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Lot 503
A Hornby O gauge lithographed tinplate platform station, two level crossings, a No 2 signal cabin, boxed, two bridges, a No 1 Meccano clockwork motor, a crossing, a flat truck with cable drum, boxed, a Wells Brimtoy tunnel, a blue painted wooden bridge, a large painted wooden engine shed with front opening doors various other station and platforms, signal arms together with a large quantity of accessories including empty Hornby boxes, spares accessories and parts (qty)
Lot 717
Ed Sheeran's headphones, Bang & Olufsen, in red with the letters B&O. All of the Ed Sheeran Collection has come from Ed Sheeran himself and is to be sold at auction to support the Zest Charity, Bishop & Miller Auctioneers is delighted to be working in partnership with Zest and the St Elizabeth Hospice Family to raise much needed funds. Each lot will come with a Bishop and Miller signed certificate of authenticity.
Lot 67
WW2 multisigned Bomber photo. 8" x 10" photo of a Lancaster has been signed by the following 12 Bomber Command Veterans Flt Sgt Jack Baldwin 635 Sqd, Flt Lt Boris Bressloff DFM 635 Sqd, W/O Jim Brookbank 9 Sqd, Sqn Ldr Benny Goodman 617 Sqd, Flt Sgt Ken Jenkinson 617 Sqd, F/O Bill Kelbrick - 50 Sqd, W/O Ken O'Brien DFM 101 Sqd, Sqd Ldr John Rowland DFC* DSO 12 Sqd, Flt Lt Tommy Taylor DFC MiD 9 Sqd, Flt Lt Ken Thomas 622 Sqd, W/O Sam Thompson 9/103 Sqd, F/O Ray Worrall 44 Sqd. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.95.
Lot 478
*Hiroshige (Utagawa, 1797-1858). Looking toward Ikenohata from the Hill of the Yushima Tenjin Shrine (Yushima Tenjin sakaue yori Ikenohata o miru zu), from the series Famous Places in Edo, circa 1848-49 [but later], horizontal oban colour woodblock print, (being a version of the print listed in Ukiyo-e shuka 14 (1981), Hiroshige list, page 247), on thin laid paper, some light spotting, image size 22.2 x 35cm, sheet size 24.5 x 37.3cm, framed and glazed, together with two 20th-century re-issues of Man on Horseback crossing a Bridge (from The Sixty Nine Stations of the Kisokaido), and the Takihi Shrine of Oki Province (from Famous Views of the Sixty-Odd Provinces), the first mounted and the second framed and glazed, plus two 19th-century colour woodblock prints of single male figures, possibly by Eisen or Kunisada, each with kiwame seal, some marks and light fading, sheet size 39 x 27cm and similar, both tipped-on to backing paper An example of the original version of the first listed work by Hiroshige is in the Denman Waldo Ross Collection at the Museum of Fine Arts, Boston, USA. (5)
Lot 407
*Goodwin (Edward, 18th/19th century). Looking into North Wales from Beeston Hill, near Liverpool 1838, watercolour on paper, titled, signed and dated verso, 15.5 x 22cm (6.25 x 8.75ins), framed and glazed, together with Attributed to Robert Brandard (1805-1862). Houses in wooded landscape, 1857, artist's monogram and date lower left, 19 x 17cm (7.5 x 6.75ins), framed and glazed, plus another watercolour on paper, signed O' Neill lower right, showing cattle and a windmill, 17 x 24cm (6.75 x 9.5ins), framed and glazed Little is known of Edward Goodwin, who worked in the tradition of Thomas Girtin long after that painter's death. He is represented by single works in the British Museum (a watercolour, Kew Palace, 1837) and the V&A (Bridge at Kippenross, near Dunblane). He lived at Manchester and Liverpool, and was among the founders of the Liverpool Academy in 1810. He also exhibited with the Old Water-Colour Society and the Royal Academy in London. (3)
Lot 473
Burne-Jones (Edward Coley, 1833-1898). An important series of 17 autograph letters to Eleanor Warren, Lady Leighton (1841-1914), 26 July 1881-27 March 1884, consisting of 17 autograph letters from Burne-Jones to Lady Leighton, on writing paper headed The Grange, West Kensington, W (except one on paper headed Ashley Cottage, Walton-on-Thames, the home of Sir George Lewis, the famous solicitor and patron of the arts), including 15 with original handwritten envelope, postmarked (except two without stamp and postmark, presumed hand-delivered), together with a telegram from Burne-Jones to Lady Leighton, and two autograph letters from Lady Leighton to Burne-Jones, on unheaded writing paper (one with original envelope), letters typically a single folded sheet, written on both sides, all now mounted on white backing paper A significant sequence of correspondence between the Pre-Raphaelite painter Edward Burne-Jones and Eleanor Warren, who married Sir Baldwyn Leighton, M.P., 8th Baronet of Loton, Shropshire in 1864. She was the sister of John Byrne Leicester Warren, 3rd Baron de Tabley, of Tabley Hall, Cheshire, and held the Tabley estate in trust for her son Cuthbert, following her brother's death. The Leighton's London residence was 49 Upper Brook Street, Grosvenor Square, London. Eleanor had met Burne-Jones at Downing Street in 1877 (the year her husband was elected a Conservative M.P.), and developed a close friendship that lasted until the artist's death in 1898, culminating in a commission from her for a stained glass window designed by Burne-Jones commemorating Eleanor's siblings at Tabley Chapel. The letters reveal the important role she played in assisting the artist with his work, discussing his art, and exchanging opinions on people and politics. Moreover, she became an important source to Burne-Jones for suggestions of old English flower names for an important sequence of small circular flower studies illustrating the names of flowers, undertaken between 1882 and 1898, known as The Flower Book (now in the British Museum). From her estate she supplied Burne-Jones with briars for his Briar Rose series (see Memorials of Burne-Jones, volume 1, page 145), and almond blossom for his painting The Tree of Forgiveness, painted in the winter of 1881, and exhibited the following spring at the Grosvenor Gallery : 'and O if I might have the real veritable & true bit of almond blossom by bearer & then I should want no more in all my life' (from a Burne-Jones letter to Lady Leighton included here). The letters refer several times to Burne-Jones' progress with 'Demophon' (The Tree of Forgiveness), the title of which was apparently suggested by Lady Leighton herself : 'I thought I had told you that you have to be the godmother to that picture - & now it is in print is it? Yes - that is a lovely name for it & will be understanded of the people better than if I called it by their names - thank you for that.' (Burne-Jones letter to Lady Leighton, postmarked May 26, 1882, included here). (20)
Lot 85
Constantine II, AE follis, Lyons. struck 337-348 AD. Obv CONSTANTINVS IVN NOB C, laureate, draped, cuirassed bust right . Rev GLOR-IA EXERC-ITVS, two soldiers holding spears and shields with one standard between them with o on the rectangular banner typical of Lyons. Mintmark: SLG. Ref RIC VII Lyons 271; Sear 17346. EF, very rare R5.
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