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Lot 524

An 18ct gold ring set with a diamond in a platinum setting, size O

Lot 526

An 18ct gold ring set with five diamonds, size O

Lot 533

A 9ct gold ring set with a round cut diamond of approximately 0.25ct, size O

Lot 542

A 9ct gold ring set with diamonds in a twist setting, size O

Lot 555

Art Deco style ring set with a round cut diamond of approximately 0.35ct surrounded by further diamonds in a pierced design, size O

Lot 1249

9ct yellow gold emerald and diamond set ring size O 1.75g

Lot 1286

9ct yellow gold wedding set diamond and ruby set size O 4.64g

Lot 1410

Five silver plate Yard-O-Led propelling pencils ( four boxed )

Lot 1413

Yard-O-Led hallmarked silver propelling pencil

Lot 12

18ct gold Art Deco sapphire and diamond ring. Set with 3 sapphires and 12 diamonds in a stylish mount. Size approx. O½. Total weight 3.0g

Lot 16

A diamond solitaire ring. Approx. 2.3 ct. Appears flawless, set in unhallmarked platinum. Ring size O.

Lot 36

A 925 silver dress ring set with central oval Amber cabochon. Together with a silver wishbone ring set with sapphires and clear stones. Sizes O and N.

Lot 324

A sapphire and cubic zirconia flower head ring, set in yellow metal, size Q, 9ct gold and aquamarine ring, size R, and a 9ct gold sapphire and cubic zirconia five stone wishbone ring, size O, 4.2g.

Lot 427

A Great War framed montage to Private F O Gibbs, 201435, 1/4 Suffolk Regiment, comprising cap badges, medal ribbons, identity tag, etc, on a felt ground stitched, served in The Great War 1916-1919, 25cm x 35cm.

Lot 465

A gentleman's 9ct gold signet ring, monogram engraved, size X, together with a lady's 9ct gold and seed pearl set dress ring, size O, 8.2g.

Lot 561

A 22ct gold wedding band, size O, 5.5g.

Lot 566

A 22ct gold wedding band, size O, 1.5g.

Lot 569A

A 9ct gold sapphire and zircon half eternity ring, size O, 1.2g.

Lot 943

Yamaha 02R digital recording console, made in Japan, ser. no. NL01183; together with addition???? Yamaha model MB02 peak meter bridge, TC Electronic TC Unity signal processing engine effects card, a Yamaha AES/EBU model CD8-AE-S digital I/O card and two Yamaha CD8/AT ADAT cards, dust cover

Lot 103A

A sapphire and diamond ring, the oval facet cut sapphire flanked by two old cut diamonds, each weighing approximately 0.23 carats, within openwork mount, on 18ct. yellow gold shank, c.1899, ring size O.

Lot 104

A Victorian garnet and peridot ring, on 15ct yellow gold shank, ring size O.

Lot 107

A signet ring set with bloodstone agate, on 9ct. yellow gold shank, ring size O, 4.6grms gross.

Lot 137

An opal and emerald cluster ring, on 9ct. yellow gold shank, ring size O, 2.3grms gross.

Lot 139

A 9ct. yellow gold signet ring, size O; together with a half shell cameo ring, on 9ct. yellow gold shank, ring size O, 4.2grms gross. (2)

Lot 141

An amethyst dress ring, on 9ct. yellow gold shank, ring size M; together with an orange stone ring, on 9ct. yellow gold shank, ring size O, 5.5grms gross. (2)

Lot 458

P&O oscillating multi tool with fittings in wooden carry case

Lot 10

Robert O. Lenkiewicz [1941-2002]-Death as the Lover Presents His Entrails,:Project 2. Death & The Maiden, 1974signed and inscribedpencil drawing39 x 20cm.* Provenance. The Lenkiewicz Foundation Collection.

Lot 11

Robert O Lenkiewicz [1941-2002]-'Brother Blair', 12 Jan 1977,:-pencil drawingwith extensive notes verso39 x 27cm.* Provenance. The Lenkiewicz Foundation Collection.

Lot 12

Robert O. Lenkiewicz [1941-2002]-Albert Ernest Fisher, The Bishop, leaving Plymouth Magistrates' Court, 22 December 1973,:-signed, pencil drawing 24 x 16.5cm,framed together with Plymouth Magistrates' Court Notice of Conviction for the offence of 'drunk' and a City of Plymouth Magistrates' Court receipt for a fine instalment of £2.00 dated 10th January 1973.* Provenance. The Lenkiewicz Foundation Collection.

Lot 13

Robert O. Lenkiewicz [1941-2002]-Charles Thomas McNaughton, known also as Chic The Bam, 1976,:-pen and ink drawing36 x 28cm.* Provenance. The Lenkiewicz Foundation Collection.

Lot 14

* Robert O. Lenkiewicz [1941-2002]-Self-Portrait at The House,:-signed and inscribed on the reverseoil on board25.5 x 19cm.

Lot 16

Robert O Lenkiewicz [1941-2002]-Exquisite sense of her melting at point of climax....;Uniquely rich sexual event .....,:-two, Project 9. Orgasm, 1978watercolours, pen, ink and mixed media30 x 20cm & 21 x 29cm. [2]* Provenance. The Lenkiewicz Foundation Collection.

Lot 18

Robert O Lenkiewicz [1941-2002]-Aesthetic Note 31 March '78,'The body is vulnerable to a tireless projection .... Interesting to consider the 'social' concept of humiliation as an aesthetic'Project 9. Orgasm, 1978pen, ink and watercolour drawing30 x 18.5cm.* Provenance. The Lenkiewicz Foundation Collection.

Lot 19

* Robert O Lenkiewicz [1941-2002]- Aesthetic Note, 5.30am 31st March '78,'That familiar disturbance of two year ago ..... in the far distance a setting sun',:-Project 9. Orgasm, 1978watercolour pen and ink drawing30 x 20.5cm.

Lot 2

A signed R O Lenkiewicz Retrospective Exhibition Poster,Wolverhampton 1998,:60 x 42cm.

Lot 21

* Robert O. Lenkiewicz [1941-2002]-Monica with Reuben,:-oil on canvas120 x 88cm.

Lot 24

Robert O. Lenkiewicz [1941-2002]-Mouse with Wool - Interior:-circa 1965oil on canvas188 x 203cm, together witheight related preparatory watercolour, crayon, pen and ink drawings, sizes from 32 x 27cm to 12 x 15cm each, in four composite frames. [4]* Provenance. The Lenkiewicz Foundation Collection.* Exhibited. The Painter with Women (Retrospective Section), ICC Birmingham 1994; Plymouth City Museum Retrospective, 1997; Wolverhampton Art Gallery, A Retrospective, 1998; Plymouth City Museum and Art Gallery, 2009; Royal West of England Academy, Bristol 2011; Royal William Yard, Plymouth, 2012; Spinnerei, Leipzig, and Nuremberg, Germany, 2013 (see Introduction for post-2007 exhibition details).Literature.R.O. Lenkiewicz (1997). White Lane Press. p.23.Robert Lenkiewicz: Paintings & Projects. (2006). White Lane Press. Plate 3.Robert Lenkiewicz: Human All Too Human (2012). Lenkiewicz Archive. p.4.* Notes. 'A turning point'The early watercolour sketches of this painting include Lenkiewicz's design notes. These explain the colour harmonies, method of construction of the perspective and use of the Golden Section, a mathematical ratio known since the Classical Age to give aesthetically pleasing and harmonious qualities to pictures and architecture. The sketches show that Lenkiewicz had meant to place the three chairs in the picture in an unbroken line, a reference to Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even (1923), but later altered the composition to heighten visual drama with broken perspective. Rembrandt appears, smiling in a detail from the 1662 Self-Portrait as Zeuxis (the 5th century BC Greek painter). A comparison with the preparatory sketch shows how the finished work made use of one of only two Rembrandt self-portraits in which the artist faces left. X-ray analysis would show how this change seems to have been dictated when the leftmost seated figure, originally a rear view facing away, was later rotated in the composition with a new model to face away from sitter, Celia 'Mouse' Mills, Robert's first wife.The theme of the painting relates to the passing of time and, like Duchamp's work, this painting was long in the making. Mouse has said that she made countless sittings for it over a six year period. Lenkiewicz viewed it as 'a significant turning point piece'.Celia Mills and Robert Lenkiewicz met at St Martin's School of Art in 1961 and married in 1964. Their daughter Alice was born the same year and the family moved to Trevawden Cottage, at Lanreath, Cornwall in 1965, close to Mouse's parents. Lenkiewicz supported the family by working as a teacher at St Anne's Primary School in Gunnislake. In 1966, the couple moved to Plymouth and their son, Wolfe, was born in October.

Lot 27

* Robert O. Lenkiewicz [1941-2002]-Mark Bridgeman on the Studio Chair,:-Project 3. Mental Handicap, 1976signed and inscribed on the reverse, oil on canvas129 x 103cm.* Notes Exhibited. Royal West of England Academy, Bristol, 2011.

Lot 29

Robert O Lenkiewicz [1941-2002]-Man Caressing his fear;Man Watching his empty hand during the Caress,:-Study - Suicide / Mary Theme,two, signed, mixed medialargest 37 x 36.5cm, framed and mounted together.* Provenance. The Lenkiewicz Foundation Collection.

Lot 3

* Robert O. Lenkiewicz [1941-2002]- The Painter With Mary - Project 14,:- silk screen print signed, inscribed and numbered 208/250 sheet size 65 x 79cm, unfarmed

Lot 30

Robert O Lenkiewicz [1941-2002]-Aesthetic Note 22-23 Oct. '79, Mary has not come to see me,:-Project 14.The Painter with Mary: a study in obsessional behaviour, 1981mixed media29.5 x 20.5cm.* Provenance. The Lenkiewicz Foundation Collection.

Lot 34

* Robert O. Lenkiewicz [1941-2002]-Self Portrait with Demons,:-Project 18. The Painter with Women: Observations on the Theme of The Double, 1994signed and inscribed on the reverseoil on canvas 91 x 91cm.Exhibited. Royal William Yard, Plymouth, 2016. Robert Lenkiewicz (1941-2002): Self-Portraits.

Lot 36

* Robert O. Lenkiewicz [1941-2002]-Study of Myriam,:-signed, inscribed and dated '88 on the reverseoil on canvas38 x 27cm.

Lot 37

* Robert O. Lenkiewicz [1941-2002]-Belle Pecorini Seated,:-oil on board22.5 x 32cm.* Provenance. The Lenkiewicz Studio Sale, Bearnes, Westpoint, Exeter, 2004. Part lot 582.

Lot 38

* Robert O. Lenkiewicz [1941-2002]-Blonde Girl on The Bed,:-signed and inscribed on the reverseoil on canvas23 x 48cm.

Lot 4

* Robert O. Lenkiewicz [1941-2002]- Study of Mary,:- lithograph, signed, inscribed and numbered pp 23/50 47 x 39cm.

Lot 41

* Robert O. Lenkiewicz [1941-2002]-The Painter with Esther Dallaway,:-Project 18. The Painter with Women: Observations on The Theme of The Double, 1994.signed and inscribed on the reverse, oil on canvas, 89 x 44cm.

Lot 43

Robert O. Lenkiewicz [1941-2002]-Study of Mark Vaughan,:-Project 17. Observations on Local Education, 1988signed and inscribed on the reverseoil on canvas147 x 147cm.* Provenance. The Lenkiewicz Foundation Collection.

Lot 45

* Robert O. Lenkiewicz [1941-2002]-The Emily Dickinson Panels,:-a set of seven educational oils on board describing Dickinson's family, childhood and schooling, each 76 x 10cm. [7] * Note. These panels formed part of a book display cabinet constructed to Lenkiewicz's design and installed at Plymouth Arts Centre in 1996 as part of a celebration of the poet's life and work.

Lot 46

* Robert O. Lenkiewicz [1941-2002]-St Martins School of Art, figure study, circa 1957:-signed and inscribed on a label attached to the backboardpencil drawing40 x 28.5cm.

Lot 47

* Robert O. Lenkiewicz [1941-2002]-Wolfe on his way to Lyme Regis on the train,:-signed and inscribed on a label attached to the backboardmixed media15 x 16cm.

Lot 48

Robert O Lenkiewicz [1941-2002]-Maid & Wolf [Little Red Riding Hood];Maid with Snake & Wolf,:-Project 9. Orgasm, 1978two, both signedwatercolour and mixed medialargest 9 x 16.5cm, framed and mounted together.* Provenance. The Lenkiewicz Foundation Collection.

Lot 49

Robert O. Lenkiewicz [1941-2002]-Design for Tomb Monument; The Resurrection of Mary. She kisses herself farewell - I leave with the corpse,:-Project 14. The Painter with Mary; a study in obsessional behavior, 1981.two, mixed media 41 x 27.5cm & 40 x 37cm. [2]* Provenance. The Lenkiewicz Foundation Collection.

Lot 5

* Robert O. Lenkiewicz [1941-2002]-Painter with Women St Anthony Theme,:-silk screen printsigned, inscribed and numbered 101/195further signed and inscribed 'To Graham in appreciation..'sheet size 65 x 79cm, unframed

Lot 50

Robert O Lenkiewicz [1941-2002]-Death of Mrs Plotnik at Hotel Shem Tov, circa 1955,:-pen and ink drawing34.5 x 26cm.* Provenance. The Lenkiewicz Foundation Collection.

Lot 51

* Robert O. Lenkiewicz [1941-2002]-Figurative wood carving study,:-pencil drawing28 x 19cm.

Lot 51A

Robert O. Lenkiewicz [1941-2002]-Mary's Head Flayed. Marsyas, 1981,:-Project 14. The Painter with Mary, a study in obsessional behaviour. 1981watercolour heightened with white36 x 30cm.* Provenance. The Lenkiewicz Foundation Collection.

Lot 52

* Robert O. Lenkiewicz [1941-2002]-Albert Edward Williams, 84 years old,:-Project 11. Old Age, 1979watercolour heightened with white40 x 29.5cm.

Lot 54

Robert O. Lenkiewicz [1941-2002]-11.35pm 24th September - Thursday 1998,'I think of Artaud's rage against organs - the time has come for more oxygen....',:-mixed media27 x 20cm.* Provenance. The Lenkiewicz Foundation Collection.

Lot 55

Robert O. Lenkiewicz [1941-2002]-How heavy is a childhood load?,:- pen, ink and watercolourextensive notes verso49 x 41cm.* Provenance. The Lenkiewicz Foundation Collection.

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