Venezia. Guida Storica e Descrittiva (1923); ROSSI, Francesco & MAGAGNATO, Licisco, Museo di Castelvecchio, Le Armi 1300-1700 (1987); ROSSI, Francesco, Guida del Museo delle Armi "Luigi Marzoli" (1988); TERENZI, Marcella & MUSEO NAZIONALE DI CASTEL S. ANGELO, Mostra di armi antiche (sec. XIV-XV).: Poppi, Castello dei conti Guidi, 16 luglio-16 agosto 1967(1967); VARIOUS AUTHORS, Os Descobrimentos Portugueses e a Europa do Renascimento: A mão que ao Ocidente o véu Rasgou Armaria (1983)
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the blade shinogi-zukuri, tori-zori, and chu-kissaki, a small kiri-komi on the mune, mokume-hada, notare-midare hamon with ko-nie and nioi extending into the boshi, and o-suriage nakago mumei (possibly Bizen-den), late Koto period; with black lacquered saya enhanced with polished samé and silver strips, round iron tsuba mumei inlaid in gold and silver with dragons (rubbed), menuki formed as silver dragons and floral designs and black painted tsuka with samé
the blade shinogi-zikuri, tori-zori, iori-mune and chu-kissaki, ji-hada itame-gokoro, notare-midare hamon in nioi and o-suriage nakago with two mekugi-ana and signed Kawachi No Kami Minamoto Hironobu (?); with gunto saya, brass mokko-gata tsuba with floral design, military mounts and tsuka with officer's knot,
the blade shinogi-zukuri, tori-zori, iori-mune and ko-kissaki, mokume-hada with some zukari, hamon in nioi-deki, komaru boshi with kaeri and o-suriage nakago with four mekugi-ana; with samé saya, sentoku tsuba mumei showing Shoki the demon-queller, ito missing, and together with a small group of additional fuchi kashira and menuki
the blade shinogi-zukuri, iori-mune and o-kissaki, engraved with a horimono of entwined dragons on the omote and a suken with vraja on the ura, itame-gokoro hada almost masame in parts, gunome-midare hamon in ko-nie and suriage nakago with two mekugi-ana, yoko-yasuri and traces of kinzogan mei; with shira-saya
the blade shinogi-zukuri, shallow tori-zori and chu-kissaki, notare-midare hamon with togari, gunome and some kinsuji in a coarse nie and ubu nakago with two mekugi-ana, o-suji-chigai yasuri, kata-yamagata jiri and signed Hoki no Kuni Ju Kurayoshi Ju Hiroyoshi (Koga) on the omote; with black lacquer saya decorated with flowers, iron tsuba mumei decorated with tendrils inlaid in gilt, fuchi-kashira depicting a scene from the Genpei War and tsuka of black ito over white samé
the blade shinogi-zukuri, deep tori-zori and tunbari, iori-mune and ko-kissaki, o-mokume hada with some itame and some ji-nie, gunome midare hamon becoming ko-midare in the mono-uichi area and with profuse sunagaeshi throughout, deep ko-midare boshi with small kaeri and suriage nakago with two mekugi-ana, yoko-yasuri and signed Bishu Osafune Masamitsu; with shira-saya and saya-gaki
the blade shinogi-zukuri, shallow tori-zori, iori-mune and chu-kissaki, suguha hamon with some slight midare in the monouichi area in nie-deki and with sunagaeshi, ko-midare boshi with sunagaeshi and kaeri and o-suriage nakago with two mekugi-ana, in shira-saya; with gold-coloured nashiji lacquered saya, iron tsuba mumei depicting a pastoral scene in gold highlights, fuchi kashira of floral design in soft metals on a shakudo-nanako ground, shakudo menuki and tsuka of green patterned ito over white samé
the blade shallow tori-zori, iori-mune and o-kissaki, red lacquered bo-hi, ko-itame ji-hada, suguha hamon in ko-nie and ubu nakago with two mekugi-ana and kuri-jiri yasurime signed O-eh Kanetoshi on the omote and dated Bunkyo Ni Nen Ju Gatsu Hi (1862) and signed Tosa Shi Yokoyama Shi No Motome (No Yori) Tsukuru Komi ("This sword was made on the order of Mr Yokoyama, a retainer of the Tosa clan") on the ura; with nashiji lacquered saya (slight fading), mokko-gata tsuba mumei with ray design and two large brass seppa-dai, menuki formed as gold dragons, and green ito over white samé
daito blade shinogi-zukuri, koshi-zori and extended chu-kissaki, mokume-hada, notare hamon with gunome-nioi and nakago uninspected; shoto blade tori-zori, iori-mune and chu-kissaki, tight ko-mokume-hada, notare-midare hamon becoming sanbon-sugi, midare-boshi with kaeri and ubu nakago with one mekugi-ana, agari kuri-jiri, and o-sujikai yasuri; each blade with its black saya (kurikata missing) decorated with celestial figures in gilt taki-maki, mokko-gata tsuba in shakudo nanako, fuchi kashira of shakudo with immortals highlighted in gold, menuki formed as religious ornaments and tsuka of black ito over white samé
the blade shinogi-zukuri, tori-zori and iori-mune, suguha hamon (faded) and o-suriage nakago mumei with two mekugi-ana; with ornate gold lacquer saya decorated with rural scenes depicting trees, houses and blue sakura, round iron tsuba decorated in gilt with trees and sakura under moon, fuchi-kashira, split kogai, kozuka and kojiri decorated in guri-bori, menuki formed as immortals in shakudo and gold, and tsuka of black ito over white same
the blade hira-zukuri, mu-zori and iori-mune, narrow suguha hamon and ubu nakago with two mekugi-ana, ha-agari kurijiri, o-sujikai yasurime and signed Kaneuji; with black lacquer saya highlighted with fish in gold, koshirae decorated with typical Omori school crashing undercut waves with gold spray over the kojiri, kurikata, koi-guchi and fuchi kashira, kozuka signed Omori and menuki formed as ducks
Rolex; A gentleman's Rolex Oyster Submariner perpetual steel bracelet wristwatch, Ref: 5513, circa 1978, the signed black dial with luminous dot baton triangular markers and 12 'O clock, Swiss T<25 at 6 O'clock, bi-directional rotary bezel, screw down winder with Rolex Crown motif, calibre 1520, serial no. 5231920, the case back signed 'Montres Rolex SA 5513', oyster bracelet, box and papers.Illustrated
A collection of gold, silver and costume jewellery to include; a 22ct gold wedding band, with chevron engraving, size S/T, 4.0g, a 22ct gold wedding band, size R, 1.9g, a gold and cabochon turquoise ring, (unmarked, adapted, valued as 18ct), size O, 2.6g, a three-stone diamond ring set in a yellow metal band, size N/O, marked indistinctly, 1.6g gross, a 9ct gold amethyst and paste cluster ring, size P/Q, 2.7g gross, a 9ct gold band with leaf engraving and inscription, size T, 5.0g gross, a yellow metal maple leaf pendant stamped 18k on a yellow metal chain stamped 10K, together with a pair of yellow metal maple leaf earrings stamped 14K, (qty).
A group of five rings; a white gold and 11-stone brilliant-cut gem set ring stamped 585, size O, 3.5g gross, a white gold and diamond panel ring stamped 9K, size J/K, 2.3g gross, a 9ct yellow gold and diamond ring with alternating round brilliant and baguette stones, size N, 2.3g gross, a 9ct gold, diamond and gem-set long panel ring, size K, 3.8g gross, and a six-band gold and multiple small diamond ring stamped 585, size O, 8.5g gross, (5).
SARAWAK 1945 BMA overprints, a selection of ten philatelic covers, each bearing two or more values, all values are present with some light duplication including two $10 black and yellow, all are used/tied by two line VICTORIA/LABUAN two line cancel for 17.1.1946, also eleven similar covers bearing various 1945 North Borneo BMA opts to $5 (a couple with stamps removed) and a newspaper wrapper (Straits Times) f/w Malaya BMA 2c used within Singapore, all are addressed to F/o Roy Frederick Carnon who later became an artist involved with film production, a brief biography is included in the front of the album, each cover is lightly affixed to page by adhesive but appears to be removable without damage (not tested!)
Small selection of A-C countries comprising Antigua 1932 Tercentenary _d to 5s, British Guiana 1938-52 $1 bright violet perf 14 x 13 (right marginal), B.I.O.T. selection of 1968 values in pairs with one in each showing the 'No stop after 'O', ''I' or 'B' variety, B.S.I. 1959 4s and 11s and 1960-64 5s and £1 booklets, Cayman Islands 1935 _d to 10s, Cyprus 1934 _pi to 45pi and the 1963 Scout Movement and Conference 250m miniature sheet, Grenada 1938-50 perf 12 10s slate-blue and bright carmine, KUT 1935-37 1c to £1, Malta 1922-26 £1 (both shades) and1 948-53 New Constitution 1_d u/m block of four from the foot of the sheet, the upper left stamp variety "Broken cross", Montserrat 1932 300th Anniversary _d to 5s and Nigeria 1936 _d to £1 large part lightly hinged o.g., fresh and fine, odd small fault but generally good to fine large part o.g., a nice little group, cat £4,000+
QUEENSLAND Collection on pages from 1860 to 1908, better items include 1860 London ptg imperf 1d carmine used, thinned but with large margins except touched at top, perf 14-16 6d green used, 1860-61 perf 14 1d carmine used, rough perf 14-16 1d carmine-rose m/m and 3d brown unused, also 1s violet used, 1862-67 thick paper, perf 13 1d, 2d, 3d and 6d unused, some with o.g., 1866-67 litho 4d lilac, large part o.g.,1880 _d on 1d unused, perfs trimmed, 1907 litho 2s 6d vermilion and 10s sepia m/m, 1900 Anglo-Boer War set, unused w/o gum, 2d small thin, condition mixed in places (100+)
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175434 item(s)/page