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William Leybourn: 1685 A Platform for Purchasers, A Guide for Builders, A Mate for Measurers. An Account whereof is given in the Preface to the Reader. To His Honoured Friend John Tillison, Pay-Master and Clerk of the Works to the Cathedral of St. Pauls, 340pp with fold outs 7" leather bound with early refurbished spine, small tear to front cover o/w marvelous for age
Twain (Mark) The American Claimant, frontispiece and illustrations by Beard, 8pp. publisher's advertisements, hinges pulling, New York, 1892 § [Desclos (Anne Cécile)], "Pauline Reage". Story of O, Olympia Press, [1970] § Nabokov (Vladimir) Lolita, 2 vol., second edition, Paris, Olympia, 1958 § Highsmith (Patricia) The Talented Mr Ripley, ex-library copy with ink stamps, traces of paper labels to pastedowns, browning to endpapers, 1955, first and last first editions, last first issue, second first English edition, third original wrappers, else original cloth, first stamped in gilt and black, first and last a little worn, third spines and margins faded, second and last dust-jacket, last with loss and spine faded, creases and a few short tears; and 31 others, similar, 8vo & 4to (36)
GERMAN CINEMA: Selection of vintage signed postcard photographs by various German film actors and actresses including Maria Schell, Hardy Kruger, O. W. Fischer, Willi Forst, Margit Nunke, Rene Deltgen, Ursula Thiess, Willy Fritsch, Fita Benkhoff, Eva Maria Meineke, Oskar Sima, Anton Walbrook etc. Generally VG, 14
Tenniel (John, 1820-1914). On the "Quay Vive"!, 1898, pencil on paper, depicting foreign sailors queuing up with baskets in front of a British sailor on a quay, beneath a sign 'British Coaling Station', monogrammed and dated lower left, image size 20.5 x 16 cm (8 x 6.25 ins), with signature and caption in pencil on card beneath in the artist's hand: 'On the "Quay Vive"! John Bull "What, maties! Want some o' my coal to get to China! Right you are!" (to himself) "I can always stop the supplies!" Punch. Jan. 22. 1898.', both laid down in mount (manuscript title not visible through aperture), together with A New Departure, pencil on paper, showing William Edward Forster's departure as Chief Secretary for Ireland after resigning from Gladstone's government, against a background of cheering crowds, monogrammed lower left, 20 x 15.5cm (8 x 6 ins), mounted, with printed Punch cartoon dated 1882 for which the sketch was drawn mounted on verso, plus Leech (John, 1817-1864) , Pleasures of Housekeeping, [published in Punch, 1849], pencil sketch on card, depicting a lady laying the table with a gentleman standing with his back to the fire reading a newspaper, titled in pencil above and captioned in pencil below (in the artist's hand): 'The cook says that she thinks there's a slate loose on the roof of his house for the water comes into the servants' bedroom. Mr. Briggs replies that the sooner it is put to rights the better, before it goes further - and he will see about it', lightly toned, image size 9 x 12.5 cm (3.75 x 4.75 ins), mounted (Qty: 3)
Slaughter (Karin, editor). Like A Charm, Scorpion Press, 2004, original morocco-backed boards, acetate wrapper, 8vo, limited edition 112/120, signed by all 15 contributing authors, together with A Sight for Sore Eyes, by Ruth Rendell, Scorpion Press, 1988, original morocco-backed boards, acetate wrapper, 8vo, limited signed edition 6/99, plus The Scold's Bridle, by Minette Walters, Scorpion Press, 1994, original morocco-backed boards, 8vo, limited signed edition 7/75, together with other Scorpion Press limited signed editions by Ruth Rendell, Lindsey Davis, Barbara Cleverly, Louise Penny, Barbara Vine, Carol O' Connell, Sara Paretsky and others (Qty: 20)
A fine late 17th century verge table clock by James Hunt, London the 7 inch brass dial signed on the silvered chapter ring, the matted centre with pendulum aperture, ringed winding holes and date aperture. At 12 o`clock the sliding strike control marked S and N , mask spandrels, the two-train five pillar movement signed on the engraved backplate Jams Hunt London, pull quarter repeating on two bells. The ebony case is later and accommodates the added arch dial although the carrying handle would appear to be 17th century, height excluding handle 43cm. Note:- There is a James Hunt recorded as being an apprentice to Joseph Knibb.(See illustration)
Silver open face pocket watch by J. Renwick, Preston , white enamel dial with Roman numerals and subsidiary dial to 6 'o' clock, engraved shield decoration to reverse, marks to inside case for Chester, 1899, case size 55mm, also a silver open face pocket watch by T. Gibson Poole, enamel dial marked 'T. Gibson Poole, 12 & 14 Wilson Street, Middlesboro', Roman numerals and subsidiary dial to 6 'o' clock, engine turned decoration and shield to reverse, marks to inside case for Albert Waterfall, Chester, 1889, case size 53mm, and a silver Swiss open face pocket watch by J.G. Graves, Sheffield, white enamel dial with Roman numerals and subsidiary dial to 6 'o' clock, engine turned decoration and shield to reverse, inside case stamped 0.935, and '409906', case size 52mm. Condition reports are not available for our Interiors Sale
An 18-carat white-gold large rubellite and diamond cluster ringApprox. dimensions are: approx. 15mm high x approx. 13mm wide across the face x approx. 7mm deep. An estimate as it is in a claw work setting. Under a x 10 lense there appears to be several very small inclusions within the stone although these aren’t visible with the naked eye. A very good ring overall with a nice colour central stone. The diamonds appear quite bright around the oval rubellite stone and set it off very well. The other stones around the claw settings and on the shoulders although small are generally of good quality. Although not exactly “bright white” are still good enough to present the ring in a very good light. Generally good condition but under a loupe very minor surface scratches can be seen to some of the metal otherwise in very good overall original condition with no problems, repairs or damage noted. Weight approx. 10.10g. Ring size O
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175434 item(s)/page