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200701 item(s)/page
Lot 219
3x O Gauge 3-Rail 0-6-0 Steam Locomotives - Comprising of NER Black 0-6-0 Locomotive, plastic body (possibly Lima), brass chassis with sprung 3-Rail centre pickup and tinplate construction tender. Black 0-6-0 Locomotive, heavy metal body locomotive with brass chassis and sprung 3-Rail centre pickup, plastic construction tender. LMS Black 0-6-0 Locomotive - plastic body and tender (possibly Lima) with a brass chassis and 3-Rail centre pickup, loco body is loose on chassis, requires 2x screws refitting to secure body (not included).
Lot 222
Approximately 150ft of 'O' Gauge 3-Rail Track. Kit built construction (possibly Bassett Lowke or simular), made up of brass rail, wooden sleeper and white metal rail chairs. Some will require repair, as all track was lifted from a layout. Included in lot is spare parts to repair or add further track. Including 17x Points and Crossovers (average approx length of each point 1.5ft). 150ft approx was calculated including points.
Lot 224
4x 'O' Gauge Coaches and 1x 'O' Gauge Wagon. 3x Lima Coaches, repainted and fitted with white metal bogies, chain link couplings fitted. 1x Exley Coach (marked Exley underneath), metal construction, possibly repainted, glass windows and original hook type couplings still present. 1x Kit built flat bed wagon, white metal frame body with wooden top.
Lot 225
7x 'O' Gauge Coaches. 3x Midland Livery Lined Crimson Clerestory Roof, 1x Caledonian Blue/White. 1x Southern Green, 1x LNER Teak, 1x NE Goods. Construction comprises of mostly wood, cast white metal or plastic bogies (mixed), under frame axles and buffers. Chain link couplings and hook type couplings fitted, finished to a reasonably good standard.
Lot 97
Bassett Lowke 'O' Gauge 5302/0 LMS 4-4-0 Compound 3-Rail 12v Electric Locomotive. The model itself presents in near mint condition. Featuring lithographed livery, and accurate die cast detailing and cast iron driving wheels. The locomotive is powered by a 12 Volt DC spur drive mechanism. The outer box packaging lid is in poor condition, with split corners. Included is some Bassett Lowke period ephemera.
Lot 251
1956 Lagonda 3-Litre Drophead Coupé Registration no. 251 UXK (not registered with DVLA)Chassis no. SABTVRO 3295180003 (see text)•Restored and adapted from saloon to drophead configuration circa 2005•Present ownership since 2012•Manual transmission•Offered at No ReserveFootnotes:David Brown's take-over of Lagonda in 1947 allowed production of the latter's W O Bentley-designed all-new model to commence the following year, while simultaneously making Lagonda's 2.6-litre twin-cam 'six' available for the new Aston Martins. An advanced design employing a cruciform-braced chassis with independent suspension all round, the Lagonda was available as a saloon or drophead coupé, both with coachbuilt bodies. The interior with its leather upholstery, plentiful walnut and quality fittings stood comparison with that of the very best in the luxury car class. When the new 3-Litre model was announced in 1953, coachbuilders Tickford assumed sole responsibility for body production. The newly enlarged engine now produced 140bhp, an output good enough for a top speed in excess of 100mph despite the gain in weight over the '2.6'. Expensive to produce and necessarily exclusive, the luxurious Lagondas did not sell as well as their manufacturer had hoped, though high-profile owners included HRH The Duke of Edinburgh (two dropheads) and actor Peter Ustinov (just the one). The accompanying guarantee form copy shows that, chassis number 'LB/290/1/213' (see below) was built as a Series II saloon and supplied new via Charles Sidney Ltd to the Newcastle Chronicle & Journal Ltd. Its first registration number was 'DGB 1'. Various subsequent owners are listed up to September 1972, one of them the News of the World newspaper, while servicing notes record the installation of a service exchange engine in August 1967, by which time the registration had changed to '126 EBB'. In 2005 it is understood that the Lagonda was comprehensively rebuilt and fitted with the body from a Mark 1 saloon ('LB/290/68'), which was converted to drophead configuration during the rebuild. A measure of the restoration's quality at the time may be gained from the fact that the Lagonda won the 'Car of the Show' award at Tatton Park in 2006 and 2007. The current DVLA-issued VIN number dates from 2005, on the chassis plate is also listed LB/290/68/213, which appears to be a combination of the chassis and body used in the restoration. ('SABTVRO' numbers are assigned by a vehicle registration office when the original identity of a bodyshell or chassis frame cannot be determined.) Accordingly, prospective purchasers should satisfy themselves with regard to the originality and correctness, or otherwise, of this vehicle's components prior to bidding. The car appeared at auction with Historics in October 2011 and the current owner acquired the car from Aston Martin Works Service in April 2012. The invoice copy describes the car as finished in Silver with Grey trim and Black hood, and records the mileage as 70,910 (current mileage is recorded as 70,914). Having been stored for the intervening period, the car will require some re-commissioning prior to road use. Now being offered for sale from overseas, the car will attract the low import duty rate of 5% if it is to remain in the UK and require re-registering.Lot to be sold without reserve.This lot is subject to the following lot symbols: * N* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.N MOTORCYCLESIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (SHIPPIO) to undertake the NOVA and C88 (customs) application if applicable on the Buyer's behalf. A fee of £125 + VAT to do so will be added to the Buyer's invoice.CARSIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (CARS) to undertake the NOVA on the Buyer's behalf. A fee of £250 + VAT to do so will be added to the Buyer's invoice.For further information on this lot please visit Bonhams.com
Lot 162
ROYAL DOULTON FIGURE OF 'ELEANOR', HN 4015, 23cm high, along with another six other Royal Doulton figures including 'Winter Welcome', HN 3611, 18cm high, 'Top 'O the Hill', HN 1834, 18cm high, 'Paula' HN 2906, 18cm high, 'Alexandra', HN 3286, 20cm, 'Happy Birthday, HN 3095, 20cm high, and 'Gail', HN 2397, 20cm high (7)
Lot 200
ROYAL DOULTON FIGURE OF 'FRAGRANCE', HN 3250, 9cm high, along with another seven other Royal Doulton figures including 'Top 'O the Hill', HN 3734, 10cm high, 'Forget Me Not', HN 3388, 16cm high, 'Hello Daddy', HN 3651, 15cm high, 'Quiet They're Sleeping', HN 3657, 15cm high, 'Amanda', HN 3635, 14cm high, 'Welcome', HN 3764, 15cm high and 'First Performance', HN 3605, 16cm high (8)
Lot 190
Goldkette mit verstellbaren Schiebern. Römisch, Nordafrika, 3. - 4. Jh. n. Chr. 66,45g. L ca. 65cm. Aus vier Fuchsschwanzketten aus dünnem Golddraht, deren Enden in zwei vasenförmige Schieber eingehängt sind und zwar so, dass die Ketten vorher durch den jeweiligen Gegenschieber laufen. Auf diese Weise lässt sich die Länge der Kette verändern. Außerdem laufen die Fuchsschwanzketten durch eine geriefelte, bikonische Tülle aus dünnem Goldblech. Die Schieber haben zentral einen quadratischen Querschnitt und sind mit einem Kreisornament sowie Palmetten in den Zwickeln, die gepunzt sind, dekoriert. Gold! Tülle an einem Ende etwas beschädigt und antik repariert. Provenienz: Ex Münzzentrum Rheinland, Solingen, Auktion 191, Juni 2020, Los 346; ehemals Sammlung Klaus Schüller. In Deutschland seit vor 1973. Publiziert in: Antiken aus rheinischem Privatbesitz. Ausstellung Bonn (1973) Kat. 414 mit Taf. 185. Es gibt zwei Parallelstücke zu unserer Kette, die beide in Ägypten gefunden wurden und mit Münzanhängern dekoriert waren. Beide Stücke weisen in Herstellungstechnik und Konstruktion große Übereinstimmungen mit unserem Stück auf. Der jüngste Münzanhänger stammt von Gordian III. (238 - 243 n. Chr.). Siehe dazu: Rudolph Lepke's Kunst-Auctions-Haus Berlin. Katalog 2008, 1929, Los 111 mit Taf. 61 (Sammlung Baurat Schiller); Kette im Kunsthistorischen Museum in Wien (Inv. Antikensammlung VII 813, Lit.: O. Voetter, Sammlung Bachofen von Echt. Römische Münzen und Medaillons [1903] Taf. 46).
Lot 597
Lot Keramik aus dem Meer. a) Spätrömische Transportamphora. Östlicher Mittelmeerraum, 6. - 8. Jh. n. Chr. H 46cm. Aus rötlichem Ton. Benghazi LRA 13. Gebrochen und geklebt. b) Italische Kanne mit hohem und geripptem Henkel mit kleinen Rotellen am Henkelansatz. Aus rotem Ton. 7. - 6. Jh. v. Chr. H 28,6cm. Mehrere Ausbrüche am Gefäßrand. Und c) bauchiger, neuzeitlicher Topf mit kurzen Ösenhenkeln. H 17,5cm. Risse im Corpus. 3 Stück! Amphora mit modernem Ständer! Alle mit Meeresbewuchs. Provenienz: Ehemals in der norddeutschen Privatsammlung O. B., in den 1950er Jahren erworben. Bei Gorny & Mosch, München Auktion 275, 2020, Los 50.
Lot 89
Torso eines Epheben. Römische Kaiserzeit, 1. Jh. n. Chr. H 37,5cm. Weißer, feinkristalliner Marmor. Erhalten ist der Hüft- und Oberschenkelbereich eines zarten Knaben, dessen rechtes Bein vorgesetzt, das linke etwas zurückgesetzt war. Die Hüfte ist stark gebeugt, was insbesondere an den deutlich in der Höhe versetzten Glutäen erkennbar wird. Am linken Oberschenkel ein großer Puntello. Mit Art Loss Register Report! Fragmentarisch. Provenienz: Ex Privatsammlung O. W., Wien, erworben Anfang der 1990er Jahre in der Galerie Socowi, Wien; in Deutschland seit 2017. Die Figur geht typologisch wohl auf Urbilder der polykletischen Schule wie den sog. Epheben Westmacott oder den sog. Narkissos (seitenverkehrt) zurück. Letzerer stützt sich mit einer Hand auf einen Pfeiler, was zu einem ebenso stark versetzten Standmotiv führt. Vgl. H. Beck - P. C. Bol - M. Bückling (Hrsg.), Polyklet - Der Bildhauer der griechischen Klassik. Ausstellung Frankfurt am Main (1990) S. 599 ff. und bes. 699 f. Kat. 169.
Lot 993
1966 FIFA WORLD CUP ENGLAND 84-page tournament programme produced by Esso in Brazil prior to the start of FIFA World Cup. Titled ''O Brasil Na Copa do Mundo'' Includes colour covers, history of the previous FIFA World Cup's, tournament fixture tables, tournament previews, qualification details, history of Brazil in previous World Cup tournaments, many pictures and extensive previews. Generally good
Lot 130
David Lock Misfit, 2021 Watercolour and Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) David Lock's paintings explore men and masculinities in a process of becoming. The paintings utilise a collagist approach. In the process of creating his 'Misfit' paintings, he makes collages culled from advertisements and imagery from mainstream magazines. In their making, the collages and subsequent paintings have a performative quality. Lock is investigating how to create a multitude of subject positions, upon which signifiers are free to float, shifting identification from one fragment to another. In this sense the paintings resist a single reading or viewpoint, and instead any reading is unmoored, fluid and contingent. A sense of vulnerability is reinforced by the paintings being composed from collaged elements. He was a Prizewinner in the 'Creekside Open 2019', selected by Sacha Craddock. In 2018, Lock's painting 'El Muniria' was selected for the 'John Moores Painting Prize', after which, the Walker Art Gallery, Liverpool purchased the painting for its permanent collection. He is a recipient of the prestigious Abbey award at the British School at Rome in 2012 Recent exhibitions include 'RA Summer Exhibition 2021 at Royal Academy of Arts, 'between parts undone - Paintings by David Lock, Gavin Maughfling and J. A Nicholls' at studio1.1, London, and 'Telescope', at Jerwood Gallery Hastings. He is currently working on a commission for 'Hospital Rooms' for 2021. He lives and works in London. Education 00-01 MA Fine Art Goldsmiths, London 99-00 PG (Dip) Fine Art Goldsmiths, London 95-99 BA (Hons) Fine Art University of Reading, Reading 94-95 Art Foundation De-Montfort University, Leicester Exhibitions Solo Exhibitions 2018 'Fragmented Eros', studio.1.1, London 2008 'John Jones Work on Paper Prize', Zoo Art Fair, London 2007 'Misfits & Maladies', FRED London/Leipzig Recent Group Exhibitions 2021 - 'Darkness at Noon', curated by Ruth Callard and Mimei Thompson, APT Gallery, London (forthcoming) 'Summer Exhibition', Rarity Gallery, Mykonos, Greece (forthcoming) 'Stand Close and Breath Me In', curated by Enzo Marra, Oceans Apart, Salford travelling to Pineapple Black, Middlesborough (forthcoming) 'Bare Bones', curated by Ian Thomas, AIRspace Projects, Sydney, Australia 2020 'Miniatures and Masterstrokes', Rye Art Gallery, East Sussex 'Summer (Winter) Exhibition', Royal Academy of Arts, London 'John Lennon is Not Dead', curated by Harry Pye, Stash Gallery at Vout O Reenees, London 'EXH 02', Floorr Magazine, online exhibition. 'between parts undone - Paintings by David Lock, Gavin Maughfling, J.A Nicholls, studio1.1, London 2019 'Creekside Open', curated by Sacha Craddock, APT Gallery, London (Prizewinner) 'Telescope', curated by Nigel Cooke, Jerwood Gallery, Hastings 2018 'Rules of Freedom', curated by Rosalind Davis, Collyer Bristow Gallery, London 'John Moores Painting Prize 2018', Walker Art Gallery, Liverpool 'Creative Rage', curated by Duovision Arts, Stoke Potteries Museum and Art Gallery, Staffordshire 'The Performativity of Painting', curated by Alex Roberts, Stephen Lawrence Gallery, Greenwich
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200701 item(s)/page