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Lot 23
A Sheaffer sterling silver fountain and ball pen set, silver and silver plated propelling pencils including Yardley, Yard-O-Led, etc (11). CONDITION REPORT: The 15ct nib of the Sheaffer silver fountain pen has signs of impact damage and the mechanism on the roller ball pen seems inoperable, the silver casing on one of the propelling pencils is split and the others all have small knock marks and wear commensurate with age.
Lot 112
A Quantity of Modern 'O' Gauge Locomotives, eight wheeled coaches by Lima including class 33 Diesel locomotive, BR green, R/no D6506, Triang class hymer blue flier locomotive R/no 3d95, boxed peco #5l - E792Bh left hand turnout, some items may be damaged and or parts missing, playworn, (Two Boxes).
Lot 476
Six Model Railway Locomotives And Rolling Stock By Hornby, Dapol including Hornby 'O' Gauge #42180 hopper wagon (boxed), coach no1 (boxed), #42220 no1 rotary tipping wagon, Dapol "00" gauge 0-4-0 tank locomotive R/no 51218, Hornby "00" gauge 0-4-0 tank locomotive, R/no 101, G.W green, a boxed "N" Gauge open wagon 'Caurtoulds', mostly playworn.
Lot 283
Masonic Interest - Companions of the Royal Arch - A silver gilt medal in the form of the Seal of Solomon, being a six-pointed double triangle star, within a ring with circular pendant below, with loop and ornate bar for ribbon suspension; the face with the Seal bearing a triangle, with the radiant Sun centrally from which issue a pair of compasses supporting the Earth, the arms of the Seal inscribed ‘EYPHKAMEN (Eurekamen) INVENIMUS CULTOR DEI CIVIS MUNDI’ (We have found the worship of God, o citizen of the world), the ring inscribed ‘SI TALIA JUNGERE POSSIS SIT TIBI SIRE SATIS’ with stick pin for wear, suspension clasps stamped SILVER, medal hallmarked for Birmingham ?1941, 11cm max length
Lot 17
the blade shinogi-zukuri, shallow tori-zori, iori-mune and extended chu-kissaki, ko-itame and mokume hada with ji-nie, hamon in ko-nie, suriage machi-okuri nakago with two mekugi-ana and kesho-yasuri and signed Geishu Yamagata Ihara Ju Masamitsu on the omote and Shinsei Kotetsu Omote Kore O Tsukuru and dated Keio Gannen Juni (1865) on the ura; with decorative double habaki engraved with a yari on one side and a teppo on the other and in shira saya
Lot 22
the blade shinogi-zukuri, shallow tori-zori, iori-mune and extended chu-kissaki, tight ko-mokume hada with some ji-nie, notare-midare hamon in nie, boshi with kaeri and suriage nakago with three mekugi-ana, kuri-jiri, o-suji-chigai yasurime and mei of two characters reading Ujinori; with black lacquered saya, plain iron mokko-gata tsuba mumei, menuki depicting Buddhist sage and koi and tsuka of ito over white samé
Lot 30
the blade shallow tori-zori and chu-kissaki, itame-gokoro hada, very narrow suguha hamon and with small kiri-komi on the mune and o-suriage nakago mumei with two mekugi-ana; with saya of light brown lacquer with black kojiri, soritsuna and koi-guchi, round iron sukashi tsuba depicting a bamboo grove and signed Masatsugu, shakudo fuchi-kashira depicting a wooded country scene with highlights in copper and gold, and tsuka of black ito over white samé
Lot 33
the blade shinogi-zukuri, tori-zori and chu-kissaki, ko-mokume-hada with some masame, ko-choji-hamon becoming gunome based on suguha towards the monouichi, o-maru boshi with hakikake in ko-nie and ubu nakago with yamagata jiri and some kesho-yasuri and signed Iryushi Nagamitsu Saku; with shira-saya
Lot 359
M. Pétard, Des Sabres et des Épées, vols. 1 and 2; J.D. Forman, The Scottish Dirk; C. Martyn, The British Cavalry Sword from 1600; C. Mazansky, British Basket-Hilted Swords; E. Oakeshott, Records of the Medieval Sword; J.F. Hayward, Swords and Daggers; R.H. Bezdek, Swords and Sword Makers of England and Scotland; R. Cohen, By The Sword; E. Valentine, Rapiers; J. Wilkinson-Latham, Regulation Military Swords; J.D. Gamble, Axes of War and Power; R. Underwood, Anglo-Saxon Weapons & Warfare; W. Wilson, Arte of Defence; J. Lhoste, Les Épéees Portées en France des Origines à Nos Jours; R. Held (ed.), Art, Arms and Armour, An International Anthology; S.V. Grancsay, Arms & Armor, Essays by Stephen V. Grancsay fromt The Metropolitan Museum of Art Bulletin 1920-1964; C.E. Whitelaw, Scottish Arms Makers; The Metropolitan Museum of Art, Historical Armor, A Picture Book; R-J. Charles, La Collection Georges Pauilhac au Musée de l'Armée, exhibition guide; C.C. Stone, A Glossary… Arms and Armour, reprint; J.G. Mann and M.A. B. Litt, Studies in European Armour, 1929 (Trotman reprint 2003); J. Anderson, Ancient Scottish Weapons, A Series of Drawings by the Late James Drummond (reprint); Various contributors, Die Waffensammlung des Österreichischen Kaiserhauses im K.K. Artillerie-Arsenal-Museum in Wien, reprint of 1866-1870 original; J.A. Godoy, Armes a Feu XVe-XVIIe Siecle, Collection du Musée d'Art et Histoire, Genève; Various contributors, Kataloge des Bayerischen Nationalmuseums Handfeuerwaffen; A.D. Ortiz, C.H. Carretero and J.A. Godoy, Resplendence of the Spanish Monarchy, Renaissance Tapestries and Armor from the Patrimonio Nacional; C. Blair, The James A. De Rothschild Collection at Waddesdon Manor; A.G. Llansó, Museo-Armería de D. José Estruch y Cumella, 1976 reprint of 1896 original; Various contributors, Napoléon et les Invalides, Collections du Musée de l'Armée; M.L. Levkoff, Hearst the Collector; N. Drejholt, Firearms of the Royal Armouries, Stockholm, 2 vols.; B. Thomas and O. Gamber, Waffensammlung, Kunsthistoriches Museum, Wien, 2 vols.; Mann and Norman, Wallace Collection Catalogues, European Arms and Armour, 2 vols., European Arms and Armour Supplement; Collection Alfonso Fierro, Armas de Fuego Antiguas; W.J. Karcheski, Arms and Armor in The Art Institute of Chicago; I. Eaves, Catalogue of European Armour at the Fitzwilliam Museum; P. Allevi, Museo d'Arti Applicate, Armi da Fuoco; C. Calamandrei, Lame Del Risorgimento, Palazzo dei Vicari, 2-10 September 1978; Armi Antiche a Gardone, Mostra inaugurale del Museo delle Armi e della Tradizione Armiera di Gardone Val Trompia; Å. Meyerson and L. Rangström, Wrangel's Armoury; P. Krenn, The Landeszeughaus of Graz; M. Mauro, Armeria della Rocca Mostra di Armi Antiche, 29 July - 29 October 1989, Mondavio; The Journal of the Walters Art Gallery, 1939, article S. Grancsay on Maucher carved gunstocks; S.W. Pyhrr, Firearms from the Collection of The Prince of Liechtenstein; L.G. Boccia and J.A. Godoy, Museo Poldi Pezzoli, Armeria II; Various contributors, Museo de Armas Eibar; Various contributors, L'Armeria Reale di Torino; L. Tarassuk, Antique European and American Firearms at the Hermitage Museum; I.N. Paltousova, A.A. Catoire de Bioncourt's Weapons Collection, St. Petersburg, 2003; Bardovskaya, Wedensky and Fajbisovitch, Arsenal of Tsarskoye Selo; Various contributors, Armoury Chamber of the Russian Tsars; Dr. H. Schneider, Hand- und Faustfeuerwaffen 1540-1820, Schweizerischen Landesmuseum; B. Thomas and L.G. Boccia, Historische Prunkwaffen aus dem Museo Nazionale (Palazzo del Bargello) zu Florenz, restauriert in den Werkstätten der Wiener Waffensammlung, 16 July - 4 October 1970; L.G. Boccia, Il Museo Stibbert a Firenze, 2 vols.; Armi D'Attacco da Difesa e da Fuoco. La Collezione d'armi del Museo d'Arte Medievale e Moderna di Modena; Le Armi, Museo Bardini; N. di Carpegna, Firearms in The Princes Odescalchi Collection in Rome; F. Rossi and N. di Carpegna, Armi Antiche dal Museo Civico L. Marzoli, Palazzo della Loggia, Brescia June - September 1969; R. Held; 70 Interesting Firearms in the Arms and Armour Museum of the Republic of San Marino; J. Pasquier and J.J. Reverseau, Armes, Musee des Arts Decoratifs Bordeaux, January - June 1980; M. Terenzi, Mostra Delle Armi da Puoco Anghiaresi e dell'Appennino Tosco-Emiliano, Palazzo Taglieschi, 11 August - 15 September 1968; Mostra di Armi Antiche, Castello dei Conti, 16 July - 16 August 1967; Various contributors, Armi e Armati, Musei del Comune, Firenze; R.S. Elliot, Matchlock to Machine Gun, The Firearms Collection of the New Brunswick Museum; Dr. Otto Schwarz, Das Landeszeughaus in Graz, 1971 reprint; A. Geibig, Die Kunst der Konstrukteure; Zwischen Politik und Krieg, Kunstsammlungen der Veste Coburg; Guy Francis Laking, A Record of European Armour and Arms Through Seven Centuries, 2008 reprint; B. Dean, The Collection of Arms and Armor of Rutherfurd Stuyvesant (Trotman limited edition facsimile no. 2 of 50); F. Joubert, Catalogue of the Collection of European Arms & Armour formed at Greenock by R.L. Scott, (Trotman 2006 reprint); Museo Stibbert, Firenze, La Cavalcata, 2003; A. Soler del Campo, Real Armería Palacio Real; U. Franzoi, L'Armeria del Palazzo Ducale a Venezia; Die Waffensammlung des Dogenpalastes in Venedig; The Metropolitan Museum of Art, The Armored Horse in Europe 1480-1620; G. Macoir, La Salle des Armures du Musee de la Porte de Hal, Bruxelles, 1910 (reprint); Staatliche Kunstsammlungen Dresden, Pistolen; La Maison de la Chasse et de la Nature (guide); Lt. Col. E. Hardy, Le Musée de l'Armée, (2005 Trotman reprint); M. Spencer and F. Philpott, Early European Hand-Firearms in Liverpool Museum; T. Curtis, The Lyle Official Arms and Armour Review, 1977; F. Cannan, Scottish Arms and Armour; E.G. Heath (intro), Bow verses Gun; H.W. Bowman, Famous Guns from the Smithsonian Collection; Famous Guns from the Winchester Collection; Antique Guns from the Stagecoach Collection; M. Signorini, Breve Storia delle Armi Bresciane; Various contributors, The Collection of Arms and Armour in the Museum of Peasant Uprisings, Muzeji Hrvatskog Zagorja; S. Turnbull, The Book of the Medieval Knight; two vols. Journal of The Royal Armoury, Stockholm, 1976 and 1980; and a Japanese publication on swords and sword-fittings.
Lot 378
MAZZINI, Franco, L'armeria reale di Torino (1982); BOCCIA, Giorgio Lionello, Il Museo Stibbert, a Firenze, Volume Terzo: l'armeria europea (1975); BOCCIA, Giorgio Lionello, Il Museo Stibbert, a Firenze, Volume Terzo: l'armeria europea (1975); COLLURA, Domenico, DELL'ACQUA, Gian Alberto & MOLFINI, Alessandra Mottola, Armi e armature Museo Poldi Pezzoli (1980); DI CARPEGNA, Nolfo, Antiche Armi dal sec. IX al XVIII, già Collezione Odescalchi (1969); FRANZOI, Umberto, Armoury of the Doges Palace in Venice (1996); GIORGETTI, Giovanni, A Guide to the Arms And Armour Collection In Cesta Castle, San Marino (1969); MANN, James G., The Lost Armoury of the Gonzagas (2005); MAURO, Maurizio, Armeria della Rocca, Mostra di Armi Antiche (1989); NEBBIA, Ugo, Le Sale D'Armi del consiglio dei dieci nel Palazzoz Ducale di Venezia. Guida Storica e Descrittiva (1923); ROSSI, Francesco & MAGAGNATO, Licisco, Museo di Castelvecchio, Le Armi 1300-1700 (1987); ROSSI, Francesco, Guida del Museo delle Armi "Luigi Marzoli" (1988); TERENZI, Marcella & MUSEO NAZIONALE DI CASTEL S. ANGELO, Mostra di armi antiche (sec. XIV-XV).: Poppi, Castello dei conti Guidi, 16 luglio-16 agosto 1967(1967); VARIOUS AUTHORS, Os Descobrimentos Portugueses e a Europa do Renascimento: A mão que ao Ocidente o véu Rasgou Armaria (1983)
Lot 39
the blade shinogi-zukuri, tori-zori, and chu-kissaki, a small kiri-komi on the mune, mokume-hada, notare-midare hamon with ko-nie and nioi extending into the boshi, and o-suriage nakago mumei (possibly Bizen-den), late Koto period; with black lacquered saya enhanced with polished samé and silver strips, round iron tsuba mumei inlaid in gold and silver with dragons (rubbed), menuki formed as silver dragons and floral designs and black painted tsuka with samé
Lot 41
the blade shinogi-zikuri, tori-zori, iori-mune and chu-kissaki, ji-hada itame-gokoro, notare-midare hamon in nioi and o-suriage nakago with two mekugi-ana and signed Kawachi No Kami Minamoto Hironobu (?); with gunto saya, brass mokko-gata tsuba with floral design, military mounts and tsuka with officer's knot,
Lot 42
the blade shinogi-zukuri, tori-zori, iori-mune and ko-kissaki, mokume-hada with some zukari, hamon in nioi-deki, komaru boshi with kaeri and o-suriage nakago with four mekugi-ana; with samé saya, sentoku tsuba mumei showing Shoki the demon-queller, ito missing, and together with a small group of additional fuchi kashira and menuki
Lot 51
the blade shinogi-zukuri, iori-mune and o-kissaki, engraved with a horimono of entwined dragons on the omote and a suken with vraja on the ura, itame-gokoro hada almost masame in parts, gunome-midare hamon in ko-nie and suriage nakago with two mekugi-ana, yoko-yasuri and traces of kinzogan mei; with shira-saya
Lot 53
the blade shinogi-zukuri, shallow tori-zori and chu-kissaki, notare-midare hamon with togari, gunome and some kinsuji in a coarse nie and ubu nakago with two mekugi-ana, o-suji-chigai yasuri, kata-yamagata jiri and signed Hoki no Kuni Ju Kurayoshi Ju Hiroyoshi (Koga) on the omote; with black lacquer saya decorated with flowers, iron tsuba mumei decorated with tendrils inlaid in gilt, fuchi-kashira depicting a scene from the Genpei War and tsuka of black ito over white samé
Lot 67
the blade shinogi-zukuri, deep tori-zori and tunbari, iori-mune and ko-kissaki, o-mokume hada with some itame and some ji-nie, gunome midare hamon becoming ko-midare in the mono-uichi area and with profuse sunagaeshi throughout, deep ko-midare boshi with small kaeri and suriage nakago with two mekugi-ana, yoko-yasuri and signed Bishu Osafune Masamitsu; with shira-saya and saya-gaki
Lot 7
the blade shinogi-zukuri, shallow tori-zori, iori-mune and chu-kissaki, suguha hamon with some slight midare in the monouichi area in nie-deki and with sunagaeshi, ko-midare boshi with sunagaeshi and kaeri and o-suriage nakago with two mekugi-ana, in shira-saya; with gold-coloured nashiji lacquered saya, iron tsuba mumei depicting a pastoral scene in gold highlights, fuchi kashira of floral design in soft metals on a shakudo-nanako ground, shakudo menuki and tsuka of green patterned ito over white samé
Lot 71
the blade shallow tori-zori, iori-mune and o-kissaki, red lacquered bo-hi, ko-itame ji-hada, suguha hamon in ko-nie and ubu nakago with two mekugi-ana and kuri-jiri yasurime signed O-eh Kanetoshi on the omote and dated Bunkyo Ni Nen Ju Gatsu Hi (1862) and signed Tosa Shi Yokoyama Shi No Motome (No Yori) Tsukuru Komi ("This sword was made on the order of Mr Yokoyama, a retainer of the Tosa clan") on the ura; with nashiji lacquered saya (slight fading), mokko-gata tsuba mumei with ray design and two large brass seppa-dai, menuki formed as gold dragons, and green ito over white samé
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175123 item(s)/page