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Corgi Classics - five Chipperfields Circus diecast models comprising Scammell Highwayman with trailer and caravan 97885, Bedford O Articulated Horsebox 97887, Bedford O Articulated Truck 97303, Land Rover Public Address & Clowns 07202 and Advance Booking Vehicle 96905, all appear mint in box - Est £60 - £100 This lot must be paid for and collected (or despatched) no later than close of business on Tuesday 16th April
A yellow and white metal single stone diamond ring, accompanied with a GSI diamond identification report stated as 0.40 carat Colour: H Clarity: S12, dated April 10, 2018. Ring hallmarked 18ct gold, London. Shank stamped 'The Leo' (the 'o' is set with a 0.02ct diamond), 5263373 0.42. Also includes fitted Leo box and identification card. Size : I 1/2, 3.0 grams
A pair of gilt finished metal candle stands with a central sconce and five branches decorated with acanthus leaves and fruiting vines on tapered ribbed columns on double acanthus cups raised on a three sided base with applied cherub masks, our Lady and the symbol of the Sacred Heart, all raised o lion paw feet, 73cm high
O-Z A collection of 235+ programmes from clubs predominantly from the 1960's with a few from earlier matches, a few from later matches some European matches, some friendlies at Oldham Athletic , Oxford United , Peterborough United , Plymouth Argyle , Portsmouth , Preston North End , Queen's Park Rangers , Reading , Rochdale , Rotherham United , Scunthorpe United , Shrewsbury Town , Southampton , Southend United , Stockport County , Stoke City , Sunderland , Swansea , Swindon Town , Torquay United , Tranmere Rovers , Walsall , Watford , West Bromwich Albion , West Ham United , Wigan , Workington , Wolverhampton Wanderers , Wrexham and York City. Some faults. Fair to generally good
MAX ŠVABINSKÝ 1873 - 1962: SUMMER NIGHT 1911 Mezzotint on paper (print: 55.0 cm x 49.0 cm)550 x 490 mm Signed lower right: "M. Švabinský" “Švabinský, a poet of bright sunshine and songful contours, occasionally longed for subjects dominated by darkness, with meticulously plotted lines giving way to picturesque transitions of soft, deep tones.In his oeuvre, the night is amiable, cozy, full of calm and warmth. Mezzotint is a technically exacting and delicate method. Švabinský had his mezzotint plates machine-rocked with fusiform dots, which were larger and less vulnerable. He did this because while working outdoors at night, he could have easily damaged the plates. More than any other technique, mezzotint requires an absolutely unique subject. It must be dark so that the material may be used as beautifully as possible. An August night in 1911 in Kozlova inspired the subject for Švabinský’s print. The weather was unusually hot, the stars sparkled with brilliance. An enormous linden tree stood next to the land opposite the farmhouse. Enchanted by the motif, Švabinský had a large plate brought in from Prague and for several nights he worked on it based on what he actually saw, a small lamp hanging from his neck.” From J. Kaušitz, Se Švabinským o grafice (With Švabinský about Graphic Art), SPN 1959, no. 26.
OLDŘICH BLAŽÍČEK 1887 - 1953: THE THAW IN VEŘOVICE, MORAVIAN WALLACHIA 1918 Oil on canvas 85,5 x 89,5 cm Signed lower right: "O. Blažíček/ 1918" The composition of the painting captures a view of a gated farmhouse among the trees with remnants of thawing snow along the path. According to the expert opinion prepared by PhDr. Nadìžda Blažíčková,“The Thaw in Veřovice, Moravian Wallachia is a very beautiful painting by Professor Oldřich Blažíèek from his early period, in 1918. The painter often enjoyed capturing the atmosphere of winter in the countryside. Blažíček was a plein air painter, painting outdoors every season of the year. Farmhouses capped with snow, during the thaw, and in springtime inspired many recordings by Blažíček. The Thaw in Veøovice, Moravian Wallachia testifies to Blažíček’s art of aptly expressing the atmosphere in the countryside with snow and the thaw. The space is constructed through long and soft, flowing brushstrokes; the perspective is excellent, as is the use of color. It is dominated by brown, white and blue tones and shades. Blažíèek always worked with lightness, spontaneity and joy. The farmhouses in Štramberk are a first-rate work by Blažíček and will be published in an upcoming monograph of the artist’s work.”
LADISLAV BENEŠ 1883 - 1956: SPEED, STRENGTH, RESISTANCE 1921 Bronze, marble 70 cm Marked on back: "L. BENEŠ" and debossed mark of Brothers Barták Prague. Inscriptions along sides of plinth: "RYCHLOST/ SÍLA/ ODPOR/ VÍTĚZI SOUTĚŽE SPOLEHLIVOSTI ČESKOSLOVENSKEM 1921 - MINISTERSTVO NÁRODNÍ OBRANY" ("Speed / Strength / Resistance / Winner o Sculptor Ladislav Beneš, together with Jan Štursa and Otakar Španiel, can unquestionably be included among the most important exponents of their generation, applying a new understanding of classicism to their work. Beneš composed the sculpture, which was commissioned by the Czechoslovak Ministry of National Defense, in the spirit of a new philosophy as an allegory of movement as represented by female nudes of Speed, Strength and Resistance. The modern era can also be sensed from the automobile, from which the towering sculpted figures are thrust forward.Ladislav Beneš, who studied under Professors Celda Klouèek and Stanislav Sucharda, was a member of the Mánes Union of Fine Artists in 1907–1934 and Umělecká Beseda from 1911. Although unfairly forgotten in his home country, his work has been exhibited in Cologne, Zagreb, Belgrade, Ljubljana, Munich and Vienna.
NO RESERVE Praeger (S. Rosamond) Further Doings of the Three Bold Babes, illustrations, ink inscription to front free endpaper verso, cracked hinges, ex-library with remnants of paper labels to front pastedown, original decorative cloth backed boards, library label to upper cover, rubbed and worn, [1898] § Tibbits (Annie O.) The Princess of the Loom, lightly browned, original printed paper wrappers, lacking lower wrapper, rubbed, slight chipping to corners and extremities, n.d. § Marshall (A. R.) "Doss Chiderdoss", "Pomes" from the Pink 'Un, original decorative paper wrappers, rubbed and worn, chipping and small loss to corners and spine extremities, 1897; and another, ob.4to & 8vo (4)
Two 1980s dresses, shirt dress from Bellino, beige button through top with drawstring waist and peplum over shocking pink skirt and pink leg o mutton sleeves, pink handkerchief in pocket (size 14) together with drop waist Laura Ashley dress in bold floral viyella with lace collar (size 12) (2)
Silver open face pocket watch by J. Renwick, Preston , white enamel dial with Roman numerals and subsidiary dial to 6 'o' clock, engraved shield decoration to reverse, marks to inside case for Chester, 1899, case size 55mm, also a silver open face pocket watch by T. Gibson Poole, enamel dial marked 'T. Gibson Poole, 12 & 14 Wilson Street, Middlesboro', Roman numerals and subsidiary dial to 6 'o' clock, engine turned decoration and shield to reverse, marks to inside case for Albert Waterfall, Chester, 1889, case size 53mm, and a silver Swiss open face pocket watch by J.G. Graves, Sheffield, white enamel dial with Roman numerals and subsidiary dial to 6 'o' clock, engine turned decoration and shield to reverse, inside case stamped 0.935, and '409906', case size 52mm. Condition reports are not available for this auction
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