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Jimmy Edwards signed 6x3 b/w photo. 23 March 1920 – 7 July 1988 was an English comedy writer and actor on radio and television, best known as Pa Glum in Take It From Here and as headmaster "Professor" James Edwards in Whack-O!. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Dallas (Robert Charles) Percival, or Nature vindicated, 4 vol., first edition, half-titles, that in vol. 1 lacking, spotted, [Garside and Schöwerling 1801;20], A. Strahan, for T.N. Longman and O. Rees, 1801; Aubrey: a Novel, 4 vol., first edition, half-titles where called for, lightly browned, [Garside and Schöwerling 1804:16], Printed for T.N. Longman and O. Rees, 1804, engraved armorial bookplates of Granville Leveson-Gower, 1st Earl Granville, uniformly bound in 20th century half calf over contemporary blue marbled boards, gilt spines in compartments and with red and black morocco labels, 12mo (8)⁂ Rare first editions of Dallas's first and second novels. Dallas was a Jamaican-born British poet and writer, who was acquainted with the young Byron and acted as something of a literary agent for him. He was responsible for arranging the publication of English Bards with James Cawthorn and for placing the first two cantos of Childe Harold with John Murray.
Hogarth (William) A fine collection of 87 etchings and engravings by and after William Hogarth, including good impressions of the key works with wide margins, etchings and engravings on thick laid paper, the majority well inked and printed circa 1760-1800, originally bound as a composite collection but the plates are now largely loose, the larger sheets with stitch-marks from being bound, smaller plates conjoined, others tipped onto large folio leaves, occasional surface dirt and handling creases throughout, near contemporary half-calf green morocco, marbled boards, very worn, spine split, [compiled late 18th early 19th century].⁂ Original suites by Hogarth that are included, amongst others, are: - Marriage-a-la-Mode, the set of six [Paulson 158 vi/viii, 159 iii/v, 160 ii/iii, 161 iii/iv, 162 iv/v, 163 iii/iii]; - A Rake's Progress, the set of eight [P. 132-139, final state impressions];- A Harlot's Progress, the set of six [P. 121-126, final state impressions];- The Four Stages of Cruelty, the set [P. 187-190, final state impressions]; - Four Prints of an Election, the set [P. 198-201, final state impressions];- The Four Times of the Day [P. 146-150, final state impressions];- Beer Street and Gin Lane [P. 185 iii/iv and P. 186 iii/iv];- Mr Garrick in the Character of Richard the 3rd [P. 165]; - O The Roast Beef of Old England &c [P. 180];- The Enraged Musician [P. 152];- The Distressed Poet [P. 145]
δ Cockerell (Sydney) & Joan Rix Tebbutt, binders.- Lines of the Alphabet in the Sixteenth Century, one of 600 copies, printed in red & black, erratum slip loosely inserted, bookplate of Lord Wardington, bound in vellum, by Sydney Cockerell, designed by Joan Rix Tebbut, covers tooled with thin vertical lines in gilt and black ink with spaces of varying width forming a large "O" on the upper cover and "I" on lower, spine lettered in black by Tebbutt, Cockerell marbled endpapers, signed "19 JT SC 67" at side of rear turn-in, g.e., goatskin-edged marbled board slip-case, 8vo (255 x 170mm.), Stellar Press & Bodley Head, 1965.⁂ Superb binding, a typical collaboration between the binder Sandy Cockerell and the artist & calligrapher Joan Rix Tebbutt.Sydney "Sandy" Morris Cockerell (1906-1987) was the son of the bookbinder Douglas Cockerell and nephew of Sir Sydney Cockerell, secretary to William Morris. He trained at the Central School of Arts and Crafts and became a partner in the family bookbinding firm in 1923. Joan Rix Tebbutt (1910-2005) studied calligraphy at Glasgow School of Art and later taught lettering and design there. She and Cockerell collaborated on many similar bindings, from 1948 over the next 30 years.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A 14 carat gold and diamond set quarter repeating open faced pocket watch, of Iranian Royal interest, the white enamel dial with black Roman numerals, subsidiary sunken seconds dial, black painted open work hands, the case with applied raised relief of the Arm of Persia, used until 1907, the lion with rose diamond set eyes, standing on a line of rose cut diamonds, the four piece hinged case stamped 'LBF', 'O,585' a crown mark and Swiss squirrel control mark, also inscribed 'M&C' over '1865-1895', and 30769, the gold curette inscribed 'Repetition', 'No30769', 'Ancre', 'Ligne'. Droite Spiral Breguette', 'Levees Visibles', Balancie Compense', the movement visible under glass dust cover, sitting lever to the left of the winding crown and bow, repeat slide to right hand side, 5.1cm overall diameter, 98.3g gross, with fitted box, the inside material lined cover also with the National Arms of Persia in black, accompanied by various certificates and paperwork of recent issue
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