S HARRIS OXTON (British fl 1886-1930); an illuminated manuscript 'Abide with Me', with the verses in full within a border of colourful foliate scrolls, label verso, 25 x 220cm, framed and glazed, with another by the same artist in Welsh, commemorating O. J. Owen MA with his photograph in the top right corner, dated 1906, within an elaborate scrolling border, signed S H Oxton Illuminator, 12 Preesons Row, Liverpool, 41 x 29cm, unframed (2). CONDITION REPORT The first example has some foxing. The second example has minor foxing. Both appear to be in relatively good condition.
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200715 item(s)/page
A vintage suitcase containing a mixed lot of ephemera relating to railways, to include books O. S. Knock; 'Scottish Railways', David Howarth & Stephen Howarth; 'The Story of P&O: The Peninsula & Oriental Steam Navigation Company', David Attenborough book, various books relating to Liverpool and The Wirral to include Grace Wyndham Goldie; 'The Liverpool Repertory Theatre', H. E. Young; 'A Perambulation of the Hundred of Wirral', etc, also four glass bottles, one stamped 'Liverpool'.
A group of eight boxed Bachmann OO gauge items (scale 1:76/00) to include a Class 4 11 Four Car Emu set, 7126 31-426A, Late SR Multiple Unit Green with Yellow Warning Panels, two engines, 31-996 LMS 10000 BR Green Eggshell Blue Waistband, 32-403 Class 25/3 Diesel D5269 BR Green Weathered engine and four rolling stock, 37-276B 27T Steel Tippler Wagon BR Grey 'Chalk Tippler', 33-079B China Clay Wagon BR Grey, 33-079 China Clay Wagon W/O Hood BR Grey and 33-326 Conflat with BD Container (Crimson) BR, and a Branch Line engine fitted with the Super Smooth Flywheel Gear Drive Motor No.31-452 Ivatt 2-6-2 Tank 41313 B.R. Lined Black (8).
Four ladies' dress rings to include a 9ct yellow gold opal floral set ring, size O, a 9ct yellow gold dress ring with large oval aquamarine-coloured faceted stone with white stone surround, size M, combined approx 8.6g and two silver rings, one with amethyst-coloured stone, one with large oval blue stone and white stone to either side (4). CONDITION REPORT The ring with large oval aquamarine-coloured stone is missing one of the white stones. All rings have scratches etc, but generally good condition.
A 'Flower Power' poster, 1960s, featuring John Lennon and Yoko Ono, designed by Ivan Ripley, proof coloured lithographic poster, published by Big 'O' Posters Ltd, numbered (BAT 8407),66 x 50.8cmCondition report: Unframed. One minor crease to the upper left corner. No pinholes. No traces of blue tack, sellotape or other adhesives. Additional image uploaded.
Eadmund (939-946), Penny, Two Line type [HC 1], Coenric, cene r · ic m¯o in two lines divided by three crosses, additional cross above and below, 1.17g/10h (CTCE –; SCBI BM –; N 692; S 1105). Small delamination in obverse legend, otherwise very fine, lightly toned; the moneyer seemingly unlisted and the type rare £400-£500
Æthelred II (978-1016), Penny, Last Small Cross type, Norwich, Eadwacer, eadpacr o nordp, 1.39g/10h (SCBI Copenhagen 1008, E Anglia 1208 and Doubleday 382, same dies; BEH 3119; N 777; S 1154). Wavy flan, some peckmarks, otherwise very fine, toned £150-£180 --- Provenance: E.L. Judson Collection, Part II, DNW Auction 55, 8 October 2002, lot 1042; J.R. Hulett Collection, Part VIII, DNW Auction 154, 3 December 2018, lot 8
Stephen (1135-1154), Penny, Cross Moline type [BMC I], Durham, Henri [?], h[——] o[—] dvn, 0.83g/11h (Allen, BNJ 2012, p.109; Mack 12b; N 873; S 1278). Bent and with reverse surface crack, flat in places, otherwise good fine, very rare £400-£500 --- Provenance: Found in North Norfolk February 2021
Staffordshire, Burton-upon-Trent, Sol Clark, Farthing, 0.39g/9h (Watkin 8; N –; D 8A); Walsall, Robert Stotesbury, Halfpenny, 1663, 1.54g/6h (Watkin 107; N –; BW. 86); Wolverhampton, [Christopher Clarridge], Farthing, kitt o th cock, 0.70g/12h (Watkin 120; N 4231; BW. 98) [3]. Varied state, all rare £60-£80 --- Provenance: W 8 bt November 1983; W 107 bt N.A. Clark September 2010; W 120 bt M. Eden September 2011
(See English version below)Silvia Bächli (Baden 1956). „Ohne Titel“. 2004Tuschfeder auf Velin, im Künstlerrahmen. 61,9 × 43,9 cm ( 24 ⅜ × 17 ¼ in.). Rückseitig mit Bleistift bezeichnet, monogrammiert und datiert: O N S. B. 04.Das Werk ist unter der Nummer sb2004_043 im Achiv der Künstlerin registriert.–[3478]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Blatt mit vereinzelten minimalen Dellen und unterhalb der Oberkante Mitte eine kleine Delle. An den Oberkanten links und rechts jeweils ein kleiner Papierabrieb (bis zu 0,5 x 1,4 cm). In drei Blattecken jeweils ein kleines Montierungslöchlein. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig in den oberen Ecken mit beidseitigem Klebeband auf den Unterkarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Silvia Bächli (Baden 1956). ”Ohne Titel”. 2004Pen and India ink on wove paper, in artist's frame. 61,9 × 43,9 cm ( 24 ⅜ × 17 ¼ in.). Inscribed, monogrammed and dated in pencil on the reverse: O N S.B. 04.The work is registered in the artist's archive under the number sb2004_043.–[3478]Condition report: Fine harmonious overall appearance. The sheet edges have no tears or losses. The sheet has isolated minimal dents and one small indentation below the upper centre edge. Minor paper abrasion on each side of the upper edges (up to 0,5 x 1,4 cm). Three sheet corners have minuscule mounting holes. Ultraviolet light reveals no retouchings or repairs. Mounted on the upper corners of the reverse with double-sided adhesive tape onto the support cardboardWe charge 30% premium on the hammerprice.
(See English version below)Nan Goldin (Washington D.C. 1953 – lebt in New York und Paris). „Joey in my mirror, Berlin, 1992“. 1992/2009C-Print. 26 × 40,3 cm (30,3 × 44,9 cm) ( 10 ¼ × 15 ⅞ in. (11 ⅞ × 17 ⅝ in.)). Rückseitig auf dem Etikett signiert.Einer von 500 nummerierten Abzügen. Berlin, C/O Berlin, 2009. [3449]Zustandsbericht: Ex. 61/500. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Blatt minimal gewellt. Im unteren Blattbereich mittig zwei leichte Knickspuren (jeweils ca. 0,2 x 1,2 cm). Innerhalb der Darstellung schwache Knicke. Im linken Blattbereich vereinzelt leichte Schlieren (nur im Streiflicht erkennbar)Wir berechnen auf den Hammerpreis 30% Aufgeld.Nan Goldin (Washington D.C. 1953 – lives in New York and Paris). ”Joey in my mirror, Berlin, 1992”. 1992/2009C-print. 26 × 40,3 cm (30,3 × 44,9 cm) ( 10 ¼ × 15 ⅞ in. (11 ⅞ × 17 ⅝ in.)). Signed on the label on the reverse.One of 500 numbered prints. Berlin, C/O Berlin, 2009. [3449]Condition report: No. 61/500. Fine, harmonious overall appearance. The sheet edges have no tears or losses. The sheet is minimally warped. Two slight creases (each approx. 0,2 x 1,2 cm) in the centre of the lower sheet area. Faint creases within the image. In the left sheet area isolated slight smears (only visible in raking light)We charge 30% premium on the hammerprice.
(See English version below)Robert Indiana (New Castle/Indiana 1928 – 2018 Vinalhaven/Maine). „Die Deutsche Liebe (Hommage à Documenta)“. 1997Farbserigrafie auf Papier. 46 × 45,7 cm (60,9 × 50,7 cm) ( 18 ⅛ × 18 in. (24 × 20 in.)). Signiert und datiert.Nicht mehr bei Sheehan.–Einer von 100 nummerierten Abzügen. Lübeck, Robert Indiana und Kunsthaus Lübeck, 1997. [3970]Zustandsbericht: Ex. 91/100. Harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. An der Unterkante links minimale dunkle Bereibungsspur, Vereinzelte schwache Bereibungsspuren. Oben rechts im "O" zwei winzige Fleckchen. Unten rechts im "E" eine kleine, bogenförmige schwache Delle. Rückseitig jeweils in den Ecken mit Flüssigklebstoff auf ein Passepartout montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Robert Indiana (New Castle/Indiana 1928 – 2018 Vinalhaven/Maine). ”Die Deutsche Liebe (Hommage à Documenta)”. 1997Colour silkscreen on paper. 46 × 45,7 cm (60,9 × 50,7 cm) ( 18 ⅛ × 18 in. (24 × 20 in.)). Signed and dated.Date not covered in the catalogue raisonné by Sheehan.–One of 100 numbered prints. Lübeck, Robert Indiana and Kunsthaus Lübeck, 1997. [3970]Condition report: No. 91/100. Harmonious overall appearance. Sheet edges without any tears or losses. Minimal dark scuff mark at the lower edge on the left, isolated faint scuff marks. Upper right in the "O" two minuscule stains. Lower right in the "E" one small, bow-shaped faint indentation. On the reverse mounted on a mount with liquid glue in each of the cornersWe charge 30% premium on the hammerprice.

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200715 item(s)/page